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Kodak Movie Safety Film how expose and use User manual

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Kodak
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Kodak Movie Safety Film how expose and use
Document type
User manual
Language
English
Pages
22
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3.8 MB
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Movie cameras & projectors
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 CINE-KODAK
 SrPer-sensitiue
  Panchromatic
    Snfttlt Fihn


                 O

EASTMAN I(ODAK COMPANY
       ROCHESTER, N. Y.
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draw out about two feet of film, and load the cambra in the
usual manner. Owing to the extreme speed of Cin6-Kodak
Super-sensitive Panchromatic Film it is necessary that the
operations of loading and unloading the camera be done in the
shade. The film must not be placed in the canl,era or remoued,
flom it^in- direct sunli,ght Close the camera and note the posi-
tion of the pointer on the footage indicator scale. Run off
four feet of film (ten seconds at normal speed) before taking
any pictures.
- When !!9.poin_t9l_ont'Empty"the footage indicator is about half waybetween "O't and         no more pictures should be takeri,
qg t4e remaining film acts as a protection when the exposed
film is removed from the cameral When the pointer indicates
"O" two feet of exposable film remain on the spool. After the
polnter comes to a position about half way between "O" andz'-Empty"         run t-he c6,mera until the word "bmpty" appears on
the footage indicator. No exposures should 6e-macie on this
protective trailer strip, as it is fogged and will be cut from the
finished film in the laboratory. T-he protective leader strip is
also removed when processing.
  Unload the camera in the usual way in the shade (nof in the
direct sunlight), placing the lower cover of the metai film box
over the g-xposed film while it is in the camera, then place the
exp.osed.film (in the metal box) in the carton, prepaiatory to
mailing it to the nearest laboratory for processing.
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et' Cin6- Kodak Super-sensitive
            Panchromatic Film              q
    OTION pictures can now be made of subjects that could
      not       be photographe4  . with amateur inotion picture              -cameras before the-new Cin6-Kodak Super-sensitiv6 Pan-
chromatic Film was introdueed.
    It is now easy to.photograph subjeets indoors by the light of
grclrnary electrrc hghts; rt rs not necessary to use expensive
lighting. equipmentlo obtain excellent moiion pietures^. Very
interesting and unusual pictures can be made after dark oir
brilliantly.lighted streets. This new film also makes it possible
to make picture_s much earlier and later in the day by d^aylight,
than eould be done with other films.
  With artificial light, this film is much faster than the Cin6-
Kodak Panchromatic Film; therefore, pictures can be made
with much less light tlqr would be required  if regular Cin6-                                                                    'Kodak Panchromatic Film was used.
  In daylight, Super-sensitive Panchromatic Film has about
twice the speed of Cin6-Kodak Panchromatic Film. There-
fore, use Lhe nert si,ze smaller diaphragrL opening than that
giye_n in the exposure table in the manual and on the exposure
guide on the front of the camera. For example, if the ex-
poqqre guide calls for/.8, use/.11.
 .Whg" using the Cin6-Kodak Color Filters CK-1 and CK-2,with Super-sensitive Panchromatic Film, use the same dia-
phragm opening that would be used without filter. With the
CK-3 filter use the next larger opening, which makes the ex-
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posure the same as recommended on the exposure guide on
the front of the Cin6-Iiodak.
  The illustrations following show some of the kinds of sub-
jects that can now be photographed.
          Portraits by Electric Light
   It is a simple matter to make home movie portraits indoors
by using electric lights, if the Cin6-Kodak is loaded with the
Cin6-Kodak Super-sensitive Panchromatic Film.
  You should have two or more 100-watt electric bulbs. Thev
may be used in bridge or table lamps with shades removed.
By using a reflector of tin or white cardboard behind the
lampS, the illumination will be increased considerably and
the results will be better
  By using multiple sockets that will hold two, three or four
Iamps and conneeting with the nearest floor or ceiling outlet,
any quantity of light can be placed where it is needed. The reg-
ular wall and ceiling lights will often supply enough illumina-
tion. The color of the walls and furnishings will make quite a
difference in the quantity of illumination required. Rooms
with dark walls and furnishings will need more lights than
rooms with white or light-colored walls and furnishings. It is
also preferable that the subjects wear light-colored clothing.
  Very striking and beautiful effects are obtained when a
lighted bridge lamp is placed behind the subjects. This pro-
duces a "back-lighting" which gives a pleasing depth and
roundness to the picture. A good example of this is shown
in Fig. 3.
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Lighted floor and table lamp! can be photograp-h"4 in-their
norm*al positions and will not fog the picture,  if- the bulbs do
not show through or under the shades. They photograph at-
tractively when lighted and improve many interior pictures.
  A distinction must be made betrveen lamps that show in the
picture area and those that do not show but are used for il-
lumination. Brilliant pictures can be made by artificial light
only when the light from the lamps that are-not in-the pjcture
is prevented from shining directly into the lens, while the ex-
posu.e is being made. A magqline or a newspaper can be so
held as to shade the lens from direct light.
  The following illustrations, with diagrams showing just how
the pictures weie made, will suggest some of the many unusual
effects that can be obtained in home portraiture.
                                                               Sfll',"'u'o't
                                                                                  az,/.. e<.-
                                                     ---b--- --6-r!'-- - Ch                                                         ,u*rnoot^                        \-/

