Film cameras
Kodak Duo Six-20 Series II WITH BUILT IN VIEWFINDER User manual
User manual for Kodak Duo Six-20 Series II WITH BUILT IN VIEWFINDER. 26 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Kodak
- Model / document
- Kodak Duo Six-20 Series II WITH BUILT IN VIEWFINDER
- Document type
- User manual
- Language
- English
- Pages
- 26
- File size
- 4.0 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 2 · Read text
RANGETINDERand
D O U B TEEX P ( ) S U R
P R E Y E i l T I O N
K()l)AK
ASTIGiIATTEIIS
| /3.5
C ( l M P U R . R A P I O
S H U T T E RView original page 2Page 3 · Read text
THERE ARE
7 8,au7Stafr,t
TO GOOD PICTURESWITH
THE KODAK DUO SIX.2O
\\'rrs the Kodak Duo Six-zo Series II.
ciear. sharp pictures can be made right
from the start, outdoors or indoors, in
the daytime or at night.
T'he seven easy steps to make good
pictures with your Kodak are given on
the following pages. They are simple.
and very easily rnemorized.
You will find Inany illustrations
u'hich rn'ill give you suggestions for
rnaking similar pictures.
The negatives made with your Kodak Duo
Six-20 can be enlarged to many diameters.
www.orphancameras.comView original page 3Page 4 · Read text
Load your Kodak with Kodak Film. See page 16 for
L O A D I N G theFilm.descriptionsThey meet ofeverythe differentpicture-takingkinds need.of Kodak
Lono your camera in subdued light, never on the shutter release 3, page +. This pro-
in direct sunlight or in exceptionally strong cedure must be followed for as many times
artificial light. as it may be necessary to bring the figure
r 6 to the pointer.
Place the roll of film in the end opposite
the reel, so that when the paper is drawn off
the spool, the colored side of the paper will
be up, and the black side will be towards
the lens. Engage the hole in the spool, with
the spool pin on the side of the camera with Lift the latch r and open the back of the
the tripod socket. Push the spool againstKodak. There is an empty spool in the
this pin, which will then spring out, andwinding end of the camera; this is to be used
permit the other pin to engage with theas the reel.
opposite hole in the spool. Before loading the camera with film be
Remove the band that holds the end ofsure the figure 16 of the exposure counter 2
is at the pointer. If any other number is at the protective paper and pass the pap er laer
this pointer, the front of the Kodak must the rollers.
be opened as explained on page 5. The Thread the paper through the longer
roller next to the empty opening of the slit in the reel as far as it
spool must be turned to- will go. Draw the paper taut, giving a few
wards the hinge of the turns to the winding knob. The paper must
back until the next num- draw straight.
ber comes to the pointer; Close the back and push down the latch,
then push the shutter set- to lock the back.
ting lever A to the top of Push the knob of the slide covering the
the shutter, see pages 5 red window towards the center of the
and 6, and push down camera.View original page 4Page 5 · Read text
Turn the winding knob in the direction
of the arrow and watch the red window. OPENING FRONT
After a few turns a
warning hand will ap- Pness the button to
pear; then turn slolt'- open the front of the
ly until the figure r is Kodak; then draw
exactly in the center of down the bed care-
this window. Push back fully until it locks. This
the slide over the red will bring the lens and
window. The window the shutter into posi-
is used only for center- tion.
irg the first exposure, and the window
should not be uncovered again until the SHUTTER SPEEDSsixteenth exposure has been made.
THB Compur-Rapid Shutter on your camera
is designed for making automatic exposures
o f r , t l z , t l 5 , t f r o , t l z 5 , t l 5 o , r f r o o , t f z 5 o
and t f 5oo second. For average subjects
r e v o l v e t h e
knurled collar
of the shutter
until rf roo sec-
Now push the exposure counter setting ond is at the
slide 4 to the opposite end of the slot and black pointer B,
let it spring back. This brings the figure r see illustration.
to the pointer. The film is rlow in position For " bulb" ex-
for the first exposure. posures the let-
'cB" Sixteen exposures can be made on a roll ter must be
of 6zo film with the Kodak Duo Six-zo, brought to the
Series I I. black pointer B.
www.orphancameras.comView original page 5Page 6 · Read text
Exposures of intermediate speeds can be
made from t second to t f roo (except be-
tween t f to and t lzil by turning the collar
so that the pointer B comes between the
speed numbers; thus an exposure of r I 7 5
second is made by turning the knurled col-
lar so that the black pointer B is midway
between t I So and t f too. Intermediate ex- For average subjects outdoors when the
posures cannot be made between speeds sun is shinirg, move pointer D to f f 5.6, and
faster than r/roo second. make an exposure of t f roo second, when
After the proper speed is brought to the using Kodak Verichrome Film.
pointer B, it is necessary to set the shutter See table on back cover for exposure
by prshing the lever A, page 5, to the oppo- data for daylight.
site end of the slot. It is not advisable to
change the speed of the shutter from t f z5o
to r /5oo or vice versa when the shutteris set.
