Film cameras
Minolta A User manual
User manual for Minolta A. 16 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Minolta
- Model / document
- Minolta A
- Document type
- User manual
- Language
- English
- Pages
- 16
- File size
- 1.4 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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- 1i{{
The MINOITA'A' l
.j,
A precision, protessional quality 35 mm camera in every respect/ ruggedly :fi
b u ilt t o w i t h s t a n d y e a r s o f h a rd u sa g e . lt is h o u se d in a li ghtweight, pr ecision-
diecast, aluminum alloy body. Designed for iast sequence shooting, the single {I
t h u mb-s t r c k e f i l m a d v a n ce le ve r co cks th e sh u tte r in th e sam e oper ation and
p rev ents d o u b l e e x p c s u re s. A kn u rle d , in d e x-fin g e r-a ctu a ted cam and helical II{I
tocusing threads prcvide smooth, fest-action focusing. The coupled, superimposed-
ima g e r a n g e f i n d e r p r o v i de s a b rillia n t, sq u a re -sh a p e d , p in k color ed im age in the
c e n t e r o F t h e v i e w f i n d e r . Th is p ro vid e s $ o cu sin g a n d co mp osing for the pictur e
in t h e s a m e o o e r a t i o n .
www.orphancameras.comView original page 3Page 4 · Read text
The tast, Rokl<or f s.s-+s mm four-element lens has glass-air surfaces hard-
coated and is equipped with a click-stop diaphragm. Diaphragm-stop numbers
are equally spaced on the dial making proportional stops easy to select.
The smooth ecting Optiper MX shutter provides fast acting vibrationless
operation at speeds from I to l/3oo second and bulb. It is synchronized for both
flash bulbs and strobe-light and has a standard type connection so that any flash
gun may be used, An accesscry shoe on top of the camera takes all slide-in types
of accessories.
It makes 36 standard size pictures trom the standard 35 mm lilm cartridge.
A removable back provides eesy loading and an automatic film counter shows
the number of frames exposed.View original page 4Page 6 · Read text
M . F i l m C o u n t e r W i n d o w a n d K n u r l e d Setting O. Viewfinder-Rangefinder Eyepiece.
Pivot.
R. Accessory Shoe.
N. Rewind (Sprocket) Release Button.
O. Tripod Mount. S. Film !ilindins Sprocket.
P . F i l m C a r t r i d g e C h a m b e r . T . F i l m W i n d i n g S p o o l ( F i l m C l i p ) .
3View original page 6Page 7 · Read text
Ftow TO USE
L o a d i n g F i l m
t. Pull down the Back Locking Tab (E),
then the back will open slightly. Starting
from the left end remove the back with a
slight pull to the right.
2. Pull up the Rewind Knob (D) and place
a film cartridge in the Cartridge Chamber(P)
with the slot upermost and facing to the
right.
3. lnsert the end of the film into the
spring clip of the Winding Spool (T), making
sure the perforations mesh with the teeth
of the Sprocket (S) bv moving the \X/inding
Lever (B) slightly, then complete a full turn
4
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.A. THE MINOTTA
of the winding lever, watching to see that
the film is being wound properly.
4. Replace the back, first meshing the
grooved right end into the groove of the body,
then closinQthe back, making sure the lock-
ing tab is out. Lock the back in place by
pushing in the locking tab.
5. Turn the film advancelever and release
the shutter two or three times. Then set
the Film Counter Dial(M) to zero by turning
the Knurled Pivot with the end of the finger
or thumb and it will automaticallycount the
number of pictures you take.
5 rtView original page 8Page 9 · Read text
Taking Pictures
l. S e t the Diaphr agm Scale ( G) to the pr oper dia-
phragm opening according to your exPosure meter or
e xp o su re g uide r eading.
2. Set the Shutter Speed Dial (C) to correspond
with th e d iaphr agm opening being used, or vice ver sa'
On th e "8" setting, the shutter r em ains open as long
as you hold down the shutter release button' -l-u rn
3 . the film advance lever until it stops in one
lo n g stro k e or sever al shor t ones- T his places the ,1I first fra me oF your tilm in position.and sets the
shutter. I
4 - \Uh il e looking thr ough the viewfinder , car efullv
tu rn th e lens bar r el with the index finger oF the lett {
h a n d p la ced on the knur led cam F ocusing Lever ( H) "i r. ll
u n til th e p ink im age in the center of the'viewfinder
is e xa ctly super im posed with the full im age, i' e'
u n til yo u see only one im age in the center oF the
fin d e r. The letter "R" of Depth of F ield Scale ( l)
is th e ma rk for use oF an infir ar ed f ilm and in such a
ca se iu st slip it to the position oF R fr om the point A,
th e n th e p osition of distance is r ightlv focused.
