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Agfa Agaf Super Silette Automatic User manual

User manual for Agfa Agaf Super Silette Automatic. 38 pages in English. Read the original PDF, download or print a copy without registration.

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Brand
Agfa
Model / document
Agfa Agaf Super Silette Automatic
Document type
User manual
Language
English
Pages
38
File size
5.4 MB
Category
Film cameras
Document date
Not specified in catalog

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Page 4 · Read text
i
 I  €otch for Comero Bo:k     ALPHABETICAL LIST OF CONTENTS
2 Synchro Flosh Contoct
3  Flosh ond Deloyed Action                                Poge                              poge
    Selection Lever                     Accessori es                   30-3r    Flosh synchronizotion  l3-15
4 Shutter Releose                 Deloyed oction releose     22       Holding the comero      18-19
5 Coble Releose Connection       Depth of field              20       Looding the comero     24-25
5 Exposure Meter lndicotor          Depth-of-field toble        32-33     Porol lox                     17
   Window.                                 Double exposure                   Photogrophic hints       28
 7 Accessory Shoe                       prevention               25     Rongefinder            16-17
8 Viewfinder Eyepiece               Exposure                     l8-19    Rewinding the film        26
 9  Locking Button for '10           Exposure meter reoding   7-13    Shutter speeds ond
                                                          operfures              8-10l0  Rewinding Button               Film counter                 4
                                                                       Short guide               27ll  Aperlure Setting Ring            Film speed                   3
                                                                     Snopshot setting           21
12 Pressure Key for setting the      Fila tips                    22-23                                                               Toble of comporotive
    film speed                        Film tronsport               (           film speeds            7
l3  Depth-of-Field Scole             Film fype indicotor disk   2     Time exposures         13-14
l4  Focusing Ring                          Filters                       29       Unlooding the comero  26




