Film cameras
Kodak Cartridge No. 4 User manual
User manual for Kodak Cartridge No. 4. 30 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Kodak
- Model / document
- Kodak Cartridge No. 4
- Document type
- User manual
- Language
- English
- Pages
- 30
- File size
- 2.5 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 2 · Read text
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iPICTURE TAKING
WITH THE
No. 2 anC 2-A
CARTRIDGEPREM()CAMERAS
PUBLISHED BY THE
EaSTMAN KoDAK CO.
Successor/a ROCHESfEft OPTICAL CO.,
ROCHESTER, N. Y.View original page 2Page 4 · Read text
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BEFORE LOADING
ORDER FILM Before taking any pictures with either the No. 2 or
2-A Cartridge Premo Cameras read the following in- BY NUMBER structions carefully, and. make yourself perfectly
familiar with the instrument, taking especial care to
learn how to operate the shutter. Work it for both
All Kodak Films may be distinguished by time and instantaneous exposures several times be-
fore threading up the film.
the numbers on the ends of the cartons. The first and most.important thing for the amateur
to bear in mind is that the light which serves to im-
press the photographic image upon the sensitive film t2a in a sma1l fraction of a second when it comes through
the lens, can destroy the film as quickly as it makes
is the number for film for the No. 2 Cartridge the picture. After the film has been developed and
Premo. a71 deaeloler thoroughl! zaashed out, it may be quickly
transferred in subdued, white light to the fixing bath
116 ingwithoutand injury.unloading,Throughoutbe extremelyall the carefuloperationsto keepof load-the
is the number for film for the No. 2-A Cart- theduplexadmissionpapsr woundof iight.tightly around the film to prevent
ridgg Premo. The number appears on both EASTMAN KODAK COMPANY.
carton and cartridge. Successor to
Rocrlrsrpn Oprrc.rr, Co,,
Rochester, N. Y.
April, 1916.View original page 4Page 9 · Read text
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is the one to usc for all snap shots, except rvhen the For a horizontal exposure the camera should be held
sunlight is unusually strong, and there are no heavy as shorvn in Fig. 3, page ll.
shadorvs, such as viervs on the water, rvhen the middle Any object that does not shorv in the finder rvill not
s t o p n r a y b e u s c c l . T h e s m a l l e s t s t o p n r u s t n e v e r b e show in the picture.
used for snap shots. (See Fig. 1, page 10.) A11beins in readiness.
Hold the Camera Steady and Level
as shor,vn in Fis.2 or3 and press the shutter lever ('
(fig. 1) to one side r,vith the thumb of right hand.
Important
When making the exposure, press the shutter lever
slozuly to one side so as to avoid jarring the carnera. If
the camera is not held steadily a blurred picture rvill
result.
Turn New Film into Position
Turn the key slolvly to the left until the next nrrmber
appears bef ore the window as shown in Fig. 5.
F ig, 4.
IlrTect produced by tilting camera.
Airn the camera at the object to be photographecl
:rnc1 locilte the image on the finder. l'here are trvo
finders, one for verticzrl ancl the other for Lrorizontai.
e x p o s u r e s .
F or a vertical exposure the cralnera shoulcl be helc1 as
sholr-n in Fig. 2, pageIl.
l2View original page 9Page 10 · Read text
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-_No-rr:-The warning index hand. appeafs only before
N o. 1 . A11 being in readiness, steady the camera with one
' Repeat the foregoing operation for eaeh picture. hand but do not attempt to hold it in the hands, and
If the operator attempts to photograph a tall build- push the lever C slou,lJt to open the Shutter; give the
ing, while standing near it, by pointing the camera propef time (using a watch if more than two seconds)
upward (thinking thereby to center it) the result will and press the lever in the opposite direction to close
be similar to Fig. 4,pagei:Z. the shutter.
Turn a new film into position as described. before.
SECTION 2 (See page 13.)
