Film cameras
Aires 35IIA User manual
User manual for Aires 35IIA. 29 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Aires
- Model / document
- Aires 35IIA
- Document type
- User manual
- Language
- English
- Pages
- 29
- File size
- 5.6 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 4 · Read text
Venmo @mike-butkus-camera Ph. 2083 PayPal Name Lynn@butkus.org www.PayPal.me/lynnbutkusView original page 4
Page 6 · Read text
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(Fig. s)
31. Cartridge holder 35. Sprocket 39. Spring for holding film
32. Cartridge chamber 36. Film takeup groove cartridge
33. Coral lens, rear element 37. Film winding shaft 40. Rear viewfinder eyepiece
34. Film guide rail 38. Film pressure plate 41. Film rewind knob
-4-View original page 6Page 7 · Read text
Tl-lE "TRl/vtMlNO" (WIDE,ANGLE) COUPLED RANGE-V|EWF|NDER
The "Trimming" coupled
range-viewfinder is something
quite different from the ones
hitherto known. The finder
itself is wide and brilliant
having an illuminated recta-
ngular frame which outlines
the picture area covered by
the lens. This illuminated
frame is used when taking
photographs at a distance of
one meter (about 3.3 feet) to
infinity. In taking close-up
photos from 65 centimeters
(about 2 feet) to one meter irr.T"'. irir$ttiri(about 3.3 feet) frame the (Fig. a )subject inside the marks at
the upper right and left hand corners and the lower left hand corner. This is to comp-
ensate for parallax between the viewfinder and the taking lens.
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Further feature of the "Trimming" range-viewfinder are as follows:
(1) As long as the eye is at the center of the
eyepiece the four sides of the frame can be
seen clearly and the view and the actual
picture will coincide. Once the position of
the eye is off the center one of the sides
of the frame will fade away, indicating
misalignment. This feature will help you
take pictures with perfect framing and
improved composition.
(z) The bright and wide view seen on the
outside of the illuminated frame helps in
determining the relationship of the subject
to the edges. You can trim and take your
photograph at the same time.
(3) Moving objects can be caught with ease
since they can be seen before being outlined
by the illuminated frame.
(4) The right composition will never be missed
since the illuminated frame is visible even
in the poorest light.
(5) Persons wearing spectacles will find picture
taking easy with the large eyepiece of the
(Fig. s ) Aires 3b- lt A.
-6-View original page 8Page 9 · Read text
*FOCUSING
When you look through the eyepiece of the "Trimming" range-viewfinder a bright,
mirror-like rectangle (range finder) can be seen in the center of the illuminated frame.
Within this rectangle two overlapping images will be visible. By turning the focusing
knob (29) the two images can be made to coincide, or merge, and when merged the
.
camera is accurately focused on that point. Sharply defined vertical contours are the
best objects for obtaining accurate focus. Precise focusing is essential for sharp pictures ;
when using large lens openings. The Aires rangefinder assures accurate focusing from
65 centimeters (about 2 feet) to infinity
-7 -View original page 9Page 10 · Read text
. www.butkus.us FILM LOADING
The Aires 35-ltA uses standard 35mm 20 or 36 exposure film cartridges or the Aires
film magazine.
(1) Open the back cover by pulling back cover locking key (tO) towards top of
camera.
(2) Pull the film rewind knob all the way out, insert the cartridge, or magazine,
into the cartridge chamber with the film leader to your right. Return rewind
knob to its original position by turning slowly so that the shaft engages the
rewind key of the cartridge.
(3) Bend the tip of the film leader about Smm to make loading easier. Insert the
bent tip of film leader into the slot in the winding shaft (36). Positioning of
-8-View original page 10Page 11 · Read text
the slot is easily accomplished by turning winding shaft with the thumb. Next,
engage the perforations of the film to the sprocket (3b) and wind the film with
the film winding knob until film is secured (one full turn). Before closing back
cover see that sprockets engage film perforations. Close back cover and lock.
