Film cameras
Agfa Silette LK Sensor User manual
User manual for Agfa Silette LK Sensor. 15 pages in German. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Agfa
- Model / document
- Agfa Silette LK Sensor
- Document type
- User manual
- Language
- German
- Pages
- 15
- File size
- 3.2 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
www.orphancameras.com
Agfa Sensor is the new camera
release system by Agfa-Gevaert.
You can now take pictures
without any camera shake
and release the shutter
s-m-o-o-t-h-l-y.
With your first shot
you can already feel and hear
the technical innovation:
Agfa Sensor!
Agfa Sensor stops shake!
What else has your Agfa Silette LK o sensor to offer?
Agfa quick loading system
Coupled exposure meterView original page 3Page 4 · Read text
www.orphancameras.com
AGFA QUICK LOADING SYSTEM
This new system simplifies insertion
of the film considerably. Push locking
device down, place film cassette into
right cassette chamber and push film key
back to its original position.
Draw film until both lines of perforation
are visible and insert film leader along
the arrows underneath lid of take-up reel.
Make sure that the film lies flat on the
{ilm track and that both sprockets have
properly engaged in the film perforations
(see picture below). Close the back
and turn frame counter dial to A
(using a coin). Operate quick wind lever Some film tips:
three times and release shutter in For black and white prints:
between; the number "1" appears Agfa lsopan lF or lSS,
in the frame counter window. Perutz 17 or 21
The counter shows the number of For color prints:
exposures already made. Agfacolor CN S negative film
For color or
black and white prints:
Agfacolor GN 17 Universat
For color slides in daylight:
Agfacolor CT 18 or
Perutz C 18
For color slides
www.orphancameras.com in artificial light:
Agfacolor GK
(More details
on rear cover page.)
Read film speed (DlN or ASA) from fltm
carton and transfer it to camera
by pressing small lug and turning
center ring until correct number
(DlN or ASA) stands opposite triangle.View original page 4Page 6 · Read text
www.orphancameras.com
EXPOSURE METER
Set the desired shutter sPeed
opposite the red mark (tl::,r sec.
in fig. below) by turning the center
milled ring.
The correct exPosure for this
particular subiect is thus auto-
rnatically set.
Of course, You rnay also set the
lens stop first and then center
the needle bY turning the shutter
Point your camera at the subiect. speed setting ring. Make sure'
Turn the lens stoP ring until the however, that You do not use
red needle in the window on the top any intermediate settings.
of the camera is centered exactlY Please note also the indications
between the two triangles. on page 8.
T I M E E X P O S U R E S
An exposure of several seconds
or even minultesmaY become
necessary for night PhotograPhY,
for instance. Attach Your Sllette
to a tripod or place it on a
firm support.Turn the shutter speed
setting ring until the B faces
the red mark and set the lens stoP
by means of the rear rnilled ring.
Lens stop 112.8corresPonds to the
largest possiblediaphragmaperture
and tl22 to the smallest one.
lf you press the cable release
or the red sensor sPot, the shutter
will remain open as long as
the release is oPerated.View original page 6Page 7 · Read text
www.orphancameras.com
SHUTTER SPEED
For non movrng subjects you may
cnoffihutterspeed
(e.g. rlro g-111* sec.); tor moving
subjects you must set a fast shutter
speed (e.g. llpr or l/sooseE). the lens stops. At any particular
distance setting, these figures
L E N S O P E N I N G indicate the beginning of the
Only a definite zone will always sharp zone in the foreground
be reproduced sharply. and the end in the background.
The size of this zone (depth of field) Example: set the camera to
depends on the lens opening. a distance of 1 61/zft. (5 m)
lf you use a large lens opening and lens stop tlB. The depth of field
(112.8)the depth of field will be small; will extend from the left f/8
with a small lens opening (t122), (: lens stop setting)to the right tlB,
it will b-elarge. i.e. from about 9 ft. (2.80m) to m
(infinity). In practice, these
DEPTH OF FIELD SCALE indicationswill usually be sufficient.
The figures next to the red setting On page 21 you will find a depth
mark (for distances) represent of field table with exact values.
-|
IF
L J
VIEWFINDER
Always hold the camera close
to your eye. The bright lines show
the exact picture area.