                                                                     2'i1,

                                                                                                                 \J''t'     R{ft{'roR
                 Frc. 1                         Frc. 1A
II-l-urrrrN,lrroN: 2 Lamps with Reflectors, and 1 100-watt bulb in each
               lamp.
DrepnRecnt   /.1.9.          SpBnn:   Normal.
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    Ceuene 10 Fr. rnonr Sua;ncr       CeuoRe 21 Fr. rnou Sun;ecr
                Frc.2                            Frc.2A





Mike Butkus                        Digitally                                                               DN:email=mike@butkus.org,Date:cn=Mike2023.04.26signedButkus,by14:40:52Mikeo=ButkusButkusc=US-04'00'camera manuals, ou=butkus.org,

                              Frc.28
    Illu*rtNerroN: 3 Bridge Lamps, 2 Lamps with Reflectors and 1 \il'all                   Fixture, I 100-watt bulb in each lamp and fixture. 1
                   Floor Lamp with 2 60-u'att bulbs.
   DLc,pHRncv: ,f.1.9.            Sppno:  Normal.
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Exposure Table
        for Cin6-Kodak Super-sensitive
           Panchromatic Film
  These exposures are for the Cin6-Kodak operated at
normal speed. Halve the illumination at half-speed.
                     Diaphragm          'l'otal Wattage
                        Opening            of Lamps
      2 feet                         f .r.s              200     2u                             f .2.8              300      2(                     1.3.5              400
    3K                    /.1.e               300       3'(                    1.2.8               450
       3'(                    1.3.5               600
           5$7'(                            f/.1.e.r.s              800600        g'3                                               f .L.e              1200
   Ttr* best lighting of the subjects is obtained by arranging -the lamps on each side of the camera, so that both sides oT
the subject ar_e illuminated. It is advisable to place the lights
at different distances from the subject. Foi example,lhe
ab_oye table gives an exposure with the lamps 3 feet flom the
subject; the lamps can-be placed 2rl and Zrk f.eet from the
pgbject. pe sule that the camera is in a position so that the
lights used for illumination will not show in the finder.
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                                       9,                                                   r-
                                                                                                                                          ql'.''                          b' '-,                            It\lvt\It                                                            c"":ri;
                                                                                                                                                                                (1-\/n2\{,)nrttc    ''tt roa     t\lq<t\I
                   Frc.Frc.33                            Frc.3A
 r
                                     Reflectorq,                                 1 100-watt                                                     bulb in each                                       _aq4                        -2 Lam_plwith                        1 Floor Lamp                                             60-watt                                                           bulbs.I    IlLuvrrNeuosr: lamp,                                      with 2
    Drepnnacnr:  /.1.9.            Spnnp:  Normal.
           Portraits Indoors by Daylight
       It is very easy to obtain good results when making por-t    traits indoors bv davlight. The action should take place with
    the subject partly facing the light, the body turned slightly
   away from, and the face turned towards the Cin6-Kodak.l-   The subject should ordinarily look at, objects level with
     the lens, or directly at the lens. The background should form
    a contrd,st with the subject. A light background usually gives
    a better effect than a dark one.
      For the best results the windows should get the direct light
    from the sky, and the pictures should be made, preferably, on &
     bright sunshiny day. fnterior portraits by daylight should be
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made during the time from three hours after sunrise, to three
hours before sunset.
  With ordinary light conditions  it is advisable that the sub-
jeet be not more than four feet from the window. A reflector
helps to get detail in the shaded part of the face. A white
cardboard or table-cloth held by an assistant or placed on a
piece of furniture will make a suitable reflector; it should be
placed at an angle and_!1 a position to lighten the shadows,
see diagram, Fig. 4A. Where the shadows are quite dark, an
electric light used in place of the reflector will produce more
pl-easin_g results; be ca_reful, however, not to let fhe direct rays
of the light enter the lens.





