Film cameras
Goodwin Folding 1A - 3A User manual
User manual for Goodwin Folding 1A - 3A. 26 pages in English. Read the original PDF, download or print a copy without registration.
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- Brand
- Goodwin
- Model / document
- Goodwin Folding 1A - 3A
- Document type
- User manual
- Language
- English
- Pages
- 26
- File size
- 2.4 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 1 · Read text
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Picture-Taking
with
No. 1A and No. 3A
Folding Goodwin
?1Lameras
A Manual of Instructions
Read Carefully Before
Using Camera
Goodwin Film and Camera Co.
Binghamton, N. Y.View original page 1Page 2 · Read text
f-| . tT I . I-rcture - | aktng
with
No. lA and No. 3A
Folding Goodwin
Cameras
A Manual of Instructions
Read Carefully Before
Using Camera
Goodwin Film and Camera Co.
Binghamton, N. Y.View original page 2Page 3 · Read text
www.butkus.us Use Goodwin Fitm MHILE any reputable brand \A/Y Y of roll-6lm can beusedwith Folding Goodwin cameras, we strongly recommend Goodwin Film, which is specially made for us by Ansco Photoproducts, Inc. Sizes are as follows: No. fA Goodwin, 2+x4I-Call for 6,4 (6 .*po"rr"J) or-68 ( I 2 exposures). No. 3A Goodwin, 3l x 5l- 9:!.f fgf l8A (6 exposures)- orl88 (10 exposures).-View original page 3
Page 4 · Read text
Goodwin Cameras Exptrained in
this Manual
This Manual Explains the Operation of the Fol-
Iowing Cameras:
No. t A Folding Goodwin, 2| x 4!, with Single
Achromatic Lens
No. I A Folding Goodwin, 2$ x 4!, with Rapid
Rectilinear Lens
No. I A Folding Goodwin, 2l x 4+, with F. 7.5
Anastigmat Lens
No. 3 A Folding Goodwin, 3f * 5+, with Single
Achromatic Lens
No. 3 A Folding Goodwin, 3+ x 5+, with Rapid
Rectilinear Lens
No. 3 A Folding Goodwin, 3t * 5f, with F 7.5
Anastigmat Lens
The six cameras are identical in design and
construction, the only point of difference except
as to picture size, Iens, and shutter, being that
the 6rst camera in the list a,bove is a fixed-focus
model. The other five are al'l focusing cameras-View original page 4Page 5 · Read text
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PICTURE TAKING WITH IA
Digitally signed by Mike ButkusMike DN: cn=Mike Butkus, o=Butkus
camera manuals, ou=butkus.org,
email=mike@butkus.org, c=USButkus Date: 2021.08.18 14:20:39 -04'00'
m
I
r5 3
2
4
Parts and features. See explanation on page opposite.View original page 5Page 6 · Read text
AND 3A FOLDING GOODWIN
Parts of Nos. 1A and 3A Folding
Goodwin
Numbers refer to illustration. Get this before read-
ing instructions and opening camera.
l. Concealed button which releases platform
catch.
2. Fin_ger clamps for extending front standard
and retiring same to close ".*"r..
3. Shutter (lllustration is of F 7.5 model).
4. Shutter releases. Use either.
5. Focus pointer on focusing models.
6. Focusing scale on focusing models.
7. Finder. See also illustration on page 10.
8. Catch for back. Release to open as shown in
illustration on page 13.
9. Spool-pin for lower chamber which holds un-
exposed roll. A similar spool-pin is on the
other side. Pull out both when inserting fresh
roll, then snap back into place.
10. Spool-pin for upper chamber. Winding key
is on opposite side. Pul'l out both to ,"rrrorrl
exposed roll.
I l. Footrest for time exposures when pictures are
taken vertically. Folds up b"hi.ta f ront
standard.
12. Footrest for horizontal pictures. Folded up
behind front standard.
13. Tripod socket for horizontal pictures. Socket
for vertical pictures is on ,r.rd., side of plat-
f orm.View original page 6Page 7 · Read text
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PICTURE TAKING WITH IA
How to Operate
Your Goodwin Camera
Know Your Camera
THE first thing to do with a new camera is not
I to make pictures with it, but to be,come
familiar with its parts and see how it works.
