Flashes & lighting
Olympus Flash Group Guide Reference guide
Reference guide for Olympus Flash Group Guide. 41 pages in English. Read the original PDF, download or print a copy without registration.
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- Olympus
- Model / document
- Olympus Flash Group Guide
- Document type
- Reference guide
- Language
- English
- Pages
- 41
- File size
- 7.4 MB
- Category
- Flashes & lighting
- Document date
- Not specified in catalog
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www.butkus.us
aTypes of Lightings. Selection aSelection of the Camera .27 aSelection of Cords and Cases . 37
of Flash Mode and Basic oSelection of the Flash Unit -zY oCombination with Units of
Assemblies ......2O oSelection of the Mount .31 OtherGroups .....38
aselection of the Flash Mode . . . 25 aSelection of the Power Source .JJ
-- --tView original page 3Page 5 · Read text
rnE pLEAsuREs oF FLAsH pHorocRApHy@ A remarkable number of people have with confidence. "ln dim light, use an is more, whereas the real sun will not the idea that flash photography is dif- electronic flash." is a maxim that has change its brightness and position to ficult. However, the whole point of rapidly become accepted as the best suit the iphotographer's requirements, f lash is to make photography easy when method for beginners to keep failures electronic f lash can be freely controlled lighting conditions are poor. Nonethe- to a minimum. to provide precisely the illumination less, it must be admitted that, with There are several reasonswhy electronic desired. Thus, by making available light conventional manual flash units, the flash has become accepted as the best of predetermined quality and intensity, annoying problem of calculating the form of artificial lighting for photogra- wherever and in whatever direction re- exposure setting according to the guide phers, and therefore grown widely pop- quired, electronic flash actually makes number made the use of flash trouble- ular. 1) Because the color and quality photography easier. some for many photographers. of electronic f lashlight closely resemble That is not all. The extremely short This problem was solved with the in- those of sunlight, normal daylightcolor duration of the flash emission means troduction of automatic flash units. film can be used without the need for the person you are photographing is Flash units able to get the right expo- speciaf f ilters, etc. 2l Because electronic not inconvenienced by the brilliant light sure automatically, in the same way as flash is extremely fast, even rapidly or heat of, for example, studio lamps. automatic cameras, eliminated the need moving subjects can be stopped and Therefore babies, children or pets can for time-consuming calculations and captured without any blurring. 3) The be captured naturally. This makes elec- made flash photography a much faster, compact size of electronic flash units tronic flash almost indispensable for more positive busi ness. makes them easy to carry, while the casual family photography. For most beginners, shooting in dim fact that they contain their own power Apart from these general applications, light is a big problem, because slow source means they can be used any- electronic flash is also a highly valued shutter speeds inevitably result in where. 4) Because the flash emission is expressive tool for the experienced blurred pictures. Equally, color photo- so powerful, the lens aperture can be cameraman. Among the many ways in graphy in artificial light, such as fluo- closed down far enough to guarantee which flash can help him achieve better rescent lighting, frequently leads to sharply focused pictures. 5) Because pictures are daylight synchronization disappointing pictures because the color electronic flash units give several hun- to relieve the shadows with backlit sub- balance is distorted. ln both these cir- dred flashes with one set of batteries, jects and reduce excessive contrast in cumstances, electronic-flash photogra- or one recharging, they are also very harsh sunlight, bounce flash, diffused phy is the answer. Without having to economical. lighting, the use of several flashes at worry about camera shake or poor color These features have led to electronic the same time, etc. These capabilities balance, the photographer can shoot flash being called "portable sun". What enable him to gain a new mastery overView original page 5
Page 6 · Read text
www.butkus.us the creative process. In addition, recent automatic f lash units have opened up entirely new possibili- ties in the f ield of close-up photography. With a f lash duration of as little as 1/ 40,000 sec., they can stop movement far too quick to be noticed by the human eye. For instance, by sharply capturing the wing movements of small insects or birds, they can reveal to us a side of nature we could appreciate in no other way. Normally extreme close-up photogra- phy is very difficult. The lens must be stopped down to get adequate depth of field, and slow shutter speeds become inevitable even though the subject is probably moving or blowing in the wind. The use of compact electronic flash completely changes the picture, by allowing the lens aperture to be closed right down for adequate depth of field and at the same time flashing fast enough to eliminate all risk of movement spoiling the photograph. The Flashphoto Group, by providing automatically controlled lighting, makes a whole range of versatile techniques easy, and should prove of the greatest interest to the photogra- phic community. (Akio Kojima)View original page 6
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@ oIFFUsED LtcHTtNG www.butkus.us
When a translucent piece of cloth or
some similar material is placed between
the flash and the subject, the result is
known as diff used lighting. The purpose
of this method is mainly: 1 ) to convert
the electronic f lash (a point source) in-
to a surface source to obtain a soft
lighting effect, 2) to scatter the light
to match the coverage of wide-angle
lenses, and 3) to illuminate the subject
with different quality light by the aid
of color filters, polarizing filters, etc.