            Fig.4                            Fig.4A
fr,r-unarxetrox: 1 window. Subject 4 feet from windor,r'. Reflector. Sun-
                 shine.
Drepnnecu: /.5.6.           Spnno: Normal.
  Artistic effects can be obtained b5' placing a lighted floor
lamp so the light will shine behind and on the back or over the
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shoulder of the subject. This back-lighting often adds very
much to the general effect of the picture.
  On cloudy days very pleasing indoor portraits can be made
(with subjeet not more than four feet from the window) using
f .2.8 or J.3.5 and normal speed. On bright sunshiny days use
/.5.6 and normal speed.
  Where the subject is 8 or 10 feet from the window use f .I.g
or f .2.8 and normal speed, or/.3.5 andhalf-speed.
          Interiors by Electric Light
  Sometimes  it may be desirable to include more of the room
than is shown in the illustrations. This is done by moving
farther away from the subject.
  The Cin6-Kodak must be fitted with an /.1.9 lens and the
largest opening (/.1.9) must be used, see Exposure Table.
The amount of light may be halved if the f .l.g opening and
half-speed, is used- When using Lhe half-speed, the subjects
must be cautioned to move very slowlgl and deliberately, or
the action will appear jerky when projected on the screen.
         Medical Pictures Indoors
     by Electric Light and by Daylight
  Surgeons will find the new Cin6-Kodak Super-sensitive
Panchromatic Film unusually adaptable to their work.
  Excellent pictures can be obtained with only three lamps
with reflectors, with a 100-watt bulb in each lamp. Similar
results ean be produced by using daylight, following the same
directions as given for portraits indoors.
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Indoor Sports by Electric Light
  The majority of gymnasiums where indoor athletic activities
take place are lighted sufficiently well that excellent movies can
be made without additional lifhting, provided the camera is
loaded with the cin6-Kodak-supei-sensitive Panchromatic
Film.
  Wrestling   ,               3,nd. paly other athletic events can easily bephotographe.d- with this new fast film, as the platform on
which the athletes perform is usually illuminated *itn a strong
                                flood-light.
                           - Fo{ photographing indoor sports                  by electric lights use the f1.9                       opening. fn some cases where the
                         illumination is unusually good,
                         openings as small as f .2.8 or /.3.5
                        can be used.
                       The illustration shows an excel-
                         lent example of athletic events
                         taken in an indoor gymnasium.
       Lighted Streets, Windows and
              Public Squares
  . Brilliantly lighted streets, or the theatre district of largecities make very interesting qnd unusual motion pictures. ft
is necessary to use a camera fitted with an f .1.9 lens and usethe largest opening (/.1.9). If the lights are very brilliant,
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the normal speed can be used. Ordinarily thg best results
                                 h,atf-speed.  . When the _half-speed;;; ;bi;i""a-Uy-".i"s th"
ir       no*urrd., ror"E judgment must be exercised regarding                                       actio.n of people walking will;;G"."a,                    thebe jerk-y,"Ui".tr;iotbut sireet ""ui"ptZ,cars i,nd autos will only appear to move
more--     rapidly.  The uni^uted electric signs used in so m^any of the h.g"
citG witt prorr" ;t    ulirffii"e subjects.. Often there will befound action i"           *i"aoyi of the large stores, cafes,               -u""V;i;ii;etc.. wnich will malie interesting pictures'
   If  tighted -streets ?"4 Public I-squates-are photograPhed on wet
nights, when the p.avem.ettt shorvs
reflections, or durtng the \\-lnt€l'
                                        t-neafter a heavY snow storm,
general. effeci wilt be unusuallY
attractrve.
  The illustration shows one ex-
ample of the subjects  referred
 to above.
            Flood-Light Pictures
  Many public and-large-os"g buildings.are now- being  il'
 t"-i"ui.,i- uft"r dark, and their beauty shown off -to.-greal ;;il;s;    Uipn*".ful indirect lights th;t bath.u.th" buildingt in a brilliant sofl tignt. The Cipltql a-!-]Vashingto.l, Inde' pendence Hall at Philadelplria, and the woolworth'Iower  lr
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N"y York, for ir_rstance, are beautifully displayed after dark,
and can be easily photographed. Nil,gard r'"alls is anothei
9-xaqp!9 of subjects illuminated by flood-lights. Pictures of
the Falls must be- made, however,- when t]rie whi,te lights are
shining on the Falls.
   \\ihen photographing subjects illuminated by floodJight  it is
necessary to use a camera fitted with the/.1.9 lens. It-should
be used with the larg.ep.t openlng  (f .Lg), and unless the lighted
subjects are ve_ry brilliantly light-ed, use the hatf-speed,." The
camera must be loaded with cin6-I(odak supei-sensitive
Panchromatic Film.
                 Fireworks
   Beautiful and novel pictures can be made of fireworks. The
effect secured is of streams of light with incidental sparks in the
slower-movlr1S_ showers. These lines make beautiful, graceful
palterns, qhi.b are excellent material for motion pictuies. llse
a Cin6-Kodak fitted with thel.f .g lens (using theiargest open-
ing, /.1.9). The camera should be held very steadily; do not
swing the camera rapidly from one subject to anoth6r while
the motor is running,br an unpleasant blurred effect will result.
       Outdoor Pictures by Daylight
  _Exeellent pietures can be made in the pouring rain; on davs
when the clouds_are_very heavy; in the open woodsj early in
the morning, and at dusk; if thsCin6-Kodak is loaded with the
Cin6-Kodak Super-sensitive Panchromatic Film. As this film
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is quite sensitive to red and orange, very beautiful effects in
moiochrome can be obtained of sunrises and sunsets.
  cin6-Kodak super-sensitive Panchromatic Film is remark-
ably fast, giving a great range of possibilities for making 93-              -Forusu"al pictu"res.                  outdoor picturles, use the nett s'tze smaller
openirig than that given on tfie exposure ggidg attached to the
Cin6-K"odak, and finett in the-mi,n*al, *hich.is intended for
use when the cam"era is loaded with the regular Cin@-Kodak
Panchromatic Film.
             EASTMAN KODAK COMPANY,
                              Rocnnsrnn, Now Yom.