Therefore, study the il'lustration on page 4, with
the accompanying illustration; and, with the
camera before you, read through the instructions
on the pages that follow.
These instructions are given in the order in
which it will be found most natural to learn the
operation of the camera. They begin with opening
the camera, then explain the various adjustments
of lens, shutter, focusing device, etc., according to
the model which you have, and finally deal with
loading, winding, and unloading the film. The
latter part of the book is devoted to general sug-
gestions in regard to picture-taking, and this will
be found very valuable and helpful after the me-
chanical operation of the instrument has been
grasped.
The Goodwin Folding Cameras are very simple
in construction, so that a single reading will give
sufficient knowledge of their general operation.
The matters which may require future reference
are particularly those which deal with the setting
of the shutter, and this subject has therefore been
brought together on pages I and 9, 22 and 23, so
that at any time you can readily turn to these parts
of the book and by a glance at the illustrations
and the explanations accompanying them check
yourself on the operation of the shutter of your
particular model.
Before actually loading with film and starting to
take pictures, go through the various motionsView original page 7Page 8 · Read text
AND 3A FOLDING GOODWIN
explained in- this booklet, so that you may be
entirely familiar with the instrument before tiking
pictures.
To Open the Camera
TO open the camera depress the concealed
I button which releases the platform ( lr pages 4 and 5 ) . The platform may norry- b"' low-
ered, and when it is at right angles with the body
of the camera, the side arms will catch and hold it
firmly i_n position. Now grasp the two finger levers
on_-the lens from (2, 2, page 4)r pr€ss togelher, and
p_ull out the front standard, along track. If any
obstruction is encountered, stop and see if th;
wire release is caught against tha side. (Never use
force in- opening or c'losing a camera; aiways stop
and look).
Focusing
I\TO focusing is required with the S.A. model of
the No. lA.Folding Goodwin. With thisl\ camera simply make sure that the front
standard is pulled out as far as it will come. The
camera will then be focused and no further atten-
tion need be paid to the front extension until it
is time to close the camera.
With the exception of the above camera, all the
folding Goodwins explained in this booklet are
focusing models. That is, the user moves the front
standard forward or back according to the dis-
tance from the camera to the principal object,
thereby bringing this object into sharp fo"u". This
focusing is done by means of a foCusing pointer
and focus scale located at 5 and 6 in the illustra-
tion on page 4. To focus the camera, release and
press in on the front clamps 2 and 2 and move the
front standard in or out until the pointer 5 is over
the distance at which you wish to set the focus.
For example: if you are taking a picture of a
standing figure l5 feet away, *otu the front stand-
ard in or out until tlre-pointer comes over the 6gure
15 on the scale. If the picture is of a distaniob-
7View original page 8Page 9 · Read text
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PICTURE TAKING WITH IA
ject, such as an open meadow, or a house 100
feet away, have the pointer over the figure 100.
It \ /ill be noted that the focusing scale has two
columns of figures. Over the or" the Ieft is the
letter M, standing for Meters, and "=tover the one at
the right is the letter F, standing for Feet.
To those who have previously used fixed-focus
cam_eras only, focusing may seern a little difficult
at first, but one or two points will simplify it greatly.
One of these is that focusing need not be so
accurate for distant objects as for near objects.
In other words, you do not have to judge so care-
fully rvhether an object is 50 or 100 feet away as
you do whether it is 6 or I feet away. The closer
you get to an object, the more careful you should
be to see that the distance is judged correctly.
Another point is that using a smaller opening
in the lens, if exposure conditions permit this,
increases the range of distances over which any
f ocus setting will give critical sharpness in the
picture.
The Shutter
-f-HE shutter (3, page 4) is the part of the
I camera that holds the lens. The shutter is
the control mechanism of the camera from
a standpoint of exposure. It has two functions.
( | ) that of determining the speed with which the
picture is taken, such as l/25 or l/50 second or
Tirne exposure, and (2) that of regulating the size
"t lhq opening in the lens through which the raysof light are admitted to the 6lm.
