Film cameras
KODAK 35 w/Kodak Anastigmat F4.5 User manual
User manual for KODAK 35 w/Kodak Anastigmat F4.5. 43 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Kodak
- Model / document
- KODAK 35 w/Kodak Anastigmat F4.5
- Document type
- User manual
- Language
- English
- Pages
- 43
- File size
- 6.0 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
www.butkus.us
TH AR
SroSauTStf,t
TO GO o D
wtT H TH KODA K 35
WnH the Koduk 35, clear, sharp pic-
tures can be made right from the start,
outdoors or indoors, in the daytime or
at night.
The six easy steps to make good pic-
tures with your Kodak are given on the
\.*x-* following pages. They are simple, and
I verv easily memorized.
You will find many illustrations which
rvill give you suggestions for making
similar pictures
. The negatives made with your Kodak 35 can
be enlarged many diameters.View original page 3Page 5 · Read text
LOADING
Loen your camera with the Kodak
Film Magazine in subdued light, never
in direct sunlight or in exceptionally
strong artificial light. The magazine
should not be allowed to remain unpro-
tected in the light; any slight light-leak
through the slot will fog the film.
Turn the latch r, to OPEN, then
exerting a slight pressure with the thumb,
slide the back off the
r Kodak as illustrated.
I nsert the Kodak
Magazine in the recess
opposite the reel, i.-
serting the crosspiece
in the end into the slot
of the post of the
rewind knob 2.
page 3.
Insert end of
film in the slot of
the reel, see page 3.
Do not tr2 to remoae
the reel from camera.View original page 5Page 6 · Read text
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Load your Kodak with Kodak Film. See page L2Iot
the descriptions of the different kinds of Kodak Film.
They meet eyery picture-taking need.
Digitally signed by Mike Butkus
DN: cn=Mike Butkus, o=Butkus camera manuals,
ou=butkus.org, email=mike@butkus.org, c=USMike Butkus Date: 2021.04.08 18:28:17 -04'00'
Turn the film winding knob 3, in the
direction of the arrow, to bind the film
on the reel. After the film has made one
complete turn on the reel be sure the
tee th of the sprocket engage the perfor-
ations of the film leader. If the film
the winding knob 3 is locked, push in
immediately. button 4; then release it
When the full width of film emerges
from the magazine, see illustration, be
sure that the film is riding properly inView original page 6Page 7 · Read text
r
www.butkus.us
the path provided for it. Now replace
the back of the camera and turn the
latch r, page 2, to LOCK.
Turn the film winding knob 3 in the
direction of the arrow until it locks.
Push in the button 4, immediately re- lease it, and again turn the winding
knob until it locks. Repeat this operatioi.
Enough film will now be wound on the
take-up reel so that the figure r on rhe
margin of the film will be in position
for the first exposure. Turn counter 5
to the first line after " o" ; the Kodak is
now ready for the first exposure.
The double exposure prevention de-
vice automatically sets the shutter when
the film is wound.
After making the exposure, push in
the button 4, release it, and turn theView original page 7Page 8 · Read text
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winding knob 3 until it locks; this auto-
matically controls the exposure counter
which gives an accurate check on the
number of exposures made. The next
section of film is now in position.
Every time a
new section of
film is wound in-
to position a red
lever is seen in
the slot on the
top of the shutter, indicating that the
shutter is set, see illustration. If the red
lever does not show, the winding knob
rnust be turned.
r B exposures can be made Either 36 or
on the film in the Kodak Magazine, see
page rz. After every exposure, push the
button 4, release it, and then turn the
rvinding knob 3 to bring the next section
of film forward. It is impossible to make
a double exposure with this Kodak.
FOCUSING
Tunu the lens mount to the right or left
until the figure representing the distanceView original page 8Page 9 · Read text
.from the subject to
A lens is under the
pointer A. For or- lt' dinafv strect pic-
tures. turn lens
mount to l5 feet; if
the principal obiect is
nearer or farthcr. ''"-... .-... . .-.-'i chanqe the focusnzrccording'lv. Scc tl-rc talrlctablc onon pascpagc ,):t.2+.