a-8t4H-t!n
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Exposure Guide for Cin6-Kodak Model K, with f.1.9 and f .3.5 Lenses
                                                      Bright-no     Light clouds      Cloudy        r .   SUBJECT             TIME      clouds over sun     over sun          Dull
                                                     Diaphragm     Diaphragm     Diaphragm
         Sky,            Beach andA.  Sea,                    Snow Sceneg         Apr.-Sept.          t.t6                 .f.11                /.s            Landscapes,    Distant                     Mountains
                                        Oct.-March          I.rr                /.4               1.5.6
B. Close-ups* of Group A                    Apr.-Sept.           f.Lr               f.8               /.5.6    Open,Landscape,s, Games, etc., with
      no neavy snaoe                     Oct.-March           /.8               /.5,6               1.4
                B                 of GroupC.  Close-ups*                                               Apr.-Sept.            f.8               1.5.6                1.4                         where houses     Street Scenes.                 Groups
       or trees obstruct part of the light  '     from the sky                       Oct.-March            .f.5.6               1.4             f.3.5-f.2.8
D.  Close-ups* of Group C                    Apr.-Sept.           f.5.6                  . f.4            1.3.#f.2.8
    Scenes on shady.side of streete
    Boating scenes out of direct sunlight     Oct.-March           f.4             f.3.5-1.2.8            /.1.e
E.  Close-ups* of Group D                    Apr.-Sept.             1.4                  f .3:5-f .2.8           f.r.s
    Scenes on heavily shaded streets
    Scenes on heavily shaded porches       Oct.-March       f.3.5-f.2.8              .f.1.9        f.|.9 half-speed
    *The term "close-up" means pictures taken from 2 feet to 6 feet from the lens. Figures above are for
norrnal speed and for the hours from two hours after sunrise until two hours before sunset; to make pictures
earlier or later, use the next larger diaphragm opening than the one specified.   . Use lhe half-speeil with largest
obening (/.1.9 or,f.3.5) on oerg dark and rainy days; also earlier and later than time given above; foi all expo-
sures when the next larger opening than the largest one (/.1.9 or /.3.5) is required. Kodacolor pictures must
be made with /.1.9 only, see the manual. These figures are for thp temperatelone; for the tropics, see manual.
                                                                                                 /
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Cln6-Kodak

