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Ensign "Ensignette User manual

User manual for Ensign "Ensignette. 23 pages in English. Read the original PDF, download or print a copy without registration.

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Brand
Ensign
Model / document
Ensign "Ensignette
Document type
User manual
Language
English
Pages
23
File size
1.1 MB
Category
Film cameras
Document date
Not specified in catalog

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Page 4 · Read text
66   Ensignette"  Cameras.
                                                                                                                   - v
        INSTRUCTIONS.

  A  GLANCE    at  the  " Ensignette  "  is  sufficient   to show
  1f    that   it  js an  instrument   of  precision,  and  should be
..,{l|,--   handled   caref_ully.   _If prop6rb   used   it  will  remain         in  perfect  ord.er and  condition   for many  years.     It
is, in  fact, marvellously   sturdy  and  rigid  for   its  size and
weight;   note,  for  example,  how  the back  and  sides have
been strengthened  b)- ribbing.
Refore attempting  to use the camera  you  should  read  the
following  instructions,  so  as  to  become   familiar  with  the
functions  of the various  parts and rnovements.
F-igure I  is a diagram  of the camera.
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Page 6 · Read text
cl,osE.-_Pu.!l                     the Io                         .s-upporting-'         struts  slighfly outwards (f ig.3),        and the front                          wiif
be freed so that  it can be
 replaced   in   its   original
 c l o s e d  p o s i t i o n .            ' t h e
camera  is norv ready  for
 slipping  into  its case.     It
 is  most  important   that
 lhe movements   of  open-
ing and  closing  the c-am-
era  shall  be made  verv
slowly.   Do   not   jerk.
1ush, or force in any way.
Draw   open   slowly  ana
pl,ess back  slowly.   (The
effect  of too rapidly  open-
ing  a  folding  camera   is
to  damage   the  bellorvs
by   forming    therein   a                    Fig.  :1
partial  vaeutrm.)
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Page 7 · Read text
THID  SHUT'IER.-Nos.      1 and  2 Single  Achromatic,   R.R.
and. T.T.H.  Models.  Place the star-shaped  button  B (Fig. 1)
so that  its pointer   is  atLl20.  Move  the lever C slowly  down-
wards   to  its  fullest  extent.  The   " click  "  indicates  that  the
shutter  has given an exposure  of one-twentieth   of a second.'fhe      lever,  upon  release,  automatically   moves  back   into
position  for  the next exposure.   The  shutter  is always  set.
Faster  speeds  ot  ll40  and U60 of  a  second.  are  obtained
simply  by moving  the pointer  B  to the  figure  required.
If the pointer  is moved  one place  further  to the letter B, the
shutter  will  open when  the  lever C  is pressed  down,  and
ren{ain open  until  the lever  is  released.  This  is for giving
short  time  exposures,  and  must  only  be  done  when  the
camera  is on a firm  support.     It  is not  practicable  to hold
the camera   in  the hand  for  long  exposures  owing   to the
risk  of movement.
When  the pointer  B  is opposite  the  letter T, the shutter will
open on  pressing  the lever  C, and  remain  open  until   it  is
pressed a second time   this provision  is for long exposures.
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Page 8 · Read text
'l'he.     buttoF D_(.Fir_.1) which is movable radially  right or left, controls the Iris                    $golrrqrl!   and- the stop ipefture" requiied, either  fltt,  flr.6, or,tlzf, is iiaicit"a   L-v i*-ri"l-;;i;i;r';;;[ir;
on a scale placed above the lens mount.
 In the R.R. and'l'-'1.H. models a somewhat different arraage-
Ingnt        is orovided for- regulating the stols, thellos mount  iii-"ir
bg,ing rotated and the itop  inlaicatea-dt';;iit"     m";k    ;;-ii; side      of the mount                   corresp<inding:wltt,                                                          tfi"                                             ngoi",                                                    on                          ilIthe    scale.             In the case                          of these cameras,                                         th6                                                itops"ograveda-re,toiilre   R:B                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                 I      -Mo-{_e.!s,Ig,  t,ll!,-f]l6,  ilZZ aid-i&Z,;d      io-.-tr,u  }ri.tiiModels, fl7'7, f/11, f/l6, tlZZ and, tB:,.
DIS'r'ANCE  FRoM.  SUBJEC'l.*with     all   " Ilnsignette,,
camgra-s except the " De Luxe " Models the subjecl-it-m;;;;oirtanot be less than. 12 feet from  the came.a,  it mat  be
but then the objects photographed witfue'o"  Jirirarre.  ;;;i;:
" ENSTGNETTE   " Portrait Attachments for taking picturesat 3, 6 and 10 feet can be suppried*state mod;iot   '6l-sGri;;t'r;;when ordering.
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Page 9 · Read text
THE  VIE\   r FINDER   is normally  in
                          the correct position  for taking  upright
                           pictures,  and  when   the  camera   is
                         turned   for  oblong   views,  the  View
                         F-inder must  be moved  into  corres-
                       ponding  position  by swinging    it over
                             rvith the finger (Fig.  a).