\\'hen rnaking pictures of subjects
that are closer to the cautera than ten
feet, lte sure to nteasure the distances, ot.
use a Koclak Pocket Rangc Finclcr, sct
l)aqc :J7. u'hich is helcl lx- thc ranse
fincler clip (i. paqc +.
SHUTTER SPEEDS
Tse Diornatic
Shutter on \-orlr
carnera has lbur
snapshot speeds.
rlz5, rl5o, rftoo.
and rfr5o second.
For average sub-
jects revolve thc
knurled collar ol'View original page 9Page 10 · Read text
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the shutter trntil thc linc B is at r/roo
sccond. For tinrc or "lrulb" cxpostrres ((R" (scethc lir-re B nrust lrc nt "T'! or
page zz).
STOP OPEN I NGS
Tt rr stop open-
inq-s rcqulatc thc
arnollnt of light
passine through
tl-re ler-rs. The opclr-
ir-rq's are enlarged
or rcdtrced l;1'rnov-
ing- the lcver fl at
bottom of shutter.
For avcrag'c strlr.jccts otttdoors rl'hen
the sun is shining, nrovc lcver Cl to./'8,
ar-rd makc an exl)osurc ol. I / I oo second,
n'hen using Kodak Plus-X Pancl-rromatic
Film. See table on paqes and z t for 'o
c:ornplete cxposure data for daylight.
'fsr fincler is brouq'ht into position bv
liftine the lront ll'anre. It shon's rvhatView original page 10Page 11 · Read text
will appear in the picture, but on a
much reduced scale. When viewing,
hold the Kodak at a distance from the
eye which will make the edges of the
rear opening appear superimposed on
the edges of the front opening. This will
insure proper aiming of the Kodak.
When making the exposure, hold the
Kodak steady by pressing the hand sup-
porting it against the face. All vertical
lines in the subject should appear paral-
Above-A subiect that ehould
be photographed with the
Kodak in the horizonlal po-
gition.
IRight-A subject that ahould I
be photographed with the t,
Kodak in the veftical position. l'i;View original page 11Page 13 · Read text
D. When pressing the lever, hold the
breath for the instant. If the Kodak is
moved during the exposure, the picture
will be blurred. Hold the Kodak steady.
A cable release (No. z9) can be used
if it is desired. To attach the cable re-
lease, remove the screw E, and replace
it with the cable release.
THE SELF TI MER
THBnn is a self-acting release built into
the shutter; by using this self-timer you
can include yourself in the picture.
To use the self-timer, place the Kodak
on a tripod or other firm support. Use
proper speed and stop opening. Push
the lever F as far
as it will go in the
F direction of the
arrow. When push-
ing lever F, be sure
not to move the
knurled collar ol'
the shutter, which
www.butkus.us controls the shutter
speeds. Press the
exposure lever D, page g. Get into the
picture. After about ten seconds the
exposure will be made.
t0View original page 13Page 14 · Read text
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Do not use the self-tirner for either
time or "bulb" exposures.
REMOVTNG THE FTLM
After the last exposure has been made,
lift the winding knob 3 so that the take-
up reel will be free to turn backwards.
The film should now be rewound into
the mag azine by turning the film rewind
knob 2, page 4, in the direction of the
arrow. Rewinding the film after the last
exposure will prevent any possibility of
the film winding too far and tearing
loose from the supply spool.
When rewinding the film with rewind
knob 2, page 4, the exposure counter 5
will turn. When the exposure counter
5 stops turning, give a few more turns
to the rewind knob 2. The magazine
should be replaced in the aluminum
tube, immediately after removal from
the Kodak, to avoid light leaking into
the slot.
IMPORTANT: Film should be developed
as soon as possible after the last ex-
posure has been made.
Reload the camera as soon as an
exposed film has been removed, to be
ready for the next pictures.
ll ,View original page 14Page 15 · Read text
Ilre Stand ard Filn for Miniature Photography
KO DA K PLU S-X
PANCHROMATIC FI LM
The combined high speed and fine grain of
Kodak Plus-X Panchromatic Film make it the ideal
film for general outdoor work. It gives correct
color values in a black-and-white print. Its speed
is twice that of Kodak Panatomic-X Film. PXl35;
18 exposures, 6O cents; 36 exposures, 95 cents.
