Film cameras
Minolta SR-7 User manual
User manual for Minolta SR-7. 60 pages in English. Read the original PDF, download or print a copy without registration.
60 pagesEnglish8.5 MB PDF

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Document details
- Brand
- Minolta
- Model / document
- Minolta SR-7
- Document type
- User manual
- Language
- English
- Pages
- 60
- File size
- 8.5 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 2 · Read text
a
Alt obout your Minolro SR-7 OI
Congratulationsl You now own one of the finest cameras in the world. The precision
elements contained within it are more than aclequate to meet any photographic situation
on a professional level.
Your Minolta SR-7 features the world-famous Rokkor F1.4/58mm, Fl.8/55mm lens
treated with an exclusive achromatic coating to give you l-righ fidelity sharpness,
particularly in color photography. The camera contains an extremely bright penta prism
viewing system and a completely automatic pre-set diaphragm. It is also equipped with
a highly sensitive CdS-light meter coupled to the shutter. Please read this manual
carefully so that you may effectively utilize the full potential of your new Minolta SR-7.
(All illustrations used in this booklet are with the F1.4 lens. There is no fundamental
difference in usage between the Fl.4 and F1.8 lenses.)View original page 2Page 4 · Read text
tllnoltq SR-7 Speclflcotlons
Mike Butkus DigitallyDN:org,Date:cn=Mikeemail=mike@butkus.org,2026.06.23signedButkus,by15:11:30Mikeo, ou=Butkus.Butkus-04'00'c=US
\View original page 4Page 10 · Read text
www.butkus.us
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s
4. 5. 6.
Turn the knurle<l base of Insert the f ilm lea<ler Aclvance the f ilm lever
the f ilm take-up spool into the take-up spool. until both sirles of the
en-until the film catching Make sure the sprocket film perforations are
clip faces upwzrr<|. gear teeth are engagecl gaged properly with the sprocket gear. When the with the f ilm perforations. advance lever stops. re-
lease the shutter so you
can advance further.View original page 10Page 11 · Read text
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7. 8. 9. stoPs The f ilm counter winclowPlease make sure the film is Aclvance the lever until it
parallel to the camera bodY ancl then release the shutter. inclicates when the first film an<l f rame is in position reacly tobefore closing the camera back. Repeat this action twice
you are reacly to shoot. be exposetl.View original page 11Page 12 · Read text
www.butkus.us Advonclng lhe fllm
The shutter cannot be releasecl
until the film arlvancing lever is
completely woun<|. If. after
arlvancing the lever. tl-re shutter
release is still locke<I. arlvance the
lever again until it stops.
When win<ling the film arlvance
lever. you will feel some resistance
just before the en<l of the stroke.
This is normal mechanical resis-
tance. Keep win<ling until it stops
completely.
The film arlvance lever perf orms 1. Arlvances the filmCaution: At slow shutter spee<ls tl-re following f ive actions 2. A<lvances the film countersuch as I seconrl or Il2 seconrl, simultaneously: 3. Cocks the shutterclo not a<lvance film while shutter 4. Sets the quick return mirror
is in motion. 5. Opens the rliaphragm fulli'
You can turn the lever either
with several short strokes or one
180 degree stroke.View original page 12Page 13 · Read text
shunert 'r""ryF
The shutter speed dial is marked with figures I to 1000 plus B and X.
The figures l, 2,4, 8, 15, etc., indicate shutter speeds of I second, Llz
second, 1/4 second up to 1/1000 second.
The B position, or bulb, enables you to keep the shutter open as long as
the shutter button is pressed down. This position is used when more
than one second exposure is required.
The X position corresponds to about 1/50 second speecl. This speed is
used with electronic flash equipment.
Settlng the shutter
Turn the dial to the desired speed,
lining it up with the center red
line.View original page 13Page 14 · Read text
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Senlng the dlcphrcgm
The cliaphragm ring has aperture figures f rom 1.4 t<l
Aperture 16. Turn the diaphragm ring so that the <lesirerl
aperture figure coincides with the white clot. (:) @ c) dY Az tz AP l:r,lt" (lThe click stops enable you to use interme<liate aperture 2 1 12 r{ 18 116 r32 t61
openings between any two f /stops. The larger the
aperture figure. the less light volume is permitted
through the lens. For example, at fl6 the cliaphragm
is closed down to a pin-point opening; at fl.4 it is
wirle open. The relationship between aperture anrl
light volume is shown on tl-re scale above.
