Film cameras
Fujica ST601 User manual
User manual for Fujica ST601. 85 pages in German, French, Spanish. Read the original PDF, download or print a copy without registration.
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- Brand
- Fujica
- Model / document
- Fujica ST601
- Document type
- User manual
- Language
- German, French, Spanish
- Pages
- 85
- File size
- 5.2 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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FUJIGASTGiOI (hrnr'r Mroud Modo d'rnpbl This booklet has been prepared to show you how to use the Le but de ce livret est de vous initrera l'emploi correct de votre FUJICA 5T601 correctly Pleaseread ir over carefully FUJICA 5T601 Lrsez le anentivement Gobrrucbnbltung Manud do lrrtrucclons Drese Anleitung soll lhnen helfen. lhre neue FUJICA 5T601 Se ha preparado este folleto para enseitarle c6mo utrftzar la kennenzulernen.damit Sie alle Vorteile dieser Kamera ausnulzen FUJICA 5T601 correctamenteSlrvaseleerlo atentamente kdnnen Lesen Sie sich diese Anweisung sorgfeltrgdurchView original page 2
Page 3 · Read text
lil|llF.'
CONTENTS INHALT
Part 1, Fundamentals 2 Teil 1 - Grundanweisung . 2
Namesand Functionsof Parts. ? Bezerchnungder Terleund ihre Funktionen
S o e c i aFl e a t u r e s . q BesonderetechnischeMerkmale q
1. BasicSteps 1 1 1 . K a m e r a b e d i e n u n g 1 1
2. BatteryInsertion 1 7 2. Einlegender Batterien. 1 7
3 . F i l mL o a d r n g. 20 3. Einlegendes Films 20
4. Settingthe Film Speed 24 4. Einstellungder Filmempfindlichkeit. 24
5 Settingthe ShutterSpeed . 2 6 5. Einstellungder Verschlusszeit. 2 6
6. Focusthe Lens and FrameYour Picture. 2 8 6. Scharfeinstellungund Bildausschnitt 2 8
7. CorrectExposure. 3 1 7. KorrekteBelichtung. 3 2
B. Holdrngthe Cameraand Releasing B. Kameraruhig haltenund auf den
the Shutter. 33 Ausl6seknopfdrUcken 34
9. RewindingFilmand UnloadingFilm 36 9. Nach der BelichtunglhresFilmes 36
Part 2, Advanced Techniques 40 Teil 2'- Technik fUr Fortgeschrittene 40
1 . C h a n g i n gt h e L e n s . 4 1 1. Auswechselndes Objektives 4 1
2. How the ExposureMeter Operates. 46 2. Etwasmehr ijber den Belichtungsmesser. 4 0
3. ExoosureCorrectton 5 2 3. Belichtungskorrektur 5 4
4. Utrlizingthe Lens Depth of Field . 57 4. Die Vorteileder Tiefenschiirfe. 5 B
5. Usingthe SelfTimer 6'l 5. Wie Sie sich selbstfotografierenkonnen 6 1
6. InfraredPhotography. 63 6. Infrarot-Fotografie 6 3
7. FlashSynchronizedShooting 64 7. Auf nahmenmit Blitzlichtsynchronisation. 64
B. Accessoriesfor the FUJICA 5.T601. 6 B L Der Gebrauchdes Zubehdrs. 6 8
9. Careand Storageof your FUJICA5T601 . 7B 9. BeachtenSie bittefolgende
10. Soecifrcations BO Vorsichtsmassregeln 7 8
10. TechnischeDaten B,I
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PART
TEIL
CHAPITRE
PARTE
FUN DAM ENTALS
P a r t 1 E x p l a r n s t h e b a s r c o p e r a t r o n s o f t h e c a m e r a T h e r e a d e r r s
recommended to master the basrcs be{ore proceedrng to Part 2 whrch deals
w r t h t h e m o r e a d v a n c e d l e c h n r q u e s o f p h o t o g r a p h y
G R U N D A N W E I S U N G
T e i l 1 e r l a u l e r t d r e G r u n d h a n d h a b u n g d e r K a m e r a M a n s o l l t e s r c h z u n a c h
m l l d l e s e r G r u n d a n w e r s u n g b e s c h a f t r g e n u n d n r c h t e h e r z u T e i l 2 - der src
mrt der f ortgeschnttenen Technrk bef aBt ubergehen bevor m a n d r e
G r u n d h a n d h a b u n g b e h e r r s c h t
MANIPULATION DE BASE
Le chapitre 1 explrque les op6ratrons de base de cet apparerl ll est
r e c o m m a n d 6 a u l e c t e u r d e s e f a m r l r a r r s e ra v e c c e s p r r n q p e s a v a n t d e
poursurvre la lecture du chapitre 2 qur lrarte des technrques les plus avanc€es
de la photographre
DATOS FUNDAMENTALES
La parte 1 explrca las operacrones
recomrenda al lector que domrne estos
lectura de la parte 2, que fAtil dc
f otografiaView original page 4Page 7 · Read text
SPECIAL FEATURES BESONDERETECHNISCHEMERKMALE
1. lmproved Through-The-LensExposure Meter 1. Verbesserte TTL Belichtungsmessung
The exposure meter of the FUJICA 5T601 consists Der Belichtungsmesserder FUJICA 5T601 besteht
of 2 Srlicon photocell light receptors located on aus zwei Silikon Fotozellen.die das Licht emo-
erther side of the viewfinder eyepiece,which are fangen; je eine dieser Fotozellenbefindet sich auf
connected to an FET (Field Effect Transistor) jeder Serte des Sucherokulars.Sre sind an eine FET
circuit and are coupled with the shutter and dia- "Field Eff ect Transistor" Schaltung angeschlossen
phragm.lt measuresthe averagelight intensitywhich und sind mit VerschluBund Blende gekuppelt.Die
falls on the entrre surface of the focusing glass. In Messung erfolgt auf der Basis der Durchschnitts-
other words. it measuresthe light that has passed Lichtintensitiit,die auf die Gesamtflricheder Sucher-
through the lens and will actuallyreach the film. Mattscheibe f ellt. Mrt anderen Wort6n, es wird
Its special features are: high sensitivity.complete genau dre Lichtmenge gemessen, dre durch das
accuracy, instantaneousresponse, and a spectral Objektivauf den Film weitergeleitetwird.
sensitivity close to that of color film. Other merits Besondere Merkmale sind: hohe Empfindlichkeit.
