Film cameras
Minolta SR-2 User manual
User manual for Minolta SR-2. 51 pages in English. Read the original PDF, download or print a copy without registration.
51 pagesEnglish3.2 MB PDF

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Document details
- Brand
- Minolta
- Model / document
- Minolta SR-2
- Document type
- User manual
- Language
- English
- Pages
- 51
- File size
- 3.2 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 5 · Read text
Plecrse reod very csrefully !
The Minolta SR-2 is a versatile high quality preci-
sion camera which rnust be used properly for maxi'
mum results. Among single lens reflex cameras:
with penta.prismp the Minolta SR-z is one of the
most advanced cameras today with many unique
features. You can get the most satisfactory results
with this .camera if you make proper use of vari-
ous important features. After fully familiarizing
yourself with these features you will be ready fot
shooting the first roll.
However. since this camera has a completely auto'
matic fool-proof mechanism, once you remember
all thq operational 'phases, you would not have
any trouble getting the maximum results from
your Minolta SR-2.
www.butkus.usView original page 5Page 6 · Read text
One of the principal virtues of
the penta-prism single lens re-
flex camera is through-the-lens
viewing-focusing. Regardless of
the focal length of the lens be-
ing used the final subject is
viewed through the lens directly
untn the ground glass and
therefore eliminates the parallax
problem. Depth of field and
true perspective of tb" subject
can accurately be seen, enabling
this camera to be used with
extension tubes, microscope and
telescope.
In addition, the Minolta SR-z
has many unique features such
as a completely automatic pre-
set diaphragm which opens
fully by just advancing film and
closes down to the pre-set f
stop automatically by just re-
leasing the shutter, also the
worlds first non-rotative single
shutter speed setting dial for
thefocal plane shutter and a
selftimer and anautomatic f ilm
counter that no other single
lens reflex camera has,
3View original page 6Page 7 · Read text
f
Main feolures of Mlnolto 5R,-2
Interchangeable Lenses : Auto-Rokkor PF F 1.8-55mm 6 elements, double coated lens (Eliminates
(Standard Lens) the usage of Haze cutting filter).
The lens consists of a new rare earth Luntinium and Flint Optical Glass.
Bayonet-type interchangeable lenses.
Shutter : Focal plane shutter with a non-rotative single shutter speed setting dial.
B. l sec, r/2,7/+, 1,8, 1.,15, 130, 160, I 125, 1250, 1500, 11000.
Built-in self-timer and adding light value scale.
Diaphragm : Auto-pre-set and click stop diaphragm, with automatic opening.
Adding light value scale.
Finder :' Pentagonal prism viewfinder with fresnel field lens.
Detachable eye piece ring.
Mirror : Automatic quick-return mirror.
Film Advance Lever 180 degree single stroke (or several short strokes) simultaneously ad-
vances film, cocks shutter and opens diaphragm fully.
Sychronizition : X-contact for speed light and . FP contact for FP flash bulbs. Speed
light synchronized at l,/so sec. and slower. FP bulbs synchronized at all
shutter speeds.
Film Counter : Automatic zero-return film countet.
Film Rewinding : Crank rewinding lever and film release button.
Filin Loading : Hinged camera back with positive-lock located in the rewinding knob.
Film Indicator : ASA DIN film indicator dial.
www.butkus.usView original page 7Page 9 · Read text
6 Steps before shooting
g Load film. 2 Advance lever. 3 Set shutter speed.
www.butkus.usView original page 9Page 10 · Read text
(each step is explained in detail on the following pages)
shutter.& Set F stoP. 5 Frame subject and focus 5 ClickView original page 10Page 12 · Read text
I Fllm .loodlng
a 6. Advance the film lever (6) Lood and unlood4, Using the knurled base of 5. Notice that there is
the film take-up spool (5) small hook underneath the by making several short the f ilm in the turn until the film catch- film clip. SliP the film strokes until both sides
ing clip ,4) faces the up- leader under the film cliP of the film perforations shodow ond never
per side. along the bottom side of are engaged properly in under direct the take-up sPool so that the film sprocket gear
the small hook catches teeth (z). When the film sunlight.
the second perforated hole advance lever stops release
of the film' the shutter (8) so that
you can advance further.
IView original page 12Page 13 · Read text
7. Please make sure that the 8. Again advance the lever 9. Notice the film counter
film is placed parallel to (6) until it stops and then window. A red arrow will
the cametra body before release the shutter (8). indicate that the first film
closing the camira back. Repeat this action twice frame is in position to be
and advance the lever exposed and you are
once more, then you are ready for the first shot.
ready to shoot.
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10View original page 13Page 15 · Read text
2 Advcncing
rhe film
P.
Do not odvonce the !s +
lever whi'le ther-shutter .w.::;
is still in motion tr
The film advancing lever performs the following five actions simultaneously
1. Advances the film one picture frame.
2. Advances the film counter to the next number.
3. Cocks the shutter mechanism.
4" Sets the quick-return mirror mechanism.