Time Exposures Indoors l'or interiors the following table is a good guide:
Pr-acp rrre Calrena rN posrrroN. Time Needed for Interior Exposures
This table is for the largest stop. When the second
stop is used double the time; when the smallest stoD
is used give four times the time of table.
I White .walls and more than one window;
bright sun outside, 2 seconds:
hazy sun, 5 seconds;
l i cloudy bright, _10seconds:
cloudy dull, 20 seconds.
White walls and only one wind.ow: Fig. 1. Diagram, showing positions for camera.
bright sun outside, 3 seconds:
Use some firm support, like a chair or table. Set in hazy stn,8 seconcls;
such a position that the find.er will embrace the view cloudycloudy bright,dull, 30 15secondsseconds:
desired.
The diagram (Fig. f) shows the proper positions !4edium colored. walls and. hangings and mole than
for the Camera. It should not be pointed direcfly one window;
at a window, as the glare of light will blur the pic- bright sun outside, 4 seconds :
ture. If all the windows cannot be avoided., pull hazycloudysun,bright,10 seconds20 seconds::
down the shades of such as come within range of the cloudy dull, 40 second.s.
camera. Medium colored walls and hangings, and only one Push the tlme sllde (A) to the end of slot marked window:
" T," Fig. 1, page 10. When the lever is in this position
the shutter strikes it as it passes the lens, stopping Frighthazy sun,15sun outside,seconds6 seconds;i
halfway across with the opening opposite the lens. cloudy bright, 30 seconds :
cloudy dull, 60 seconds.
t4
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Dark colored walls and hangings and more than one Use the Kodak Portrait Attachment No. 0 with elther
window: the No. 2 ot 2-A Cartridge premo.
brlght sun outside, 10 seconds; With the Kodak Portralt Attachment in position the
hazy sun, 20 seconds; subject should be placed 3lfeet from the lens.
cloudy bright, 40 seconds; The attachment is simply an extralens slipped in lens
cloudy dull, l minute, 20 seconds. opening in front board, and in no way affects the
Dark colored walls and hangings and only one operation of the, camera except to change the focus.
window: Price, 50 cents. Be sure and specify what camera the
bright sun outside,20 seconds; attachment is to be used with when ordering.
hazy sun,40 seconds; Time Exposures in tbe Open Air cloudy bright, 1 minute, 20 seconds;
cloudy dull, 2 minutes, 40 seconds. When the smallest stop is before the lens the light i admitted is so much reduced that time exposures out The foregoing'is calculatecl for looms whose win' J of doors may be made the same as interiors. but thed.ows get the direct light from the sky and for hours
from three hours after sunrise until three hours before ", exposure must be much shorter.
sunset. Wrrrr SuNsrrrxe-The shutter can hardly be opened.
closed quickly enough to avoid over exposure. If earlier or later, the tlme required will be longer. I and.'Wrerr
Lrcrrr Cr-ouos-From one-half to one second
To Make a Portrait will be sufficient. 'Wrrrr
Place the sitter in a chair partly facing the Camera }Ip.q.vv Cr,ouns-From two to five seconds
(which should be located slightly higher than an will be required.
ordinary table) and turn the face slightly towards the The above is calculated for hours from three hours
instrument, having the eyes centered on an object at after sunrise until three hours before sunset and for
the same level with the lens. For a bust picture the objects in the open air. For other hours or for objects
camera should be five feet from the figure ; but for a in the shadow, under porches or under trees, no accu-
three-quarter figure from six to eight feet, and for ratedirections can be given; experience only can teach
a full flgure from eight to ten feet. . The background. the proper exposure to give.
should form a contrast with the sitter. Timeexlosurescannot be madezahilethe caTnera is hetd
,In making portraits where the subject is less than in the hand. Alzuays trtace it uton sorne firm su/port,
elght feet from the camera, use the smallest stop and such as a tri.fod, chair or table.
time accordingly. (See page 15.) As a general rule
use the middle stop for portraits. Kodak Portrait Attachment ,tI
By means of a Kod.ak Portrait Attachment usedwith
the Cartridge Premo Cameras Nos. 2 andZ-A,head and
phoulder pictures of increased, size may be obtained.