are its compatibilttywtth any lens that can be auBergewdhnlrcheGenauigkeit, sofortige Reaktion
mounted on the camera, and elimination of the und eine Spektral-Empfindlrchkeit, die der des
necessity of making exposure corrections in taking Farbfilmessehr :ihnlrch ist. WertereVorteilesind die
close-ups and in shooting wrth a filter on the lens Moglrchkertder Verwendungjedes Oblektrves,das in
because the light that has passed through the die Kamera paBt und der Wegfall jeglicher Belich-
selectedapertureis the light that is measured. tungskorrektur bei Nahaufnahmen und bei der
2. World Renowned FUJINON Lens Benutzung von Filtern Nur die Lichtmenge, die
The interchangeablelensesof rhe FUJICA 5T601 are durch die Objektivdffnung fellt, wird effektiv ge-
widely known for their superb color definition and messen.
perfect corner-to-corner picture sharpness and 2. Weltbekannte FUJINON Objektive
clarity. Die Wechseloblektiveder FUJICA 5T601 sind be-
3. A Complete Camera System in ltself kannt fUr ihre groBartigeFarbwiedergabeund die bis
A wrde range of interchangeablelenses,accessories. zum BildrandgestocheneScheirfeund Brillanz.
and rts improved through-the-lens exposure meter 3. Ein vollstiindiges Kamera-System
make the FUJICA 5T601 a completecamera system Eine groBe Auswahl von Wechselobjektivenund
in itself capable of handling any picture-taking ZubehOr,sowie dre verbesserteTTL Lichtmessung,
situationand subiect machen dre FUJICA 5T601 zu ernem vollstdndigen
Kamera-System, mit dem so gut wie alle foto-
grafrschen Auf gaben und Situationen gemerstert
werden konnen.
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BASIC STEPS GENERALITES
KAMERABEDIENUNG OPERACIONES FUNDAMENTALES
1 . Load the Film 1 . Mise en place du chargeur
P u l l t h e C o m b r n a t i o n F r l m R e w i n d T i r e r s u r l e b o u t o n l u s q u ' d c e q u e l e
C r a n k - B a c k C o v e r L o c k f u l l y u n t r l d o s d e l ' a p p a r e i l s ' o u v r e P l a c e r l e
t h e C a m e r a B a c k a u t o m a t i c a l l y s n a p s c h a r g e u r 3 5 m m d a n s l e l o g e m e n t
o p e n N e x t , l o a d t h e 3 5 m m f i l m p r6v u a cet ef f et et i ntrod u ire
c a r t n d g e i n t o t h e F i l m C h a m b e r a n d l ' a m o r c e d u f i l m d a n s l a f e n t e d e I ' a x e
r n s e r t t h e f r l m r n t o t h e s l o t o f t h e d e r 6 c e p t i o n d u f i l m .
Take-up Spool 1 . Cargue la pelicula
1 . Einlegen des Films L e v a n t e l a c o m b i n a c i 6 n p a l a n c a d e
Z i e h e n S i e d e n R u c k s p u l h e b e l g a n z r e b o b i n a d o d e l a p e l i c u l a - c i e r r e d e
h e r a u s , b i s s i c h d i e K a m e r a r u c k w a n d la tapa posterior totalmente hasta
a u t o m a t r s c h 6 f f n e t S o d a n n l e g e n S i e q u e s a l t e a u t o m S t i c a m e n t e l a t a p a
d i e 3 5 m m - F i l m p a t r o n e i n d i e F i l m - p o s t e r i o r d e l a c d m a r a . A c o n t i n u a -
k a m m e r e i n u n d s t e c k e n S i e d r e c r 6 n , c a r g u e e l c a r t u c h o 3 S m m d e l a
F i l m z un g e i n d e n S c h l i t z d e r p e l f c u l a e n l a c S m a r a d e p e l i c u l a e
A u f w i c k e l s p u l e i n t r o d u z c a l a p e l i c u l a e n l a r a n u r a d e
l a b o b i n a d e b o b i n a d o .
2. Set the Film Speed
l f y o u a r e u s r n g a F U J I C O L O R F - i l 2. S6lection de la sensibilit6 du film
o r F U J I C H R O M E R 1 0 0 ( A S A 1 0 0 ) S i v o u s u t i l i s e z u n F U J I C H R O M E
f i l m , p u l l u p t h e t o p o f t h e S h u t r e r R l O O O U F U J I C O L O R F - i l ( 1 O O A S A )
S p e e d S e l e c t o r D r a l a n d t u r n i t u n t i l t i r e r s i m p l e m e n t s u r l a o a r t i e
t h e n u m b e r 1 0 0 s h o w s o p p o s r t e t h e s u p 6 r i e u r e d u c a d r a n d e v i t e s s e e t
w h r t e d o t o n t h e F r l m A S A S o e e d t o u r n e r l u s q u ' a c e q u e l e n o m b r e
I n d r c a t o rW r n d o w 1 0 0 a p p a r a i s s e d a n s l a f e n O t r e p r 6 v u e
2. Einstellen der Filmempfindlich- d c e t u s a q e
keit 2. Ajuste la velocidad de la pelicula
W e n n S r e F U J I C O L O R F - i l o d e r Sr utiliza Vd una pelicula color F-II
F U J I C H R O M E R 1 0 0 ( A S A 1 0 0 / 2 1 o F U J I C H R O M ER 1 0 0 ( A S A 1 0 0 ) ,
D I N ) b e n u t z e n , h e b e n S i e d r e s r m p l e m e n t e l e v a n t e l a p a r t e s u p e r i o r d e l dral selectorde velocidad
V e r s c h l uB z e r t e n - W a h l s c h e r b lee r c h t a n d e o b t u r a d o r y d e l e v u e l t a s h a s t a q u e e l n 0 m e r o 1 0 0 s e e n c u e n t r a
u n d d r e h e n s i e b r s d r e N u m m e r 1 0 0 e n c o r r e s p o n d e n c i a c o n e l p u n t o b l a n c o d e l a v e n t a n i l l ai n d i c a d o r a
s r c h m r t d e m w e i B e n P u n k t g e g e n - d e l a v e l o c i d a d A S A d e l a o e l i c u l a '
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3. Set the Frame Counter to 1 (the 3. Compteur d'images (Le repdre de
first white dot before the number d6part est le premier point blanc
2 l avant le num6ro 2l
The odd numbersof the frame count- L e s n u m 6 r o s i m p a i r s d u c o m p t e u r
er are represented by white dots. d'images sont rep16sent6spar des
W i n d t h e F i l m A d v a n c e L e v e r a n d points blancs Actionner le levier
press the Shutter ReleaseButton. Do d'avancement2 fois. d la 3dme fois le
t h i s t w i c e , a n d o n t h e 3 r d w i n d i n g , p r e m i e r p o r n t b l a n c s u r l e c o m p t e u r
the f irst white dot on the f ilm counter d ' i m a g e s ( i m a g e n ' 1 ) s e t r o u v e r a
(f rame No.1) wrll move oppositethe e n f a c e d u p o i n t b l a n c ( p o i n t d e
white dot (settingmark). repdre)
3. Stellen Sie das Bildziihlwerk auf 1 3. Ajuste el contador de fotografias
(der erste weiBe Punkt vor der en 1 (primer punto blanco antes
Nummer 2l'. del n6mero 2l
Die weiBen Punkte auf dem Los n0merosimparesdel contadorde
Zdhlwerk sind die ungeraden Zahlen. fotograffas.estSnrepresentadospor
Betdtigen Sre den Filmaufzughebel puntos blancos.Enrollela palancade
u n d d r u c k e n S i e a u f d e n A u s l 6 s e - avancede la pelfculay aprieteel bot6n
k n o p f . S i e m u s s e n 2 B l r n d - de disparodel obturador.HSgalodos
belichtungen machen, bei dem drit- veces, y cuando enrolle por tercera
ten Aufzug des Filmtransporthebels vez, el primer punto blanco en el
liegen der erste weiBe Punkt im contadorde fotografias(cuadro No.1)lE- B i l d z e i h l w e r k( B i l d N r 1 ) u n d d i e se pondrd en correspondenciacon el
E i n s t e l l m a r k i e r u nn eq b e n e i n a n d e r . punto blanco (sefralde ajuste).