For Difficult Sfiots at Nisfit
KODAK SUPER-XX
PANCHROMATIC FILM
This extremely fast film is recommended for poor
light conditions; stage shots, boxing and w-re.ltling
b5uts, etc. On account of its gleat speed (twi-ce
that of Kodak Plus-X Film) it's the film to use for
indoor candid shots. XXl35; IB exposures, 60
cents; 36 exposures, 95 cents.
The Filn that Makes tfie Finest Enlargements
KODAK PANATOM IC-X FI LM t
Because of its ultra fine grain, this IiIm is especially
recommended when big enlargements are to be
made. It is the film to use when making black-and-
white negatives from your Kodachrome trans-
parencies. Its speed is half of Kodak Plus-X Film.
FXtgS; I8 exposures, 60 cents; 36 exposures,
95 cents.
For Pictures in Full Color
KODACHROME FILM
K135 o r K135A
For color film transparencies, use the K135 for
daylight, and the Kl35A for Photoflood or Photo-
flaih iight. Both in l8-exposure lqpslh_s 9nly. It
must be processed at an Eastman Kodak Labora-
tory. Kt35 or Kl35A, l8 exposures, $2.50.
\View original page 15Page 18 · Read text
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Good Pictures Depend on:
A. coRREcr FocusING
The lens must be focused properly so
that the image of the subject will be I't
sharp and distinct on the film. ;.,;i'4
'..,B. PRoPER SPEED
The shutter must open and close quickly
enough to prevent a blurred image of a
moving object.
C. RrcHT AMouNT oF LIGHT
Just as the iris of the eye contracts and
expands when there is more or less
Iight-the diaphragm of the shutter
must be closed or opened to permit the
right amount of light to enter the
camera.
15View original page 18Page 19 · Read text
iTne various distances at which the
Kodak rnay be focused are engraved on
:the edge of the lens mount. The scale on
..,1the Kodak 35 is marked for 4, 5, 6, B,
I o, r 5, 25, and 5ofeet, and INF. (infinity).
To focus the Kodak, revolve the lens
mount until the figure representing the
distance from the subject to lens is under
the pointer at the top of the lens.
The distance between the subject and
Kodak can be estimated without measur
ing, when the subject is beynd ten feet;
for instance, if the focus is set at l5 feet
(the usual distance for ordinary street
scenes) the sharpest part of the picture
will be the objects at that distance from
",4the camera, but everything from about
ro to about z5 feet will be in good focus
when using stopJl4.5, with smaller stop
openings the range will be greater, see
table on page 24.
For distanl views turn the lens mount
until INF. (infinity) is under the pointer
at the top of the lens. ,
16View original page 19Page 21 · Read text
INSTANTANEOUS EXPOSURES I
Wrrnrv the sun is shining, it should be
behind your back or over the shoulder;
if it shines directly into the lens, it will
blur and fog the picture. However,
beautiful effects can be obtained by
back- or side-lighting. When pointing
the Kodak towards the sun, the lens
must be shaded so that the direct sun-
light will not strike the lens; for the best
results, use the Kodak Lens Hood of the
Kodak Combination Lens Attachments,
see pages 38 and 39, or a Kodak Adjust- Iable Lens Hood No. z.
Instantaneous exposures can be made
indoors with either Kodak Plus-X Pan- Jchromatic Film or Kodak Super-XX
Panchromatic Film, provided the sub-
ject is receiving the direct illumination
from a window. Pictures similar to that
at the bottom of the opposite page can
be made with an exposure of f 15.6 and
Plus - X r 125 second with the Kodak
andPanchromatic Film, and J lS.6
l8View original page 21Page 22 · Read text
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/
For a moving object
use I IOO or I,r l5O
second.
For an average sub-
jectusefBand I IOO
second with Kodak
PIus-X Pan Film.
