Film cameras
Boots KOROLL 24S User manual
User manual for Boots KOROLL 24S. 24 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Boots
- Model / document
- Boots KOROLL 24S
- Document type
- User manual
- Language
- English
- Pages
- 24
- File size
- 6.1 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
www.butkus.us
BOOTS KOROLL.zA S...
. is precision-made in one of Europe's most modern camera works. It has a
handsomely-styled, rigid, all-metal body, with a fine finish and matching performance.
The eye-level viewfinder is exceptionally clear and the shutter release comes easily
to hand with a balance nicely calculated to minimise camera movement and ensure
sharp pictures.
An exceptional lens
The lens has two apertures, f 19 and f 116, and is 'bloomed'-unusu4l refinements
in an inexpensive camera, and features which will help you to produce even better
pictures; the family of which the Koroll-24 S is the latest model, already holds the
reputation for superb pictures. It focuses too, further assurance of needle-sharpness at
all distances down to 3 feet.
Indoor Pictures with'FLASH'
The Koroll-24 S is a round-the-clock camera; it takes indoor snaps at any time
of day or night with easy-to-use .flash,.
The econornical camera
\fith the Koroll-24 S the pictures fou want cost less. Twenty-four'enprints', the
size of the picture on reverse-for which you need only one film-are much cheaper
than twenty-four normal snapshots taken with an ordinary box camera.View original page 3Page 5 · Read text
The Koroll-24 S takes popular 120 size fihn
The lens has two apertures, f 19 and f 116, and the shutter works at l/50th second,
with provision for brief-time exposure.
Sirnple to use
Adfusting the Koroll-245 for the right exposure is quite simple. \fhen the camera
is loaded with a black and white film, such as Ilford Selochrome or Kodak Verichrome
Pan, use //16 when the sun is shining or f i9 on a cloudy day or late evening-see
exposure table on following page.
Colour too . .
Successful colour photographs may be taken in strong direct summer sunlight
with the Koroll-24 S when loaded with a colour film such as Kodak Kodacolor-use
f 19 in bright sunshine, as in exposure table overleaf. (Kodacolor film gives colour
negatives from which colour prints are made-any branch of Boots The Chemists
will be pleased to give you full details).View original page 5Page 6 · Read text
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Exposure Table
Bright Surt Cloudy
Verichrome Pan
f l16 fte Selochrome
Kodacolor flg
Get to know your Koroll-24 S
This booklet is intended to introduce you and your Koroll-24 S. Read it through
carefully-a little time spent in familiarising yourself with its operation will be well
rewarded in the results you will get.View original page 6Page 8 · Read text
www.butkus.us LOADING THE FILM Slide down the catch at the side of the camera, and gently open the back.View original page 8
Page 9 · Read text
Insert the film into the left-hand chamber, break the seal on the film, and unwind a few inches. With your thumb, keep a gentle pressure on the film to prevent it unwinding further asyou...View original page 9
Page 10 · Read text
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. thread it through
the wider of the two slots
in the take-up spool in
the right-hand chamber.
Turn the winding knob
to take up any slack, and
then one more whole
turn to secure the film,
making sure thar it is feeding evenly into the
spool and is not running up against one of
the flanges. Close the back of the camera and
fasten the catch.View original page 10Page 11 · Read text
Turn the winding knob and watch the left-hand window in the back of the camera. After a few turns some printing, usually dots or letters, will appear at which stage wind slowly to ensure that the Figure l, which follows immediately afterwards, comes into the centre of the window. There are just two more important operations before you are ready to take your first pictureView original page 11
Page 12 · Read text
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EXPOSURE
(see correct Set the aperture Ienclosed Exposure Table) by rotating
the Lens Aperture Control at the
base of the lens turret. I
FOCUSING
Measure or estimate the distance
in feet between camera and subjectand rotate the lens until the appro- t
priate distance is set against the
arrowhead on the lens mount. You Jwill notice that the figures are en-
graved so as to be read with the
back of the camera towards you-
its natural position.View original page 12Page 13 · Read text
TAKING THE PICTURE For upright pictures, grip the camera with one hand at either end, fingers at the front thumbs at the back, with the right index finger resting lightly on the shutter release. Bring the camera up to eye-level, and as it is important to hold it absolutely still at the time of taking, it will help to hold it against cheek and nose for support and to keep your elbows against your body. Your eye should be as close to the viewfinder as possible so that the front frame of the view- finder is clearly seen. Compose the subject in the viewfinder as you want it to appear in the finished picture, hold your breath for an instant, and gently and s-m-o-o-t-hJ-y depress the shutter release.View original page 13
Page 14 · Read text
www.butkus.us For horizontal pictures hold the camera like this. Your picture is now safely recorded, and you should immediately wind on in readi- ness for the next exposure whether you are going to take it now or not. Make a habit of this and you will avoid the annoyance of taking two pictures on one piece of film (double exposure).View original page 14
Page 15 · Read text
WINDIN G. ON
For the first picture the Figure I was in the left-hand window; for the second,
turn the winder until the same Figure 1 appears in the centre of the right-hand window.
