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Kodak six-20 Bulls-eye User manual

User manual for Kodak six-20 Bulls-eye. 17 pages in English. Read the original PDF, download or print a copy without registration.

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Brand
Kodak
Model / document
Kodak six-20 Bulls-eye
Document type
User manual
Language
English
Pages
17
File size
4.0 MB
Category
Film cameras
Document date
Not specified in catalog

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Page 2 · Read text
ATYOURSERlJICE


T H E      ! ' I E R V t G E  D E I T A R T M   E N T
1I{OUGH   the essential Cirections for  ob'
taining good pictures witlr the Six-2O Bull's
Eye :rre given  in  this m anual,  further     i n '
forr,ation  on any subiec;. discussed, or  ani'
uthcr  subiect  in photography,  may be ob'
tairrerl bv writing  our Service Department.
Se,nCyour negatives and prints to the depart-
nlent  for  helpful,  cons;ructive  criticism  of
'/our work.  T'here is no charge      obliea'
tion.
  You are also invited to send f.or a free copy
of  "At  Home  with  Your  Kodak,"   and
"f  icture Takins   at  I'rlight,"  two  booklets
containing  suggestio ns and  diagrams;  for
taking interestins pictures both indoors and
outdoors.

      Address    all   {,orurnunications
               'DEPARTMENT
       SERVICE
EASTMAN  K()DAK  COMPANY
        ROCHESTER,  N. Y.
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Page 3 · Read text
Right from the start, tt ts easy
                    to make  clear, sharp  pic-
                  tures with the Six-20 Bull's
                  Ey".  You  can make  pic-
                  tures outdoors  or indoors,
                     in the daytime or at night,
                by  following   the  simple
                 suggestions  in   this   little
                  booklet.





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Page 5 · Read text
Kodak  Verichrome   Film  -  The        F OR  best  re-
finest all-purpose  film.  Has  great         sults, load the
speed  and  is  well  balanced  for       S i x - 2 0 B u l l ' s
recording  tone values of  various                                E r . e    u . i t hcolors in a black-and-white  print.                               K o d a k  F i l n r , Its double coating guards against
over- and under-exposure.  8  ex-      v 620,ss62A,
posures. V620, 3o cents.            F620, or 620.
                               The camera
K o d a k  S u p e r S e n s i t i v e  P a n -          nra\z be loaded
chromatic   Film  -  Gives correct                    i n  d u y l i g h t ,
color  aalues                 in  ^ black-and-white                                      but  not  in  di-print.            It  lenfrthens                      the snapshot                                         rect sunlight.day.  Its speed makes  it  ideal  for
taking  pictures  at nisht  by  ^rtifi-         To open the                     Fis.   t
cial  light,  and outdoor  snapshots         c a m e r a   t u r n
in the shade. 8 exposures. 556zo,        the catch A on
3 5 cents.                              the bottom  of
                                       the camera  to
Kodak  Panatomic  Film-11    re-     O P E N ,    s e ecords  color  ualues correctly     i n a                                  F i g . 1 .black-and-white   print.    It  has an
especially fine grain enabling  the       G r a s p     t h e
making   of. enlarg;ements of aston-       edges of the top
ishins   size, 8  exposures. F 620,        a n d    r e m o v e
3 5 cents.                              the roll holder,
                                  see Fig . 2.
K o d a k  F i l m    ( R e g u l a r ) - T h e           There   is anstand-by  of  millions   of  amateurs                                   emptS' spool infor more than thirty  years. A film
                                        the  recess onthat has sufficient speed for average
use. 8 exposures. 620, 25 cents.             t h e  w i n d i n g
                                                                                                                        '7                      Fis. 2