Covering the flash unit directly with
a handkerchief will scatter the light and
increase the angle of illumination, but
the soft lighting effect cannot be ob-
tained. For this effect it is advisable to
keep the diffuser at a suitable distance
(at least 40cm) from the flash, and
make sure the area of the diffuser is
large enough. With conventional auto
f lash units, the diffuser will also cover
the light sensor, making correct ex-
posures diffucilt to achieve. In TTL
(off-the-f ilm) Auto mode, however,
the normal auto sensor of the f lash unit
'";":can be covered freely, as only the light
actually reaching the film is measur- 'nr,'"*..o
ed by the SBC sensors inside the OM-2.
(Akio Kojima)View original page 8Page 10 · Read text
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normal auto mode. ln the moreadvanc-
ed method, the T32 is slipped into the
hot shoe of the Power Bounce Grip 2,
with the bounce head rotated to the
right or left, or tilted backward point-
ing at a wall to obtain reflected light.
The sidelighting method gives more
natural, three-dimensional resu lts than
those obtained by the simple method
above. Accurate and easy sidelighting
can be achieved by exploiting the TTL
Centralized Control Flash capability
of the OM-2. A word of warning when
you are using bounce flash: if the ceil-
ing or wall you are using to bounce
the light is colored, this will have an ef-
fect on the color of the photograph.
In manual flash mode, correct ex-
posures for bounce lighting cannot be
calculated by guide numbers, as the
ref lection factors of the walls, ceilings,
".;:.. _
Digitally signed by Mike Butkus
DN: cn=Mike Butkus, o=Butkus camera
manuals, ou=butkus.org, Mike Butkus email=mike@butkus.org, c=US
Date: 2022.01.28 21:17:23 -05'00'View original page 10Page 11 · Read text
@ uruLTrPLE FLASH PHoTocRAPHY
Because of its nature, electronic flash and the amount of light from each in- the flash units according to a plan. The
is often used for snapshots, photo- dividual f lash unit is centrally controll- effect of the light from an electronic
graphs of moving subjects, inf ormal ed by this system. The following are flash unit cannot be,checked by eye;
shots of special events and other situa- some uses of multiple flash photo- therefore, the ability to previsualize
tions where there is not enough avail- graphy. through experience is the only way. lf
able light to provide a fast enough shut- (1)When only one key, or main, light you remember the rules of direct and
ter speed. But tungsten lighting is con- is used a special auxiliary light can ref lected light, which are the basic
sidered more appropriate where elabo- be used to eliminate the shadow on types, you will find that being able to
rate and suitable lighting is required. the background. previsualize the lighting effect that will
Electronic flash, however, is compact (2l.For lighting with one key lightfrom be produced by any arrangement of
and can produce a large volume of light the side to show the form, a second lights is not that diff icult.
instantaneously. lt is also more advan- auxiliary light can be used to keep One important factor in the use of
tageous than tungsten lighting from the the shadow side of the subject from multiple lighting is to use care con-
viewpoints of portability and ease of being too dark and to produce the cerning the balance between the main
' desired contrast. and auxiliary lights. One method ofhandling. For these reasons, multiple
electronic flash set-ups have recently (3)A part of the subject can be em- adjusting balance is to vary the dis-
become widely used. phasized by creating highlights us- tance from the flash to the subject,
When two or more electronic f lash units ing strong, direct lighting. This is using the rule that light intensity is in-
are used together, exposure cannot be called accent I ighting. versely proportional to the distance.