5 . Pre ss the Cam er a tir m ly against the for ehead
to h e lp steady it and pr ess the Shutter Release ( A)
firmly b y s queezing the index finger .
No te : Do not wind the film advance lever until
th e sh u tte r has finished its oper ation aF ter r eleasing
6
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it at slow speeds such as l, I l2 s-'c- because in
such a case it may cause trouble.
6 . F o r si m p l i f i e d o p e r a t i o n o f th e ca me ra with th e
lens at fixed focus (like a box camera) set the red dot
on t he dia p h r a g m r i n g t o t h e re d "ll" o n th e sca le
and s et t h e r e d " 1 5 " o n t h e fo cu sin g sca le a t th e
ar r ow. N o w e v e r y t h i n g f r o m a b o u t 8 ft. to in Fin ity
is in focus. For shutter speeds reFer to the exposure
guide.
7 . A f t er f i n i s h i n g a l l t h e sh o ts, re win d th e film in
the F ilm c art r i d g e . P u l l u p t h e Re win d Kn o b (D), th e n
pushin g t h e R e w i n d R e l e a s e B u tto n (N), win d th e
knob in t h e a r r o w m a r k e d d i re ctio n . Wh e n th e film
is c le t a c h e d t r o m t h e f i l m w in d in g sp o o l yo u ma v
suddenly f ee l i t m u c h l i g h t e r , g ive two o t th re e mo re
bu t n s and it s h o u l d b e c o m p l ete ly wo u n d in th e film
cart ridg e .
8 . S y n c h r o n i z e r b u i l t i n M - X typ e , yo u ca n ch o o se
between the two. When an electronic f lash gun
is u s e d , p u t t h e M X C h a n g e L e ve r(K ) a t th e ma rk X.
ln c as e of M c l a s s b u l b c h a n g e it to M, a n d th e n th e
M- S e t t ing L e v e r ( J ) m u s t b e a lso se t to th e lo we r ma rk
M (t he M-s e t t i n g L e v e r s p r i n g s b a ck to its o rig in a l
po s it io n a f t e r i t s s e t t i n g ) . I n b o th ca se s/ it will b e
synchronized at all shutter speeds. To use the F
cla s s f la s h b u l b , p u t t h e M X le ve r a t th e ma rk Mr in
thi s c a s e t h e M s e t t i n g t e v e r n e e d n o t b e se t, th e n
it will b e s y n c h r o n i z e d a t a l l sh u tte r sp e e d s.
7View original page 10Page 11 · Read text
R e l a t i v e D i a p h r a g m O p e n i n g s t o S h u t t e r S p e e d s
_ Th e Dia p hr agm Opening of a Lens contr ols the volum e
o f L ig h t th a t reaches the film in a given per iod of exposur e.
T h e D i a l M a r k i n g s i n d i c a t e t h i s v o l u m e o F L i g h t ( s e e t h e
d ia g ra m). Ea ch Stop opening indicated on the dial by tne
n u mb e rs 4 L o 22 r educes the am ount of lieht passing thr ough
th e le n s b y l/2 , or conver sely, opening the lens fr om one m aik
to th e n e xt from the num ber 22 to 4 doubles the am ount of
lig h t. Th e sh utter contr ols the am ounr of light by the lengr h
o f time it re mains open i. e. I second, l/z second, t/5 sec. etc. I
Now, suppose you have determined by an exposure meter reacting
o r o th e r me a n s that the cor r ect expcsur e for your film under
ce rta in - lig h t conditions is l/5o second at f B, and you want to
use a faster shutter speed because your subiect is in motion.
A sh u tte r sp e ed oF l/loo second cuts the exposur e in halF , so
yo u mu st o p e n the lens one stop to f s.6 which will allow twice
a s mu ch lig h t to pass thr ough and the am ount oF exposur e will
b e th e sa me a s betor e.
Con_versely, if you need to stop down the lens for greater
d e p th -o F-tie ld ( see explanar ion oF Depth- of- F ield nexi) and
yo u se le ct l6 a s the cor r ect stop opening you haver educed the
a mo u n t o f lig h t to t/4. T hen you m ust give the fllm an
e xp o su re 4 times as long or t/tz second., in this case you select
th e n e a re st sh utter speed which is t/to second.