10 ylView original page 11Page 14 · Read text
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The flash should not be higher than the head' of the as more convenient, cheaper and capable of produclng,
sitter. the best results, The cartridges are only superior when
For using the Portrait Attachment, see page 16. absolutely instantaneous work is essential.
To Merp e Gnoup-Arrange the chairs in the form
of an arc, facing the Camera so that each chair will Keep Dust Out of the Camera
be exactly the same distance from the camera. Half Defective negatives are often caused by partlcles of
the persons composing the group should be seated d.ust which have collected on the inside of the Camera
and the rest should stand. behind the chairs. If the 0 and settle upon the film in particles that produce small
group is large any number of chairs may be used' but dark spots upon the prints.
none of the subjects should. be seated' on the floor, as It is therefore lvell to wipe out the inside of Camera
sometimes seen in large pictures, because the perspec' occasionally, with a slightly damp cloth. fn summer
tive would be too violent. weathcr or after the camera has remained idle for any
Be.crcrouNo-In making single portraits or groups, length of time, this needs special attention.
care should. be taken to have a suitable background
against which the figures will show in relief; a light Load Your Cartridge Premo with Kodak Film.
background is better than a dark one, and often a
single figure or two will show up well against a lace Look for this trade mark on the box
curtain. For larger groups, a medium light wall will
be suitable.
Ttle finder on the camera will aid the operator in
composing the group so as to get the best effect. In
order to make the image visible in the finder the room
will have to be well lighted with ordinary lamplight, LOOK FOR
which may be left on while the picture is being made,provided noneof the lights are placed so that they show ..KODAK''
in the finder.
Eastman Flash Sheets burn more slowly than flash ON THE SPOOL END.
powders, producing a much softer light and are, there-
fore, far preferable in portrait work; the subject, how-ever, should be warned not to move, as the picture is 1
not taken instantaneously, abotat one second being re-
quired to burn one sheet.
Eaetman Flash Cartridges t
Eastman Flash Cartridges may be substituted for the 'We
sheets if desired. recommend the sheets, however,
aView original page 14Page 17 · Read text
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1. Take everything out of the box. Take apron and paper. Molsten the gummed slde of stlcker evenly for
Transferring Reel out of the solution cup. about an inch across the end and stick it down to du-
2, Insert the axles marked C and D in the cut, in the plex paper, rubbing thoroughly to secure perfect ad.-
holes in the front of box. The front will be toward hesion. Wind. end of duplex paper on spool again and
you when the spool carrier in end of box is at your the cartridge is ready to lnsert in the machine.
right. 5. Insert film cartridge in spool carrier and close
3. The axle " C " must be pushed through the hol- up the movable arm against end of spool. Have the
low spindle which will be found loose in the box. The duplex paper (" B" in Fig:. 1) lead from the top.
two lugs on this spindle are to engage the hooks at end wire guard on trans- und.erneath the paper 6. Thread pushed the through axle The of apron, " D " must be (Fig. IL) axle " D which reel through " passes reel in ferring Reel to hold the Transferring hollow rod of and turn axle slowly to right until the word "stop" ap- position as indicated in the illustration. The flanges
at each end of the Transferring Reel are marked " Y " pears on the duplex Paper.
in the illustration. 7. Now hook apron to lugs on axle " D " in precisely
the same manner that you hooked the opposite end to 4. Attach one end of the apron to spindle through
which axle " C " passes by means of the metal hooks axle "C" except that axle "D" turns to the right.
which are to be engaged with the lugs on the spindle. 8. Turn handle half a revolution so that apron be-
The corrugated side of the rubber bands is to be comes firmly attached and put on covef of box. Turn
beneath the apron'when it is attached. Turn to left axle " D " slowly and steadily until duplex paper, film
on axle " C " and wind entire apron on to spindle, and apron are rolled up together on transferring reel.
maintaining a slight tension on apron in so doing by As soon as this is completed the handle will turn very
resting one hand on it. freely.