                                                                                         *.:i.til!:.';
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Page 5 · Read text
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A VERY OLD WISH OF YOURS
hos ol lost come true. You ore the owner of o new comero, fhe technicolly perfect
Agfo Super Silette Automotic. You ore to be congrotuloted on your choice ond
we wish you mony hoppy hours of reloxotion with your comero, for this is whot
 it wos mqde for.
Your Agfo Super Silette Automotic ofiers you the following speciol odvontoges:
A coupled rongefinder, bright-line viewfinder, built-in exposure meter free from
scoles-coupled wiih shutter speeds ond diophrogm, ond o high-speed colour-
corrected onostigmotic lens of moximum definition.
We know thot you ore eoger to leorn more qbout this fine comero, ond so we                  t! J
suggest ihot you reod through this litfle booklet ond fomiliorize yourself with
your Super Silette Automotic.
Your photogrophic deoler moy hove helped you to "lood" the first film in the
comero. Films for 35 mm. minioture comeros ore wound on o spool enclosed in
o light-tight cossette qnd contoin either % or 20 exposures, the octuol size of
the picture being 24x% mm. There is o wide selection of different types of films
ovoiloble, ond further detoils of these ore given on poges 22/23.lf you hove not
been shown how to lood the comero, instructions ore contoined on poges 24/25.
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Page 7 · Read text
FILM TYPE INDICATOR DISK
The Super Silette Automotic is provided with o film
type indicoior disk so thoi you olwoys know whot
film is in ihe comero.  lt should be set when inseriing
the film.
To do this, push ihe smoll button in the direction of
the orrow (see illustrotion) ond the rewinding knob
will outomoticolly spring upwords. Now pull out
ihis knob os for os it will go ond grosp ihe disk
between thumb ond forefinger (see illustrotion). The
disk con then be set with the forefinger by its milled
edge protruding ot the bottom until the desired
symbol oppeors in the window. The disk is rototoble
in both directions.
lf, for exomple, you ore looding o black ond white
film, the block ond white morkings should be set
in the indicotor window (see illustrotion).
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When using o negolive colour film, set the
following lettering:
    CN :  negqtive colour film for doylighi ond
     ortificiol light (e. g. Agfocolor CN lZ or CN 14)
For colour reyersql film (from which colour
tronsporencies ore obtoined) two settings oreprovided:
    CT :  colour reversol film for doylight
    CK :  colour reversql film for ortificiol light
FILM SPEED SCALE
To ensure thot the built-in exposure meter is
odiusted to the speed of the film in the
comero it is necessory to sel the oppropriote
figure on the shutti-'r before moking the
exposure.
Belween lhe shutter speed scole ond the
operture ring you will see o smoll key-shown in ihe illustrotion underneoth the
photogropher's thumb (with orrow). This key
is depressed ond the other hond used to
turn lhe shufter speed setting ring unlil the
red dol mork is in line with the oppropriote
ASA number.
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Page 9 · Read text
FILM COUNTER
After looding lhe comero, lhe film
counter underneoth the comero should
be set to the storting position.
To do this, turn lhe milled ring in thedirection of the orrow (see illustrotion) vm
so thot the fixed mork is opposite the
green triongle. When using o cossette
with 36 exposures this is done by set-
ting the scole to the green lriongle between 36 ond l, for films with 20 exposures
the green triongle belween 25 ond 20. The comero is reody for the first exposure
ofter tronsporting the film to bring this number  (i. e. 36 or 20) opposite the fixed
setting mork (see illustrotion). The film counter indicotes lhe number of exposures
you still hove left on lhe film.
Three operofions ore therefore necessory when looding your comero before
toking the first photogroph:
Set the film type indicator, DIN  I ASA number and film counter at once, before
you forget!
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Page 10 · Read text
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FILM TRANSPORT
When looding the comero the stort of
the film is wosled by exposure to lioht
ond so you must firit m'oke two bldnk
exposures.
The ropid tronsport lever moves the
film on one frome eoch lime it is op-
eroted. Ploce your thumb behind this
lever ond swivel it round os for ospossible. lf the lever is blocked vou
will hove io press lhe shutter rele'ose
first. You should repeot this ooerotion
of film ironsport ond shutter'releose
twice ot ihe stori of every new film
before the comero is reody for use.
lf you inodvertently releose the ropid
tronsport lever only holf woy round
you. must toke hold of it ogoin ondpush it right round.

Coulion! The rewinding knob iurns os the film
rs. tronsported ond should therefore not benrndered In ony wqy.
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Page 11 · Read text
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    Focusing rirrg              @ Shutter speed setting ringo
    Depth-of-field scole                                         Filrn speed scole  irr ASA coupled to pressure@                    o                                                    r"v     Focusirrg nrot'k (set to l0  f t. irr tlre illustrotiort)                        @o
     Filrn speed pressure key          @ Aperture scole
    Shutter slreed sccle                                     Floslr ond Deloyed Actiorr Selectiorr Lever@o                    o    Aperture settirrg ring coupled to exposure                                                      Setting rnork for slrutter speed ortd dio-@                     @     n,.eter poirtter                                phrogm. Shutter speeds slrould engoge  itr
    Focusing scole                                            their click stops directly opposite the triorrgle.@