5. Opens the diaphragm fully.
You can turn the lever either by making several short strokes or by one 180
degree stroke until it stops as it is illustrated in the pictures.
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T2View original page 15Page 16 · Read text
fhe shutferr- speed setffng
The.shutter speed dial is rnarked with figures B to
1000. The figures L,2, 4,8,15, 1000 indicate
respectively shutter speeds of 1 second, /2 secr:nd,
/4 second, 1,i'8 of second, l.'15 of second .... 1zl1@0
of second.
The B Bosition or bulb enables you to keep the
shutter opened as long as the shutter button is
pressed down. This position is used when more
than one second exposure is required.
The red letter-X corresponds to about L/50 of second
speed. This position or speed is used with strobes
or electronic flash equipment. (Please read page 28).
Pull up the black knurled part of the speed
dial and turn until the desired shutter speed
figure is next to the center red line, then set
down the speed dial. The shutter speed can
be set either before or after advancing the
lever.
13View original page 16Page 18 · Read text
Sbnlng the 4 dlophrogm The aperture stops are used for control of exposure on the film, and at same time to control the depth of field. In order to check the depth of field in the foreground aqd back ground of the sub- ject, adjust the diaphragm before cocking the lever. (see page 20 for detailed information).View original page 18
Page 19 · Read text
How to use "lhe llghr vqlue tcole"
The lower part of the shutter speed dial and
the diaphragm setting ring are marked with
small yellow figures 0$ that are the divided
light values-i.e. any combination of figures
between the shutter dial and diaphragm
rings would correspond to a light value.
If you have an exposure meter with Light
Value. Scale, you can get the proper ex-
posure setting by using .the yellow figures
marked in the shutter. dlal and in the
diaphragm ring.
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16View original page 19Page 20 · Read text
"fhe llghr yolpe 3colo"
First, read off the light value numbgr indicated by your exposure meter and
then divide this value between the shutter speed dial light value and the
aperture ring light value.
For example, if the light value number of your exposure rneter is 11, you
may divide it into 6 on shutter side and 5 on aperture side as in the right
illustrations or 5 on the shutter side and 6 on the aperture side. You will
get the proper exposure as long as the combinations add up to 11. In this
case 6 and 5, 7 and 4, 8 and g 9 and 1.7.
Which side the priority in combination will be given to depends upon the
subject you are about to shoot. For instarrce, if you are to shoot a fast
moving subject, it is necessary to use a fast shutter speed. Assuming that a
speed of 7/zso of sec. is sufficient set the shutter speed light value index to
8-(I/250 of sec.) and then, using the example that the light value given by a
exposure meter is 11, set the aperture light value index to 3 (f 2.8) (11-8:3)
If you wish to give priority to aperture setting rather than to shutter speed
in order to achieve a greater depth of field it is necessary to use a larger
number on the aperture light value index.
L7View original page 20Page 22 · Read text
Focuslng ond 5 fromlng of sublecr
This is one of the biggest advantage of the Minolta
SR-2 that there is no parallax correction prollem, i.e.,
however close you may get to your s'rbject you do
not have to worry about parallax compensation. What
you see through the view-finder is exactly what you
will get on the film negative.
Further advantages are followings :
you can see 1) The real relationship between subject,
background and foreground.
2) The actual color condition when us.
ing filters.
3) Depth of field changes in accordance
with the change of aperture settings.
These results can be obtained before advancing the
winding lever which will automatically open the dia-
phragm fully. Should you desire the above advantages
O adjust the aperture and the shutter speedn @
focus the lens approximately and view the subject, @
advance the film and @ focus the lens critically.
When using inf rared film you
must move back the focused distance
indicated by A mark to "R" position.
19View original page 22Page 27 · Read text
When you release the
shutter button:
1) The aperture will
close automaticallY
to the pre-set f stop.
2) The mirror will rise
up to allow ex'po-
sure to be made.
3) The shutter curtain
will open to expose
film . at pre-set
shutter speed.
4) The mirror will instantly return to How. to olm:
its original position. The camera may be held accordingly for eitlrer horizontal or vprtical pichrres. It is
best to press the gamera firmly against your face and to reledse the shutter with a
slbw. prJssure to avoid all movelhents and insure sharp negatives. Whicltever eye is
conve-nient for you to focus and view with may be used although for sequence shots
lever. iii" uJoi".bl" to ose th" right eye to permit fi"" ,6e of the rapid winding
The lever contains a double exposufe prevention mechanism and therefore the film
can be adyanced only alter you release the shutter. Unless the lever is. advanced
completely, t}re shutter can not be released.
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24View original page 27Page 28 · Read text
Attentlon ;
When using shutter speeds of Vts sec.
and slower it is best to use a tripod to
avoid camera movement. If a tripod is
not available, set the camera on some-
thing or hold the cam era against something
steady.