While turning axle "D" to the right, keep pressure on
Important. axle "C" in the opposite direction. This will act as a
PnepanrNc Trrp C.lnrnrocp brake and will keep the apron, film and duplex paper
taut and in the correct position. .
Film to be used in the Kodak Film Tank must be
fastened to the duplex paper at both ends. A11 films 9. Prepare developing solution in solution cup ac-
are fastened at one end in our factory. The operation cording to directions in Kodak Film Tank Manual.
can be accomplished. in the following manner: 10. Remove cover from box and take hold of the d.u-
Just before you are ready to develop (hold.ing spool plex paper where the paper extends beyond the end of
with the unprinted side of the duplex paper up) unroll apron, Then wind axle " D " until the duplex paper
the duplex paper carefully until you uncover the piece becomes taut.
of grrmmed paper which is fastened. to end of film and NoTE-Where the film is so short that the duplex paper does
is to be used as a means of fastening lilm to duplex not extend, the above instructions are not necessary.
nView original page 17Page 18 · Read text
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11. Draut out arle "I),', holding alron and dupler Al1ow development to proceed for about two minutes
!fter zaith tlte olher hand to hee! end of apron anrl with the cover of the solution cup off then place the
paler from loosening. Remoae entire Transferring Reel, cover on the cup (Fig.
contatning afron, duy'let lay'er and f ilnz (u.rhich is freed IV), putting lugs on
by lulling out arle "D,,) and stiy' a smail rubber band covef into grooves and
around the a/ron tiglttly so there zaiil ba no lossibz'lity tighten cover down bY
of its unzuinding. turning it to right.
_ NorB-In removing reel Now turn entire cuP
clo,not squecze the apron, end for end. and Place inas by doing so there will be tray or saucef to catcha tendency for it to buckle.
12. Insert the Transfer- any slight leak from the
r i n g R e e l ( c o n t a i n i n g cup. At the end of three
apron, duplex paper and. minutes again feverse
film) in the previously pre- the cup, and thereafter
pared d.eveloper immed- r ever se ever y thr ee
iately. minutes until the time
of development, (20 min-
Using the Solution Fig. IV. utes) has elaPsed.
cup. Turning the solution cup allows the developer to act
13. Having filled. Solu- evenly and adds brilliancy and snap to the negatives.
tion Cup, lower Trans- The developer reaches all parts of the film immedi-
ferring Reel into Cup, ately.
with end containing cross- 14. The wire hook is to be used for lifting the reel
bar up ( Fig. III). L e t Fig. III. out of the cup (Fig. V). Hook on to the cross bar in
reel slide d.own slowlv. one end. of reel. When the end of reel containing cross
The operation of removing reel from box can be d.one bar is at the bottom of cup, the hook is just long
in the light of an ordinary room, but for safety it is enough to catch the cross bar.
well that the light should not be too bright. The total
length of time for development is twenty minutes. 15. When development is completed' pour out devel-
oper and. fi1l cup with clear, cold water and pour off
Note-Immediately after lowering reel into solution three times to wash the fi1m.
cup catch it with the wire hook and move gently up Note-When removing cover of solution cup' place
and down two or three times but not allowing reel to cup in palm of hand so as to dbtaina firm grip on bot
come above surface of developing solution. This is tom of can. Then grip cover with other hand and
to expel air bubbles. turn slowly to left when cover will loosen readil5r.