(4) The film is now loaded. Wind the film by turning the film winding knob in the
direction of the arrow until it stops. Cock the shutter by pushing down the
shutter cocking lever (4). Since the end of the film was exposed to light during
loading take two shots on this exposed film. Wind film and set film counter by
rro" turning pin (18) of the counter plate (12) until the figure is opposite film
counter (19). You are now ready to take your first photograph. As you turn
the winding knob after each shot the rewind knob (12) turns counter-clockwise
indicating that film is being transported smoothly.
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REWINDING THE FILM
With every winding of the film the number on the counter plate advances and indicates
how many exposures have been taken. When intended number of pictures are taken the
winding knob will give a slight resistance indicating film has come to the end. (Standard
cartridges, factory packed, are sometime longer than the marked 20 or 36 exposures
giving you a bonus of one or two extra exposures). The film is rewound into the
original cartridge in the following manner: Press and hold down the button (26) on the
bottom of the camera and pull up the rewind knob (at) one stage and turn it in the
direction of the arrow. Keep rewinding until you feel the resistance cease as the bent
tip of the film leader becomes disengaged from the winding shaft. Turn the rewind
knob several more times until the film is completely rewound into the cartridge. Open
Et the back cover and remove the cartridge with the exposed film.
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HOW TO I.{OLD THE "AIRES 35_[A" CAMERA
WHEN TAKING PICTURES
Almost all 35mm cameras are
designed for ease of manipula-
tion in the horizontal position.
But, since some subjects need
a vertical format, vertical pic-
tures become simple after a
little practice in this position.
To become acquainted with the
camera dry shooting, without
film, is recommended, using the
(Fig. o ) instructions below.
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oRDTNARY (HORTZONTAL) POSTTTON
Hold the camera with both hands, grasping it firmly with your right. Put the right
index finger on the shutter release button. The left index finger or the middle finger is
used to turn the focusing lever. Raise the camera to the eye using either that is
comfortable. If the left eye is used the right eye need not be closed. Stablized the
camera by pressing the thumb, left hand, against the cheek when releasing the shutter.
If elbows are pressed to the sides when the shutter is released greater steadiness is
.;
assured. Holding your breath at the moment of exposure and pressing the shutter
release with a slow steady squeeze helps you obtain jar-free pictures.
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VERTICAL POSITION
In the vertical position there are two ways to hold
the camera: One is with the top of the camera
facing left, the other, right. With the top of the
camera facing left you can release the shutter
with your index finger but film winding is a bit
difficult. You also find that the camera is unsta-
ble owing to the low position of the eyepiece.
With the camera top facing right the thumb can
be used for tripping the shutter. Film winding is
easiest in this position and the camera need not
be removed from the eye. Camera in this position
is more stable as it will come in the center of the
face. Choice of either position depends on the
individual user.
(Fig. z)
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SNAP SHOT FOCUSING AND FIXED FOCUS
The Aires 35-trA incorporates a new innovation
called Snapshot focusing marks besides the
Fixed focus markings of the former model.
These markings have been designed to utilize
to the full the snapshot possibilities and depth
of field of the 35mm cameras. The fast shutter
speed needed to catch the movements of the
object and the shallow depth of field which
(Fig. s) causes all things besides the subject to be inI
soft focus gives 3-D look to the picture. In taking pictures of candid moments there are
I occasion when you have no time to set the focus of your camera. It is at such times
that the Snapshot focusing markings can be of help to you. In taking panoramic pic-
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from the camera are in focus. The distance of 0.63 meters (about 2ft') forward and
1.0g meters (about 3%ft.) beyond the 3 meter spot are in focus. In other words the
focus is on objects within the range of. I.72 meters. (about s%ft.) This range is called
"Depth of Field" and it becomes wider as the lens opening is made smaller. This pro-
perty of the lens has been utilized in the Fixed focus and Snapshot focusing mentioned
elsewhere in this booklet. Let us now assume you are shooting a group lined up in
three or four rows. You get puzzled as to which row you should focus your camera on.
The depth of field scalechart show you, according to different lens openings, the range
of distance in sharp focus. Conversely, you can find the correct diaphragm setting from
the depth of field you need.