' The relation between these two functions of the
shutter is explained farther on, and every camera
user is- to understand this relation clearly, -urge{as. the idea of exposure becomes exceedingly simpie
when this is done. See page 22.
The mechanical operations of each of the shut-
ters is shown on the opposite page.View original page 9Page 10 · Read text
AND 3A FOLDING GOODWIN
.SHUTTER SHUTTER
RELEASE
(use rrrxrn)
I
I
OPENING SET SETTING SHUTTER AT U..S. l6
Bcfore taking pictures, familiarize yourself thoroughlY
with the shutter on your camera. See page 22 and fol-
lowing for explanation of the different settings.
SPEED sET F0R.hsSECOND Top vie\v of shutter on
F 7.5 Goodwin.
DIAPHRAGM POINTER SET FOR STOP F-II
TTER REL€ASES SPCEO POINTER The lens and shutter otl Err xte ) y/.s* roa the F 7.5 Coodwin give a '. Ya'SE00NO wide exposure range. Take
the time to understand
how to use them. See
pages 22 and following.
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DIAPHRAGM LEVER
SETS DIAPHRAGM POINTER
SHOWN IN OTHER CUTView original page 10Page 11 · Read text
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'I-AKING PIC-f LJRL, WITH IA
'fhc pc'rl.lrrrr-lr.rl, li.rlt'r rrrirkt.s thc c:r'rt,rir st,lf lc,,,clIng.
The Finder
O()D\[/lN foldinr{ carn(:ras iirr: e,quiJrped with
the Ansco pendulunr-b<rb finder, rvhich is
t s1>.:cially convenient and r.,liable and mak,rs
it ('asy to be surc that the canr(-.ra is held abso-
Itrtely 1,,v.,1.
Tlr<: find"r is shown at 7 on the illustration or1
page 4, and the illustratior-r on this page sives a
detailed view. It is r.,ally a nriniature camer-A
which reproduces on a small scale the picturt-' as it
will appear on the 6lnr.
V7hen the canrera is held in aiminr position, the
opt:rator looks down into the 6nd.,r until thc vit.w
is arranqed to suit hinr and then h" takr:s t lrc
pricture by releasing the shutter.
It will be noted that tht' 6nd"r is in tht: fornr
<-rf a rnaltese cross. This is so that when thc finder
l0View original page 11Page 12 · Read text
AND 3A FOLDING GOODWIN
lllustration at left shows how to read the 6nder when
canrera is held for vertical pictures (e.g., standing fig-
u-res). Di-sregard portions in wings at left and rigiit, as
these will not register on the film. Illustration a[ right
shows how to read finder for horizontal views. Disregirdportions at top and bottom.
is pivoted around to take the picture with the
camera held in a horizontal position it will show
a view corresponding with the position in which
the camera is held. This means that when taking
vertical pictures-that is, pictures in which the
longest dimension is from top to f,611ep-1["
camera is held to correspond and the portion of
the irnage in the wing of the 6nder at each side is
disregarded; and when the camera is held in a
horizontal position for pictures in which the 'long-
est dimension is from side to side, the projecting
portions in the 6nder at the top and bottom are
disregarded. This is explained graphically by the
two illustrations on this page.
The little pendulum on the inside of the finder
hood serves the purpose of a plumb-line to indi-
cate when the camera is level.
Before closing the camera always see that the
hood of the 6nder is closed, and that the finder is
in vertical position. Otherwise there wi'll be inter-
ference when the front standard is retired to the
body of the camera.
11View original page 12Page 13 · Read text
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PICTURE TAKING \WITH IA
The Foot-rests
-Ja WO foot-rests are provided on folding Good-
win I .cameras. The purpose of these is to I provide means for supporting the camera
when it is desired to take Tim" or Bilb exposures.
_ - The_ po^sition of these foot-rests is indicated by
| | and 12 in the illustration on page 4. They foli
up out of the way behind the lens front when not
in use and should always be returned to this folded
position before the camera is closed. Otherwise
they will be in the way.
Closing the Camera
LOSING the camera is merely the reverse of
the operation of opening it, but there are a
. few points which should-be kept careful'ly in
_ First make sure that the foot-rests, if they have
been used, are folded up behind the lens- front.
