Film cameras
Agfa parat I User manual
User manual for Agfa parat I. 30 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Agfa
- Model / document
- Agfa parat I
- Document type
- User manual
- Language
- English
- Pages
- 30
- File size
- 4.2 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
I Releose button 2 Accessory shoe 3 Flosh conloct in occessory shoe 4 Unlocking key for film rewind 5 Rewind cronk 6 Lens slop key 7 Focusing ring 8 Shutter speed key 9 Coble releose socketView original page 3
Page 5 · Read text
This is whot you
should keep in mind:
Controry to 35 mm. comerqs for the 24x36 mm.
size this comero will give verlicol pictures when
held horizontolly ond horizontcl pictures wher.
held upright. A glimpse through the viewfinder will
show this.View original page 5Page 6 · Read text
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Tlre ccrnrer.cl ccrn be locrded in dcryliglrt, but
crlwcrys in the shcrde-crt lecrst in body shcrdow.
Digitally signed by mike 'l
butkus First oper) tlre cclnrercr bcrcl< lry slidirrg
DN: cn=mike butkus,mikee' o=orphancameras,ou=29, ccrtch in tlre direction of the or'r'ow. Re-
org, c=US ccr nrercr bcrcl< to the side crs shownbutkus email=mike@butkus. Date: 2017.12.17 nrove
18:46:55 -05'00' by lower cr r'r'ow.
2 lnserl tlre ccrssette so thcri its hole en-
gcrges wiilr tlre rewind ct'ctnl<.View original page 6Page 7 · Read text
Turn the spool by the milled ring until one of the two wide slits ond its smoll lug ore uppermost. Drow out film from the cossette to the winding spool, holding the cossette with the other hond. Insert the end of the film in the slit of the winding spool so thot the lug engoges in the second film perforotion, morked white in the illustrotion.View original page 7
Page 8 · Read text
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Novz turn the winding spool by poying ot-
lention thcri the counier disc on the ccrnr-
e rcr boiiom port con move freely. The fllnr
hos been proper'ly inseried wlren it is tout
crnd llre tceih of tlre tronsoort wheel en-
goge cleonly in the film pelforcriions.
Wlren obout t .,rd in6[ full width of the
film prolects of the cossette, close the com-
ercr by replcrcirrg the bcrcl< in the groove of
on oblique ongle (ccrtch to "open"), slicle ii
close to tlre top pcrri of thc comercr crr.rd
ther-r press down slightly. Continue pi'es-
sure on the bose plcrte, slide the bock rig ih
Ironre (below ihe top plcrte) crrrd sei thc
ccrich to "locl(".
4
-- - --View original page 8Page 9 · Read text
I
lmpodont nole: 38 exposures
with o film designoied for 20Eoch pocl<oge of o 35 mm. film is dis- '{'i
tinctly morl<ed for its number of ex- ond
posures. As minioture films hove 24 exposures
hitherto mostly been used for the with o film designoted for'12 This meons thot for the some price of24x36 mm. negotive size the length
of these films hqs been colculoted o film you cqn moke twice os mony exposures.only on the bosis of this size. How- Pleose keep this in mind when settingever, with your Porot I you obtoin q the counter mechonism which we oreformot which is reduced by its holf, describing now:i.e. l8 x24 mm. Therefore wiih your
Porqt you con moke Setting the fifm counter
On the boseplote of the comero is the
72 exposures film counter. lt counts bockwords ond
with o film designoted for 36 shows you the number of exposuresView original page 9Page 10 · Read text
www.butkus.us still left on the film. On its diol ore three trion- gulor morks, one eoch before the numbers 72, 40 ond 24. According to the length of film looded the oppropriote triongle should be set ogoinst the fixed mork. This is done by turn- ing the smoll milled disc in the direction of the orrow. When looding the comero, the stort of the film is wosied by exposure to light, ond so you must first moke five to six blonk exposures be- fore storting to photogroph. The film counter moves on one mork ofter eqch second film tronsport. Coution ! The disc of the rewind cronk turns os lhe film is trons- ported ond should therefore nol be hindered in ony woy.View original page 10
Page 11 · Read text
Film tronsporl leose ond tronsport mechonisms hove
o lock to ovoid double ond blonk ex-With your thumb swivel the ropid posures. lf you should inodvertentlytronsport lever round to the siop ond releose the tronsport lever too soon,let it return. Then press down the it returns to its storting position ondshulter releose os for os possible. You musl then be pushed forword ogoinshould repeot this operotion of film os for os possible.tronsport ond shutter releose until the
double of the number of exposures
morked on the film corion is opposite
the fixed index mork (see lower illus-
trotion on poge 6).