For the third exposure the Figure 2 should be in the centre of the left-hand window
again and for the fourth it should be in the centre of the right-hand window: and so
on until you have taken the twenty-fourth picture when the Figure 12 will be in the
rieht-hand window.
UNLOADING THE FILM
After taking the last picture on the film, wind on until you see the end of the
protective paper pass both windows: then open the back of the camera, hold the film
with thumb and finger while you pull out the film winding knob and give it a half-turn
to secure it. The film should then be removed immediately, without being allowed to
unroll, and sealed by means of the gummed strip provided.View original page 15Page 16 · Read text
www.butkus.us
BRIEF TIME
E XPOS URE
By raising the small
lever just beside the lens
you can yourself control
the length of time the
shutter is open. You will
not want to use this
unless you are taking
pictures in very-withoutpoor Iight, and indoor
'flash'. \Ufith the lever in
the raised position the
shutter opens when you
press the trigger and
stays open until you re-
lease it. It is essential for
the camera to be kept
absolutely still the whole time, and it shou-ld
be rested on a firm flat surface. A 'cable
lslgxss'-available from Boots-ensures
smooth, jerk-free, operation of the shutter.View original page 16Page 17 · Read text
FLASH PICTURES Flash is simple to use and gives consis- tently good results because you are not dependent on the vagaries of the weather: inexpensive flash bulbs available from Boots ensure that you have the right amount of light just where and when you want it. Boots are specialists in 'flash' and will be pleased to tell you all about it. The Korolt-z4 S is a fine 'flash' camera. It has a built-in shoe on top into which the flashgun fits, and a special contact in the shutter to fire the bulb as you take the picture. Simply fit the gun into the camera and connect the lead on the flashgun to the contact, put a bulb into the gun and take your picture in the normal way. You will be delighted with the pictures you get both indoors and outdoors when the light would otherwise be too poor for picture-taking.View original page 17
Page 19 · Read text
p SIMPLE FLASH GUIDE
Use Aperture f/9
i
Bulb No.7 Bulb No.5t
$ Verichrome Pan
13 to 17 ft.I 7to9ft.
+ Selochrome
t. Kodacolor 5to6ft. 9 to l0 ft.$
The table above shows the distance the flashgun should be from the subject.
Dl:\ l:I-OPING AND PRI\ I'ING
Boots Developing and Printing Service has a nation-wide reputation and is especially
good for Enprints-the large-size big-value pictures illustrated opposite. We suggest
you take your exposed film to any branch of Boots and ask for 'Enprints'.
CARE OF THE CAMERA
A case will help to keep your Koroll-24 S free from dust, and protect it at the same
time. Owing to the special nature of the coating, the lens should be dusted only with
the softest material-an often-washed handkerchief or, preferably, a special lens
brush, available from Boots.
The camera requires no other maintenance and you should not attempt to make
adiustments yourself: Boots will be very pleased to undertake any which may become
necessary.View original page 19Page 21 · Read text
ACCESSORIES
Boots stock the following range of accessories for the Koroll-24 S and will be pleased
to show them to you and explain their use.
Ever-Ready Case
Invaluable for protecting your camera, and the most convenient method of carrying
it. No need to remove the camera when taking pictures.
Lcns I it;od
Cuts out unwanted light and improves most pictures. Screws into lens mount.
Light Yellow Filter
Brings out the clouds in landscapes. Screws into the lens mount and is itself threaded
to take the lens hood above.
Close-up Lens
For pictures closer than three feet. Is interchangeable with the filter above or can
be supplied in similar screw-in holder.
Accessory Case
To take Lens Hood and Filter. Fits onto carrying case strap.
Cablc Release
Specially useful to eliminate camera movement. Screws into shutter release.
Keeps rhe camera absolutely steady. J;#rUt".. special'bush' in camera base.View original page 21Page 22 · Read text
www.butkus.us
1o help get better pictures . . .
Hold the camera very still and squeeze the shutter gently to avoid 'camera-shake'
in your picture. Most photographs look better when the sun is shining from behind
you or over your shoulder and this is most necessary when using colour. Never let
the sun shine directly into the lens-use a lens hood.
Avoid taking outdoor pictures in deep shade and in the early morning and late
evening unless you use flash to light up your subject. Flash is useful even in sunlight
to relieve the deep shadows from forehead and nose which often obscure detail in
faces. iII
Do not try to take pictures of subjects moving quickly across the front of the
camera.
'Close-ups' of people, and animals, make especially effective pictures and because
the Koroll-24 S focuses as close as three feet it is ideal for them. $7hen taking close-ups I
always allow a little more space over the subject's head. in the viewfinder than you i
think you need-this compensates for the slightly different position of the viewfinder
in relation to the lens.
. . . aild make sure the number of the film is exactly in the centre of the
window when winding on.View original page 22Page 23 · Read text
Take good care of your negatives
Your negatives are precious-often irreplaceable-and you will want to have
reprints and enlargements from your favourites. They should be kept where they
will be safe from dust and scratches. A Negative Album, available from Boots, is ideal.
Mounting your Prints
Photograph Albums, always fascinating to browse through, are the best means of
keeping snapshots orderly and safe. Boots have the finest range in the country to
choose from, together with all mounting and titling accessories.View original page 23From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.