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Page 6 · Read text
side of the roll hold -           the  paper  oaer the
                           er; this is to be used                 r ol.lers  and  across
                      a s   t h e    r e e l .  T h e           the  openirg  in the
                      winding  side is the          b a c k  o f   t h e   r o l l
                       side on  which  the           holder, see Fig. 4.
                 w i n d  i n g  k n o b      i s           Thread the paper
                        located.                      through  the  longer
                                                  I nsert  the  sPool          openi.g  of  the  slit
                            of film  in the recess             in the reel as far  a.s
                      opposite  the  wind-                    it  zu'ill go, see Fig. 5.
     Fig. 3                  i.g  side, see Fig.  3.         T u r n    t h e w i n d  i n g                    Fig.
                   Push  outward  the         knob  two  or  three
                                                    times to bind the paper on the reel, and be
                                                  sure that  the paper  is started  stra ight.
                                          Do  not  unroll  too much protective paper
                                                          or the film will be fogged and ruined.
                                                  Replace  the  roll  holder  in  the  outside
                                                    box, and turn the catch A on the bottom  of
                                                      the camera to CLOSE.
drawn across the large openitg  in the back           Turn  the winding  knob and watch  the
of the  roll holder.   If  the spool of  film  is          red window.   After  a few  turns,  a small
                        inserted  the wrong         hand  Kf-    will  appear;  then  turn  slowly
     Fig. 4              wa1r, the protective             until  the  figure   I  is in the center  of the
                      paper  would  come         window.
                       b e t w e e n   t h e     l e n s             After each picture turn the knob  until a
                    and the film, and no        new number appears in the red window.
                       p i c t u r e s  c o u l d  b e         When using Kodak Super Sensitive Pan-
                    made.                      chromatic Film or Kodak Panatomic Film
                    Remove the band             in  this camera,   it  is unnecessar\/ to cover
                          that  holds the end          the red window.
                       o f   t h e  p r o t e c t i v e
                       paper;  then  draw

                               8
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Page 7 · Read text
S|\lAPSl|OTS


THE   Six-20  Bull's  E)'"   is a  fixed-focus
camera, therefore, subjects that  are about
eight feet and farther from the camera will
be sharp.  For  subjects that  are closer to
the camera than about  eight  feet, use the
Kodak  Portrait  Attachment,  see page 19.
  Time  Lever B  should  be  in  the  posi-
tion shown in the illustration on the oppo-
site page, when making instantaneous ex-
posures or snapshots ; for   t ime exposures
the lever must be pushed as far as it will go,
to the position shown on page 16.
  The  shutter  is opened  b)' pressing the
Exposure Lever C (see illustration).  Press
the lever slotuly, and as far as it  will  go.   If
no "click"  is heard, ilo exposure is made.                                          FOUR SIMPLE  RULES FOR SNAPSHOTS  Do not jerk the lever as any movementof the camera, at the instant  of exposure,     II      1  Make sure the subiect is 8 feet or more from
will blur the picture.                                                                                           E            I   the camera.
  For the best results, snapshots should be            II           I   Snapshots should be made with the subiect in
made with  the subject  in the bright  sun-        !     L    brisht  sunshine,  or on  sligbtly  cloudy  or hazy
light.  The sun should be behind )'our back                days. \When the lisht  is brisbl, subjecrs can be
or over the shoulder.   If   it shines directly                      in open sbade with  clear sky overhead.
into the lens, it  will  blur and fog the  pic-                                                            ?  Time Lever B must be in the position shownture. However,  beautiful  effects can be ob-           I$iJ       r,   in the illustration  above.
t a i n e d b ) ' b a c k -   o r  s i d e - l i g h t i . g . W h e n                                                                                                                         I   Press Exposure  Lever C  until  you hear the
pointi.g  the camera toward  the sun, the                        t    "click."   Keep Jlngers au)ay from   lens: hold
lens must be shaded so that the direct sun-              camera steady,
1 0                                                                                                        1 1
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against  your  face and press the exposure
                                                               lever once as far as  it  will  go, as shown  in
                                                            the two  illustrations  on page  14. When
                                                           pressing the exposure lever-, h-old the breath
                                                                       for  the  instant.     If  the camera  is mo.red
                                                         during_ the  exposure, the  picture   will  be
                                                               blurred.  Do not  let a finger come in front
                                                                    of the lens.
                                          THE FTNDER
                                          THERE     is a  direct  view  finder  on  the
                                                 camera near the windirg  knob.  To use the
                                                              finder hold the camera with the small, rear
                                                     frame as close to the eye as possible'with
                                                            the camera  held  firmly  against the  face,Holding cam era for a hori-    Holding  cameta for a ver-
zontal   picture.   Example     tical  picture.  Example be-       and    f rame  the  picture  w-ithin  the  front
below  shows  a  subiect   low  shows  a subiect  that        frame of the finder.  All vertical  lines in the
t h a t  s h o u l d  b e  p h o t o -    should  be  photographed         subject  should  be kept  parallel  with  the
graphed with  camera held    with  camera  held   for  a         vertical  sides of this frame, when  holdirg
for a horizontal  picture.       vertical  picture.                   the camera  either  in the  vertical  or  horil
Hold  the  camera   steady,  and   firrnly   against   the  face.          zontal  position.   I_Jnusual effects can  be
                                                       obtained by  tilti.g  the camera.
                                                                                                   If  the  subject                                                                                                    is below normal  height,                                                                         _
                                                                     like a child or a dog, the camera should' be
                                                         held down  level  *ith   the  center  of  the
                                                            subject.
                                                   Keep the lens clean and occasionally wipe
                                                            out the inside of the camera.