A Cable release may be screwed into the
shutter release button. trt is best to use a
cable release (1$ when using a tripod. .
When using slow shutter speeds such as
Yz of sec or I second, please' be careful
not to advance film while the shutter
mechanism is still in motion.
25View original page 28Page 29 · Read text
Fllm rewlnding
When you have finished tak-
ing all pictures (20 or 36 ex-
posures), you will not be able
to advance the lever any fur-
ther. If you force it further,
the film will tear or pulled but'
of the film magazine and it
will be impossible to rewind
film back into the magazina
It is absolutely necessary to
rewind the film back into the
magazine in order to unload 1. When you have finisheri tak- 2. Raise up the winding crank t21)the film from camera. ing all pictures, push in the re- and rewind in a clockwise direc-
Attn: When operating the winding release button CI$ and tion as the arrows on the knob
crank rewinding lever, please it will click in to place,the button indicate until you feel that you
do not pull up the rewinding should remain in after releas- can not wind anyfurther, then
knob. If you do so, the cam- itrg your finger, if the trut- open the camera back to take
era back will open and the ton pops up again then advance out the rewinded film maga-
entire film will be exposed. the lever very slightly while zine. (see page 6)
pushing the button down and Occasionally the film may slip
it will click into place. out from the clip of the take-up
spool and you will feel a sudden
release of tension while wind-
open the cam- www.butkus.us ing. It is safe to era back when this happens.
26View original page 29Page 31 · Read text
. Flosh photography
It is recommended using flash for night shots and
for filling in dark shaded areas.
You can use either regular flash or strobe light.
When you use flqsh When you use q strobe
bulbs: llghr (Electronlc flosh) :
Please make sure you use FP. Please malce sure the shutter
class bulbs. (Focal Plane bulbs) speed dial is set on the red mark
The camera is synchronized at ,,Xrt. The important factor in
all shutter speeds from 1 second Speeds slower than X (about 1/50 flash photography is the to 1/1000 of second when using of sec.) may be used. aperture setting. The
FP.' class bulbs.. With strobe light the camera is aperture setting is deter-
synchronized at speeds from I mined by the brightness second to I/50 of second. of flash and the distance
from the light to subject.
As these factors vary
greatly, precise informa-
tion on instructions is
attached with flash bulbs
and strobe light units.
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28View original page 31Page 33 · Read text
lnterchonglng
lhe lenceg
Automatic pre-set lenses can To remove lens To olfqch lens
be changed even after ad- While pushing down the lens Insert the lerrs into the
vhncing the lever and still change-button (20)turn the lens bayonet mount by lining up
maintain the fullest aperture barrel counter-clockwise until the red dot on the lens barrel
opening. it stops (L/8 of a turn) and with the red dot on the
still holding unto tbe lens camera body and turn the
barrel lift up carefully. lens clockwise until it stops
(L/8 of a turn)
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30,View original page 33Page 34 · Read text
n'Rokkor" lnterchongeoble Lenses for Minoho 5R,-2 rl
A single lens reflex requires neither separate viewfinders nor
rangefinders when using interchangeable lenses of various. focal
lengths, since focusing is done directly through the lenses and
there is no parallax correction problem. Especially telephoto lenses
of focal lengths longer than 135 mm have an extremely shallory
depth of field and present a constant parallax problem with non
single lens reflexes. But with this Minolta SR-2 single lens reflex
camera, you can enjoy the maximum effectiveness of telephoto
lenses free of parallax.
It has long been impossible for a single lens reflex camera to use
a wide angle lens with focal lengtlrs shorter than 45 mm due to the
rear element of the lens interfering with the mirror action of the
camera. However, since creation of the Retro-Focus type lens,
this problem has been completely eliminated. Now you can use
such wide angle lenses as 35 mm and 28 mm lenses with your
Minolta SR-2.
Each lens has an exclusive bayonet-type lens mount.
31View original page 34Page 37 · Read text
Auto Rokkor PF Auto
55mm F 1.8 W. Rokkor HG
(Standard Lens) 35mm F 2.8
6 elements 7 elements
Automatic' Pre-set APerture Automatic Pre-set APerture
Angle of view: 43o Angle of view: 64oNearest focusing distance : 19.6 in. Nearest focusing distance : 9'8 in'
f.22f stops : fI.8 to F22 f stops : f.2.8 to
This is the lens which ChiYoda Kog- Specially designed Retro-Focus Type
aku Seiko K. K., the makers of lens is recommended and ideal for
Minolta camera is most Proud of. group photos, scenic snaps and sub'Complete elimination of flare zLnd
utmost color balance gives you Ultra- jects which require great dePth of
Hi - Fidelity color photograPhY. A field.
special feature is the double coat:ed
lens which eliminates the use o{ a
haze filter. This lens is undoubtably www.butkus.us
the all purpose lens in photography.View original page 37From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.