For distances between 31/+and
5 ft. the correction mark ;:::
(shown in red on the figure
above) forms the upper and
side borders of the subject.View original page 7Page 9 · Read text
www.orphancameras.com F L A S H E X P O S U R E S The flash contact is made by sliding a flash unit with shoe contact into the accessory shoe of your camera. lf you use a flashgun for single bulbs or a flashcube, set the shutter speed at l/ao sec.; with electronic flash units you may choose any shutter speed, preferably r/rzr s€G. Read the correspondinglens stop indicated on the package of flashbulbs or on the back of the flashgun (taking into account the film speed) and set it with the rear milled ring. For flashgunswith a synchroni- zation cord you will need the Agfa flash adapter, type 6793, AGFATRONIC available at your dealer's. 160AView original page 9
Page 10 · Read text
www.orphancameras.com
C L O S E - U P S
B ETWEEN 1 6 AN D 271/zlNCH ES
(40 and 70 cm)
can only be rnade with a close-up
lens. You will also need an
additional viewfinder as the camera
viewfinder no longer shows the
correct picture area.
Please ask your dealer for the
Natarix lens (oder No. 6711132A)
and the Natarix Universalviewfinder
(order No. 67221100).View original page 10Page 11 · Read text
www.orphancameras.com 1 6
used for rewinding the film;
always make full strokes. The
frame counter counts backwards.
When the "A" appears in the
counter window you may open
the back, take out the filrn cassette
and wrap it light-tight.
R E W I N D I N G T H E F I L M
After the last exposure, the frame
counter shows the number 36 or 20,
respectively. Now the film
has to be rewound into its liEht-tiEht
cassette. Push the R-lever first
towards the lens barrel and then
upward (see arrow) where it locks.
The quick wind lever is now being
By opening the back, the camera
is automatically set to forward
transport again. The frame counter
needs no resetting.
IMPORTANT
ln case the end of the film is
accidentally pulled out of the
cassette, the whole film will be
underneath the lid of the take-uP
reel. The camera may then be
opened in the dark only.
It is best to see your dealer
who will open the lid in the
darkroom by pushing it towards
the back and lifting it upward.
The lid cannot be removed entirelY
but has to be placed in position
again bef6re closing the camera
back.
1 7View original page 11Page 12 · Read text
www.orphancameras.com
On black and white films clouds
appear briEhter if You use the
Agia yellow filter (32 mm in diam')'
Measure the exposure and use
a lens oPening 1 stoP Iarger; e'g'
measurement:f/l1, corection= ll8'
At high altitudes and at the sea'
the use of the AEfa UV filter or the
Agfa R 1.5 Skylight filter (push-on
mount, 32 mrn in diam.) is
recommended to eliminate the
Hints for good Pictures invisible ultra-violet rays prevailing
Always use brand films' there. The film sPeed setting
Agfa-Cevaert (Agfa or Perutz) films needs no change with either filter'
guarantee constant qualitY'
Always look out for a favourable
position of the surl. Front light
produces flat looking Pictures
whereas side light creates three-
dimensionaleffects. All rights for alterationsreserved!
1 9View original page 12Page 14 · Read text
nro sENSoRsPor www.orphancameras.comfl rnnMEcouNrERll WITH SETTINGDIAL
fl rxnosuREMErERwtNDow
FILM KEY
fl rocusrNcRING
TRIPOD SOCKET
I sHurrERsPEED
SETTINGRING R-LEVERFOR REWINDING
[t r-rrrrssroP sErrlNGRtNc tn Itrl SMALL LUG
fl exeosuREMErERTNDEX FOR(DlN SETTINGor ASA) FILM SPEED
I sHoEcoNrAcr FOR FLASHUNITS SOCKET
FOR CABLE RELEASE
fl ou,cKwtNDLEVER OR SELF-TIMER
FOR FILM ADVANCE
AND REWINDING LOCKINGDEVICE
E-r-
tr
tr
tr
trtr E
IEtr
E
trView original page 14Page 15 · Read text
www.orphancameras.com
Your precious slides are well
protected in Agfa slide frames K
or W.
Do you know the bright and stylish
Agfacolor 50 slide projector?
Your photo dealer will be glad
to show it to you.
For color prints
we recommend the Agfacolor
negative film CN S or the Agfa-
color negativefilm CN 17 Universal,
from which color as well as
black and white prints can be
obtained.
For color slides
use Agfacolor reversal film CT 18
(called Agfachrome CT 18 in the
U.S.A.and Canada) or Perutz C 18
in daylight or with flash and
Agfacolor CK in artificial light.
You can also get color prints
(so-called CT prints) from your
mounted slides.
For black and white prints
we recommend the Agfa lsopan lF
or Perutz17 featuringfine grain
and contour sharpness.
In cloudy weather or for sports
photography the high speed
Agfa lsopan ISS or Perutz 21
are the right films.
All of these films are available
lor 20 or 36 exposures in the
negative size of 24 x 36 mm.
Your photo dealer will gladly
assist you.View original page 15From the M. Butkus Camera Manual Library. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.