simply calculated from the guide num- (4) For subjects where the light In other words, moving a flash two
bers, nor is normal automatic exposure f rom the camera position is not times its original distance from the sub-
control possible. This exposure calcula- suff icient to illuminate the back ject will cut the light reaching the sub-
tion is an obstacle to multiple flash part, other flash units can be placed ject in half. Another method is to
photography. in the back as auxiliaries. weaken the intensity by using a diffuser
This troublesome problem can now be Under actual conditions, the above or bounce flash, or to place a ND filter
solved by using the TTL Auto Con- methods can be combined to produce or soft white cloth over the flash head.
nector, TTL Auto Cord and TTL Auto effective lighting that meets individual It is best to avoid overlapping of the
Multi Connector with the Olympus purposes and needs. light from flash units of the same
OM-2. All of the light from the elec- A technical point to consider in the strength coming from different direc-
tronic flash units illuminating the sub- use of multiple f lash lighting is to pre- tions. This doubling of the light pro-
iect enters through the camera lens visualize the lighting effect and arrange duces an unnatural effect.View original page 11Page 12 · Read text
www.butkus.us
Electronic flash units are often used
as accent lights from the back or at
an angle, but care should be used be-
cause failures may occur if an error
is made.
Thinking up an electronic f lash arrange-
ment where the effect of the total re-
flection from the surface of the sub- l.
ject has been calculated takes skill.
4'Such arrangements f req uently have . . :;al
flash units faced toward the camera, so
care must be exercised to prevent hala-
tion.
The use of electronic f lash for multiole
lighting encompasses many difficult
problems such as these and some ex-
perience is required. But let's say
that learning and using these advanced
techniques can be as interesting as the
resulting photographs. (Akio Kojima)
An overhead lamp
to highlight hair
ry*i,.,ru, !!916.u',,
:#:iili#is*,W .@;;
Main light
10 ._View original page 12Page 13 · Read text
@ cr-osE-uP FLAsH PHoTocRAPHY
o The Need for Flash in Close-Up number at distances above one meter, siderations of magnification, aperture
Photography but with the higher magnifications and and other factors.
Electronic flash is extremely useful in smaller apertures required for close-up For close-up and macrophotography,
close-up and macrophotography. lt is pictures the system becomes unwork- the T32 f lash unit should not be mount-
especially effective for the photography able, and getting the flash-to-subject ed directly on the OM-2 camera ac-
of small moving creatures such as in- distance and f lash setting right becomes cessory shoe because parallax would
sects. One reason is that the use of ex- a matter of trial and'error. Thus the result in the light being concentrated
tension tubes or bellows to magnify photographer is obliged either to fix on the upper part of the subject, and
the subject greatly increases the ex- the flash-to-subject distance and vary the lens barrel would also obstruct the
posure factor. Another is that, even the aperture, or fix the aperture and light path. Instead, the flash unit is
using the same aperture as that for vary the flash-to-subject distance until positioned at a distance f rom the
normal portaits, etc., the depth of f ield repeated tests and experience show the camera so that light can reach the sub-
becomes exceedingly shallow, more or correct exposure values. Even then the ject freely, and connected to the cam-
less restricting photography to motion- results are not fuliy satisfactory because era via the TTL Auto Connector and
less subjects. With the use of electronic the differing ref lection factors of differ- the TTL Auto Cord T0.6m. There
flash, photography is possible even at ent subjects modify ideal exposure re- is only one other point to remember.
such minimum apertures as F22, while quirements. In fact, the only way to Note must be taken of the minimum
the incredibly high speed of electronic get perfect exposures is by continuous flash-to-subject distance for the aper-
flash is effective both in arresting fast testing for each new subject. Naturally, ture used. At closer distances the limits
moving subjects and in countering loss if a different f ilm is used, the tests must of the automatic flash emission control
of quality from camera movement. be repeated over again. This makes the are exceeded, resulting in overexposure.