Automatic exposuresof I second, tlz, tl5,
or t f to second must not be made with the
camera held in the hands; a tripod or other
firm support must be used for exposures
slower than t lzS second.
tmportant: ,Meueroil the shutter.
STOP OPEN I NGS FOCUSING
THn stop openings regulate the amount of TnB range finder of the Kodak Duo Six-zo
light passing through the lens. The openings Series II is coupled with the lens of the
are enlarged or reduced by moving lever camera. Focusing is done by moving knob 5,
C on the bottom of the shutter. Lever C page B. This knob controls the focus of
moves pointer D. the lens and the range finder.View original page 6Page 7 · Read text
L o o k t h r o u g h t h e
e y e p i e c e 7 , p a g e 4 ,
holding the camera as
shown on page g.
Two images of the
subject will appear (one
in a clear disk, the other
-pink); move the fo-
c u s i r g k n o b 5 u n t i l
these two images coin-
cide, and only one im-
age is visible. The dis-
tance between the cam-
era and subject focused
on can be read on the
focusing scale at the in-
dicator 6. The range finder can be used only on
Another method of using the range finder subjects that are motionless.
is to move the focusing knob until the dis- The range finder and view finder have
tance desired is at the focusing indicator 6; the same eyepiece; before making the expo-
then, while looking through the eyepiece sure, check the composition of the picture in
of the range finder, move back or forth until the view finder, but since the Kodak is
the two images appear as one. focused, do not approach nearer to or step
back from the subject.
The camera has a focusing collar en-
graved for the followirg distances: 4, 5, 6,
B, ro, 12, 15, 25, 50 feet, and infinity. It is
unnecessary to consult this scale when using
the range finder, for when the subject is
properly focused with the range finder, the
camera is in focus.
www.orphancameras.comView original page 7Page 8 · Read text
THE VIEW FTNDER SNAP THE PICTURE
THB view finder 7, page r 5, shows what will Horo the Kodak in either the vertical or
appear in the picture, but on a much re- horizontal position; then press the shutter
duced scale. In viewing, the rear of the release as shown on page I o. When pressing
finder is brought as close to the eye as the shutter release, hold the breath for the
possible with the camera pressed firmly instant. If the Kodak is moved during
against the face, as in the illustrations below. exposure, the picture will be blurred. Hold
For horizontal pictures the camera is simply the Kodak steadl.
turned end up. All vertical lines in the subject The exposure lever E, page 5, can be usedshould appear parallel with the vertical lines in trick photography, when a double expo-
of the front frame of the finder, when hold- sure may be wanted.
i.g the camera either in the vertical or A T.B.I. Cable Release No . 2 can be used
horizontal position. with the Kodak Duo Six-zo Series II. The
Unusual effects can be obtained by tiltirg release is screwed into the opening B, page
the Kodak . Hold the Kodak steadlt. r 5, next to the shutter release.
After making the exposure, turn the film H O L D T H E K O D A K S T E A D Y
winding knob until it locks; this automati-
cally con trols
the exposure
counter z which
gives an accu-
rate check on
the number of
exposuresmade.
The next section
of film is now in
position. It is impossible to make a double
exposure with the Kodak Duo Six-zo Series
1 1View original page 8Page 9 · Read text
I I if the body shutter release or cable a watch; and then press the
release is used, because the shutter can small button to release the push-
not be operated rvith either release until a pin to complete the exposure.
new section of film is wound into position. For making "bulb" and instan-
taneous exposures, turn the cir-
. . B U L B ' ' E X P O S U R E S cular piece so that it slides under
For all "bulb" exposures the Kodak must the small button. Press the push-
be placed on a tripod or some other steadv, pin of the cable release which will
firm suppor t-do not hold it in the hands or the spring back to its original position
rvhen the finger is removed.picture will be blurred.
An Optipod or a Tilt-a-pod will be neces- C L O S T N G T H E K O D A K
sary for using the camera on a tripod, rvith
the camera in the vertical position for a BnronB closing the Kodak, frst make sure it
is focused for infniry. To close the Kodak,horizontal picture.