Diaphragm can be set either before or after a<lvancing
the film lever.View original page 14Page 15 · Read text
Whqt is cr complefely qutomotic
pre-set dlophrogm?
One of the superb features of the Minolta SR-7 is its viewfinder no matter what aperture you have
completely automatic pre-set diaphragm. In a pre-selected.
conventional single lens reflex camera, when the lens When the shutter is released, the diaphragm closes to
is stopped down the visual field of view becomes pre-set aperture, the mirror clears, the picture is taken,
darker thus making it difficult to focus. the mirror returns, the diaphragm re-opens to maximum
In the Minolta SR-7, the lens is completely automatic aperture...all simultaneously, all automatically.
and pre-set; aperture is always at maximun opening
until the shutter is released. Consequently, focusing
can be quickly determined through the extra bright
5F {"' $ l-r ^-rA,
[o'LIl.
EE]HEflililView original page 15Page 16 · Read text
www.butkus.us Deprh of fleld
;l
J
The rlepth of field of a lens is the range of clistance It is greatest when the lens is stopperl <lown (f 16) an<l
within which al I subjects are in relatively sharp least when it is fully open (f l.4or f l.U). The photographs
focus. This range varies with the aperture opening. above illustrate relationship. The same subject was
taken at clifferent aperture settings.View original page 16Page 17 · Read text
t The prlnctples governlns deprh *i'ry[ir "r
or eground
1. The depth of field is greater as the distance is
increased or the aperture is stopped down.
2. The depth of field grows less as the distance is $ ""---l
decreased or the aperture is enlarged.
The depth extends greater into the background than
the into the foreground. B".uu"" ,n" a"n,fr of field can be controlled by
The depth of field is greater with a shorter focal aperture stops, you can either bring to sharpness both
subject length lens and shallower with a longer focal background and foreground or emphasize the
length lens. sharpness only by purposely making the background
out of focus.
LView original page 17Page 18 · Read text
www.butkus.us Deprh of fleld pre-vlew
You ma)' pre-view clepth of field. if you wish. by
pressing the pre-view button which manually closes
the cliaphragm to its pre-set aperture. When you clo
this you can inspect through the viewer the precise
effect of clepth of field.
O*View original page 18Page 22 · Read text
How to use rhe CdS-llghr meler www.butkus.us 7,
Used correctly, the CdS- light meter wi ll give you
correct exposure every time. lt measures outdoor light
ancl incloor light as well. It's extremely versatile. If
the meter neeclle rea<ls off the scale; cloes not inclicate
aperture. shift to a lower shutter speerl. If no aperture
is inclicatecl. shift to low sensitivity light. If the meter
sti ll cloes not responrl. then light is inaclequate for
exposure ancl you must use f lash. rninol
Immecliately after loacling film, set the ASA film
speed rating on the shutter clial. Pull the outer ring
of the dial upwards and rotate to the ASA rating of
the film you are using. This action sets the meter in
tune with the speed of your film.View original page 22Page 24 · Read text
Selecrlng shutter speed or www.butkus.us
cperture
You may set either shutter spee<l or aperture first.
If you set shutter spee'rl first, measure the light anrl
the meter neerlle will inrlicate tl're correct aperture
for that speecl. If you set aperture first, adjust the
shutter dial, while measuring the light. until the
meter neeclle coincicles with the aperture you have
pre-selected.View original page 24Page 26 · Read text
Low sensltiviry switch www.butkus.us
Reoding the meter
MINOLTA
When rletermining aperture CAMERA
setting. relr<l along the <lotterl linc co.. LTo.
of the light value scale. -I'he
meter nc'e<lle n'ill in<licate thc
correct <liaphragm opcning. lt
rvill not. horvever. alu'ays point
rlirectll' to a f /sto1r number. lt
rnav fall bet*'cen trvo tkrttctl lines
in rvhich ('irse an intc,rrne<liute f/
stop shoul<l be set <ln tht' irpt,rturc. \\'hcn thc nretcr neerlle rloes notring of tl.re lcns barrcl. register <lue to ina<lerluate light.
r.rsc the low sensitivitl'shift button. l1 ]'rcss tlte br,rtton on the bat'k <lf 1t
the nrt'ter.