o The Drawbacks of Conventional use of conventional electronic flash o Actual Photography
Electronic Flash units for close-up photography ex- For close-up or macrophotography
However, although in theory electronic tremely complicated. with the T32 and OM-2 with exten-
f lash is ideal for close-up photography, o The ldeal Close-Up Performance of sion tubes or bellows, switch the camera
in fact conventional flash units have the T32 to "AUTO" and, pointing the camera
several serious drawbacks. The worst is With the world's first TTL Centralized at the subject, check in the viewfinder
the diff iculty of calculating correct ex- Control Flash system, developed by that the shutter speed is in the blue
posure settings at close distances. Con- Of ympus, the T32 linked to the range (1/30 sec. or slower). (With film
ventional flash units allow exposure Olympus OM-2 guarantees perfect ex- of ASA 100 or slower, at image magni-
calculation by the use of the guide posures by completely bypassing con- fications of over 1:1 and with an aper-
llView original page 13Page 15 · Read text
ulrRA HrcH-spEED FLASH pHorocRApHy@
The flash duration of an ordinary com-
pact electronic flash is a fraction of
one hundredth of a second atfull power
f lash. However, an automatic f lash
operating at close distances adiusts the
flash emission automatically by cutting
it off to achieve the correct exposure,
thereby reducing flash duration even
further. At very close distances the
flash duration is reduced to extremely
short times measured in fractions of
one ten-thousandth of a second. We are
able to make use of such ultra fast f lash
emmissions to stop and capture on film
movement far too fast to be perceived
by the human eye. Examples are the
wings of an insect in f light, the bursting
of a balloon, or the corona formed by
a drop of milk rejoining its fellows.
Ultra high-speed flash photography is a
highly fascinating art that enables us to
discover previously unsuspected forms,
the secrets of animal movement, the
dynamics of a fluid, etc. Getting the
split-second timing right for such photo-
graphs is extremely diff icult, but success
well repays the effort involved. The TTL
(off-the-f ilm) Auto mode helps facilitate
this because the flash duration can be
controlled freely by adjusting the lens
aperture to match subject movements.
(Akio Kojima)
t3_View original page 15Page 16 · Read text
coMPENsATtoN www.butkus.usffi exeosuRE
In contrast with conventional automatic
flash units which have a light sensor
with a fixed incident angle, the TTL
Auto f lash unit is ideal for SLR photo-
graphy because the light is measured
through the taking lens by the sensors
built into the camera. However, just as
any automatic EE camera needs ex-
posure compensation in certain condi-
tions, the same compensation is neces-
sary even with TTL Auto flash in the
following subject conditions. The com-
pensation is made simply by turning
the exposure compensation dial on the
OM-2 to the plus (+) or (-) side before
shooti ng.
Compensation for underexposure (turn-
ing the dial toward the plus side) is
necessary when:
UJ A bright background such as a
white wall f ills most of the view-
finder picture area.
(?t Taking highly reflective subjects
such as a person in white clothes
or a picture in which specular ob-
jects are included.
Compensation for overexposure (turn-
ing the dial toward the minus side) is
necessary when:
() A black background or dark sky oc-
_ cupies most of the central area.(4 The main subject is distant from
the background wall, etc. (see the
picture shown here).
(Akio Kojima)View original page 16Page 19 · Read text
onvlrcHT sYNcHRoNtzATtoN@ In natural light photography using the sun as the light source, we have no choice but to make use of the direc- tion and quality of rhe light as we find it. Sometimes the direct light of the sun produces undesirably high contrast, and often backlit pictures leave the face of the subject in darkness. Also, the sun cannot directly reach main subjects shadowed by trees, etc,, and, pictures taken on a rainy day will tend to turn out to be bluish. At such times a metal- foil reflector is often used to supple- ment the light on shadowed subiects. But this only works if the reflector can be positioned to reflect strong, direct light, and in any case this kind of equip- ment is much too bulky to carry around all the time. As an alternative method. the use of daylight synchronized flash has recently become very popular. Unlike when flash is used as the main light source, in this case the brightness of the flash must be balanced with the brightness of the background. Rather than automatic flash which responds to the ambient light, the man- nual flash mode is more suitable to optimally balance the brightness levels, with the correct F stop calculated by guide numbers. (Akio Kojima)View original page 19
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@ cHnRAcrERrsncs oF THE oM FLAsHpHoTowww.butkus.uscRoup
The electronic flash unit acts as a man- built-in light sensor has a fixed accept- designed for ultimate portability, has
made sun when the photographer is ance angle that cannot adapt to the dif- a guide number of 2O (ASA 100, meters)
shooting at night or indoors. lts f lash ferent viewing angles of lenses. or 66 (ASA 100, feet) and a f lash angle