lf the ropid tronsport lever is block-
ed, you will hove to press the shutter
releose first. This is becouse the re-
7
iView original page 11Page 12 · Read text
www.butkus.us Exposure Lighting conditions ore subiect to consideroble voriotions. This is why your Porot is fitted with different shul- ter speeds ond opertures of vorying sizes. By these meons you con odiust the comero to suit the porticulor light ond subiect.View original page 12
Page 13 · Read text
Setting shutter speeds Lens stops
1/oo ond The necessory lens slop con be seenYou hove o choice ol rlso,
1/rz; sec. The required shutter speed from the exposure tobles on poges
is set by turning the block key (shown l0/11. The required lens stop is set by
by white orrows in the illustrotion on the blqck key (brown orrows) until the
the left) until the chosen shutter speed lens stop o6peqrs in the smoll win-
is visible in the smoll window (for dow. In'the'illustrotion on poge 8 o
instonce 1/125 sec. in the odlocent settino of f.4 is shown. For more de-
illustrotion). Do nol sel inlermediole toils df lens stops ond depth of field
volues. see the section'on "Whot you need
The section entitled "Whot you need to know" (poge 18).
to know" on poge 18 provides in- e.g. f. 2.8 e.g. f .22formotion on choosing the correct
shutter speed.
When set to B, the shutter remoins
open os long os the releose button is
pressed. For more detoils see poge 15
"Time exposures". TARGE STOP StvlAtt STOPView original page 13Page 14 · Read text
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EXPOSURE TABLE FOR COLOUR FILM
Aperture seitings requir- Agfocolor Negotive Film CN l7 Agfocolor Reversol Film CT l8
ed from Moy to August,
l0 o.m. to 4 p.m., shutter bright I slight lovercosl bright I slighl lovercost
speed 1/r:; sec. sunshine hoze dull sunshine' hoze I dull
Beoch scenes, mounfoins f.il&16 f.8 & lt f.5.6 & 8 f.16 f.8
Well lit streets
ond buildings,
open londscopes with
distont bockground f.8&il f.5.6&8 t.4&5.6 f.ll f.8 i. 5.6
People, groups in the
open, londscopes with
dork foreground,
street scenes f.5.6&8 f.4&5.6 1.2.8&4 f.8 t. 5.6 t.4
Dork buildings,
people in the shode f.4&5.6 t.2.8 & 4 t.5.6 f.4 J.2.8
.l8.Pleose note the film tips for Agfocolor on poge
't0View original page 14Page 16 · Read text
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Focusin g Focusing symbols
Three symbols focilitote focusing. De-
pending on the subiect, you should aQ "Gf(set one of the three symbols repro- Close-ups f\{Groups Londscopes
duced in enlorged form on the right 51/2 It. 12t1, ft. oo
to the white index mork. (1.70 m.) (3.80 m.) (lnfinity)
Addiiionol focus settings from 3 ft.
lf necessory, you con noturolly set (0.9 m.) to infinity will be found on
the triongulor mqrk to ony position the lower port of the setting ring;
between two symbols. white figures : metres
green figures : feetView original page 16Page 17 · Read text
Holding lhe conrero
It is essentiol to hold your comero the comero in the monner you prefer
steody to obtoin shorp pictures. You ond operote the shutter releose with
should lherefore toke your Porot in thumb or index finger.
both honds. Hold your comero stroight Figure C shows you how to hold the
without tilting it. comero for uprighl photogrophs. Press
I For horizontol piclures hold the Porot the releose button down firmly ond os shown in figures A ond B. Hold steodily os for os possible.View original page 17Page 18 · Read text
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floshlight crnd time exposures come .r4::to your ossistcrnce. This is done crs l'.'$*" €.t
[o llows :
I i'y
i.jt
A floslrgun with on occessory shoe
conicrci should be used on tlre Pcr-
rcri I e. g. Agfcrlux M or Agfcr Tully
Floshgun M). The contoct with the
cclnrefo slruiter is mcrde simply lry
sliding ihe flcrshgun inio the occessory
shoe. For. flcrsh photogrophy the shut-
ier speed ring should olwcrys be sei
to !: = I ,r,, sec.). The lens siop re-
l,lView original page 18Page 19 · Read text
quired should be token from the por- of pictures, documenls or postoge
ticulors given on eoch corton of flosh stomps, ond olso for night photog-
bulbs. (The Agfolux ond the Agfo rophy they ore mostly required.