To make a " bulb" exposure, the letter press the plate release 9, page 15, raise the
((8" must be at the black pointer B, page 5; bed r o and snap it shut.
then press the shutter release; the shutter R E M O V T N G T H E F I L M
rvill remain open as long as the shutter re-
lease is held down. Arren the sixteenth exposure has been
made, uncover the red window and turn the
T I M E E X P O S U R E S winding knob, until the end of the paper
TlrraB exposures can be made lvith passes the red window.
your Kodak when it is fitted n'ith Give a few more turns to the winding
a T.B.I. Cable Release. knob and then, in a subdued light, open the
To make a time exPosure, the back of the Kodak as described on page 2.
circular piece should be turned The film is removed by pushing down on
so that the notch on the edge is one of the flanges of the spool and disengag-
directly under the small button, irg the pin on the winding knob from the
see the illustration. Set the shutter hole in the end of the spool. Fold under the
for a "bulb" exposure. Press the pushpin end of the protective paper and fasten it
of the cable release; time the exposure by rvith the sticker.
1 3 t 2 www.orphancameras.comView original page 9Page 10 · Read text
"Cinch" Marks: After removitg the film
from the camera, do not wind it tightly with
a twisting motion, or the film might be
scratched.
lmportant: Film should be developed as
soon as possible after exposure. The quality
of the image on all sensitized products is
retained by prompt development after
exposure.
Remove the empty spool and place it in
the chamber on the winding side of the
camera. Engage the hole in the spool, with
the spool pin on the side of the camera
with the tripod socket; push the spool
against this pin, which will then spring out
and permit the web on the winding knob
to engage the slot in the other end of the
spool.
It is a good plan to reload the camera as
soon as an exposed film has been removed,
to be ready for the next pictures.
l. Lock for Back
3. Shutter Release
4. Exposure Counter Setting Slide
5. Focusing Knob
6. Focusing Indicator
7. Combination Range and View Finder
8. Opening for T.B.I. Cable Release
9. Plate Release
10. Bed
t4 1 5View original page 10Page 11 · Read text
The All-Purpose Film
V E R I C H R O M E F I L M
Has great speed and is well
balanced for recording tone
values in a black-and-white
print. Its double coating
guards against over- and
underexposure. B exposures.
V6zo, 3o cents.
For Pictures at NigAt and Difficult Daytime Sfiots
S U P E R . X X P A N F I L M
Gives correct color ualuesin
a black-and-white print. Its
speed makes it ideal for tak-
ing pictures at night by arti-
ficial light, and outdoor
snapshots in the shade. B ex-
posures. XX6zo, 35 cents.
The Filn tfiat Makes the Finest Enlargements . , ,
P A N A T O M I C . X F I L M
It records color ualues cor-
rectly in a black-and-white
print. It has an exceptionally
fine grain enabling the mak-
ing of enlargements of great
size. B exposures. FX6zo.
35 cents.
1 6 www.orphancameras.comView original page 11Page 12 · Read text
I N S T A N T A N E O U S E X P O S U R E S
WHBN the sun is shining, it should be behind
your back or over the shoulder; if it shines
IIdirectly into the lens, it will blur and fog
the picture. However, beautiful effects can
For a movingi obiect I-Rbe obtained by back- or side-lighting. When use ll250 or liSOO
pointing the Kodak towards the sun, the second.
lens must be shaded so that the direct sun-
light will not strike the lens; for the best For an averagie sub-
results, use the Lens Hood of the Kodak ject use f/5-6 and
Combination Lens Attachrnents, see pages KI/lOOo d a k Vseconde r i c h r o mwithe
3+ and 35 for a full description of the Film.
various attachments that are available; or
use a Kodak Adjustable Lens Hood No. e. For portraits indoors
Instantaneous exposures can be made in- and daylight illumi-
doors with Kodak Super-XX Panchro- nation use f/5"6 and
matic Film, providing the subject is re- Kodakt / 5 O sSuper-XXe c o n d w Pani t hceiving the direct illumination from a win- J Film.
dow. Pictures similar to that at the bottom
of the opposite page can be made with an
exposure of J15.6 and t I So second with
Kodak Super-XX Panchromatic Film.
Snapshots should be made during the
hours from one hour after sunrise until one
hour before sunset. If earlier or later. the
exposures must be longer.