'
4. Set the Shutter Speed Selector Dial 4. R6glage vitesse
Turn the Shutter SpeedSelector Dral Tourner le cadran pour placer la
to the speed desired lf you are vitessed6sir6e devant le repdre.Pour '
shooting out of doors, the sh utter les prises de vue a l'extdrieur la
s p e e d w i l l b e e i t h e r 1 / 1 2 5 s e c . o r vrtesseest de 1/125 ou 1/250 sec.,d
1/250 sec. lf you are shooting in- l ' i n t 6 r i e uer l l e s e r a 1 / 3 0 s e c . o u 1 / 6 0
d o o r s ,i t w r l l b e 1 / 3 0 s e c .o r 1 / 6 0 s e c . sec.
1 2
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7. Press the Shutter Release Button 7 . D6clenchement
Hold camera stbady to preventshake S i v o u s t e n e z l ' a p p a r e i l e n m a i n ,
and gently press the Shutter Release malntenez-lefermement pour 6viter
B utton. toutes secousses au moment du
d6clenchement.
7. Ausldsen des Verschlusses 7. Apriete el bot6n de disparo del
B e a c h t e n S i e b i t t e , d a B d i e K a m e r a obturador
r u h r gg e h a l t e nw e r d e n m u B ,w e n n S i e Si fotografia con la cdmara en sus
fotografieren.Drucken Sre nur lercht manos mant6ngala firmemente para
und ru hig auf den Ausloseknopf, rmpedirque se mueva y aprietesuave-
d a m i t d i e G e f a h r e i n e r V e r w a c k l u n g mente el bot6n de disparo del obtu_
ausgeschlossenwird. rador.
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BATTERY INSERTION CHARGEMENTDES PILES
EINLEGENDER BATTERIEN CARGUE LAS PILAS DE MERCURIO
1 . Open the Cover 1 . Ouverture du logement
Insert a coin into the slot of the I n t r o d u i r e u n e p i d c e d e m o n n a i e
Mercury BatteryChamber Cover @ d a n s l a f e n t e d u c o u v e r c l e @ e t
locatedon the upper left side of the t o u r n e r d a n s l e s e n s c o n t r a i r e d e s
body. and turn it counter-clockwise. a i g u i l l e s d ' u n e m o n t r e .
1 . Offnen des Batteriegehduse- 1. Abra la tapa
deckels l n t r o d u z c a u n a m o n e d a e n l a r a n u _
EntfernenSie den Deckel des Bat- r a d e l a t a p a d e l o r i f i c i o d e u b i c a _
t e r i e g e h d u s e@s , i n d e m S i e e i n e c i 6 n d e l a s p i l a s d e m e r c u r i o @ ,
M u n z e i n d e n S c h l i t za n d e r l i n k e n s r t u a d o e n l a p a r t e s u p e r i o r i z q u i e r _
oberen Seite des Kameragehduses d a d e l c u e r p o d e l a m d q u i n a y d e l e
stecken und gegen die U hrzeiger- v u e l t a e n s e n t i d o c o n t r a r i o a l a s
r i c h t u n gd r e h e n . a g u J a s d e l r e l o 1 .
2. Load the Batteries 2. Mise en place des piles
Insert two mercury battenes, one l n t r o d u t r e 2 p i l e s a u m e r c u r e d a n s
on top of the other, into the l e l o g e m e n t - l ' u n e s u r l ' a u t r e l e
batterychamberwith the plus sides s i g n e ( + ) 6 t a n t d i r i g 6 v e r s l e b a s _
( + ) f a c i n g d o w n a n d c l o s e t h e r e f e r m e r l e c o u v e r c l e .
cover.
2. Einlegender Batterien 2. Cargue las pilas
Legen S ie zwei M e rc u ry-B atterien I n t r o du z c a d o s p i l a s d e m e r c u r i o ,
u n d z w a r h i n t e r e i n a n d ei nr d i e B a t - u n a e n c i m a d e o t r a , e n l a c d m a r a d e
teriekammerein. Beachten Sie da- pilas con el lado del polo positivo
b e i , d a B d e r P l u s p o l( + ) b e i b e i d e n ( + ) h a c i a a b a j o y c i e r r e l a t a p a .
Batterien nach innen zeigt. Nun
befestigenSie den Batteriekammer-
deckelwieder.