6
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WHAT YOU NEED TO KNOW             Comporotive Film Speeds
Lighting conditions ore subiect to con-                                           DIN            Scheiner Weston G.E.sideroble voriotions, which is why your
comero is fitted with different shutter    100      I    200    6       l0
speeds ond operlures of vorying size.       llo        l0    210       I        12
With both these meons you con odiust                                  'f 20      12     220    l0        16the comero to suit the porticulor light    130     16    230   12n
ond subject. Only o limited omount of    14      20    24    16     25light should be ollowed io reoch ihe    150     25     2520nfilm-occording to its speed-ond so    160     32     260   25   nit is up to you to see thoi the right     17"     40     27"   32      50omount is obtoined for eoch photo-     '180    50     28"   10   U
groph.                          190     61     no    50      80
This is where the built-in exposure    20a     80    300   u    lm
meler comes to your ossistonce;  it  is     2lo      t00      3lo    80    125
independently coupled to both, the    220   125    320   100    160
operture setting ring ond to the shutter     23"     160    330   125 m
speed setting ring.                  240    2ffi      3,lo   160   2fi
                              250  2n    350  2@   n0First moke sure thot you hove set the                              26    3n     36,0  250 mspeed         the               film              on the scole, os de-      of                                       zlo     400     370  3n      500                        3.         pogescribed       on                              280  5m    380  4m   64
                              790    610    390   500    800
                              300    800     40"   640   1000
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Page 13 · Read text
HOW TO DO IT
                                                              l. Shutler speed
                                                         First set o shutter speed suited to
                                             the porticulor subieci. For moving
                                                  obiecls  it is best to use o fost shut-
                                                ter speed (see illustrotion, for in-
                                             stonce 1/125 sec.). For photogrophs
                                           without o tripod only speeds be-
                                     tween 1/3g ond t/ss6 second ore
                                                       suited.

                                                  2. tight reoding
                                                Point the comero ot the subiect so
                ltrr@      tholthe photoelectricreflected lightcellfromthroughit reochesthe                    ta)         exposure meter window.

                                             Coulion! Do not cover the window
First set n suitable shuttt'r speed opposite tlta    of ihe photoelectric cell with your
  mnrk by ttu'ning thc front milled rittg.       finger when meosuring the light.

8
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Page 14 · Read text
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Now odiusl lhe exposure meter
pointer in its window (top of the
comero) to the centre of the set-
ting mork by turning the operture
setting ring (see illustroiion).
This is then the correct exposure
reoding ond gives lhe proper
operture for the shutter speed
originolly selected.

              B@

                                             Tttrrr  tltt, tlptrture  settirrg rittg to carrtrt' tht,
                                                   ytointer ort tht, settitre mlrk
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In our illustrotion on poge 9 on oper-  RED WARNING MARK
ture of f.4 wos found to be correct for                                       Occosionolly the light intensity of thethe originolly selected shutter speed of                                       subiect is less ihon the meosuring r7'11,i S€c. by centring the pointer on                                   ronge of the exposure meter will in-the setting mork.                                               dicote.
Just press down the shutter releose os                                          In borderline coses of this kind o reddescribed on poges l8 ond 19, ond you                                     worning mork oppeors over the pointerhove token your firsi photo.                                            ofter centring with the operture setting
 lf you ore unoble to centre the pointer     ring.
on the mork-becouse the milled ring                            You will olso notice it in the view-hos reoched the left or right stop-this                                               finder. This is o sure sign thot no reod-meons you hove set o shutter speed                                        ing is possibie ond so prevents incor-which is either too fost or too slow                                            rectly exposed film.for the lighting conditions. In such coses
select onother shutter speed ond re-
peot the procedure.
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Page 16 · Read text
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 The chief ollroclion of your comero is the exposure
 vqlue indicoiion reflected in the viewfinder which con be
 controlled ot ony time when viewing your subiect. When
 copiuring o series of subjects (such os scenes of sport,
ploy ond children etc.) this feoture proves to be espe-
 ciolly useful becouse smoll exposure flucluotions con
eosily be compensoted. Besides, the red worning mork
becomes visible in the viewfinder os soon os the lighting
conditions do not permit io ioke o picture (see illusiro-
tion below). The principle of the exposure meosuremenr
in the viewfinder is similor to the indicotion visible in the
window. Above the reflected luminous frome o fixed
block mork ond o pointer which con be moved by turning
the stop ring ore visible in o luminous window. As soon
os ihis poinier is exoctly centrol with the index morks
the correct exposure volue is set.
An exocl meosuring result con only be qchieved when
holding lhe comero in horizonlot position even if o
verlicol piclure is lo be foken.
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Page 17 · Read text
decide which ports must be rendered
                                         obsolutely correct, o foct of greot im-
                                    portonce with colour film. Close-up
                                         reodings should then be token of these
                                  more imporlonf ports of the subiect by
                                     opprooching it (wotching the exposure