1 8View original page 12Page 13 · Read text
S T O P O P E N I N G S keeping in mind the basic exposurelf/5.6 and
tf roo second. See the exposure guide on Sroe openings regulate the amount of light back cover. passingthrough the lens. These openings are
enlarged or reduced by moving the lever C. D E P T H O F F I E L D
Lever C moves pointer D, see page 7.
A knowledge of the comparative values Dpprn of field is the distance from the near-
of the stop openings is necessaryfor correctly est to the farthest objects that will appear
sharp in the negative or print. It depends timing exposures.
The stop openings are marked J13.5, +, upon the distance between subject and lens,
5.6, B, r r, 16, and zz. the focal length of the lens, and the size of
The largest stop opening is /i3.5. This the stop opening used; the smaller the stop
opening allows approximately thirty per opening the greater the range of sharpness.
cent more light to enter than Jl4, and about E X P O S U R E S F O R I N T E R I O R S
two and a half times more than f lS.6.From B Y D A Y L I G H T
fla to Jlzz each smaller opening (larger
number) admits half the light of the pre- Ir rs easy to make pictures of interiors by
ceding larger stop opening. Thus, if the daylight where the windows get direct light
correct exposure is r/roo second at ff 5.6, from the sky.
interior To make a picture of a room by rr'z5o be for exposurethen the f13.5 should for $ daylight, adjust the shutter a "bulb" tt, rf z5 for second;second; for Jf f lB, r/5o
second; for Jf fi, r/ro second; and for ff zz, exposure by revolving the knurled collar
r/5 second. until the letter "8" is at the black pointer B,
The exposure for the average outdoor page 5. Move the stop opening pointer D
subject,when the sun is shining, isl5.6 and to ff tr, page J; this opening gives the best
r f roo secondwhen using Kodak Verichrome average results.
Film. If the day is exceptionally brilliant, When the Kodak is on a table, do not
use the next smaller stop to f 15.6,that is, place it more than two or three inches from
JIB and tf roo second. The important.thing to the edge, pr the table will show in the
rememberis the aaerageexposureoJ J15.6 and picture.
t f roo second.When the light conditions differ Compose the picture in the finder, includ-
from the average, change the aperture, ing more of the floor of the room than of
www.orphancameras.com 2 LView original page 13Page 15 · Read text
"Cinch" Marks: After removitg the film
from the camera, do not wind it tightly with
a twisting motion, or the film might be
scratched.
lmportant: Film should be developed as
soon as possible after exposure. The quality
of the image on all sensittzed products is
retained by prompt development after
exposure.
Remove the empty spool and place it in
the chamber on the winding side of the
camera. Engage the hole in the spool, with
the spool pin on the side of the camera
with the tripod socket; push the spool
against this pin, which will then spring out
and permit the web on the winding knob
to engage the slot in the other end of the
spool.
It is a good plan to reload the camera as
soon as an exposed film has been removed,
to be ready for the next pictures.
I. Lock for Back
3. Shutter Release
4. Exposure Counter Setting Slide
5. Focusing Knob
6. Focusing Indicator
7. Combination Range and View Finder
8. Opening for T.B.I. Cable Release
9. Plate Release
I0. Bed
T4 www.orphancameras.com 1 5View original page 15Page 17 · Read text
T N S T A N T A N E O U S E X P O S U R E S
WuBN the sun is shining, it should be behind
your back or over the shoulder; if it shines
IIdirectly into the lens, it will blur and fog
the picture. However, beautiful effects can For a moving object t-Pbe obtained by back- or side-lighting. When use I/25O or lisoo
pointing the Kodak towards the sun, the second.
lens must be shaded so that the direct sun-
light will not strike the lens; for the best For an averagie sub-
results, use the Lens Hood of the Kodak ject use f 15.6 and
Combination Lens Attachments, see pages K1/IOOo d a k Vseconde r i c h r o mwithe
Z4 and 35 for a full description of the Film.
various attachments that are available; or
use a Kodak Adjustable Lens Hood No. z.
Instantaneous exposures can be made in- Forand portraitsdayliqht indoorsillumi-
doors with Kodak Super-XX Panchro- nation use f/5.6 and
matic Film, providing the subject is re- KodakI / 5 O sSuper-XXe c o n d w Pani t hceiving the direct illumination from a win- J Fihn.
dow. Pictures similar to that at the bottom
of the opposite page can be made urith an
exposure of f 15.6 and t lSo second with
Kodak Super-XX Panchromatic Film.
Snapshots should be made during the
hours from one hour after sunrise until one
hour before sunset. If earlier or later. the
exposures must be longer.