1 7
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2. Load the Film 2. Mise en place du film
I n s e r t t h e c a r t r i d g e i n t o t h e F i l m I n t r o d u i r e l e c h a r g e u r d a n s s o n l o g e _
C h a m b e r @ w i t h t h e s p o o l h e a d m e n r @ l a t 6 t e d e l a b o b i n e d i r i g 6 e
(pro1ection) pornting to the bottom v e r s l e b a s d e l ' a p p a r e i l , r e p o u s s e r l e
o f t h e c a m e r a , p u s h d o w n t h e C o m b i - b o u t o n @ p o u r e n g a g e r l ' a x e d e
n a t i o n F i l m R e w i n d C r a n k - C a m e r a m a r n t i e n @ d a n s l e c h a r g e u r _ t i r e r
B a c k L o c k @ t o e n g a g e t h e F i l m l ' a m o r c e d u f i l m e t l ' i n t r o d u i r e
R e w i n d S p r n d l e @ w i t h t h e f r l m j u s q u ' a u b a s d a n s l a f e n t e d e l ' a x e d e
s p o o l P u l l o u t t h e t r i m m e d e n d o f r 6 c e p t i o n d u f i l m @
t h e f i l m a n d i n s e r t r t d o w n t o t h e
bottom end Into the slot of the
Take-up Spool @
2. Einlegen des Films 2. Cargue la pelicula
L e g e n S i e d i e F i l m k a s s e t t e r n d i e l n t r o d u z c a e l c a r t u c h o e n l a c d m a r a
F i l m k a m m e r @ e i n u n d z w a r s o , d a B d e l a p e l i c u l a @ , c o n l a c a b e z a d e l a
d e r s i c h t b a r e S p u l e n k e r n n a c h u n t e n b o b i n a ( p r o y e c c i 6 n ) a p u n t a n d o h a c i a
z e r g t N u n d r u c k e n S r e d e n R u c k - l a p a r t e i n f e r i o r d e l a c d m a r a , a p r i e t e
s p u l h e b e l @ h e r u n t e r , b i s d i e F i l m - l a c o m b i n a c i 6 n , p a l a n c a d e r e b o b i n a -
r u c k s p u l a c h s e @ e i n r a s t e t S o d a n n d o d e l a p e l l c u l a - c i e r r e d e l a t a p a
z r e h e n S i e d i e F i l m z u n g e a u s d e r p o s t e r i o r @ h a s t a a g a r r a r e l v d s t a g o
K a s s e t t e u n d s t e c k e n d e n F i l m b i s d e r e b o b i n a d o d e p e l i c u l a @ c o n l a
z u m u n t e r s t e n E n d e i n d e n S c h l i t z b o b i n a d e l a p e l f c u l a . S a q u e e l l a d o
d e r A u f w i c k e l s p u l e @ . r e c o r t a d o d e l a p e l f c u l a e i n t r o d 0 z -
c a l o h a c i a a b a i o e n l e r a n u r a d e l a
b o b i n a d e b o b i n a d o @
2 1
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3. Close the Camera Back 3. Fermeture de l'appareil
W i n d t h e f r l m a l i t t l e w i t h t h e F r l m F a r r e a v a n c e r l e f r l m a l ' a r d e d u l e v t e r
A d v a n c e L e v e r '@b o t ah n d e n g a g e t h e @ e t b r e n e n g a g e r l e s p e r f o r a t t o n sd u
p e r f o r a t i o n s o n e d g e s o f t h e f r l m ' d a n s l e s d e n t s d e l ' a x e d ' e n -
f r l m w r t h t h e s p r o c k e t t e e t h B e s u r e t r a i n e m e n t @ V e r i f r e r q u e l e f r l m
t h e f i l m r s p r o p e r l y t n s e r t e d b e t w e e n s o r t b r e n p l a c 6 d a n s l e s r a t l s d u
t h e G u r d e R a r l @ N o w , p r e s s d o w n c o u l o r r d e l ' a p p a r e i l @ e n s u l t e r e -
t h e C a m e r a B a c k u n t t l t t c l o s e s t t g h t - f e r m e r l ' a p p a r e r l- v o u s e n t e n d r e z u n
l v w r t h a c l r c k d 6 c l r c d e f e r m e t u r e
3. SchlieBen der KamerarUckwand 3. Cierre la parte posterior de la c5mara
T r a n s o o r t r e r e n S r e d e n F i l m m i t d e m F r l m a u f - E n r o l l e l a p e l i c u l a u n p o c o c o n l a p a l a n c a d e a v a n c e
z u g h e b e l @ b i s b e r d e S e i t e n d e r p e r f o r a t r o n i n d l e d e l a p e l i c u l a @ e l n t r o d u z c a l a s p e r f o r a c i o n e s d e
Z a h n r a d e r e t n g e r a s t e t s i n d B e a c h t e n S i e b r t t e , d a B a m b o s l a d o s d e l a p e l i c u l a e n l o s d i e n t e s d e l e J e
d e r F r l m s t c h z w t s c h e n d e n F u h r u n g s s c h l e n e n @ d e n t a d o A s e g 0 r e s e d e q u e l a p e l i c u l a s e h a i n t r o -
b e f r n d e t N u n k l a p p e n S i e d i e K a m e r a r u c k w a n d z u , d u c r d o a d e c u a d a m e n t e e n t r e e l r a i l d e g u i a @ A
b r s s i e h o r b a r e r n s c h n a p p t c o n t r n u a c i 6 n v u e l v a a c e r r a r l a c a m a r a V a p r l e t e l a
t a p a h a s t a q u e s e c i e r r e f u e r t e m e n t e c o n u n c l r k
l f t h e F r l m R e w r n d C r a n k t u r n s I n t h e o p p o s t t e W e n n d r e F r l m r u c k s p u l k u r b e bl e r m D r e h e n d e s
d r r e c t r o n o f t h e a r r o w a s y o u w t n d t h e F r l m F r l m a u f z u g h e b e l s @ s i c h e n t g e g e n d e r P f e i l r t c h -
A d v a n c e L e v e r @ , t t m e a n s t h e f r l m h a s b e e n t u n g b e w e g t , b e d e u t e t d r e s , d a B d e r F i l m r i c h t t g
l o a d e d p r o p e r l y e r n g e l e g t w u r d e u n d o r d n u n g s g e m d B t r a n s p o r -
T h e o d d n u m b e r s o f t h e F r l m C o u n t e r @ a r e t r e r t
r e p r e s e n t e d b y w h r t e d o t s D i e u n g e r a d e n Z a h l e n d e s B r l d z a h l w e r k s @
T o a l l o w y o u t o t a k e q u r c k s h o t s l n s u c c e s s l o n , w e r d e n d u r c h w e t B e P u n k t e a n g e z e t g t
t h e F r l m A d v a n c e L e v e r @ w r l l b e b a c k w r t h a U m s c h n e l l e s A u f n e h m e n z u e r m o g l i c h e n , k e h r t
s l r g h t l a t i t u d e P r e s s r t a l l t h e w a y b a c k a f t e r y o u d e r F r l m au l z u g s h e b e l @ n r c h t I n s e l n e N o r m a l -
h a v e f r n r s h e d s h o o t t n q s t e l l un g z u r u c k E r s o l l t e a b e r n a c h B e e n d i g u n g
d e r l e t z t e n A u f n a h m e z u r u c k g e s c h o b e n w e r d e n
2 2View original page 18Page 21 · Read text