30 31View original page 18Page 22 · Read text
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Fixing Washing
There are several ways of washing film. It may be
Provlde a box of Kodak Acid Fixing p6wder aud placed. in tray or wash bowl of cold water and left to
prepare a fixing bath as per directions on the package. soak for five mihutes each in five changes
Put this into a tray (fourth tray of an A. B. C. devel- of cold.water, moving about occasionally
oping outfit) or wash bowl. When the powder has to insure the water acting evenly upon it,
thoroughly dissolved add to the solution as much of or it may be given, say two changes as
the Acidifier, which you will find in a small box inside above and then left for an hour in a bowl
the large one, as directions call for. As soon as this with a very gentle stream of water run-
has dissolvecl the Fixing Bath is ready for use. Any ning in and out.
quantity of the bath may be prepared in the above
proportions. Drying N. C. Film Negatives
Pass the film face down (the face is the dull side) After tank development, when thoroughly
through the fixing solution as shown in cut on page washed, snap an Eastman Film Developing
37, holding one end in each hand.. Do this three or four Clip on each end of the strip and hang it up
times and then place one end of the fiim in the tray to dry or pin it up. Be sure, however, that
still face down and lower the strip into the solution in it swings clear of the wall so that there will
folds. (If the negatives have been cut apart immerse be no possibility of either side of the film
them singly.) Gently press the film where the folds coming in contact with the latter.
occur, not tightly enough to crack it, down into the In drying, N.C. Film should be cut up into
solution a few times during the course of fixing. This strips of not nnre than six exposures iu
lnsures the fixing solution reaching every part of the length.
film. Allow the film to remain in the solution two or DryingClips,with In tray development when the film has
three minutes after it has cleared or the milky appear- been cut up, pin by one corner to the edge
ance has disappeared. Then remove for washing. of a shelf or hang the negative on a stretched. string by
N. C. Film must always be fixed in an acid bath. means of a bent pin, running the pin through the corner
There is nothing superior to the Kodak Acid. Fixing of film to the head., then hooking it over the string.
Bath, but the following formula may be used if Norp-When negatives have been cut apart they
desired : should be kept separated. when washing in order that
they wash thoroughly. Norp-If you are using an A B C developlng outfit
the fixing solution must only be used in tray No. 4, and
the negatives, after fixing, must not be put in eirher No.
1 or No. 2 trays. Neither must any of the fixing solu-
tion be allowed to touch the films, through the agency
of the fingers or otherwise, until they are ready to go
into the fixing bath, otherwise they will be spotted so
as to be useless,
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We suggest before making the first exposure the Do not use a fixing bath that has been used for
cutting of a piece of Velox paper into strips about an fixing film.
inch wide and placing one of them over an important You should be systematic in working, rememberlng
part of the negative, make the exposure, using your that cleanliness is essential in photography. Care
best judgment as to the distance from the light and must be taken to prevent the Hypo fixing bath in any
the time of printing. Develop it, and if not satisfac- way getting into the tray containing the d.eveloper.
Elave a clean towel when beginning the work and wipetory try another strip, varying the time as indicated by
your hands each time after you have handled. prints inthe first result. When the desired. effect is secured,
you can make any number of prints from the same fixing bath.
negative, and if the time of exposure, distance from Details
light as well as the time of developing are identical, all
the prints should be equally good, By comparing your Cr.perv DrsrrEs; Cr-pe.lr IIaNos: The faintest trace
other negatives with the one you have tested you;will of Hypo will spoil the prints if it gets into contact with
them before the proper time. Great care should, there-be able to make a fairly accurate estimate of th'6 ex-
fore be used to have both hands and. trays clean,posure required by any negative.
After taking the exposed piece of paper from the Dever-open once used should not be carried over and.