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Page 10 · Read text
TI]Y|t txP0suRts


\\'HE,N  the light  is not  sufficientll'  bright
for  making  instantaneous  exposures  or
snapshots, ?S when the subject  is under a
tree  or  the  roof  of a porch,  or on dark
clouclr- da1's, it  rvill be necessar)' to make a
time (bulb) exposure.
  The camera must always be placed on
some solid,  firm  support-neaer   hold  it  in
th,ehands, or the picture  will be blurred.  It
should  not  be more  than  two  or  three
inches fronr the edge of the support, or the
support  u'ill shou- in the picture.
  Adjust  the  shutter  for making  a  tinre         A  typical set-up for making a time exposure, using
(bulb) exposure as describecl belou':                  No, 1 Photoflood Lampsand Kodak Handy Reflectors,

                                              SIMPLE RULES FOR TIME EXPOSURES
P u s h    t h e T i m e   L e v e r
B  to the  position  shown                                     1   Place the camera on a solid, firm support, not
                                                                                                                        I   more than two  or three inches from  the edsein  the  illustration   at the
risht.                                                                       of the support.
  To make  the exposure,                                                          ,)  Time  Lever B must be  in  the  position  as
press the Exposure  Lever                                    L  shown in the illustration on opposite page.
C as far  as  it  uill   go, and
bokl    it     i n  that  position                                     ?   Steady the camera with  one hand, with  the
for   the   time   required.                                                           r,   other press the Exposure Lever C as far as it
For outdoor   subiects  the                                                      will go, and hold  it there for the time required;
exposure  should  be from                                        then release it.
one second  to about  four
seconds,  depending   up-
on the quality  of  lisht.
r 6                                                                                                          L 7
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Page 12 · Read text
DAYTIME PORTRAITS INDOORS             For Artistic
TO make an indoor  portrait  bv  ordinarl'        Portraits
dul'light,  simiiar to that  shor,r'nhere, have
t he subject stand or be seated in  f ront  of       KODAK  DIFFUSION
an unshaded windor,l', u'ith the body' prefer-        PORTRAIT
abl)' at a diagonal to the camera.                                         ATTACHMENT  Place a refiector  (a sheet or terble-clot h
throu'n over a screen or chair will do) a few
feet from  the  subject and  at  the  angle         T h i s  A t t a c h r n e n t    i s a      :
shou'n in the diagram.  This  is to  reflect          supplementary  lens used
light to the shaded side of the face.                       in  the same manner  as
  Push the Time  Lever B  to the position           the regular Kodak  Portrait   Attachment,   see
shor,r'nin the illustration on page 16.              page 19.  By  its use, portraits  ate made more
  Place the camera in either a vertical  or             artiscic, due to the softening  effect of  diffusion.
horizontal  position  on  a  sttlid support  a          For the Six-2O Bull's Eye, use th e Kodak Difrusion
little higher than an orclinarl-table. The             Portrait  Attacbrnent No, 7 A.  $ 1.5 O.
c a n l e r a  n r u s t
n o t  b e m o r e
t h a n     t u - o o r                                     Locate the subject  in the finder.  For a
t h r e e     i n c h e s                                                                           f ull-length  figure,  the  ca tnera should  be
fronr  the edge                                   about 8 feet from the sul-rject. If large por-
of the support.                                               traits  are desired  (as on page  20), use a