SETTINGTHE SHUTTERSPEED EI N S T E L L U N G D E R V E R S C H L U S S Z E I T
I h e l e t t e r B a n d t h e n u m b e r s 2 7 0 0 o n t h e D e r B u c h s t a b e B a u f d e r V e r s c h l u B z e r t e n w a h r s c h e r b e
S h u t t e r S p e e d S e l e c t o r D r a l r e p r e s e n t " b u l b " a n d b e d e u t e t " B a l l " ( f u r Z e f t a u f n a h m e n ) u n d d r e N u m -
1 l Z 1 / 7 0 0 s e c o n d T h e y r n d r c a t e t h e l e n g t h o f m e r n 2 7 0 0 s r n d ' d r e V e r s c h l u B z e r t e n 1 / Z S e k
t r m e t h e f r l m w r l l b e e x p o s e d t o l r g h t b r s 1 / 7 0 0 S e k
T h r s c a m e r a a l l o w s y o u t o s e t e x p o s u r e e l t h e r b y t h e D r e B e l r c h t u n g s z e r t s e t z t s r c h r m m e r a u s d e r V e r -
s h u t t e r s p e e d o r b y t h e s t z e o f t h e l e n s o p e n r n g s c h l u B z e r tu n d d e r B l e n d e n o f f n u n g z u s a m m e n E s r s t
H o w e v e r , r t t s b e s t t o s e t t h e s h u t t e r s p e e d f r r s t F o r l e d o c h r a t s a m , a l s e r s t e s d r e V e r s c h l u B z e r t e t n z u s t e l -
e x a m p l e , t h e s h u t t e r s p e e d w o u l d b e f r o m 1 / 1 2 b t o l e n F u r A u B e n a u f n a h m e n s r n d d r e g e b r a u c h r r c h s t e n
1 / 2 5 0 s e c l f y o u a r e s h o o t r n g o u t d o o r s , o r f r o m V e r s c h l u B z e r t e n1 / 1 2 5 S e k u n d 1 / 2 5 0 S e k , w e j h -
1 1 3 0 s e c t o 1 / 6 0 s e c , r f y o u a r e s h o o t r n g I n d o o r s . r e n d f u r I n n e n a u f n a h m e n ,J e n a c h L r c h t v e r h a r t n i s s e n
T o s e t t h e s h u t t e r s p e e d , f r r s t t u r n t h e S h u t t e r S p e e d u n d F r l m e m p f r n d l r c h k e r t ,l a n g e r e V e r s c h l u B z e r t e n
S e l e c t o r D l a l w h r l e p r e s s t n g d o w n o n r t s l i g h t l y a n d b e n o t r g t w e r d e n
s e t t h e n u m b e r y o u w a n t o p p o s r t e t h e r e d d o t o n t h e U m d i e V e r s c h l u B z e r t e t n z u s t e l l e n , m u B d l e W a h l -
c a m e r a b o d v s c h e r b e @ - l e r c h t n a c h u n t e n g e d r u c k t - g e d r e h t
o U s e B ( b u l b ) r f t h e e x p o s u r e w r l l t a k e 1 s e c o n d w e r d e n u n d s r c h d i e v o n l h n e n g e w u n s c h t e z e r t d e m
o r t o n g e r . r o t e n P u n k t g e g e n u b e r b e f i n d e n
o T h e r e a r e n o r n t e r m e d r a t e s e t t t n g s b e t w e e n t h e o F u r V e r s c h l u B z e r t e nl d n g e r a l s 1 / 2 S e k u n d e m u B
n u m b e r s l n d r c a t e do n t h e d r a l " 8 " ( B a l l )e r n g e s t e l l wt e r d e n
o 6 0 r s m a r k e d I n r e d t o r e m r n d y o u t h a t r t t s t h e o N u r d l e a n g e g e b e n e n V e r s c h l u B z e r t e nk o n n e n
s p e e d u s e d f o r s h o o t l n g w l t h e l e c t r o n r cf l a s h v e r w e n d e t w e r d e n , Z w r s c h e n z e r t e n s r n d n l c h t
o E x c e p t r n g 1 / 7 0 0 s e c o n d , e a c h s h u t t e r s p e e d r s m o g l r ch
e r t h e r 1 / 2 o r 2 t r m e s t h e s p e e d o f t h e s h u t t e r o 6 0 i s t I n R o t m a r k i e r t , u m d a r a u f h n z u w e t s e n ,
s p e e d n e x t t o r t d a B d r e s e V e r s c h l u B z e r t f u r E l e k t r o n e n b l r t zb e -
n u t z t w e r d e n m u B
o M r t A u s n a h m e v o n 1 / 7 0 C S e k u n d e , r s t l e d e
V e r s c h l u B z e i t e n t w e d e r d r e H 6 l f t e o d e r d a s
D o p p e l t e d e r d a n e b e n l t e g e n d e n Z e t t
2 6 -
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FOCUSTHE LENS AND FRAME YOUR PICTURE
SCHARFEINSTELLUNGUND BILDAUSSCHNITT
MISE AU POINT ET CADRAGE
ENFOOUEEL OBJETIVOY ENCUADRESU FOTOGRAFIA
1. Focus the Lens 1 . Scharfeinstellung
(1) Look through the Viewfinder and point the ( 1 ) S c h a u e n S i e d u r c h d e n S u c h e r , u n d r i c h t e nS i e
camera so that the main subJectis seen through lhre Kameraauf das Motiv, so daB der Hauptbild-
the smallmicroprismcenter spot. gegenstand sich im Mikroprismakreisim Zentrum
(2) Split-imageFocusing des Mattscheibenbildesbefindet.
T u r n t h e F o c u s i n gR r n g @ u n t i l t h e u p p e r a n d (2) Scharfeinstellungdurch Schnittbildentfernungs-
lower segments of the split image in the micro- messer
prism center spot converge to form a single D r e h e n S i e d e n S c h a r f e i n s t e l l u n g s r r bn rgs d r e
t m a g e . oberen und unteren Teile des Schnittbrldesrn
( 3 ) M r c r o p r i s mF o c u s i n S d e m M i k r o p r i s m a k r eei isn e i n z i g e sB i l d w e r d e n .
Turn the Focusrng Ring until the image in the (3) MikroprismatischeScharfeinstellung
mtcropflsmcenter spot appears sharp. Drehen Sre den Scharfeinstellringso weit. bis das
(4) You can also focus with any part of the area M i k r o p r i s m sa c h a r fu n d k l a r e r s c h e i n t
surrounding the microprism center spot. This (4) Sie kdnnen auch mit dem Gesamten Mattschei-
method is especiallyuseful when shootrngwith b e n - B i l d f e l d e se i n e S c h a r f e i n s t e l l u n eg r z i e l e n .
aperturestoppedfar down. Diese Methode ist besondersdann anzuwenden,
(5) The white numbers on the FocusingRing are for w e n n m a n A u f n a h m e n m i t g e r i n g e r B l e n d e n -
meters and the green numbers are for feet. The 6ffnung macht.
distancecan also be set by visual ludgementfor ( 5 ) D i e w e i B e nZ a h l e n a u f d e m S c h a r f e i n s t e l l r i n g
quick shooting. s i n d A n g a b e n i n M e t e r , w d h r e n d d i e g r u n e n
When shooting extreme close-ups,the distance Z a h l e n A n g a b e n i n F u B s i n d . F U r s c h n e l l eA u f -
from subject to Film Plane Mark @ must be n a h m e n k a n n d i e E n t f e r n u n ga u c h n a c h A u g e n -
precrselymeasuredwith a tape measure. maB eingestelltwerden.