Otherwise they will interfere as the camera is
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To close up platform, first release side-arms by press_ing inward in direction of arrows.
t2View original page 13Page 14 · Read text
AND 3A FOLDING GOODWIN
closed and possibly throw the front out of align-
ment if force is used in attempting to close. Now
see that the finder is in the position for vertical
pictures. Otherwise it will be in the way of _the
it.ck when the platform is closed up and it will be
impossible to shut the latter completely. Wit-h
these details attended to, hold camera in the left
hand and with the right hand grasP the finger
clamps so as to release their hold on the track
and return the front along the track into the
camera as far as it will go.
Now hold the camera as shown in illustration
on page | 2, with the lens towards you, and Press
inward (i. e., in direction of arrows) with the
thumb of each hand. This releases the side-arms,
so that by pressing the platform gently against
your chest you can readily close and fasten it.
Loading the Camera
rf O load the camera, it is first neceasary to re-
| -ot" the back, which is held by a catch at ^ the top under the handle. The method of
throwing this catch is shown on the next page.
The operation is very simple and easy if done this
*"y; ih"refore study the illustration and try the
catch several times to see how it works. Avoid
picking at the catch with the under side of the
hngernail, as this is a very awkward method oftt unflstening it and takes an unnecessary length of
time. This is the best catch provided on any hand
sameI camera, as it is absolutely secure and at the time free from any annoyance to the knuckles
when the camera is carried by the handle.
To release back, push thumb
in direction of arrow, with nail
under rolled edge of catch, until
latter springs away from button.View original page 14Page 15 · Read text
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PICTURE TAKING WITH IA
In removing back, pull
out at top first, as here
shown. In replacing'back, always catch first
at bottom, then close
and button fastener at
top.
Having thrown the catch, pull out the back at -the top, whereupon it will come loose at the bot-
tom also and can be laid aside while the camera
is loaded. See illustration at the top of the next
page.
_ Note that in replacing the back it should alwavs
be caught fir.*ly at the lower end first, then pushld
together at the end where the handle is, aftei which
the catch is buttoned over. If the b""k i; ;;;
caught at the bottom first it will not .1""; ;;;";i;:
Inserting the Film
ITH the back off y_o_u are now ready to load\Y/ the- camera with film. Note that ih" fr""hW' roll goes into the lower chamber, is which _
at the _opp-osite- end of the camera from the wirrlirrek"y. In the chamber at the k"y y"" *iit i"Ean empty spool. It is onto this spool"rrJ ihat the 6lm
is -wound as used, so that when Lll .*po"rrres aretaken it is this spool which is ,"*orrei fr"* th"camera for finishing.
To load, first spring out the spool-pins for the,lower or empty chamber. One of the spool_pins
L4View original page 15Page 16 · Read text
PICTURE TAKING WITH IA
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Insert fresh roll at end opposite handle.
is indicated by 9 in the illustration on page 4, and
there is another on the other side of ih"
Now drop the fresh spool into place as shown"^rrr..".in
the illustration above, taking care that you get it
the right end around. In other words, insert it so
that the paper will roll over, not under, and only
orange side of paper will show, black side being
towards the interior of the camera. After insertl
ing the roll, snap the spool-pins back into place to
hold it.
With the new roll inserted and the sticker which
seals it broken, carry the end of the paper across
the back of the camera and thread it lrri" the slot
in the empty spool as shown at the top of next
page. Be careful to center it on spool so that it
will wind evenly. Now give the winding key a
few turns to bind the paper as shown, t'h"r,
replace the back of the In doing"rrdthis, be
sure to catch at bottom ""*"...first, after which th" ba"k
will slip neatly into position and catch can be
fastened without difficulty. See illustration on
page 12.
With the back replaced and fastened, continue
winding until figure I appears in the peephole on
the back of the camera, as shown in the final illus-
tration. The camera is now ready for the first
picture.