  Follow the exposure guide on the Cin6-Kodak, when
using Cin6-Kodak Panchromatic Safety Film, unless a
filter is used over the lens, when a larger diaphragm open'
ing must be employed.
  Cin6-Kodak Panchromatic Safety Film will give superior
results without a filter, but its remarkable quality is not
fully utilized without the use of one of the color filters pro-
vided for various conditions and effects.                                                        r  The CK-I filter should be used when only a tf*ftt color
correction is needed, or where the light does not permit the
exposure to be increased.
  The CK-2 filter is best for general work. It is an ortho
chromatic filter, and when used with Cin6-Kodak Panchro-
matic Film, it will produce the most truthful rendering in
monochrome of scenes containing colored objects.
  The CK-3 filter is of the haze cutting or contrast type.
It is to be used for clearing haze when photographing  dis-
tant landscapes; and {or increasing the contrast between
blue sky and white clouds, and between other colored
objectr.                                                   (ovER)
                                                                                                                                                        {,l
                                                                  ,.J
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  When the Color Filter is in position, and Cin6-Kodak
Panclrromatic Film is used, no change in exposure will be
necessary with the CK-l filter; twice the normal unfiltered
exposure will be necessary with the CK-2 filter; and four
times the normal exposure will be required with the CK-3
filter. This is accomplished by setting the diaphragm lever
at the next larger opening when the CK-2 filter is used, and
at the second larger opening when the CK-3 filter is used,
than would be required without a filter.
                                                         /\
     ,^.                                                                           \  (                              \-/      \         /)(\-/ )OOooo      \/
             .f. r.9     .f.?.8   t 4  t50  f.8  .f.ll ,f.lo
 When Cind-Kodak Panchromatic Film is used for por-
traits, the filter should not be used, because the flesh tints
will be too light and produce an unnatural effect on the
screen.
               EASTMAN KODAK COMPANY,
                             Rochester, N. Y., U. S. A.