                                                                                                                                                                                                                                                  '                                      :i,'J$:?,::T:,1fi,i:Ti[ll'ff:lsoMEHrN          meter) until the effect of brighter sur-                   nON EXPOSURE READINGS                                  exposure meter pointer no longer
                                  chonges its position oppreciobly on
                                        further opprooch to the subiect. The
                                       reoding thus obtoined is then used for
|nlondscopephotogrophythesky:',i[.J:n'"onfromyouroriginol
usuolly occupies o lorge port of ihe
picture ond is normolly lighfer thon
the remqinder of the subiect, ond so
you should point the comerq of the
dorker ports. lf rhe brightness of the
subiect vories considerqbly you must

12
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Page 18 · Read text
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       With colour reyersql films (e.g. Agfo-  FOR VERY POOR LIGHTING
        color Reversol Film CT 18) it is odvis-                                             Sometimes there is not enough tight to       oble to toke o reoding on the mqin                                           give on exposure meter reoding on
        brighter ports of the subiect. Subiects  qny of the instontoneous shutter        locking in controst (token in fog, dull                                               speeds. Then you use the "B" shutter       weother or shode) require longer ex-                                                     sefting for time exposures.        posures ond it is best to use the next
         lorgest operture or o correspondingly    In such coses ploce the comero on o
        longer shutter speed. This only opplies   firm support, preferobly on o fripod,
        lo colour reversql films ond only to the   ottoch o cqble releose (if possible
       coses mentioned.                       with time lock) to the connection pro-
                                          vided (see moin illustrotion, @) ond       With negotive colour films you should                                    moke the exposure. The shutter stoys       olwoys point the exposure meter ot                                        open os long os pressure is exerted on       the moin dqrker ports of the subject.                                                the coble releose button.
                                                        In mony coses, porticulorly wiih indoor
                                              photogrophy, o floshgun will be need-
                                    ed to supplement the ovoiloble light
                                      ond for this your Super Silette Auto-
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Page 19 · Read text
motic is provided with o flosh contoct. You
merely slide the floshgun (such os the Agfo KM
or Agfolux floshgun) on to the occessory shoe
of the comero ond ottoch the flosh leod to the
contoct isee illustrotion).
When looking onto your Super Silette Auto-
motic from obove you will see o smoll lever
on the right which occording to ihe flosh
method used should be set to X or M.
Note therefore
With the X-synchronisolion--position'                    of lever
to X (or with deloyed oction to V) speeds no
foster thon t,"ro must be used. The opertures to be used ore given on ihe toble
on poge  '15.
With the synchronizing lever sel to M foster shutter speeds con be used.
The opertures required ore given in instructions ottoched to eoch flosh bulb
co rto n.
When using on eleclronic floshgun the lever must olwoys be set io X. Controry
to floshbulSs ony shutter speed'con be used, olthough fhe opertures should not
be token from the opposite toble. These ore colculoted from the guide numbers
for the floshgun concerned, e.g.guide number 96 divided by o distonqe of l2 feet:  operture  f,,8. The electronic-floshgun con be used for block ond white or doy'
light colour films.