Drinting frame, in a safe place previously selected, it is used the next day or subsequently.
print The dry for development. shouldready be im- Don't (Tray No.1) and quickly face up in the d.evelopermersed
and evenly covered with the solution. Contrast and Don't use a ttay for developing whlch has previously
Regular Velox should be developed not to exceed twenty been used for hypo solution, pyro developer or final
seconds: Special Velox about twice as long No exact washing.
time cau be given, as the strength of developer used Don't use an old fixing solution, it is liable to cause
would make a'difference in the time, trouble.
as the image has reached. As soon the desired. depth Difficulties, their Cause and Remedy developer from the to the secondremove tray and rinse
for a moment, turning the print several times, then Vprr-eo'Wrrr:rps: Caused by forcing development,
Dlace it in the acid fixinq bath (TrayNo.3) keeping the fogged paper.
print moving for a few seconds, the same as was done Rprrpov: Give more time, screen light. Also, caused
when rinsing, so as to give even and thorough fixing, when image flashes up in developer by too much ex
preventing stains and. other troubles. Leave the print posure, in which case give less time.
in this solution until thoroughly fixed; this will take Muoon Srrloows: Caused by d.eveloper being used
about fifteea minutes. When fixed. remove from the for too many prints. Remedy, use fresh developer.
fixing bath and wash thoroughly for about an hour in Coxrnasrv PnrNrs: Caused by insufficient time or
running water, then dry. After drying, prints may be negative too harsh. Remedy, give more time: make
trimmed and mounted. softer negatives.
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Fler Pnrxrs: Caused by overtiming or negatives
flat. Remedy, give less time in first instance, and if
trouble is with negatives, give negatives less time;
develop further. PART VII
SrarNs: Caused by forcing development, or chemi-
cally dirty dishes or hands, insufficient fixing, foreign
Remedy, other Mountlngchemicals. do. not allow chemicals
than those given in formulae to come in contact with Tbe-,,most satisfactory method for mounting prints
paper; use fresh fixing bath; keep prints in constant is by the use of Kodak Dry Mounting Tissue, as by the
motion the entire fifteen minutes they remain in fixing, use of this tissue the print lies perfectlv flat in abso-
and if due to forcing development give more time in lute contact even on the thinnest mount and absolutely
printing. without curl.
'Wsrrp Rouxn, Spors: Saused by air bells which The tissue comes ln flat sheets, dry, not sticky, and
proof protects theform on face of prints when developer is first flor,ved, It easy to handle and being water
on. Remedy, use more developer, break air bells print from any impurities in the mount stock. The
with finger. process of mounting is as follows: Lay the print on
its face and tack to the back a piece of tissue of the
Coloring Velox Prints same size by applying the point of a hot flatiron to
The various surfaces of Velox are particularly well small spots at opposite ends. Turn the print face up
adapted for coloring, and prints may be rriade extremely . and trim to size desired, and place in proper position
lnteresting through the many beautiful effects obtair.ed on mount, then cover the print with a piece of smooth
by the use of Velox Transparent Water Color Stamps. paper and press the whole surface with a hot flatiron
No experience is necessary when using these colors, -Press, don't rub. The iron should be just hot enough
and any amateur can secure excellent results as full to siss when touched with the wet finger. If the irondirections accompany each set of stamps. is too hot the tissue will stick to the mount and not
Put up in book form, they will be found most con- to the print. If too colcl the tissue will stick to thevenient. Each book contains twelve colors, arranged mount. print not to the and perforatedin leaflets, making twenty-four stamps of with mounting paste, lay the wet print face Wheneach color
The stamps will also be found most desirable for the down on a sheet of glass and squeegee off all surplus
coloring of Bromide enlargements, lantern slides, etc.. water, then brush over the back with a thin starch
and in fact for all work where perfect blending and. paste, 1ay the print on the mount, then cover the print
transparency of color is required. See price list. with a clean sheet of blotting paper and press into con'
.EASTMAN KODAK CO., tact with the squeegee or rubber print roller.
Successor to
RocrrBsrpn Oprrcl.r- Co.
Rochester. N. Y.