1 8 www.orphancameras.comView original page 17Page 18 · Read text
S T O P O P E N I N G S keeping in mind the basic exposurelf/5.6 and
tf roo second. See the exposure guide on Sroe openings regulate the amount of light back cover. passingthrough the lens. These openings are
enlarged or reduced by moving the lever C. D E P T H O F F I E L D
Lever C moves pointer D, see page 7.
A knowledge of the comparative values Dnprn of field is the distance from the near-
of the stop openings is necessaryfor correctly est to the farthest objects that will appear
sharp in the negative or print. It depends timing exposures.
The stop openings are marked -fly.s, +, upon the distance between subject and lens, the focal length of the lens, and the size of 5.6, B, r r, 16, and zz.
The largest stop opening is //3.5. This the stop opening used; the smaller the stop
opening allows approximately thirty per opening the greater the range of sharpness.
cent more light to enter thanJf 4, and about E X P O S U R E S F O R I N T E R I O R S
two and a half times more than f lS.6.From B Y D A Y L I G H T
Jla to flzz each smaller opening (larger
number) admits half the light of the pre- I'r rs easy to make pictures of interiors by
ceding larger stop opening. Thus, if the daylight where the windows get direct light
correct exposure is I/roo second at Jf 5.6, from the sky.
then the exposure for f13.5 should be tf z5o To make a picture of a room interior by
second; for JlB, r/5o second; for Jf tr, rf z5 daylight, adjust the shutter for a "bulb"
second; for Jf t6, I/Io second; and for Jf zz, exposure by revolving the knurled collar
r/5 second. until the letter "B" is at the black pointer B,
The exposure for the average outdoor page 5. Move the stop opening pointer D
subject,when the sun is shining, is//5.6 and to Jlr r, page 7; this opening gives the best
r/roo secondwhen using Kodak Verichrome average results.
Film. If the day is exceptionally brilliant, When the Kodak is on a table, do not
use the next smaller stop to J15.6, that is, place it more than two or three inches from
JIB and rf roo second. The importantthing to the edge, or the table will show in the
rememberis the aaerageexposureoJ f15.6 and picture.
r f roo second.When the light conditions differ Compose the picture in the finder, includ-
from the average, change the aperture, ing more of the floor of the room than of
,i , r16r'.2 1 ,, "View original page 18Page 24 · Read text
ACCESSORIES ventingKodak Adiustablelens flare inLensback-Hoodor side-lightedNo, 2-For pre-pic-
That Add to the Pleasure of Picture Taking tures, $ r .oo.
Kodak Metal Tripod-Gives your Kodak rigid
support for time exposures. No. o, $2.7S.
Kodak Sky Filter-A special disk that fits over' N o . r , $ 4 . 5 o . N o . z , $ 5 . o o .
the camera lens, half yellow, half clear.
Beautifies scenic pictures by causing clouds to Optipod, for attaching camera to the edge of a
show more clearly against a blue sky. Colored table, chair, fence, etc., $I.25.
part of disk must be turned to cover the upper
half of the lens. Size No. 17 for the Kodak Kodapod, for attaching camera to a tree, fence
l)uo Six-zo Series II. Kodak Anastigmat Lens or similar rough surface, $ 1.75.
flz.s,$t.7s. TBI Gable Release, No. 2" .. $r.oo
Kodak Color Filter-Slipped over the lens in
photographing landscapes, flowers, etc., it ren- Eastman Atbums-Keep your prints in an al'-
ders all colors in black-and-white in approxi- bum-safe from loss and damage. Eastman
mately the same tone values as seen by the eye. albums are good looking and make your prints
Size No. r 7 lor the Kodak Duo Six-zo Series II, appear at their best. Many styles to choose
$ r . 75 . frorn-in a broad range of prices.
Kodak Portrait Attachment-For making sharp
pictures at short range. See directions on pages . . H O W T O M A K E G O O D P T C T U R E S ' '
z4 and zs. Size No. r 7 for the Kodak Duo Six-eo
S e r i e s I I , $ r . o o . Explains every phase
Kodak Diffusion Portrait Attachment - Works of photography in
like the above attachment. Adds a charm to which the amateur
pictures by giving them a pleasing softness. Size is likely to be inter-
No. 17 for the Kodak Duo Six-zct Series II, e s t e d , i n c l u d i n g
$ t . 7 5 . methods of making
Kodak Pictorial Diffusion Disk - For softening pictures, developing,
scenic pictures. Size No. t 7 for the Kodak Duo printing, enlarp;itg,
Six-qo Series II, $t.oo. c o l o r i n g , i t t e r i o r
Darkroom Outfits-All the necessary supplies for photography, home
portraiture, etc. Pro-
fusely illustrated, 5o
cts. at your dealer's.