Falls Sie extreme Nahaufnahmenmachen wollen.
s o m u B d i e E n t f e r n u n gz w i s c h e n M o t i v u n d d e r
Filmebenegenau gemessenwerden.View original page 22Page 23 · Read text
2. Frame Your Picture 2. Cadrage
The Viewfrnder will let you see 90o/oof the entire Le viseur vous permet de voir g0/100 de l'image
vrew that will registeron your film so that vou can enregrstr6esur le film. Vous pouvez donc utilisergo ahead and use the whole length and width of the sans cratnte toute la longueur et largeur de votre iI
area in the Viewfrnderto frame your picture. viseur pour cadrer votre image.
o Eyesight Adjustment Lens o Lentille de correction a votre vue
The Viewfinder is provided with an eyepiece for L'appareil est livr6 avec un oculaire pour une
those with normal vision. lf you are near sighted or personneayant une vue normale.Si votre vue n'est
far sighted, be sure to use an EyesrghtAdjustment pas parfaite,il faut utiliser la lentllle de correclon
Lens. otherwise it will be extremely difficult for you autrement il vous sera difficile de faire une bonne
to focus the lens precisely. Four different Eyesight m i s ea u p o l n t .l l e x i s t e4 l e n t i l l e s :+ 2 , + 0 . 5 , - 2 . 5 - 4
Adjustment Lenses are supplied as optronalacces- diootries.
s o r i e s :+ 2 , + 0 . 5 . - 2 5 a n d - 4 d i o p t o r .
2. Wahl des Bildausschnittes 2. Encuadre su fotograffa
lm Sucher sehen Sre gO% des Bildes.das auf lhrem El visor le permitird ver el g0o/ode toda la visi6n oue
Film registriertwrrd. Sie k6nnen also getrost lhr Brld registrarSsu pelicula de forma que puede utilizar
brs in die iiuBerstenWinkel hinein komoonreren. toda la anchura y profundidad de la zona oue
o Sehschdrfenadapter observaen su visor para encuadrarsu fotografia.
Der Sucher ist mit einem Okular f ur normale . Lente de ajuste para correcci6n de la visi6n
Sehschairfeausgestattet.Wenn Sie kurz- ooer wett- Al visor se le proporciona un ocular para los oue
srchtig sind, sollten Sie unbedrngt von dem als tienen visi6n normal. Si es Vd. de vista corta o de
Zubehor erh€iltlichenAusglerchsadapterGebrauch vista lejana,aseg0resede utilizaruna lente con ajuste
machen,da die Scharfeinstellungsonstschwierigsein o correcci6n de visi6n, ya que si no le ser5 muykann. Diese Adapter sind in 4 Dioptrrenerh€jltlich. dif icil enfocar precisi6n con el obletivo. Como 4 .+ 2 , + 0 , 5 , - 2 . 5 u n d - accesonos a opci6n suministran se cuatro lentes de
correcci6nde visi6n: +2, +0,5, -2,5 v -4 diootnas.
- 3 0 -
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CORRECTEXPOSURE
1. Press the Exposure Meter Switch
Point the camera at your sublect whire rookino
through the viewfinder and press the Exposuretrztetei
S w i t c h @ T h e m e t e r n e e d r eo n t h e ' r i g h t h a n d s i d e
of the vrewfinde'r will move up f rom the ( _)
posrtron At the same time, the view will darken
becausethe aperturewill close down to the one you
have selected
2. Turn the Aperture Selector Ring
Pressdown the ExposureMeter Swrtch and turn the
Aperture Selector Ring @ until tfre needle in the
viewfindermoves rnto the center of the rndentation.
You now have the correct exposure.The aperture
can also be set rntermedratelybetween the calibra_
tronson the scaleto permitf ine adjustments.
3. lf the Needle Does Not Move into the center of
the Indentation.
lf the meter needle does not move into the center of
the Indentation by turnrng the Aperture selector
R i n g ,y o u w r l l h a v e t o c h a n g et h e s h u t t e rs o e e d .
o l f t h e n e e d l e i s n e a r t n " ( + ) s i d e , r n c r e a s et h e
shutter speed. (Example:lf the shutter speed is
1 /125 sec.,turn the dial to 1 /2SO sec.;
o l f t h e n e e d l e i s n e a r t h e ( - ) s i d e , r e d u c e t h e
shutter speed (Example:lf the shutter speed rs
1 / 1 2 5 s e c , r e d u c ei t t o 1 / 6 0 s e c . ) . Under Moderate Over
unterbelichtet Richtig Uberbelichtet
Sous-exposd Normal Surexpos6
sub-Exposici6n correcto sobre-Exposici6n
3 1View original page 24Page 27 · Read text
2. Turn the Film Rewind Crank 2. R6embobinage
E r e c t t h e F i l m R e w r n d C r a n k @ a n d D 6 g a g e z l a m a n i v e l l e @ e t t o u r n e z
w i n d i t i n t h e d r r e c t r o n o f t h e a r r o w d a n s l a d i r e c t i o n i n d i q u 6 e p a r l a
t o r e t u r n t h e e x p o s e d f i l m b a c k i n t o f l d c h e e t r 6 e m b o b i n e z l e f i l m d a n s l e
t h e c a r t r r d g e J u s t b e f o r e t h e e n d o f c h a r g e u r J U S q U ' dc e q u e v o u s s e n t i e z
t h e f i l m i s r e a c h e d , y o u w i l l f e e l a u n e l 6 g d r e t e n s i o n F a i r e 2 t o u r s
s l i g h t t e n s i o n r e l e a s e o n t h e c r a n k s u p p l 6 m e n t a i r e s , v o u s p o u v e z o u v r i r
G i v e i t 2 m o r e t u r n s a n d t h e f i l m i s l ' a p p a r e i l .
w o u n d b a c k i n t o t h e c a r t r i d g e .