Immediately after taking the first picture wind
again until figure 2 appears in the peephole, and so
15View original page 16Page 17 · Read text
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PICTURE TAKING WITH IA
Start paper even on empty spool
. Wind just enough to bind paper
on after each picture wind until the roll has been
completely exposed, after which continue to turn
the key until the orange paper is completely wound
ofi onto the spool at the key end of the camera.
16View original page 17Page 18 · Read text
AND 3A FOLDING GOODWIN
)
I
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When figure I appears in peephole, camera is ready
for the first picture.
' Unloading
\V/HEN the 6lm has been completely wound
W onto the key spool, remove the back, fold
under the tip of the orange paper, and
seal the spool with the sticker which will be found
in the opposite chamber. This is to prevent un-
rolling and fogging of the 6lm after it has been
removed.
Now pull out the key and the spool-pin on the
opposite side, whereupon the spring spoon will lift
the exposed roll from the chamber so that it can
be set aside for finishing. If preferred, the sealing
of the roll can be done at this time instead
before the removal of the roll. "I
Now transfer the empty spool to the upper
chamber, being careful to put the slotted end at
the key side. This Ieaves the camera readv for
the insertion of a fresh roll of 6lm in the *Jrrrr",
already described.
77View original page 18Page 19 · Read text
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PICTURE TAKING WITH IA
Cautions
f N starting the orange paper at the time of load- fitting is even, it see that fresh roll, always ing arI climb to it is likely neatly. Oiherwise spool thJ
up one end of the spool, causing the paper to tear
and maybe fog the film.
Always *.t" it a practice to wind to the next
number-immediately ifter taking a picture. so that
you can always be sure that the camera' when- you
start to use it, is ready for the next picttlre with no
possibility that you may make another picture on
top of one already taken .
Points on Picture -Taking
Hold the Camera Level
A LWAYS hold the camera lg\zsl-1h61 is, so
A that the plane of the film is at right angles r with level ground. If the camera is pointed^up, the vertical lines of buildings in the view will
.ont.tg" towards the top. If it is pointed down,
they will converge towards the bottom.
Portraits Outdoors
f N taking pictures of people it is advisable not to
I g.t too close to the subject, so as to avoid any
' tend"ncy towards distortion of nearer Parts.
This applies particularly to seated figures, frg'
,rt." rptl"d ont on the grass at a picnic. For-or ex-
ample, if someone is seated in a chair opposite
the camera so that the head is about l0 feet away'
the feet may actually be not more than 6 feet
away, in which case the size of the feet will be
greatly exaggerated in the picture-perh-aps-ap-
pearing considerably larger than the head. This
is not Lny fault of the camera' but is due simply
to the fact that perspective is more violent close at
18View original page 19Page 20 · Read text
AND 3A FOLDING GOODWIN
hand than a little way off. In the above case, the
picture wou'ld be much improved if the subject
were turned sidewise so that head and feet
were approximately the same distance from the
camera. Another way to avoid such distortion is
to take the figure in a standing position, in which
case it can be brought a little nearer. It is not
advisable to get closer than I feet, and l0 will
prove better for most subjects.
Pictures at a Picnrc
PICNIC without a camera to record the event
and get pictures of those present in holiday
aspect is never quite complete. The follow-
ing suggestions as to the taking of pictures success-
fully at such times will therefore be of interest. In
the first place, don't wait for other people to say
when it is time to take a picture, but figure ahead
a litt'le f or yourself and watch jor the best oppor-
tunities. Many people on such an occasion have
very wild ideas as to what will make a good picture,
but the photographer is the one to decide and to
carry this business through. Another point is in
reference to taking unposed pictures of various
people preCent, such pictures often being much
more interesting than any picture carefully posed
or arranged. The thing to do is to watch the dif-
ferent members of the party and when you see one
getting off at one side and standing in an attractive
manner, walk up casually to a distance of l0 or l5
feet away, point the camera, and make a snap.
At the same time, it is always a good plan to
make one or two regularly posed group pictures
on such an occasion, getting the different members
of the party together facing the camera and making
the snap when they "look pleasant." Incidentally
it may be said that the best way to make them
look pleasant is to look pleasant yourself, instead
of assuming the rather worried expression that
characterizes some amateurs when they undertake
this business.
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