              F i g . 4 .
Fig.  5 shows the top  part  of the
View  Finder.  When  taking  upright
pictures  ignore  subject  sho'wn  in
portion  of Finder marked  AA, and
.r,vhentaking oblong pictures ignore those portions marked  B. B.
Important.-  Always   see  that  the  finder   is  returned   to  its
original  position  before  closing  the camera.

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Page 10 · Read text
I'Io* examine the back of the camera.  on one of the ends
              i:          a rou-ghe-nedmetaf  uuttori, ana beside  it  is seen either        the word  " closed " or  " op;;"'-;   ,riaiG  th;" button reveals       ong word  and  conceals   ttre
        g L h e r .  S h o w      t h e    * o i a
               - Open."   With  the fingJ.  ,"a
        thumb-   lighfly     gral      the
        cF_rved                _thumb-pieces  on  the
        srde. when  the back  mav  be
         easily  pulled  otr  (Fig.  6i.
       Note            -two slight projections
       o-n  tJle  opposite  end   to
       the_sliding button.  put  this
      gng  of  the back  on   fiiit.
       being careful  to see ttrai  ttre
       projections  referred  to  aie
      9n9aged. Nowclose theback
      down and slide the button  io
       the word " Closed," the b;"k
I      now being locked on,I
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Page 11 · Read text
Remove  the  back   again
and look  at the  inside  of
the camera   To  the right
and  left are the chambers
for  the  film spools. above
the left-hand one being  the
winding  key,  sholvn  at E
i n  F i g .   I .  D e t a c h a b l e
s p r i n g        l o a d e d    s p o o l -
holders  are provided,  and
these,  in addition   to  sus-
pending  the  spool  free  of
the spool chamber, ensure
the  film  being  kept   taut
across  the  rollers,  whilst
the  curved   spring  which
is  fitted obviates  any  risk
of a spool unwinding when
being    lifted   from    the
camera.                                         Fig.  7.
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Page 13 · Read text
Having  placed-ttre   an empty  spool  in  the  spool  holder. -replace
same  in      spool chamber  and  re-eng:age the winding  key
by gently pushing-slotted   in, at the same  time  turning  until  the key
entJrs  the        end  of the spool  (ttris engagement  can be
tlistinctly  felt).
Now  lead the black  paper  across  the back  of  the camera
(see F'ig. E) until  a sufficient  length  is available   for  insertion
in the  .slot of the empty  spool  at  the wind.er end, taking  ()are
to  observe   that    it  turns  square,  true  and.  taut.  Give  the
winding  key  two  turns  so that  the empty  spool engages  thc
black  paper  securely.
                    WARNING.
'l'o    ensure correct winding  with  this Camera, the "Ensignette"
Soool Holders  ae gupplied  with  the Camera MUST  alwave be
uJed.  Any  spring   clips  or  holders  ^rupplied-  with-ngw  epoolc
of  film   for  uie  in  the Camcra  muct   firrt   be dircarded   as  they
are not  required.  for use  in  this new model  Camera'
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Page 15 · Read text
I'ut on the back  and  lock   it, showing  word    " Closed "   (in                                           'I'urnmanner  previously  indicated).         the winding  key  in the
direction  of the arrow,  watching  the circular  red window   in
the middle  of the back  until   " O " appears.  Proceed then  to
wind  slowly  and  cautiously   until  the  figure   " 1"   is  seen.'I'he      film  is now  in a correct  position  for  the  first exposure.
Successive exposures  are made by  turning  until  the figures
2, 3, 4. etc., appear.
I l\,1t'()R'l'AN'l'.*-Never    rvind   the   film   rvith  the  canrerlr
front  in the closed  position.   After  an  exposurc.   first  rvinrl
ttre film  to  the next  number,  and  then  close  the  camerzr
if desired.
'I'O    UNLOAD.-When     the  last exposuie  is made,  turn  the
rvinding  key   until  the  film   is wound   right   off  the  spool
at the non-winder  end.  Remove  the back;  seal the exposed
spool with the gummed  strip; withdraw  the winding  key from
engagement,   lift  out  the  spool-carrier  complete  with  spool
and  unload.  (When  winding   oft  the  last  exposure,  should
undue resistance be felt after making  4 turns, take  off the back,
L2