200M 3-31
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cfNi-roDAK KoDAcHRoME FrLM
                              (REGULAR)
  THESE instructions are for Kodaehrome Film       __ During proeessing, the Cin6-Kodak Eight      I used in 8 mm. and 16 mm. cameras.             Kodachrome Film will be slit into two seetions,
    With Kodachrome Film (Regular) no special      each 8 mm. wide. These sections will be spliced
    filters or other accessories are necessary for or-       together and returned on a metal reel ready for
   dinary daylight exposures.                             projection with the Kodascope Eight.
       If you follow carefully the Kodachrome Ex-     _ No extra charge is made for processing the   posure Guide you will obtain very satisfactory        film, and when finished, the film will be returned
    results. If, however, you wish to use an exposure       to you, postage paid within the country in which
   meter, you should obtain complete instructions       the film is nrocessed.
  from the meter manufacturer regarding the      Any duties levied when film is shipped from
   proper use of your meter with Kodaehrome Film.     one country to another are to be paid by the  Much more care must be exercised in using a      owner of the film.
   meter to determine proper exposure for Koda-        Print laboratory address plainly; also your
   chrome Film than is required to determine proper     name and address in the spaces provided for the
   exposure for films used for black-and-white      purpose on the earton. This i,s important, as we
    pietures.                                             haue no other means of identifying your fi,\m.    For pictures of extremely distant landseapes,           If any special instructions eovering the han-
  snow scenes, scenes at high altitudes, on gray      dling of films are necessary, place them in the
   days, in the shade, some improvement in eolor      carton containing the fi.lm and make shipment
   render"ing is obtsined l:;' the use of the Kcde--*  by first class mail.
  ehrome Haze Filter, with no change in the
   exposure.                                                Processing Laboratories
     For making Kodachrome pictures using Photo-
    flood Lamps, ask your dealer for a special instruc-      ^ The follou'ing laboratories are now processing                                                Cin6-Kodak Kodachrome Film:    tion booklet. Kodachrome Film, Type A, is prefer-
   able, because it is made especially foi this purpose.        Rocrrpsrrn,Eastman KodakN. Y. Company, Film Processing Laboratory
            Loading the Camera                       Crrrceco,Eastmanh,r,.Kodak Company, 1727 Indlana Avenue
   - These lo_ading directions do not apply to      Los ANcrr,ps (Hor-r-rwooo SrerroN), Clr-rn.   Magazine Cin6-Kodaks.                             Eastman Kodak Company, 1017 North Las Palmas
    Kodachrome Film is supplied without paper        Avenue
   leaders and trailers: instead. on each roll a suffi-      SeN Fnewcrsco, Cer-rr.
   cient extra length of film is provided to afford        'Wesurrucroru,Eastman Kodak Company, 241 Battery Street   protection, both before and after exposure. Fol-                    D. C.
  low the directions for loading as given in the         Eastman Kodak Stores, Inc., 13,50 Okie St. N. E.
   manual included with the camera.                     Tononro,CanadianONr.,Kodal<C.rNeoeCo., Limited, Toronto g    When the pointer on the footage indicator is
   at the line marked "O," no more pictures should       Bnnr-rw-KopKodak, Aktiengesellschaft,nNrcx. Gonue.Ny Friedrichshagenerstr.'9
  be taken, as the remaining film acts as a protec-        Boun.r.y, INora   tion when the exposed film is removed from the         Kodak, Limited, Kodak llouse, Hornby Road
   camera. Run the cbmera until the word "Empty"         I{.l,Rnow, N{rlor,rsrx, ENcr,,c.xo
                            fonLage indicator. No.        Kodak. Limif ed, BoL14 We-alrlsto.o-  ir-at the pointer on the   erposures should be made on this protectiue trailer        HoNor,ur,u,  H,lw,{rr
    strip, as it  i,s foggerl and will be cut from the fi,nished         Eastman Kodak Stores, 1065 Kapiolani Blvd.
   film in the laboratory. The protectiue leqder strip  i,s         Jorr,c.N^rnssunc, Sourrr Arnrce
   also remoued,.                                          Kodak (South Africa) Limited, Kodak llouse,
                   Processing                            63 Rissik Street
                                                                                               1\,Ior,no unNo, Ausrner,r.r.   lmportant: Film should be processed as soon as        Kodak (Australasia)  Pty., Ltd., 252 Collins Street
   possible after exposure. The quality of the image        Penrs, Fn,rNcn
   onallsensitizedproductsisretainedbyprompt            Kodak-Path6,  S.A.F., Avenue Montaigne  39;
   development after exposure; while this applies          Place Vend6me 28; and Avenue des Champs 6lys6es 63
  to all films, it  is especially important with         Srocxuor,nt, SwnonN
  Kodachrome. Send it to the nearest processing   i.     Hasselblads Fotogr. A.B., Nybrokajen 5
   laboratory promptly.                                        I     Processing laboratories in other cities will soon
                                                be ready to process Kodachrome Film.
          Instructions for Shipping Film             Your dealer, the Eastman Kodak Company,
     After the film has been exposed, pl,ace it in the       l   Rochester, N. Y., or one of its branches will, on
                                                                                                                                                                                                                                                 :   request, give you a list of all laboratories process-   metal container, which should then be enclosed
   within the yellow carton preparatory to mailing       ins Kodachrome Film.
    it to the nearest laboratorv. where the fiIm will        Should you have occasion to use Cin6-Kodak
   be processed by our patenled methods.            Kodachrome Film on a cruise or trip abroad,
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www.butkus.us         DAYLIGHT KODACHROME BXPOSURE GUIDE