2 0                                          Kodak  Portrait  Attachment,  see page 19;
                                                     subject should be 3%  feet from  camera.
                                         When  readl' to take the picture, steady
                                                      the camera  to keep  it   f rom moving  and
                                                   press the Exposure Lever C as far as it will
                                                go and  hold   it   tlt ere.  Af ter  one  or  two
                                                 ieconds-dependitg   upon  the  qualitl'of
                                                      the light-release  the lever again to close
                                                      the shutter.
                                                                                                         2 l
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Page 15 · Read text
three feet, the other about  four feet from
 the subject.                                               Erposure  Table  for Two Photoflood  Lamps
   Replace the regular shades on the larnps                    Using Kodak  "SS" Pan Film               :
 with inexpensive Kodak  Handy' Reflectors,             Double th e expi.'fr:;#tfi             br
 Model  B; and  place a No.    i  Photoflood                                             ,li""tomic
 bulb  in each of the lamps.                                                                         Exposure in Seconds
  Compose your  picture  in the finder and                stance
press the exposure lever just as you would           Lamps
to take a snapshot  outdoors.  The subject            Sub-to                                  Vithout
must be close to a light-colored background.               iects                                Reflectors
   After  each picture you  take, be sure to
turn the windi.g  knob until the next num-                 N o . 1 l N o . 2 l * N o l     N o . 1 l N o . 2
ber appears in t[e  red window.                            Lamps lLamps lLamps Lamps lLamps
CAUTION: Photoflood Lamps, especially the
No.  2  size, become quite  hot and should               6  ft.    Vz
not be kept burni.g      longer than neces-            10 ft.              rh
sary. Do not permit "nythe bulbs to come  in
contact with  the Kodak  Handv  Reflectors              *tVith  No. 2 Photofloods  the exposure should be
or the  fabric of shades on home lamps.                theone-halfNo.  or1 Lamps,two-thirdsdependinsof the exposuteupon  l.indg;ivenof  forre-
                                                                        flectors used.
TIME EXPOSURES INDOORS
WTTH PHOTOFLOODS                                                 PhotoFLASH  PICTURES
TO  make  time  exposures  with   Photo-                                          I'SS"       FOR using the Photofl,ashbulb, adjust the
floods, load the camera with Kodak             camera the same as for making time expo-
Pan, Panatomic, or Verichrome Film. Push         sures with Photofloods, see pa,ge26.
the Time Lever B as far as it will go, to the         Use a Phot ofl,as,hbulb in any home lamp
position shown  in the  illustration  on page           g.r-a portable reflector unit having flash-
16. Place camera on a solid support. Com-            light batteries. To make the expcsure,turn
pose picture  in the  finder.  To make  the          out all .lights (except a small tight behind
exposure, press the exposure lever as far as         camera), direct the Photofl.ashat subject,
it  will  go, and  hold  it  there for  the  time        open shutter, flash the bulb, and Close
given in the table on page 27 .                       shutter. See exposure table on page 28.
z 6                                                                                                          2 7

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PDF verified 2026-10-10.