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Page 16 · Read text
free the end  of the paper  from   its  spool, and complete  the
winding.)    lo  re-load proceed. as before.
T h e N o .   l , N o .   l . T . T . H .  a n d   t h e N o .   I R . R ,  " E n s i g n e t t e s '
give  pictures  2I by  I+  inches;   the  No.   2, No.  Z.T.T.H.,
No.  2 R.R. and the  " Ensignette  de Luxe  "  give  prints  3 by
2 inches.
For  each  size,  a  special  printing  box   is  obtainable   for
enlarging up  to  full postcard  size, .5.1by  3l inches.
Keep the camera  in  its case to protect   it from  dust,  etc.
Use the largest stop  in the lens, except  for  very  bright  open
subjects, such as seaside views,  or  for  time exposures.
l)o  not  try  to give a longer exposure  than 1120 second  with
the camera  held  in the hand.
Load  and  un-load  the  camera   in  as subdued  a  light  as
is available,  not  in broad  sunshine.
Always  use  " Ensign  "  films.
                                                                              l3
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Page 17 · Read text
The
..ENSIGNETTE
                     ''DE LUXE
                                                                          'A--Finder.
 l]-Shutter Speeds.                                         ,:
C-Exposure  Lever.
D-Stop  apertures.
E-Focussing  Lltrtton.
 l.'-Winding  Key.
                                               Fig.  9.
The   " Ensignette de Luxe "  is provided  with  a   f ocussing
 s-cale so  th?t  Portrait  attachments  are  not  needed. The
 instructions-        given in the foregoing pages are  substantially
aE; iame   f5r  the  De Luxe  moaets  with   the  following
exceptions :-
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Page 18 · Read text
Thg           speeds of the De Luxe models are 1/z5th, l/50th      ,s,lrpJterand 1/100thof a second
 'I'o    the left of the lens is a slotwlth_apointer,E, (Fig.9), which
can be moved to Inf., z-s,ls, \9,-j,-! f4qt,_or interm"?idie poJi-tions.  With the. pointer at  "  Inf ."  (infinitv, or extremjAis_
 ti,nce), the lens.is at its-right focus iti;;i'subject -whenne;;;;in wrricr, tle.re is no prominent obiecl nearer than 25 ieet.
objects-are to be photographed, you must measure or estimiie
their distance from  the lens, and  set the-pointer  wllfr  itre
number of feet corresponding.  It  is impoitant  to remem-
ber that if you fggol on a partic-ular distanie, objects aie aG-o  gooa focus  if thev arre a  litile  nearer-or-r,iitt,;;-;;;i'lhereilr.          is, however, a greater range-beforeo.f good-definition uetrina
the object focussed upo.n than               it;  itrer-eio;;, ia  il;are in doubt set the pointer to a  litile  lesi"  rather'thair alittle more  than  the estimated                                                     - distan"e.   'rht-rangJ-good definition                  injlg4ssd by_gqing_esmauer stop, nben-"J              $ING  IN  MIND  THAT  THIS  WTLT- i{BCBS'STIETB
THE  EXPOSURE  tsEING  LENGTHENE'    PROPO-RTIONATELY.
                                                                        l5
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Page 19 · Read text
HOW TO DEVELOP AND  PRINT.
                                          'lanksl'ilms  can be d,eveloped in Developing           or in a l)ark
Room.  No  sign  of the  Picture  can be seen after exposure
until  the  F'ilm has been developed'
                          place                                            by.Ruby                                Room                                           l)ark                                        in a           MUSL'Development                      lake                'tank.                                                                 is                                                         suitable,                                    room                                  any                             former                     For                                    tlie       o-r in aiigtrf
f rom  which ALL   light  is  excluded'
Iror the beginner  it would be best to provide a de-veloping
and orintinS  outfit, which can be purchased complete at a                     'fhe                      No.   I  "Ensign"   Developing andreas6nable-price.