For portraits indoors
and dayliqht illumi-
nation use f 5.6 ancl
I 25 second.
$a-
Jtla'View original page 22Page 24 · Read text
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rl5o second with Kodak Super-XX
Panchromatic Film.
Snapshots should be made during the
hours from one hour after sunrise until
one hour before sunset. If earlier or
later, the exposures must be longer.
TIME AND "BULB'' EXPOSURES
Fon all time or "bulb" exposures the
Kodak must be placed on a tripod or
some other steady, firm support-do not
hold it in the hands or the picture will be
blurred.
An Optipod or a Tilt-a-pod will be
necessary for using the camera on a
tripod, with the camera in the vertical
position.
For short time exposures from one-
half second to ten seconds, "bulb" ex-
posures are recommended.
To make a time exposure, revolve the
knurled collar of the shutter until the
line B is at the letter "T r" see page 14,
press the exposure lever D (pug. 9),
once to open the shutter and again to
close it. For a "bulb" exposure, the line
B must be at the letter "B," then press
exposure lever D;the shutter will remain
open as long as lever D is held down.
22View original page 24Page 25 · Read text
,.S .$l 'f. 3I''; iui *$
{;
Made on Kodak Panatomic-X Film, which is ideal lor big
enlargements because o{ its exceptionally Iine grain.View original page 25Page 27 · Read text
STOP OPENINGS
Srop orENTNGS regulate the amount of
light passing through the lens. These
openings are enlarged or reduced by
moving the lever C, see page 14. I
A knowledge of the comparative
values of the stop openings is necessary
I for correctly tirning exposures.
The stop openings are marked,f l+.5,
5.6, B, rr, and 16.
The largest stop opening itll+.5. This
opening allows approximately fifty
per cent more light to enter than _f 15.6.
From "f lS.6 to Jlr6 each smaller open- i.g (larger number) admits half the
light of the preceding larger stop open-
ing. Thus, if the correct exposure is l/roo
+ second at J15.6, then the exposure for
l ,f l+.5 should be r/r5o second, for JlB,
r/5o second, and for f lrt, rfz5rlI The exposure for the average outdoorsecond.
subject, when the sun is shining, isf lB
and rf roo second when using Kodak
Plus-X Panchromatic Film. If the day
is exceptionally brilliant, use the next
and smaller stop to JlB, that is, f lrr
rf roo second. Tlte important thing to re-
member is the aaerage exposure of JIB andView original page 27Page 28 · Read text
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rf roo second. When the lisht conditions
differ from the urr.rug., change the
aperture, keeping in mind the basic
exposure JIB and r/roo second. See the
exposure guide on pages zo and z r . (For
Kodachrome Film follow the guide in-
cluded with the film.)
The smaller the stop opening the
greater is the range of sharpness.
EXPOSURES FOR INTERIORS
BY DAYLIGHT
Ir ts easy to make pictures of interiors
by daylight where the windows get
direct light from the sky.
To make a picture of a room interior
by daylight, adjust the shutter for a
"bulb" or time exposure by revolving
the knurled collar until the line B is at ('B') ((T."the letter or Set the stop
opening lever C at "f lrr; this openinggives the best average results, see
Depth of Field Table on page 24.
When the Kodak is on a table, do not
place it more than two or three inches
from the edge, or the table will show in
the picture.
Compose your subject in the finder,
including more of the floor of the roomView original page 28Page 29 · Read text
than of the ceiling. Leave the furniture
in the room in its usual place, as far as
possible, but be sure there are no pieces
close to the camera lens.
Focus the Kodak by revolving the
Iens until the figure corresponding with
the average distance between the ob-
jects in the room and the lens is at the
focus pointer A, at the top of the lens.
For an interior with medium-colored
walls and furnishings and two windows,
rvith the sun shining-make an exposure
andof about z seconds, with stop //r r
Kodak Plus-X Panchromatic Film.
\Vith one window, double the exposure,
and if there are more than two windows.
halve the exposure.
If the day is cloudy, make an expo-
sure of 4 seconds to B seconds.
27View original page 29From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
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