Tully Floshgun ore fitted with o stop First move the bl morked by
colculotor.) white orrows in otion on
When using qn electronic floshgun, poge 8) until the e in the
the Agfo odoptor, lype 6793, will be smoll window. tting the
necessory to ottoch ihe floshgun leod. shutter remoins os the
In this cose qny shutter speed con releose buiton
be used. The lens stop is to be col- Longer shutter speeds thon l/so sec.culoted from the guide number of should not be used without support-the floshgun. ing the comero, ond o tripod ond
Time exposures coble releose ore then necessory. The
ore used for photogrophing motion- coble releose socket is on the bottom
less obiects such os reproductions of the releose button.
l5View original page 19Page 20 · Read text
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sette by meons of the rewind cronk.
First slide the unlocking key on the
ccrmero top plote in the direction of
tlre on-ow isee lower illustrotion).
Then rcrise the cronk with your finger'
noil ond swivel it outwords os shown
in the illusirotion on the left.
After ihe lost exposure the counier
will indiccrte I ond the ropid trcrns-
port lever connot usuolly be swivel
led to the stop. Now the fllm hos to
be rewound into its light-tight ccrs-View original page 20Page 21 · Read text
Then turn the cronk in o clockwise
direction (see lower illustrotion, pog€
'16). Rewinding is complete when therewind cronk turns much more eosily. t]Y|ilPS il
Only then con the comero be opened.
This is done by moving the cotch Before looding your comero with
on the bose of the comero towords film-os described on poges 2 to 4,-
the comero bock (inscription "open") here ore q few suggestions to help
ond then removing the comero bock you in choosing the right film. First
is Agfo lsopon F for blockdownwords. Put the cossette in its of oll there
light-tight pocking qnd mork it os ex- ond white photogrophy. lt hos fine
posed. groin ond good contour shorpness.
When operoting the ropid tronsport For sports photogrophy the high-
lever, the unlocking key outomoticolly speed Agfo lsopon ISS is the right
returns to its originol position. film.
17View original page 21Page 22 · Read text
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Agfocolor Films open up the world For colour prints:
of colour to you. For more thqn 25 Agfocolor Negotive Film CN l7
yeors these films hove been greot or Agfocolor Negotive Film CN 14.
fovourites due to their noturol re- From your mounted tronsporencies
production of postel tints ond bright it is now possible to hove CT colour
colours olike. Their high speed hos prints mode on poper.
olso mode colour snopshots o reolity.
For shorp, brilliont,
reol istic tronsporencies :
As mentioned in brief, two foctors
by doylight: ore involved in the exposure: the lens
Agfccolor Reversal Film CT 18, stop ond the shutter speed. The fol-
lowing informotion is designed to
by ortificiol light: fomiliorize you with the ossociotion
Agfocolor Reversql Film CK. of these two foctors.
l8View original page 22Page 23 · Read text
The lens slop regulotes the omount lens stop used. On the other hond,
of light reoching ihe film. In poor if you wish to photogroph s lond-
lighting conditions o lorge stop should scope in which the foreground ond
be set (".g. f.2.8 or f.4) whereos in bockground ore to be shorp, o smoll
good light o smoll stop (e.9. f.'ll or lens sfop will hqve to be set ond o
f.16) is used. correspondingly longer shutter speed.
ogoin The shuiter of your comero offers We would like to point out
should the second possibility of controlling thot no intermediote volues
the quontiiy of light. A short shutfer be set on the shutter speed scole.
speed, such os 1/125 s€c., will of course Depth of field is the shorp zone in
ollow less light to reqch the film thon front of ond behind the point on
o longer speed, such os 1/6s or even which the comero is focused. This l/ss sec. i shorp zone is vorioble; it increoses
I For oction photogrophs o short speed os the comero is stopped down ond
I Fltrs) should be chosen ond o lorge the distonce increoses. To help youView original page 23Page 24 · Read text
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in finding out how for this shorp zone Photogrophs without sunshine ore
extends, the toble on poges 22123 olso possible. With on overcost sky
gives the exoct depth of field for controst con be heightened on o }
eoch focus setting. block ond white exposure by using
o medium yellow or oronge-red filter.And finolly
o few generql photogrophic tips The omount by which the exposure then hos to be increosed con beA good impression of depth con be gothered from the filter foctor por-obtoined in your photogrophs if you ticulors supplied by the mokers.ollow the light to strike the subiect
from the side. Of course, you con Pholos ogoinsl the light coll for some
olso photogroph with the sun behind experience becouse the roys of the
you, but then you must be coreful sun should not fqll directly on the
to keep your own shqdow out of the lens. lt is best to foke odvonloge of
picture. In such coses the relief effect the shqdow of o tree or house ond
is less. use q lens hood too.
nView original page 24From the M. Butkus Camera Manual Library. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.