f'rinting  OuiRt is suitable for  all sizes up to 4erby 31.
In the outfit referred to will be found a ruby lamp, 3 dishes,
piinting fiame, printing papel and complete set of chemicals,
wittr directions for easy mixing,  etc.
Light the red lamp.  M.ix the developer (an g.rqinqty tumbler
nords l0 ozs. solution) and place  in one dish,  fill another
with water, whilst the third must contain the fixing solution'
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Page 20 · Read text
In  red  light  unwind  the  spool,  white  marks   wlll  be seen at
intervals   at  the edge  of  the  black  paper.  Film  and paper
are here cut  together  with  a  pair  of  scissors,  throw  away
the black  paper,  place  film away  from  Red  light  ready   for
developing.
Films  must be placed always  in all solutions  dull (emulsion)
side up. First  soak  Film   in clean water  about  one  minute.
then  place  in  d.eveloper and  roek  dish  gently:   in  about
eight minutes the picture should appear quite plain when held
                                 up  to  the  light,  (see
                                          Fig. l0) the pictures will
                                           of  course appear  in
                                   negative form,  i.e., the
                                   sky or light parts dark
                                and  the shadows  or
                                   dark portions light.
                                       After developing, trans-
                                           fer  at once to Fixing
                                                                       I l a t h -  H y p o 2 o z s . ,
                                                 77
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Page 21 · Read text
water  l0 ozs. (a tablespoon  full Hypo  equals  I oz)  for about
ten minutes,   until   atl the white  and  creamy  appearance   is
entirely  gone.   After  fixing   it  is quite  safe to use white  light.
Now wash  the fixed Films  for an hour  in running  water  or
frequent changes.
After  washing  place  to dry  by  pinning  the  films  to  the edge
of a  shelf by  one  corner  taking  care  that  nothing  comes
into contact  with  either side while  drying.
Keep dishes and measures  thoroughly  elean.  Set aside one
dish for  each  special purpose  and use   it  for  that  only.  Do
not contaminate  the developer  with  the fixing  solution.
CORRECT   EXPOSURE.-The     negatives  should  have  the
sky  black,  high  lights  very  dark,  deepest  shadows   clear,
every  detail  visible.                                                                                                                         I
UNDER   EXPOSURE.-Sky     black,  other  parts  thin  and                               iI
show no  detail.
OVER   EXPOSURE.-Sky      thin  (grev).  detail  everyrvhere                     I
visible but  flat and without  contrast.
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Page 23 · Read text
in the printing  frame-  clull side 9p aqg on  it place a piece ofpii"ii"i    papei   r,"iitr  ttr"  sensitiv-e-          side  in  contact  with   the
A;1T-;iA"-ot-tt"   negati"e.   Put  on  the hilsed   back  and   fix
a;il-th"    ipri"gJ.--Now--uriitrt)._ptace the frame  in  ttre light  to  prinf'
i;;li;hi.      iT  ;;i   tob          Examine   the.print  from  time
i;   ti;;    in a auit iieht-Uv" unnxing  ONE   sprihg  and  turning.
;;dk-  h"it  ttte-a"".uactl  taking  care  not  to move   all  the paper'
I.;;'p;ili-the    i*       when  iT appears  rather  darker  than  votl'
rvish      finished  Picture  to be.
F.IXING    I'Hlt   PRINTS.-Place     print-minutes.in  plain  water  tacu{
oown  and keep  *o,rittg      f or a few            then  give  thern
i*o              of clean water  Qnd  transfer  them  one by  qt]g
 ir   tt "tr."gesi"iior*ing   n*i"g  bath   : Hypo   .l oz.. rvater  l0 ozs.    .Fi"
io."-nit".""        *i"it"i.-    f.?"pi"g   ttrd'prints-  in  constant  motion'
itr"r   *ritt      itt  ;i";    oi  te'n clangej   of clean  water.   Lav  face
up  to dry.
 " The  (ientle  Art   of  Photography   "  girres detailed  instruc-
tion s.
?0
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View original page 23

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PDF verified 2026-10-10.