2. Drehen des Rtjckspulhebels 2. Gire la palanca de rebobinado de
R r c h t e n S i e d e n F i l mr u c k s pu l h e b e l la pelicula
@ a u f u n d d r e h e n S i e i h n i n P f e i l - L e v a n t e l a p a l a n c a d e r e b o b r n a d o d e
r i c h t u n g D a d u r c h w r r d d e r F i l m i n l a p e l i c u l a @ y d e l e v u e l t a s ' e n l a
die Kassette zurickgespult Kurz vor d r r e c c i 6 n d e l a f l e c h a p a r a v o l v e r l a
B e e n d i g u n g d e r R u c k s p u l u n g w e r d e n p e l l c u l a y a u t i l i z a d a a l c a r t u c h o . U n
S r e e r n e n l e r c h t e n W i d e r s t a n d s p u r e n p o c o a n t e s d e q u e l l e g u e e l f i n a l d e l a
M r t z w e i w e i t e r e n U m d r e h u n g e n i s t p e l f c u l a , s e n t i r S u n a l i g e r a t e n s i 6 n e n
d e r F r l m v o l l s t d n d r g r n d i e O r i g i n a l - l a p a l a n c a . D e l e d o s v u e l t a s m d s y l a
f i l m k a s s e t t ez u r u c k g e s p u l t . p e l i c u l a t e r m r n a r S d e e n r o l l a r s e e n e l
c h a s r s .
3 7
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B e s u r e t o l o a d a n d u n l o a d t h e c a r t r r d g e I n t h e l l e s t r e c o m m a n d e d e c h a r g e r o u d e c h a r g e r
s h a d e a w a y f r o m d r r e c t s u n l r g h t l ' a p p a r e r dl l ' a b r rd e l a g r a n d e l u m i e r e
l f t h e e n d o f t h e f r l m r s r e a c h e d w h e n y o u h a v e s r v o u s s e n r e z u n e r 6 s r s t a n c eq u a n d l a f i n d u f r l m
w o u n d t h e F l l m A d v a n c e L e v e r h a l f - w a y a r o u n d , e s t a r r r v e e ,n e f o r c e z p a s e t p r e s s e z s r m p l e n r e n tl e
d o n o t f o r c e r t b e c a u s e t h e f l l m m r g h t b r e a k b o u t o n d e d e b r a y a g e , p u t s a c t r o n n e z l e l e v l e r
S r m p l y p r e s s t h e F r l m R e w r n d B u t t o n a n d w r n d d ' a r m e m e n t e t e n s u t t e c o n t r n u e z d r 6 e m b o b i n e r
t h e F r l m A d v a n c e L e v e r a l l t h e w a y b a c k T h e
s h u t t e r w i l l b e c o c k e d , b u t t h e f r l m w r l l r e m a t n
s t a t t o n a r y S r n c e y o u h a v e a l r e a d y p r e s s e d t h e
F r l m R e w r n d B u t t o n , a l l y o u n e e d d o t s t u r n t h e
F r l m R e w r n d C r a n k
B e a c h t e n S r e b r t t e , d a B l h r F r l m i m m e r t m A s e g 0 r e s e d e c a r g a r y d e s c a r g a r e l c h a s r s e n u n
S c h a t t e n u n d n r e I n d r r e k t e m s o n n e n l r c h t e i n g e - l u g a r s o m b r l o l e l o s d e l a l u z d r r e c t a d e l s o t .
l e g t o d e r a u s d e r K a m e r a g e n o m m e n w e r d e n S i l l e g a a l e x t r e m o d e l a p e l i c u l a c u a n d o h am u B
e n r o l l a d o l a p a l a n c a d e a v a n c e d e l a p e l i c u l a
w e n n S r e d a s E n d e d e s F r l m e s e r r e i c h t h a b e n , a p r o x t m a d a m e n t e l a m r t a d d e c a m t n o , n o l a
k o m m t e s o f t v o r , d a B d e r F i l m a u f z u g s h e d e l n u r f u e r c e p o r q u e l a p e l i c u l a p u e d e r o m p e r s e s i l o
h a l b u n d n r c h t b r s z u m A n s c h l a g g e d r e h t w e r d e n h a c e s i m p l e m e n t e a p r r e t e e l b o t o n d e r e b o b i n a -
k a n n B r t t e w e n d e n S r e k e r n e G e w a l t a n , d e r F i l m d o . d e p e l i c u l a y a c o n t t nu a c r 6 n a c c i o n e l a
k o n n t e s o n s t r e r B e n D r u c k e n S r e a u f d e n F i l m - p a l a n c a d e a v a n c e d e p e l i c u l a h a c i a l a d e r e c h a
r u c k s p u l k n o p f u n d b . n g e n S r e d a n n d e n F i l m - E l o b t u r a d o r s e a r m a r 6 , p e r o l a p e l l c u l a p e r m a _
a u f z u g s h e b e l b r s z u m A n s c h l a g D e r V e r s h l u B r s t n e c e r S f i l a C o m o h a a p r e t a d o y a e l b o t 6 n d e
n u n g e s p a n n t , w a h r e n d d e r F l l m n i c h t t r a n s p o r _ r e b o b r n a d o d e l a p e l f c u l a , t o d o l o q u e t r e n e q u e
t r e r t w r r d , d a d r e T r a n s p o r t z a h n r a d e r a u s g e K u p - h a c e r e s d a r v u e l t a s a l a p a l a n c a d e r e b o b r n a o o
p e l t s r n d S r e b r a u c h e n l e r z t l e d r g l r c hd e n F i i m i n
d e r o b e n b e s c h r r e b e n e nw e r s e z u r u c k z u s p u l e n
3 9
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PART
TEIL
CHAPITRE
PARTE
ADVANCEDTECHNIOUES
Read thrs only after you have mastered Part 1. After you have read this manual.
you wrll not only have garned a knowledge of the mechanrcal operatrons of thrs
camera but also of the rmmense possibrlrtiesof the FUJICA 5T601 camera sysrem
as a whole In other words you wrll be ready for adventures intothe new and
untrodden regrons of photography
TECHNIK FUR FORTGESCHRITTENE
Brtte lesen Sre dre folgenden Serten erst dann. wenn Sie Teil 1 beherrschen Drese
G e b r a u c h s a n w e r s u n gw r r d l h n e n n r c h t n u r d r e K e n n t n r su b e r d r e m e c h a n r s c h e n
F u n k t i o n e nd r e s e rK a m e r a v e r m r t t e l n s. o n d e r n l h n e n a u c h d r e a u B e r g e w o h n l r c h e n
Moglrchkerten des FUJICA 5T60'l Kamerasystems zergen Das Spregelreflex-
s y s t e m d e r F U J I C A S T 6 0 1 e r s c h l r e B tl h n e n f a s t a l l e A n w e n d u n g s b e r e r c h e a u f
dem Gebrete der Fotografre
TECHNIQUESET GENERALITESDE PRISE DE VUE
L r s e z a t t e n t t v e m e n tc e c h a p r t r e v o u s o b t r e n d r e zu n e c o n n a r s s a n c ep a r f a r t ed e s
o p 6 r a t r o n s m 6 c a n r q u e s d e c e t a p p a r e r l e t r l v o u s f e r a a p p r e c r e r t o u t e s l e s
p o s s r b r l r t 6dsu F U J I C A 5 T 6 0 1 E n d a u t r e s m o t s v o u s p o u r r e z d l c o u v r r r f a c r l e
m e n t l e s d o m a r n e s s e c r e t s d e l a o h o t o o r a o h r e
TECNICAS AVANZADAS
L e a e s t a p a r t e s o l a m e n t e d e s p u 6 s d e d o m r n a r l a p a r t e ' l U n a v e z q u e h a y a l e r d o
e s t e m a n u a l n o s o l a m e n t e h a b r S c o n s e g u r d o u n c o n o c r m r e n t o d e l a s o p e r a c r o n e s
m e c 5 n r c a s d e e s t a c d m a r a s r n o t a m b r 6 n d e l a s I n m e n s a s p o s r b r l r d a d e s d e l s r s t e m a
d e c d m a r a F U J I C A 5 T 6 0 1 e n s u t o t a l r d a d E n o t r a s p a l a b r a s e s t a r d p r e p a r a d o
p a r a u n a f a s c r n a n t e a v e n t u r a e n l a s r e g r o n e s n u e v a s e I n e x p l o r a d a s d e l a
f o t o g r a { i a
-
r , -
!