duration is virtually instantaneous so The Olympus camera designers con- wide enough for a 35mm lens. Both
it can f reeze fast moving subjects sidered the flash unit not as a device T32 and T2O offer a choice of TTL
which are difficult for the naked eye independent of the camera, but instead "OTF" AUTO, normal AUTO^ and
to capture. Thus it has become indis- as an integral part of it and from this MANUAL flash mode to meetaany
li Thepensableelectronicfor 35mmf lashSLRunitphotography.comes in functionsstandpointofwereeachablein atocomplimentaryorganize the typements.of Thecamera"system"and lightingcharacteristicsrequire-
many f orms. There are the manual manner. This more rational approach are extended to motor driven photo-
f lash (f u ll light output is used ), the resulted first in the revolutionary OM- graphy where comfortable shutter re-
earlier automatic flash (power is auto- 2/Ouick Auto 310 combination, and lease is possible by simply pressing a
matically adjusted for correct exposure now the more refined OM-2rrr lT32 to button on the bounce grip, linked
depending on different focused dis- make advanced f lash photography easy with the motor drive (or winder) via
tances and unused power is extinguish- to achieve. Everything depends on the the M. Grip Cord. The "high relia-
ed) and lately the series-circuit or OM-2's TTL Direct "Off-the-Film" bility" characteristics are illustrated
thyristor automatic (unused power is Light Measuring Method. lt eliminates by the sturdy TTL Auto Cord which
conserved for next flash). Because inconveniences and cumbersome oper- will not slip out accidentally and can
flash units have taken a separate path ating procedures and simplif ies lighting be removed only when the photo-
of development from that of cameras, techniques such as bounce, diffused, grapher pulls it tightly, holding on the
procedures in actual use are inevitably ultra close-up and multiple f lash which metal ring.
complicated. For example, film speed were previously possible only for pro- By integrally combining flash and cam-
rating and F stop need to be set on fessional photographers. era functions, and providing a highly
both the flash unit and the camera. All the units in the OM Flashphoto modular design, the versatile OM Flash-
The appropriate shutter speed must be Group stress "system" and high relia- photo Group represents the world's
set on the SLR camera so that the bility characteristics. The T32, the core first truly automatic flash system ideal-
shutter curtain is fully open to synch- of the group, is a high-output, system ly suited to the 35mm SLR camera,
ronize with electronic f lash. Even auto- flash unit. lt features a guide number and allows beginners and professionals
matic flash, which is generally accept- ot 32 (ASA 100, meters) or 104 (ASA alike to carry out easy but satisfactory
ed as a convenient device, suffers the 100, feet) and virtually covers the pic- flash photography.
disadvantage (among others) that its ture area of a 24mm lens. The T2O,View original page 20Page 22 · Read text
www.butkus r Types of Lighting, Selection of Flash Mode, and Basic Assemblies For electronic flash photography, first the type of lighting required for the photographic conditions and the aim of the picture must be decided. Then the flash mode and the necessary units must be selected. The following tables show the range of possibilities available with various flash methods relying on the OM-2 and other cameras with the units of the Flashphoto Group. Please refer to pages 25-26 for d'etails on selection of the flash mode from among TTL "OTF" Centralized Control Flash, normal auto flash, and manual flash. In addition to the basic units shown in the assemblies in the tables, other external power sources are avail_ able if needed for extra long use of faster recycling times. Please consult the sec_ tion on selection of power sources on page 33. The large number of units in the OM System Flashphoto Group is designed to answer the needs of every kind of electronic f lash photography. The tables will help you select the flash mode and units for the sort of pictures you wish to take.View original page 22
Page 28 · Read text
oF THE FLASH MoDE www.butkus.usS selEcnoN
Analysing flash photography methods lens capability, so TTL Centralized
by the function of the f lash unit, there Control Flash is the ideal electronic
are three possibilities; manual flash, flash system for this kind of camera.
normal auto flash and TTL Centralized While normal auto flash units can also
Control Flash. With manual flash, the give a correct exposure, they are far
volume of light emitted by the flash less versatile and convenient in use.
unit is always constant. Although it Drawbacks include the need to set film
involves manual setting of the f/stop speed and lens aperture on both the
according to the subject distance, this camera and the f lash unit, restrictions
mode is the most suitable for daylight on the F number that can be used,
synchro f lash. inability to change the light measuring
Normal auto f lash is a more convenient r TTL "OTF" Centralized ControlFlash angle of the sensor according to the
method in which a few f /stops are This method, developed by Olympus taking angle of the chosen lens, etc.
