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Kodak by Flashlight Product booklet

Product booklet for Kodak by Flashlight. 20 pages in English. Read the original PDF, download or print a copy without registration.

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Brand
Kodak
Model / document
Kodak by Flashlight
Document type
Product booklet
Language
English
Pages
20
File size
7.5 MB
Category
Flashes & lighting
Document date
Not specified in catalog

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Page 4 · Read text
l'sx7 n^sH SHtEr     Three flashes. total exposure three seconds.
                   One No. 3 Eastman Flash Sheet in fire place.
                         One-half No. 3 Eastman Flash Sheet just above and to
                  ''xs'znAtr s,us,          right of reading lamp.     ^-r-  Ft*
                  'rAgtE  tAl.lp        One-third No. 3 Eastman Flash Sheet directly back of
                              subject two feet from floor.
                     Dark walls.
                         Subject 8 feet from camera.
 0    X;ors'rr*sn
CAME RA
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Page 5 · Read text
By FLASHLIGHT
        'fHE   flashlight has done            r  much to broaden the
          sphere of the amateur pho-
           tographer. It has made him
          absolutely independent of
           daylight for the making of
           portraits and other indoor
          pictures, and has even
        made possible the taking
         of certain classes of out'
         door pictures at night.
         As the amateur has com-
         prehended the artistic pos-
            sibilities of flashlight for
           illumination, and how sim-
          ply and safely all lightings
        may be obtained, he has in
        some instances practically
         abandoned daylight for por-
            trait making.
          In this booklet we will
         confine ourselves to the
         use of the Eastman Flash
         Sheets and the Eastman
          Spreader Flash Cartridges,
          as these afford the simplest
        means for amateur flash-
           light illumination.


                                        o          One Eastman Spreader        What a Flash-                   sua,Egl
                                                                                       Cartridge.                                                                         Flash
                                                                                             subject.               light is                                     7 feet                                                                  from
       A flashlight is the illum-                        7 feet from floor.
                                                                   f1    FLASH    Medium dark walls.         ination secured bv the                                                             . il.,q X       Subject 6 feet from           ignition and combustion of                            csmera.
        certain chemical com-
          pounds, or by the passing
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Page 6 · Read text
o.o            One Eas 'nan Spreader Flash Cartridge.       suBJEcrs
   I                       7 feet from subjects, 3 feet from floor.
       I                     White cotton cloth reflector.
 J   I                       Me,tium dark walls. L
         I                          Subjects 8 feet from camera.
                    ,,,Irn
       H"^                                                                                        l      "

of pllre magnesillm through a flame. The illumination thus
afforded is of powerful actinic quality, and of extremely brief
duration, and unless handled understandingly is apt to produce
too great contrasts in lighting to be satisfactory to artistic
tastes. It  is, however, a very simple matter to place and con-
trol your flashlight, so as to make it much more certain than
daylight and to yield exactly the proper degrees of contrast
or softness.

Page 4
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Page 7 · Read text
Flashlight and Daylight
       work in the open, or well iighted interiors, daylight is  r-F-'o*     of course highly satisfactory, as we are accnstomed 1o its
 strength, and can in a suificiently accnrate manner determine
 the proper time of exposure. on the other hand, and particu_
 larly in the making of portraits, the amateur is usually confined
 to the use of rooms im-
 properly or insufficiently
 illum.inated for his pur-
 pose. With daylight,
 even though he possesses
 unusual ability in arrang-
 ing and controliing his
 light, he is often handi-
 capped by being unable
 to direct his light to jr-rst
 the proper point or to
 obtain it in sufficient
volume just when he
 needs it. With the proper
 flashlight, the amatenr,
after but few experi-
ments, is dealing with
an absolutely known
quantity. He knows to
a certainty just hor,v
mnch illumination each
flash sheet or each flash                 One Eastman Spreader
cartridge will provide,                            Flash Cartridge.                                                                                                                                                                                                        or()     6 feet from subject.and         may    that he                     direct                                                                                 sub-                                 trS.-   l,'f    2 ject'sf.eet higherhead. than                     abso-his light         to               fall
lutely in the desired     x                 Whitebehindoilclothsubject.reflector                                    FLAsHo                            CAMERA             Cheesecloth screen be-piace, as he may place
his flash so that the rays                                      ject.tween flash and sub-
of light will proceed in                       Dark walls.
any direction.                                      Subject 6 feet  from
                                                            camefa.