'l'his shif ts the meter to Iorv
scnsitivity light anrl gives ir
corrcet exl)osure rea<ling ever-t
un<ler a<lverse lighting conrlitions.
In s<lrne cases the. lorv sensitivitr'
rearling may l>e one f/stop lower
than the higl'r sensitivity reatling.
lJse the lower light valr-re.View original page 26Page 27 · Read text
Determinlng rdflected Photogrophing People Bocklightingfu-pt Londscope Photogrophing When photographing a person, the In the case of backlighting, move For landscape photographing, the light reflected by the subject and close to the subject and measure the subject, of course, cannot be the light ref lected by the background light ref lected from it. Be approached and exposure must be may be at wide variance, particularly particularly careful that the back measured at the camera position. in snow, at the beach or in other Iight does not strike the light- Special care should be taken so that bright backgrounds. In such cases receiving surface of the exposure direct light from the sky is not move the camera close to the subject meter. Otherwise the result will be measured. Measure the general and measure the reflected light. If a silhouette. lighting conditions of the area and you cannot approach the subject, take the average reading. light can be measured by extending the palm of your hand in front of the meter.View original page 27
Page 28 · Read text
www.butkus.usEmulslon speed indicator
As a convenient remincler. set the
inrlicator locaterl on the back of the
camera to the emulsion spee<l
number (ASA or I)lN) of the film
you have just loa<lecl. Simply turn
the clial to the corresponrling number
of your film speerl. For color film
use tite retl figures.View original page 28Page 29 · Read text
Replcclng ?he bottery
E
IF
The average life of the mercury battery is two years. "Coution in hondling the mercury boltery"
When the meter does not responcl to light, the battery Do not leave finger prints on the mercury battery as
is cleacl ancl must be replaced. This is a conventional these cause it to rust or corrocle.
mercury battery available throughout the world. Wipe with a soft cloth ancl keep
Remove the battery cover on the bottom of the camera battery clean. Do not <lisassemble
by turning the cover with your thumb counter-clockwise. the mercury battery. Do not throw
Take out the olcl battery. When replacing the new any usecl mercury battery into a
battery, be sure the plus ( + ) sicle is facing up towarcls fire or where chilclren can get
you. @ holcl of it.View original page 29Page 31 · Read text
Focuslng ond frcmlng
Look through the viewfinder ancl
rotate the focusing ring on the
lens barrel. Diagonally arrangecl
microprisms converge to form
a bright sharp image. At the
sharpest point you are in focus
and ready to shoot. You see exactly
the same image that will appear
on the film negative. This is one
of the aclvantages of the single lens
ref lex syst€m. More important.
because you focus through the
lens there is never a parallax of focus
problem no matter how close you
get to the subject. This system
also permits you to see the real
relationship between subject.
backgrouncl ancl f oregrounrl ancl
the actual color conclition when
using filters.View original page 31Page 32 · Read text
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lnfrored fllm indlcolor Fllm poslrlon lndlcqtor
If you use infraretl film, focus as On the top of the camera there is
you woulrl orclinarily. Then mcve a red circle with a line through
the clistance scale to corresponcl it. This mark indicates the exact
with the recl letter R which appears position of the film in the camera.
on the depth of fielcl scale. For Precise clistance there is the
example, if your focus scale tells distance from the subject to this
you the subject is 15 feet from the line. With the aid of a tape
camera. move tl-re focusing ring measure, this line can be used for
so that the number 15 lines up extremely critical focusing. For
with the rerl letter R. general photography such focusing
is not necessary.View original page 32Page 33 · Read text
Holdlng the ccrmerq-
releoslng rhe shutter
The camera may be helcl horizontally or vertically. It
is best to press the camera firmly against your face
ancl release the shutter with a slow pressure in order
to avoicl all movements antl insure sharp negatives. You
may focus with whichever eye is convenient for you,
although for sequence shots it is aclvisable to use the
right eye to permit free use of the rapicl wind lever.
The lever contains a double exposure prevention device;
the shutter locks after each picture.View original page 33From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.