specified, and the flash unit auto- for the first time in the world, is the TTL Centralized Control Flash fully
matically regulates the f lash volume for most advanced auto flash method for overcomes these drawbacks by offering
correct exposures through its built-in SLR cameras. lt only becomes possible the following entirely new features. 1)
auto sensor and light measuring cir- through the use of the OM-2 in combina- No need to set film speed: once the
cu it. tion with the T32 or T20. In this new film speed has been set on the camera
A further refinement on normal auto method, the light sensors and electronic there is no need to reset it on the flash
f lash is the Olympus pioneered Central- brain are built into the OM-2 camera. unit. 2) No need to set the aperture F
ized Control Flash. This new method Because the light is measured through number either: Because the aperture is
involves centralized automatic regula- the lens, factors such as lens brightness already set on the camera lens, there is
tion of the f lash volume via the OM-2's and taking angle, subject brightness, no need to reset it on the flash unit.
built-in TTL Direct Light Measuring etc. are all taken into account, and the This also eliminates exposure error
sensors and electronic brain. Because OM-2 is able to centrally control the caused by mistaken aperture alignment.
the light measured is thatwhich reaches light emission of the flash unit. This 3) F number can be selected freely:
the f ilm through the lens, the reading is explains the name TTL "off-the-film" Because the light is measured through
unaffected by the way in which the f lash Centralized Control Flash. the taking lens, there is no restriction
unit is used, making possible a complete- Just as TTL (through-the-lens) exposure on the choice of lens aperture. 4) Pho-
ly free choice of lighting methods. measuring has become the norm for tographic range is vastly increased: At
SLR cameras with their interchangeable maximum output with the 32 guideView original page 28Page 29 · Read text
number F1.2, subjects and at can be \photographed from as far as 26 meters. The minimum distance at F22 is a mere 18cm, and this can be reduced still fur- ther if the light is diffused with a hand- kerchief or suchlike. This feature is very important for SLR photography, which is so well suited for close-ups. 5) Light measuring angle is automatically adjust- / ed for taking angle of lenp: The angle of measurement is increased with wide- r Normal Auto Flash r Manual Flashangle lenses and decreased with tele- CenventionalMauto flash units need a With this mehtod the volume of lightphoto lenses. An extremely apt feature light sensor to measure the brightness is constant. Therefore the correctexpo-for SLR photography. 6) Simpte of the subject. lt reads the light ref lect- sure must be obtained by setting thebounce, diffused lighting and ultra ed by the subject and, when the light lens aperture to admit the properclose-up flash photography: The fact volume reaches a predetermined value, amount of light. The aperture value isthat the exposure is calculated inside sends a signal to the control section, determined by dividing the guide num-the camera means that the location and which cuts off the light emission. With ber of the f lash unit by the subject dis-method of using the flash unit are en- the T32 and T2O, the calculator panel tance. The T32 offers a choice oftirely unrestricted. 7) Simplified multi- at the back is reversed to showthe aper- High or Low output (GN32 or GN16,flash operation: Simultaneous f lash em- ture/distance scale. The T32 offers a ASA 100, meters) (GN1O4 or cN52,ploying two or more flash units can be choice of three aperture values (F4, ASA 100, feet). The desired outputdone easily without complicated ex- F5.6 and FB, ASA 100), and the T20 is set on the calculator panel at the rearposure calculations, as the SBC sensors two values (F4 and FB, ASA 100). The of the unit, which then automaticallymeasure the light ref lected off the film lens aperture should be set to the aper- displays the appropriate aperture-to-and electronic brain centrally regulates ture selected on the calculator panel. distance scale. The Olympus PS200 the flash emission. 8) Ease of opera- When the T32 or T20 is used together and PS200 Ouick flash units use thetion; The only procedure required of with the OM-l or OM-10, the normal same method.the photographer is to f lip the selector auto mode is the most suitable in the The manual mode is generally selected lever on the OM-2 to "AUTO" and great majority of cases. for daylight synchro f lash or other spe-switch the T f lash unit on. cialized photography.View original page 29