All prices ar( subject to change u:ithout rtotice.
.).)View original page 24Page 25 · Read text
Adapter Ring Wratten Filter Filter Retaining Kodak Pola-Screen, Kodak Lens Hood
Ring Type IA
KODAK COMBINATION LENS ATTACHMENTS
Series V Ring, or if desired, a Kodak Pola-Screen Typ.
IA can be threaded into a Filter Retaining
TnE design of the Koonx CoMerNrATroN LnNs Ring and then the Kodak Lens Hood into the
ArrecrrMENTS permits using any desired com- Pola-Screen.
bination of Pola-Screens, Wratten Filters, and It should be understood that ar,y combina-
Lens Hood, such as Pola-Screen and Wratten tion or sequence of these attachments is pos-
Filter, Lens Hood alone, two Pola-Screens sible. Two filters and a Lens Hood, a Lens
with Lens Hood, Wratten Filter with Lens Hood only, or a Pola-Screen and Lens Hood
Hood, etc. are examples of everyday applications of the
With the Kodak Duo Six-eo Series II, Kodak Combination Lens Attachmenrs.
Kodak Anastigmat Lens .f lg.S, use a r ,u!-inch For a free copy of the booklet " Color Filters ((B"
Adapter Ring, Wratten Filter in glass and Kodak Films" write to the Service Dept.,
unmounted, Filter Retaining Ring, Kodak Eastman Kodak Company, Rochester, N. Y.
Pola-Screen, Lens Hood. All these Iens attach- The Kooex Pole-ScREEN Vrswnn fits the
ments must be Series V. handle of the Kodak Pola-Screen, permitting
The Adapter Ring is first slipped onto the the viewing of the effects obtained with a Pola-
lens mount. A r , u!-inch Wratten Filter is Screen.
inserted into a Filter Retaining Ring Series V,
which screws into the Adapter Ring. The filter For detail.r and prices see)our Kodak dealer.
can be used alone in this way or a Kodak Lens
Hood can be screwed into the Filter Retaining Eastman Kodak Gompdhyr Rochester, N. Y.
34 www.orphancameras.com 3'5View original page 25Page 26 · Read text
A T Y O U R S E R V I C E O U T D O O R E X P O S U R E G U I D E
Sun;ecr Srop I SnurrBnTlte SeruiceDepartment OpBNrNc I SpBBo
Average Subjects: Near-by
THoucn the essential directions for People, Gardens, Houses, I/s.6 1/100
Scenes not in shade,
obtaining good pictures with the
Bright Subjects: Near - by
Kodak Duo Six-zo Series II are given People in Marine, Beach, and
r/rooin this manual, further information on SnowforegroundScenes.objects.Scenics with
any subject discussed, or any other Brilliant Subjects: Beach, Ma-
subject in photography, may be ob- rine, and Snow Scenes, Dis- tant Landscapes and Moun- f/rt 1/100
tained by writing our Service Depart- tains without prominent dark
objects in the foreground.
ment. Send your negatives and prints
Shaded Subjects: People, Gar-
to the department for helpful, con- dens, and other subjects in
Open Shade (lighted by open r/Loostructive criticism of your work. There sky, not under trees, porch
is no charge-no obligation. roof, etc.).
You are also invited to send for a Moving Obiects: When photo- graphing a moving object such
free copy of "At Home with Your as a runner. train or an auto- r/2so
mobile, the subject should be f/s.s orKodak," and "Picture Taking at moving towards or away from 1/s00
the camera at an angle of
Night," two booklets containing sug- about 45 degrees.
gestions and diagrams for taking in- Exposures are for the hours from one hour after
teresting pictures both indoors and sunrise until one hour before sunset on days when
the sun is shining. If pictures are made earlier or
outdoors. later, or if it is a slightly cloudy or hazy day, use a
Address all Communications largerchromestopandopening.Panatomic-XThis tableFilms.is for Kodak Veri-
Service Department With Kodak Super-XX Panchromatic Film use the second smaller stop opening than that given in
E A S T M A N K O D A K C O M P A N Y the table.
The largest stop opening is //3.5. The hi'ghu
ROCHESTER, N. Y. the number ttre smaller the opening.
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