t IView original page 30Page 31 · Read text
CHANGINGTHE LENS AUSWECHSELNDES OBJEKTIVES
A complete range of highly color-compatible,high Eine vollstuindige Auswahl von f arbkorrigierten,
resolutionFUJINON interchangeablelensesare avatt_ hochwertigen FUJINON-Wechseloblektivenstehen
able for shooting scenics. portraits,snap-shots.news l h n e n z u r V e r f r i g u n g , o b S i e n u n L a n d s c h a f t e n ,
photos, and photo records with the FUJICA 5T601. Portraits,Schnappschusse,Reportagenoder Erinne-
You can also use any lens with a praktica screw r u n g s b r l d e rm i t l h r e r F U J I C A 5 T 6 0 1 m a c h e n w o l -
mount on tt as well as any Lerca mount lens by len AuBerdem paBt ledes Objektiv mit praktica/
srmply attaching a Leica mount adapter on the S c h r a u b g e w i n d ei n d i e 5 T 6 0 1 . M i t e i n e m e n t s p r e -
camera. But the Leica mount lens can only be used chenden Adapter k6nnen auch Leica-Objektivever-
for shooting close-ups. wendet werden. jedoch nur f Ur Nahaufnahmen.
How to Change the Lens Objektivwechsel
Hold the part of the lens barrel with the depth of UmfassenSie das Objektivan der Stelle,wo sich die
f ield scale on it with your hand and turn it Tiefenschdrfenskala befindet und drehen Sie es
counter-clockwrse.About 2% turns will dismount entgegen der Uhrzeigerrichtungungefiihr 2 l /2 Mal.
the lens. To mount, repeat the same motton in Das Einsetzendes Objektivserfolgt in glercherWeise.
reverse.but be sure to screw the lens in tightly. Beachten Sie dabei bitte, daB das Obtektiv fest
o When changing the lens. be careful not to touch eingeschraubtist.
the lens glass or the mirror in the body wtth Vour . Beim Objektivwechseldarauf achten. daB die
f i ng e r s . Linse und der Spiegel im Innern der Kamera
nrcht berr_lhrt werden.
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USING FUJINON INTERCHANGEABLELENSES
VERWENDUNGDER FUJINON WECHSELOBJEKTIVE
UTILISATIONDES OBJECTIFSINTERCHANGEABLESFUJINON
I USO DE LOS OBJETIVOSINTERCAMBIABLESFUJINON
2Amm 3smm 5smm
l OOmm 135mm 20OmmView original page 32Page 36 · Read text
1. Measuring the Light that Wilt Actuaily Reach the cancelled out In addition, this system of lrght
Film measurementis compatrblewrth any lens as long as
The exposuremeter of the FUJICA 5T60'l measures the mounting ls the same. lt also enables you to
the lrght that has passed through the lens and will check the depth of freld for the aperture you have
actuallyreach the film as illustratedon page 46. selected. As the Meter Button is released. the
Exposureis always exact because the merer ts diaphragmreturnsto fully open again.to enable you
coupled directly with the shutter speed and dia- to check the focus once more if desired.
p hr a g m . 4. Shooting Close-ups is Easy
2. The Silicon Photocell Light Receptors are Cou- No exposure correctton is necessary for shooting
pled with an FET (Field Effect Transistor) close-ups,or with a f ilter on vour lens. All the
Circuitry. complrcated exposure computations required by
The Silicon photocelllight receptorsof thts camera other types of cameras has been entlrely eliminated
are located on both sides of the viewfinder eyepiece becausethe meter measuresonly the llght that has
in order to measure the average bnghtness of the passedthrough the lens and will actually reach the
hght that falls on the entire surface of the focusing frlm.
glass.The Srlrconphotocellunits are coupled with an 5. Wide Measuring Range
FET circuitry to assure high sensitivity.instantane- S i n c e t h e l r g h tt h a t i s m e a s u r e di s t h e a v e r a g el i g h t
ous responseand precisemeasurementof all tvpes of Intensrtyfallrng on the focusing glass, the range of
hght rn order to yield consistentlyperfect pictures. measurementmust differ dependrngon the speedsof
3. The Light that Passes Through the Selected the lens and frlm. A noteworthv feature of thls
Aperture is the Light that is Measured. exposure meter is that it covers a wrde range of
The exposuremeter of the FUJICA 5T601 measures exposurevalues.lf you are shootingwtth FUJICOLOR
the lrght that has passed through the selectedaper- F-[ (ASA 1OO) fitm using a bOmm F'14 lens, for
ture. Theoretrcally,the light quanttry ar I /8 1 /2SO example,the range coveredwould be EV2 - EV17-2/3
sec.is the same as when the setttngsare f /5 6 j /SOO ( f/ 1 . 4 1 / 2 s e c .- I / 1 6 1 / 7 0 0 s e c ) . t f t h e t e n sr s 5 5 m m
sec.. but precisely speaking,the quantity would F2.2,the range is f rom EV3 - EV17-2/3 (f /2.2 1 /2 sec.
differ somewhat depending on the characteristicsof - I / 1 6 1 / 7 0 0 s e c . ) .
the lens. By measunng the light that has actually The chart shows the light measuring range of the
passedthrough the aperture,which has been selected FUJICA ST601's exposure meter. A burlt-rnsafety
for making the exposure, all such differences are devrce holds the operation of the shutter speed
SelectorDralwithin the range given in the chart.
.' A.: ," , .lad,tre^'-" '&tua-' lit^ - ^s'*iru." .:.*i-.u. --.View original page 36From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
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