14
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Page 21 · Read text
THE RANGEFINDER
 Focusing is very simple with the oid of the
 built-in coupled rongefinder. Through the
viewfinder eyepiece ot the bock of ihe com-
ero you will see thot the entire field of view
is coloured slightly ond hos o diomond-
shoped portion in fhe centre.                                                                                                                         ,l
At first lhis cenlre imoge will be seporoted
into lwo horizoniolly disploced outlines (see
illustrotion, top right). lf you now move the
focusing ring with the index or middle finger
of your left hond you will find thot lhe out-
lines of lhe double centre imoge coincide
(lower illustrotion). When this point is reoch-
ed, the obiect is outomolicolly in focus. You
con rely implicitly on the occurocy of the
rongefinder which tokes the guess work out
of focusing.
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Page 22 · Read text
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 Wrth the comero held horizontolly the                   H        ilEr imoge outlines move sidewoys, when
 held upright they move verticolly.
A useful tip                                        4 t,"
                                                          '
 Ploce your finger over the righl view-
 finder window ot the front of the com-
ero. You will find thot the viewfinder
imcrge is no longer coloured ond  rs
mor-e suitoble for lining up your sub-
 1ect. When you wont to focus the com-                                .lryta:                          Hero with the rongefinder you con re-
move your finger; by this method the
double outlines ore more cleorly visible.
Viewfinder porollox rs something of                                                  ,{
which you do not hcrve to be ofroid of
with your Super Silette Automotic be-
couse the luminous frome reflected into
the viewfinder wrll outomoticcrlly move
with the focusing crdjustment.
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Page 23 · Read text
HOLDING THE CAMERA                                  -          SHUTTER RELEASE
Hold the comero steody to obtoin shorp
results. We odvise you to toke your Super
Silette Automotic in both honds ond form on
ongle with your orms ogoinst your body. Your
thumbs should lie olong the bock of the com-
ero with the forefinger of your right hond on
the shutter releose. Line up your subiect in
the viewfinder. Everything within the luminous
frome oreo will oppeor on the picture. lf you
con see only port of the frome, this indicoies
thot you ore tilting the comero or not look-
ing through the centre of the viewfinder. As
soon os you ore sotisfied with whot you see,
press the shutter releose; this is done by
 slowly pressing down the releose lever os
 for os possible with your finger tip.



 l8
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              Give it o triol with your very first photo-
                groph: Don't forget to hold the comero level
               ond os close lo your eye os possible.  lt does
                  not motter which eye you use for viewing the
                    subiect, the moin ihing is to close your other
                 eye. Then toke o deep breoth, hold ii, ond
                   press the shutter releose.)eI
-)          When holding lhe comero upright turn it to                the right or left os desired ond operote the
                  shutter releose either with your middle fin-
              ger or thumb, depending on the comero's
                     position.
                 Photogrophs without o tripod should only be
                                                                                                 l131y1y s€c.,                token with shutter speeds of lt,i6 to
                  possibly  r.';11y sec. too. lf you hove o steody
             hond you moy be oble to ovoici comero
                shoke ot r,r.; sec. by supporting your elbows
              somehow, but you must try thot out for
                    yourself.

                                                                                          t9
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Page 25 · Read text
DEPTH OF FIELD
We olreody meniioned lorge ond smoll lens opertures (on poge 7) in the choice
of suitoble shutter speed ond operture combinotions.


                                                                smot           LOroe                                                                                                                            I operrure               OOerlure                            Dro,                                              : oDenrno                  "                                                                                           lltJ"":J"i"'"n                           oursmotl                 g'                                                                                  e' g'          e                                                                                                                             I' tz =                                                                                            depi'h of field.                              r'; ^r'o^ =  deoth                                     of field
As you will see from this exomple, depth of field is vorioble; it increoses os the
operture becomes smoller ond the distonce becomes greoier. To help you in
finding out how for this zone of shorp focusing extends, your Super Silette Auto-
motic hos whot is known os o depth-of-field scole (@, illustrotion poge 6). From it
you con find the opproximote depth of field for ony given lens operture.
 lf, for exomple, you focus the comero to o distonce of l5 feet with on operture
of f.8, you look for the two numbers morked 8 on the depth-of-field scole ond
reod off the ronge in feet between these two points on ihe odiocent focusing
ring; in this cose  it will be obout l0 to 30ft.
View original page 25

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