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THE cAM ERA www.butkus.us@ selecnoN oF Along with the progress in electronic flash technology, there has been further development of camera design too. As a result. in some cases f lash performance is limited by the capabilitiesof thecam- era. Alternatively, the kinds of flash lighting that can be deployed will be limited by the modes of function avail- able on the flash unit. These points are clarified in the tables on pages 21-24, which should be consulted in making r OM-2ru (OM-2) r OM-1n (OM-11first your camera selection, then your All three f lash modes can be used: e The available f lash modes are: @ nor-selection of flash unit and kinds of TTL Centralized Control Flash, f2 nor- mal auto flash, and @ manual flash.lighting. Because the latest f lash system, f lash unit directly on the mal auto f lash, and @ manual flash. To mount theTTL Centralized Control Flash,depends The Accessory Shoe 4 (OM-2r'r ) or Ac- camera, the Accessory Shoe 4 (OM-1 rrr )on a light emission control function cessory Shoe 3 (OM-2) is needed to or Accessory Shoe 1 (OM-1 ) is used.built into the camera, it is only possible mount the f lash unit directly on the When the Power Bounce Grip 2 is used,when the OM-2n (OM-2) camera is camera. For use with the Power Bounce the electrical connection is made by theused. In the case of auto-exposure (EE) Grip 2, the accessory shoe must be re- TTL Auto Connector Type 4/TTL Autocompact cameras on which the aperture moved, and the TTL Auto Connector Cord (in the case of OM-1r! to makecannot be set manually. normal auto (Type 4 with OM-2r'r, Type 3 with OM- use of the viewf inder f lash indication)flash is also impossible, and only 2) is screwed into the hot shoe socket or the synch cord built in the bracketmanual flash can be used. lf the cam- and connected to the bounce grip via section (the viewf inder f lash indicationera provides a 'Flashmatic' system, how- the TTL Auto Cord. cannot be seen).ever, manual f lash is also made simple. The camera incorporates a mechanismIn short. suitable flash units and flash to prevent accidental flash by stoppingmethods will vary according to the the flash unit from firing at shutter , posure without taking his eyes off thecapabilities of the camera selected. speeds faster than 1 /60 sec. subject. When the T32 or f2O is f ittedThus the choice of camera must be An LED indicator in the OM-2n view- into the Accessory Shoe 4, "X " synchrogoverned by the flash performance and finder lets the photographer check the is set automatically. With the OM-2, setf lash method required. flash charge and correct auto flash ex- / the flash synchro selector to "X".View original page 30
Page 31 · Read text
I oM-10
The available flash modes are: @ nor-
mal auto flash and @ manual flash.
The OM-l0 has an accessory shoe per-
manently attached to the camera. The
synch circuit is set to "X" and the shut-
ter speed to 1/60 sec. automatically
when the f32 or T2O is slipped into
the accessory shoe and turned on. lf a
shutter speed of 'll30 sec. or slower is
needed (e.9. for daylight fill-in), set
the mode dial on the top of the camera
tO ,,MANUAL ADAPTER" ANd thE
Manual Adapter to the desired shutter
speed. The OM-'10 incorporates the
viewfinder flash indication. The Power
Bounce Grip 2 cannot be used with the
OM-10. When using the T2O on the OM-
10 with its manual adapter make sure
the Manual Adapter is set to 1 /30 sec.
or slower (light blue) for correct flash
synchro n ization.
2aView original page 31Page 32 · Read text
HI selecnoN oF THE FLAsH uNrr www.butkus.us The variety and range of lighting avail- able will depend on the performance of the f lash unit, There are two basic elec- tronic flash unit formats: the small, lightweight clip-on type that attaches directly to the camera, and the pro- fessional grip type. In terms of function, there are manual flash and auto flash. Among auto flash units, there is the type using the inex- pensive bypass method. There is also I Electronic Flash T32 ture of the taking lens can be set ab-the type using the expensive series This f lash unit is the central unit in the solutely freely. Used alone, the T32 em-method, in which only the energy re- OM System Flashphoto Group. The bodies the ultimate in versatility forquired to produce the flash is used, T32 is a series type auto ilash unit clip-on type flash units. lts flash sur-and the remainder is stored for later with a high GN32 guide number (ASA face can be tilted through an angle ofuse. This type makes possible fast 100, meters, at peak) or GN104 in feet 9Oo upward and 'l 5" downward. Mount- repeated f lash performance. (ASA 100), and a f lash angle large ed on the Power Bounce Grip 2, theFurther, depending on the location of enough to give virtually complete cover- bounce angle range is extended further: the light sensor, there are two kinds of age with a 24mm super wide-angle lens. 90" upward, 20o downward,24O" lelt auto flash: normal auto flash and TTL Flash methods include the world's f irst and 60' right, allowing free choice of"OTF" Centralized Control Flash. TTL "OTF" Centralized Control Flash sidelighting and backbounce lighting.Other criteria for the selection of the in combination with the OM-2 (OM- Comfortable motor-driven f lash ohoto-f lash unit are the guide number (GN), 2r.r ), normal auto flash, and manual graphy is possible with the motor driv€which indicates the flash brightness, flash. In TTL "OTF" Centralized Con- or winder unit linked with the bouncethe angle of coverage, the number of trol Flash, both the auto light sensors grip via M. Grip Cord, by pressing theflashes the unit will produce, the re- and the electronic brain that controls shutter release provided on the Powercycling time, performance in close-up the volume of the f lash emission are in- Bounce Grip 2, As described above,photography, the simplicity of using corporated in the OM-2 camera. Because together with the large numberof otherbounce and diffused lighting tech- the light is measured through the taking availabfe system units, the T32lOM-2niques, etc. Your choice of unit should lens, the film speed and aperture need combination is ideal for every kind ofbe made according to your flash photo- be set only on the camera, and the aper- flash photography, making possible aView original page 32
Page 34 · Read text
www.butkus.usr5ll SELECTION OF W THE MOUNT
The mount referred to here is the mount
used mainly for the attachment of the
f lash unit. On some cameras the mount
(or accessory shoe) is fixed, making a
choice impossible. The OM-1 and OM-2
camera bodies are designed to allow
a choice of mounts for flash photo-
graphy, depending on the photographic
requirements. (The OM-10 has a built-
in hot shoe). The available mounts in-
clude the Accessory Shoes which are
mainly for on{amera direct flash, and
the Power Bounce Grip 2 which allows
a greater degree of versatility. As its
name indicates, the bounce grip allows
tilting or swiveling of the angle of the
flash surface (T32 or T20) so that the
light can be aimed at the ceiling or a
wall, and the resulting reflected light
used as the source of illumination for
uncomplicated bounce flash photo-
graphy. lt also incorporates a powerful
additional power source, which is ac-
tivated simultaneously, and works in
tandem, with the power source housed
in the flash unit, thereby speeding up
the recycling time, so that the bounce
grip is also highly useful for flash photo-
graphy requiring many different cuts,
and for rapid repeated flash photo-
graphy.View original page 34Page 36 · Read text
www.butkus.usTHE PowER souRcE @ selecnoN oF
The power sources for electronic f lash To satisfy these requirements. C bat-
units include penlight (AA) batteries, teries, which are considerably more
"C" batteries, household current con- powerful, are available. With alkaline
verted by an Electronic Flash AC batteries of this type. some 200 flashes
Adapter 2. The most suitable power can be obtained, with a recycling time
source should be selected according to of up to 9 sec., a performance some
the particular photographic purpose. 2 times greater than that of penlight
Among compact electronic flash units batteries. Electronic flash units with
intended for normal amateur use, a large this performance are generally of theOA proportion relies on two or four pen- grip type. with the grip permanently
light batteries as the power source. The attached to the main flash unit- The
@TTL Auto Multi Connector number of flashes, specially with auto batteries Jor this type must normally
Allows two or more flash units (T32s flash units, depends on the subjects dis- be carried in a supplemental external
or T20s) to be combined to perform tance, or in other words the volume of power pacK.
simultaneous flash photography. One the flash, but with alkaline batteries is ln the OM'System Flashphoto Group,
side is orovided with three socket term- generally around 100 flashes. Rgcycling penlight batteries are accomodated in-
inals. each of which accepts a TTL Auto time is normally fr:om around seven to side the main flash unit, and supple-
Cord which in turn is linked to a f lash ten seconds. While the use of penlight mentary C type batteries inside the
unit. The opposite side having a single batteries as the power source brings grip. One more alternative is the use oJ
TTL Auto Cord socket is connected great advantages in terms of compact- household eleitric current with the
with the TTL Auto Connector and ness, lightness and handling, they are Electronic Flash AC Adapter 2.
screwed into the hot shoe socket of rather limited with respect to recycling
the camera. time and the number of flashes they
@TTL Auto connector T20 provide. Electronic flash for profes-
Allows the T20 to be connected with sional level work must satisfy a number
the OM-2N, OM-2 and OM-lru via the of additional requirements: the light
TTL Auto Cord and TTLAuto Connec- output must be high, the number of
tor for off-camera flash (hand-held or flashes large, and the recycling time
tripod mounted.) short, while at the same time the flash
unit must still be easy to carry.View original page 36From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.