Dia p h ra g m 3s 4 5.6 8 l l r6 22
V o l u m e o f gl gF l i g h t E:r {;r o f) {s lzz 13 1 % ,a lle %z
8
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Depth-of-Field
The depth-oF-tield of a lens is the range of distance
wit hin w h ic h a l l o b i e c t a r e i n re la tive ly sh a rp fo cu s
when the lens is set for,a given distance. This range
,c var ie swit h t he d i a p h r a g m o p e n i n g , b e in g g re a te st wh e n
the lens is stopped down and least when it is open
f ull (s ee dia g r a m ) . T h e r a n g e a lso va rie s with th e
distance for which the lens is set being least at close
:? distances and greatest at farther distances up to a
point where it takes in everything beyond an inter-
med iat e dis t a n c e t o i n f i n i t v , w h ich is in d ica te d b v o
on the distance scale, i. e. when the camera is set at @
and the lens is opened to f s.6 the depth-ot-field is
from 36 ft. to intinity.View original page 12Page 13 · Read text
'A' ACCESSORIESFOR THE MINOLTA
'A'
The following exclusive accessories aie available tor the Minolta and are recom-
mended in order to obtain the very best results with it.
' A ' L e n s S h a d e - R o u n d S h a p e d . M i n o l t a
A l e n s s h a d e s h o u l d b e u s e d t o p r e v e n t u n n e c e s s a r y a n d s t r a y l i g h t t r o m e n t e r i n g
t h e l e n s , w h i c h w i l l c a u s e g l a r e s p o t s o n t h e p i c t u r e , a n d i s e s p e c i a l l y e s s e n t i a l i n s y n c h r o -
tlash work.
M i n o l t a F i l t e r s
Filters will enable you to take better and more elaborate pictures than is possible 'o
without them.
U s e o f F i l t e r s
The Haze (L-lltra-violet) filter is the only filter that can be used with color tilms to
cut down the haze of distant landscapes and render them more clearly, as it has no efFect s
on color other than to render it more natural. lt also reduces the glare from the sky
a n d r e n d e r s t h i s s l i g h t l y d a r k e r i n c o l o r . l t c a n b e u s e d w i t h b l a c k - a n d - w h i t e f i l m t o
reduce haze, also.
The Yetlow Y-fitter is suited for taking pictures where the reflection of light is very
strong/ such as scenes at the beach or with snow/ and of landscapes with sky, particularly
if strong clouds are wanted in the sky.
The Orange O-filter is best for taking pictures of distant scenes and of mountains or of
the sea ; where deep contrast of light or color is usually preferred. For this reason this
filter is sometimes called a contrast filter.
T h e R e d R - f i l t e r i s a n i n f r a r e d f i l t e r a n d w h e n i t i s u s e d w i t h i n f r a r e d f i l m t o t a k e
_ 1 0 _
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pictures in bright sunlight the depiction is as ifi the pictures were
taken under moon-light. The sky appears very black and green trees
and foliage appears white. Details in the distance become very clear
and eFfects will be obtained, particularly with infrared film, that are
entirely diFterent trom those obtained with ordinary films. lt is also
used for taking distant views, as greater contrast can be obtained than
+' with the O-filter.
T h e G r e e n G - f i l t e r p r o d u c e s u n u s u a l l y c l e a r g r e e n f o l i a g e i n t h e
s p r i n g a n d e a r l y s u m m e r . l t a l s o r e n d e r s c l o u d s p a r t i c u l a r l y c l e a r ,
and is good for taking portraits.
s,'. rflinolta Junior B. C. Flash A small pocket sized with retlector
w h i c h F o l d s l i k e a f a n a n d e n e j e c t o r f o r u s e d b u l b s .
I t o p e r a t e s o n t h e B C p r i n c i p l e , u s i n g a c o n d e n s e r t o s t o r e u p a
h e a v y c h a r g e w h i c h i s c h a r g e d t h r o u g h t h e f I a s h b u l b , p r o d u c i n g a
m o r e r e l i a b l e a n d e f f i c i e n t f l a s h .
Batteries may be used long after they have become weak. ln
such a case, it only requires a little longer, a matter of seconds
between flashes, for them to store up a charge in the condenser.
- l tView original page 14From the M. Butkus archive. Original publisher and archive notices are retained.
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