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SYNCHRONIZATION
The Seikosha MX shutter allows synchro-
flash photograph at all shutter speeds and
with all bulb types. There are two main
types of flash bulbs used for between the
lens shutters. These are the M-type and the
F-type with time lags of 20 and 5 miliseco-
nds, respectively, before reaching peak light
intensity. (One millisecond is equivalent to
(Fie. ro)1/1000 sec) By setting the synchro-switch to
the type of bulb in use synchronization is automatic and accurate. Bulb type can be
determined from the bulb carton. The X contact point is for electronic flash unit with
zero flash delay. When synchro-switch is in this position the electronic flash is fired
when the shutter blades are at their widest opening. Set the synchro-switch at .X"
when using the camera without flash equipment.
18- -View original page 20Page 21 · Read text
INFRARED MARKINGS
Infrared film takes pictures by infrared rays, plus some blue, which is invisible to the
human eye. With this film the light rays (infrared) form their sharpest image slightly
in front of the focal plane so focus the lens in the usual way and then move the lens
barrel until the index mark "R" coincides with the number on the distance first indi- i
rcated by the regular focusing index. I
I
CABLE RELEASE AND SELF-TIMER t"l
Use of a cable release is advisable if the shutter speed is slower than I/25 second. The
cable release and auxillary selt-timer are used by screwing their tips into the shutter
release button.
FILM-TYPE REMINDER
Manufacturers make many different types of film for the 35mm camera and the film
reminder is useful for indicating the type currently in use. The instruction sheet in the
film carton carries the ASA index of the film and this index should be set on the film
reminder when loading the camera.
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THE CARE OF YOUR CAMERA
Your Aires 35-trA is a precision optical and mechanical instrument machined and fini-
shed with the skill of experienced craftsmen. Reasonable care and maintenance will
give you many years of useful service and superior photographs. All the metal parts of
the Aires 35-trA are carefully hard-electroplated and painted. By wiping the camera
gently after each use its finish will remain unimpaired and new-looking. Always use a
brush to clean the inside of the camera and blow away the loosened dust with a small
ear syringe. Some camera stores sell a combined brush and blower for this purpose.
Scratches on the back of your films are often caused by dust in the camera. When the
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camera is particularly dirty, brush off the dust first, then wipe gently with a bleached
cotton cloth. The lens should not be wiped unless you do it carefully, and following is
one of the ways. Loosen the accumulated dust with a good quality lens brush, use
blower to remove loosened dust, drop two drops of good quality lens cleaner on the
center of the lens and polish the lens with best quality lens tissue. Never use chamois
or rough cotton material to clean the lens. If lens cleaner and lens tissue fails to
remove dirt or other accumulations consult your camera repairman. The felt lining of
the magazine should be carefully brushed after each use and before loading with fresh
film. Dust or dirt caught in the felt lining will give long scratches on your film.
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STORING THE CA/v\ERA
After each shooting session the following precautions should be observed: Do not leave
the shutter cocked since this tends to weaken the shutter spring. This is especially true
of the higher shutter speeds. The 1/500 setting incorporates an auxillary spring to
attain this high speed and should not be kept at this setting for extended periods
because spring will be under pressure and consequently weakened. Move to a slower
setting after use. Return the distance scale to infinity after use to minimize damage
from accidental shocks.
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TWO IMPORTANT HINTS
Serial numbers are engraved on the top of the camera and on the lens mount. Record
these numbers in some safe piace in case the camera is lost or stolen. A camera floater
insurance policy affords protection from damage or loss.
AIRES ACCESSORIES
Aires Film Magazine
Aires Lens Hood
Aires Filter (for black and white and also for colour film)
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Aires Filter (for black and white)
sL 3e c (u.v.)
Sy 44 c (y. 1)
Sy 48 6 (y.2)
SO 56 C (Orange)
SR 60 C (Red)
Aires Filter (for colour film) '
1A (Haze Cut - prevents excessive blue - use when taking far off scenery)
B0 F (Flashbulb - prevents excessive orange - use when taking with clear flashbulb)
80A (Flood Light - prevents excessive orange - use when taking under artificial
light as on stage)
8bC (Type F Daylight-prevents excessive blue-use when taking with tungsten
film in daylight)
818 (Cloud - prevents excessive blue - use when taking on cloudy days, under trees
or with electronic flash)
_rA_LAView original page 26From the M. Butkus archive. Original publisher and archive notices are retained.
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