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Page 9 · Read text
Flashlight portraiture
                      a- portrait with the aid of a ffashlight, we must re- JN making    member that we are attempting to counterpart the action of
  daylight, and consequently thq same rules that apply to ciaylight
  portrait making will be necessary.
   A portrait                                                 be pleas-  .                 3:t:t not onry be a good rikeness, but to  ing, m.st in addition present the iubject in the most favorable
 pose and lighting, without undue contrasts, and with good gracl_
 ation betwcen the highest lights                                          cleepest shadowi. It"may                                  .and b-e accepted that the- nost pleasing ill,mination is secured by
 allowing the light to fall on the features at an angle of forty_five
 degrees, though exceptions to this rule may be made as herein_
 after explaincd. In making a_portrait by daylight you .outJ rrot
 expect to sccure good results by placing yo'r subje-ct and camera
 in any position regardless of the ilght, 6tit rather would have to
 spend some time. in placing yolrr subject and in arranging the
 control of your light so as to have it ratt in the prupJ, frt".". when using flashlight, the same precautions m'st^be^observed,
 only.your task will-be easier, as you may always be sure of the
 requisite amount of light and also of your abilify to control  it.
   The essentials of flashlight picture making are few: The
 Kodak and film, a firm and ea.sily adjusted -sr,rpport for the
 camera during exposure (preferably a tiipod, with corks on the
 spikes on the.legs-to prevent slipping, or un R. o. c. Tripod r.,rl.k
 specially designed for this purpose), a package of Eastman Flash
 Sheets or Eastman Spreader Flash Cartridg"es, according to the
 wo_rk in hand, a screen or filter for diffusing t-heiignt and i simple
reflector for softening shadows. where the flash-is at a consider-
able distance from.the subject, a reflector behind the light may be
used advantageo'sly.to increase the volume of light, iistead tf ascreen before it to diffuse the light.
   For all ordinary work, in rooms of average size, we recom-
mend the Eastman F lash Sheets and EastLun Flash Sheet
Floider. The shcets are exceedingly simple to handle, and re_
quiring about one second to consume,-afford a broad soft iight. In
photographing children, or any        apt to move durlnp; the                                   -subjectexposure, we advise the use of the Eastman Spreader I-tash
cartridges, as they are instantaneors and affoicl a briiliant.
powerful light. As some subjects are apt to become nervous

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Page 12 · Read text
Eastman Flash Sheets.
c,o                       5 feet from subjects, 6 feet from floor.
f;l",ggff            White cotton cloth reflector.
dlJt                   I           Cheesecloth screen between flash and subjects.         /xEh            'FLASII                  Medium dark walls.
       oeaquEEiier,r         TO PFOTECT  LEAIS       Subjects 10 feet from camera.
        FFOM FLASH
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Page 13 · Read text
Never place more than one sheet in the Eastman Flash Sheet
Holder at i time. If two or more were used, one would be liable
to blow off and drop on the floor while still burning.
   When using Rastilignt cartridges, handle them with care' as
the contents are by lheir very nature highly .inflammable-  ifhandled according to directiott*, ho*.ver, there is no danger' A
convenient method of using the Eastman spreader
F lash cartridge in connection with the Spreader
pistol is to take a strip of wood about eight feet
Iong, and fasten the pistol to one end with nails or
,..5*r. Then by attaching a short piece.of picture                                             runr,vire to the trigg-er of the pistol, and letting it
down the side of ttte stick to the other end, you have
an exceedingly simple and handy flash machine'
With this deiice the operator may remain near the
camera and watch the iubject from the same point
of view as the lens, and at the proper moment place
the light jr.rst where he wants it.  Before attempting
 this riethod, be sure that no lace cttrtains or other
 inflammable materials are apt to come within reach
 of the flame, as the light spreads out from the
 cartridge qr_rite a distance. In addition to the light,
 anothei rnost important requisite for doing good
 flashiight work is a plate or film which is rapid,
 ortho&romatic and non-halation. Do not attempt
 to make a flashlight portrait on any plate not posset_:ilg_ these
 qtialities, and as lh"y^"r" all combined in Eastman N.C. Film, we
 hu.r. here the ideal medium for this work'
                                                            even-   Now as to the actual. work. We will assume that it is
                                     b_e selected, that you do not have too ing, but suggest, if day time
       daylilit in the ioo-.   Pr-rll down the window shades and -irtn turn on'tn"e lignts, as if  it were evening. W_hen making the                                                              do_.no exposure leave"the lights burning brightly... They will
 haim, if out of rang6 of the lens, and will_ prevent the dila-
 tion of the pupils of the eyes of the subject, and avoid the stare so
 often in evidence in flastrtight pictures. The color of the walls
 and cciling and the size of ihe ioom u'ill have much to do with
 the resultl Select, if possible, a room of medium size, with light
 colored walls and ceiling; this will afford a general diffusion of
 the light and aid greatlliin softening the effect. The first thing
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Page 14 · Read text
to be considered is the size of the flash sheet to be used, ahd its
  position.
    The Eastman Flash sheets are made in three sizes, 3 x 4,   * s and 5 x 7 inches, and numbered one, two and three, aJcorcl-  ! ing to size. The proper size of the sheet to use will be de-
 termined-by the complexion of the subject, the color of the
 room, and the distance of the light from the subject. For ex_
 ample, if the subject is of fair cornplexion, with iight hair and
 r,vhite dress, and if the room is of mcdium.size witii light walls
 and hangings, a No. r trlash Shcet wourd be sufficient,                                             |hced at a distance of about six feet. For medi'm complexions.No.        .rr'" u No. z
 sheet, and for very dark, a No. 3, or ptrt the    z sheet a little
 closer to the subject. The further thb subject is from the light,
 the softer the eff.ect. Strong,.bold lightings are obtained by
 placing the light close to the subject.
   As a basis to work from, six feet is about the proper distance
 for the best results. in average cases. At a distance of eight feet,
 to secure full illumination, use a No. 3 F-lash Sheet, and"for any
 distance less than six feet a No. r trlasli Sheet wiil afford sufficient
 light under average conditions. The ligh t may be placed any-
 rvhere except within immediate range oT the lens, birt its
 position will depend upon the stylJ of hghting desired and"*ultthe
 individual characteristics of the subject. lA.n id"ea prevails among
beginners that the light should n"u"r be placed anywhere .*."p't
behind the camela, as it might carse a reflectio'oi light into the
                           placed anywhere except"inside thel:":'but the light may belimits of the picture without trouble fiom reflections. rn some
instances an opaqlle screen may har.e to be used, to cut off such
     of light as would reflect into the lens, but these cases are sory.ys
ob'ious as not to demand further explanations. A common error
       beginners is that th"y do not place the light high enough.3T9ng
II th.e light  is- placed six fee[ distant ir,r- the sfrbject] it stroirta
also be placed about three feet higher than the head of the sub-
ject, in order to afford correct modeling of the features, and the
desired softness. There are exceptions to this rule, as in the case
of. a subject with d:"p set ey_es.and h"u,ry eyebrows, ora subject
with a large hat, when it is desired that ih"'hut shoirld not cast a
shadow on the face. rn such cases the light shotrld. be lower. A
reflector and screen are important aids in o6taining artistic results.
It is obvious that unless some means are provide]d to equalize the
Pase 12