'fhis guide is for the hours                                Bright        Weak, Hazy    Open Shade    Sky Overcast,       In Shade
florn tr+o huuls lftel  sulrtise          l)irect         Sun; Soft          on           Cloudy       on Bright
urrtil two hours bef ore sutrset  ;       Sunlight      Shadows (last      Bright Day      but BriAht         Day
elllier or llter,  ttse a llrger
opening. Do not make I{otla-
t'hrorrre pictures before one
hour after sunrise and after
one horrr before sunset, ex-
<'ept ll'hen nrakirrg pictrrres
t,f lhe srrlrlise or sunset.
 Basic Exposure for                                                                                           l/2.8  Average Subjects    lrllIttalf/s.6tll                     lf/3.5)J/t.s                                  -l  Light-Colored Subjects                              B"rJ,/8     J/ll   I B"tJls.6 r"U/8lB"tJ/tS                     /ss B"IJ/L8^"U/t5                                         ^"d                                ^"dJ/5^618"rt/t5^"df
                Subjects  Dark-Colored                                                              lBet. 113.5 and J/5.6t,Bet.                                                                                                             _-             Bet. f /1.9 and J i2.8                                               . +*_l*I Bet. I/5.6__t.L  and I/8                                                                                                                                     |i    I/2.8 and-    I -/3.5lBet.I/2.8andJ/3.5i__=--l-_               Subjects  Side-Lighted
  Back-Lighted Subjects       .'.*---
                                                           (s)  Subject
  In direct sunlight, flat lighting (light falling directly on        approximatel5' equal proportions.
fronl of subject) is best.                                           Landscapes are best if taken in direct sunlight.
  Dark-colored  subjects include dark foliage, deep-colored        The above guide should be followed for lroth t:lose-tttrts
flowers, dark animals, buildings, and sirnilar subjects.             ancl distant viervs; spe<'ial attentiolr, hon'ever, shouid be
   Light-colored  subjects include snow and beach scenes,        given as to u'hether the subjects are of average color or
light-cololed flowers, subjects  w'ith blonde complexions,  light-        dark- or lisht colored.
colored buildings, and other subjects of a similar character.       When in doubt, r.rse basic exposure.
  Average subjects combine dark and light  objects in          This grride is for both temperate and tropical zones.
consult your dealer regarding the proper storage       subject. Then set the lens at the proper f/  value.
and handling of the film.                      When in doubt, use the "Normal" subject arrow.
   If you are to trauel  i,rt, the tropi,cs, be sure to Ttur-       Re sure the exnosure card in the Cin6-Kodak
chase Kodachronrc Fi,lm bL troTtico,I peckhta.            Universal Guide is chansed or at least checked
                                                          for each type of film. The card also serves as an
      Projecting Kodachrome Pictures              indicator showirts the kind of film in the camera.
  For the projection of Kodachrome pictures, no
filters of any kind are required. Kodar:hrome                       Cleaning
pictures (:an be projected to the same size as      Caution: Wren cleaning Kodachrome Film, be
black-and-white.                                     sure to use our Cin6 Filrn Cleaner, as cleaners
                                                          corriainins alci,hul are lia,blc iu renioi'e sonic ;f
      Cin6-Kodak Universal Guide              the color from the film. Use only enough cleaner
  The Cini-Kodak Universal Guide is now being      to moisten the pad; too much may result in
attached to all Cin6-Kodaks.  It can be obtained       streaks on the film.
as a pocket guide, or it can be attached to your      The camera lens must be kept clean. When
Cin6-Kodak. See your Cind-Kodak dealer.             using the camera near the ocean, be sure there
  The exnosure card included with this film        is no salt spray on the lens.
gives, for- each specified light condition, the         Special attention should be given to keep the
recommended // value rvhich applies to a normal      gate of the camera and projector clean.
camera speed of 16 frames per second and to a      Remove any dirt or finger marks frorn the
r)ormal (medium-colored)  subject. One side of     Kodachrome Filter, using a clean handkerchief.
the card is for daylight exposure recommenda-     Do not moisten the filter.tions, the other for interior scenes lighted by
Photoflood Larnps. When the exposure card is               Storing Kodachrome Filmslipped into the Cini-Kodak Universal Guide,                                                      Processed Kodachrome Film should be storedcorrections can be made for lieht- and dark-                                                                                       it is kept dark, dry, and ctxrl. The blotterscolored subjects and for other camera speeds.        where                                                              in the reel cans should not be moistened, and the
  Slide the exDosure card into the end of tlie       stored film should be kept away from radiators,
guide with the- f / values under the circular dial      steam pipes, or locations where it may be sub-
of the guide. Opposite the given light condition,       jected to high temperatures.set the mark designating the camera speed by
turnins the circular dial. Read the recommended          EASTMAN KODAK COMPANY,
                                          opposite                          of the guide,                other end   valie         at theI/                                                                RocHEsrER, N.Y.              ttDark,"                                      graduation,the                    or "Normalt'    "Light,"                                                                                                  Kt' 2r,171O  5-,10-0UIi
depending on wliich description best fits the           I'rinted in ttrt' Uniterl Statcs of Atlterica
View original page 22

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Check the model and edition against your equipment.

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