{ J ***\-t_. *.View original page 25Page 27 · Read text
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Under-Developmenr PRICE LIST
This defect would be caused by a mistake in remov-
ing film from developer too soon, by using solution too No. 2 Cartriclse t""*olfacity 6 exposures,
cold or by an error in compounding chemicals. It is 2% x3/+not loaded.. .$ 2 00
obvious that neither of these defects will occur in 'Carrying Case for same with shoulder strap........ E5
Tank Developm6nt if instructions are properly fol- No. 2-A Cartridge Premo, capacity 12 exposures,
lowed. 2r /zx4%, notloaded.. 3 00
f Carrying Case for same with shoulder strap.. ."--' E.5
. Intensification by Re-Development Kodak Portrait Attachment No. 0 for use with
there are a nurnber of d.ifferent processes for in- No. 2 or No.2-A Cartridge Premo.....'... 50
Kodak Sky Filter and Kodak Color Filter No.0tensifying under-developed negatives, the most com- ltII for use with No.2 or No. 2-A Cartridge Premo 50mon being by means of Bichloride of Mercury, and
N. C. Film Cartridge, No. 120, 6 exposuresSodium Sulphite or Ammonia. '
2% x3%..-... 20
This method, though simple to use, has its disadvant-
ages, as it builds up the highlights out of proportion N. C. Film Cartrid.ge, No. LL6, L2 exposures
to the weaker portions of the negative, and also, un- 2rl x 4%-..... 50
less carefully handled, is apt to produce iridescent Do., six exposures.,, 25
stains or granular markings that are impossible to Kodak Film Tank, 2% inch...---- 4 0 0
remove. Duplicating Outflt for same.'-.....-.. 2 0 0
Kodak Tank Developer Powders, for 2)4 and'3%
While the method of intensificatioa by re-development inch tank, Per Pkg. rl doz'..,...." 20
is only comparatively new, the now common use of Kodak Acid Fixing Powd.er, 1 pound' pkc.............. 25
Velox and Royal Re-developer for Sepia tones on D o . , ' 3 " " % 15
Velox and Bromide prints will make this the most D o . . t ' " " % " " 10
effective means of intensification. Velox Paper, 2/ x3%, pet doz, sheets...'.........'.... 10
Velox or Royal Re-developer may be used in exactly Velox Paper, 2'f x 4%, " " 12
the same manner as for producing Sepia tones on Velox Transparent Water Color Stamps' com'
developing paper. plete booklet of. LZ colors........'. 25
Negatives lntensified by re-development are built Velox Transparent Water Color Stamp Outfit'
up evenly, without undue contrast ancl without the consisting of Artist's Mixing Palette, three speclal Camel's Hair Brushes, and one bookchance of staining. of Velox Transparent Water Color Stamps,
The advantage of being able to use the chemicals for (12 colors)
two different purposes (Sepia toning prints or intensi- Nepera Solution. 4-oz. bottle.. 20
fying negatives) is obvious, the result in either case Solio Paper, 2% x 3% , per pkg; 2 doz. sheets .. .,'... 20
being all that could be desired. Solio Paper, 2% x4%,per pkc. 2 doz. sheets......... 20
49View original page 27Page 29 · Read text
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Be Sure to lfse Pure Chemicals. To get the best negatives from your films-to get The Kodak
the best prints from your negatives-it is impera-
tive that the chemicals which you use be absolutelyDure. Correspondence
For all our film and papers we furnish powders and
solutions mixed. in just the proper proportions andcompounded from the purest chemicals, rigidly tested College
in our own laboratories.
But we go even further than this. For those who pre-
fer to mix their own solutions by formulae, we have
prepared a line of carefullytested
standard photographic chem-
i c a l s . A Course Which Will Increase Your Don't mar good films andplates
and good. paper with inferior Photographic Pleasure by Helping You
chemicals.
This seal stands for the high- to Make Better Pictures.
est purity. Be sure it's on the
package before purchasing.
EASTMAN KODAK CO.,
Successor to
Rocsnstpn Oprrcl.l Co. 'luition two dollars which includes a
Rochester, N, Y. handsome cloth bound copy, library edition,
of the School Text Book
..HOW' TO MAKE
'' GOOD PICTURESView original page 29From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
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