                                                                                                                                                                                                                                                                                              T
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Page 15 · Read text
lighting on the sides of the face, the contrast will be too strong,
           and the "chalk and soot effects" will be much in eviclence. The
              reflector for softcning contrasts is a simple proposition. For a
           bust portrait, rvith the subject seated, a white towel fastened
            over the back of a high backed chair will serve the purpose; do
           not place the reflector too low, as the reflected light coming up
          from below will be apt to flatten the shadow side of the face.
             l'he reflector shotrld also be placed a little forward of the sitter,
           as this affords better half tones between the highest lights and
j           shadows,reflecting andintoalsothe serveslens. Withto preventstandinganlr figures,stray raysa smallof lightsheetfromor
          any light colored material (except yellow or red) may be hung
            over a string or tape fastened across any part of the room, with
          thumb tacks, so that it occupies the desired position. The light
            screen or filter can be similarly arranged on another tape. This
             screen should be of white cheeseckrth, and at least a yard square.
      A convenient method is to tack to a light wooden frame, about
              .a yard sqllare. If a tripod socket be insertcd in one side of the
            frame, an extra tripod may be utilized to hold the screen in any
              desirccl position.
            The diagram below illustrates one of the many ways in which
            the reflector and light screen or filter may be used.
             Many houses have archcs or folding doors between the rooms,
            with portieres which may be utilized for a backgror-rnd, attaching
                                            one end of the re-
                                                                  flector and screen by
                                                       strings or tapes to
                                                         a,                    each end of the cur-
                                                       tain pole, and tying
                                                          the other ends to the               DININGROOM                                                         YII*IISITTERO      CAMERA(]                 chandelier, usually
                                                   found above the cen-
                                          SITTINCROOM                                                 ter of the room.
                                          Every room has a
                          t*rE,l1           number of door or
                                            window casings, to
           the side of which a pin or tack may be driven without damage,
          and these afford sufficient opportunity for varying the arrange-
          ment shown in the diagram, to obtain exactly the lighting desired.
              Let r-rs now arrange orlr subject for an exposlrre, taking for
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Page 16 · Read text
example a lighting- and pose similar to the one on page g. If you
 are using a flash sheet without the Eastman Flastr Sheet Holcler,
 you should ignite the flash sheet by means of a match fastened
  in a split stick, at least two feet long, or, better still, with one of
 the long handled gas lighters provided with a wax taper. All
 bging in readiness, open the shutter and quickly light the flash
 sheet; as soon as it is consumed, close the shutter. Do not hurry,
 as the illumination afforded by the gas flame will not make any
 impressio_n on your film in the short time necessary to close thL
 shutter after the exposure has been made.
    Tank Development affords the ideal method for the develop-            1 ment of flashlight exposures, as it not only brings out everything
 the exposure is capable of yielding, but the negatives wili havE
 just the right quality for portraiture.                                                                                       'l

       The R. O. C. Tripod Truck





   The R. o. c. Tripod rruck is a most convenient accessory
for flashlight and other work, where a tripocl is employed indoorJ.
    Placed on this, the tripod legs are hbld firmly in positio" bt
q:i..! acting spring catchcs, ancl of co'rse there ir     porriuitity
of slipping or the t^ripo{ spikes marring floor or carper."o
   The truck is fitted with castors, making it a very simple
matter to move the camera about the room to any poiitiorr.
    F9ld9 compactly when not in use and is perfectiy solid when
extended
                 PRICE, No. 1, $1.00

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Page 17 · Read text
SummarY

                                                                    sttccess-   The follorving stlmnlary of conditions necessary for
ful results mttst be given careful consideration:

               1. CORRECT LIGHTING
          a-Position of light.
         b-Proper diffr-rsion of light by screen.
          c-Distance of light from subject.
          d-Proper placing of reflector.

               2. CORRECT EXPOSURE
          a-Size of flash.
          b-Size and color of roolll.
          c-Color of subject.
          d-Distance of light from subject.

             3. CORRECT DEVELOPMENT
          a-  Suitable developing formula.              '          b-Proper strength of develoPer'
           s-l)u12tion of develoPment.

   The illustrations in this booklet were all made on Eastman
 N. C. Film, ancl with either the Eastman Flash Sheets or East-
 man Spreader I'-lash Cartridges.

   The diagrams accompanying the illustrations l{ty  explain just how      picture was rnade, and the amateur following the
            "uift      should experience no dilficulty in producing simple instruct]ons
 equally sttccessful results.


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Page 18 · Read text
t




               Eastman Flash Sheets
                                ,,,Most Lifre Daylig/ttD
    The softest, cleanest flash medium, giving a broad., soft light. As these
  sheets are not instantaueous, they give the effect of a short time exposure under
 a slightly subdued light-not the glare of the ordinary flash porvder. They do
 not startle the subject, nor give a staring effect to the eyes.
 No. 1, per package of half dozen sheets, B x 4,                       .   #.25
 No. 2, per package of half dozen sheets, 4 x 5,                       .        '.40
 No. 3, per package of half dozen sheets, g x 7,                       .       .60
 Eastman Flash Sheet Holder,                                           .      1.00

         Eastman Spreader Flash Cartridges
 East'ran Spreader Flash cartridges, for use u.ith pistol or fuse (price
      irrcludes both fuse and cap), per package of one-half dozen,     $ .Zi
 Eastman Spreader Flash Cartridge Pistol,                                       .b0

           Kodak Portrait Attachments
    These are simply extra lenses, slipping on over the front of the regular
 lens, by means."of r,vhich the Kodak can be worked up to within three or four
 feet of the subjeqt, thereby adapting  it to the making of large head and shoulder
 photographs.
 For use rvith all regularly equipped Kodaks except No. 1A Speed,
    No. 4.A. Speed .liodak, and. I,anoram Kodaks, also for No. 2,
    No. 2A, No. 3 I3rou-nie, No. 2 and No. 2A Folding  l'ocket and
    No.3 and No. 3A Folding Brownie Cameras,                  $ .50
'Give exact designation of instrument and shutter rvhen ordering.

                               EASTNIAN KODAK CO.,
               t                                           Rocnrsrpn. N. y.At  All  lxVtlak Dealers.



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Page 19 · Read text
Your friends, out of town and in town
  too, will be interested in picture stories
  of you and your home surroundings

VELOX POSTALS

                  FROM

 Home portraits and flashlight pictures
      tell such stories most attractively

 AND IT'S NO TROUBLE FOR
 ANYBODY TO MAKE THEM


       AT ALL DEALERS





                                                                                                                                                                         .f
 $ .2O pef dozen            pef gross



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Page 20 · Read text
It  it isn't an Easlman
             it isn't a Kodak.





   GALL 6& LEMBKE
       5 WEST 42nd ST.
       NEvt' YORK CITY
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