Film cameras
Petri Penta V User manual
User manual for Petri Penta V. 33 pages. Read the original PDF, download or print a copy without registration.
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- Petri
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- Petri Penta V
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- Film cameras
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l l . O R I K K O RF 2 5 O m mL E N S 1 6 . DIAPHRAGMSCALE 21. SPROCKET
1 2 .C O V E R L E V E R 1 7 . MANUAL AND AUTOMATIC DIAPHRAGM 22. TAKE-UPSPOOL
S W I T C H R I N G 23, PATRONEBOXI 3 . F O C U S A D J U S T I N GL E V E R r 8 . B A Y O N E TM O U N T
I 4 . D I S T A N C ES C A L E 1 9 . ACCESSORYSHOE SCREW HOLE 24. TRIPODHOLE
I 5 . D E P T HC F F I E L D S C A L E 20. EYE-PIECE ?5. RETURNBUTTONView original page 8Page 10 · Read text
b u t t o n , t h e n u m b e r o f f i l m i n d i c o t o r o d v o n c e s o u t o m o t i c ol l y . A s s h u t t o r c j i o l i s S i n g l e - p i v o t N o n - r o t o t i o n t y p o , y o u c o n s s i t h e s c o l o e i t h e r b e f o r e o r o f t e r t h o f i l m - w i n d i n g . T h e s c o l e i s o n g r o v o d i n t h e s o m e d i s t o n c eo n d m u l t i p l e n u m b e r s . B e s i d e t h e s e f e o t u r e s , t h e s h u t i e r r o l e o s e b u t t o n i s c o n v e n i e n t l yp o s i t i o n o d o n t h e u p p e r f r o n t o f c o m o r o b o d y i n t h e o n g l e o f 3 0 d e g r e e o g o i n s t t h e l i n e o f L o n s R i n g . l t g i v e s y o u t h e s t o b ? l i z o - t i o n i n y o u r r e l o o s i n g i h e s h u t t e r b u t t o n . l 5 d e g r o e p l o y o f F i l m A d v o n c e L e v e r i s f o r y o u t o g e t q u i c k e r p i c t u r e - t o k i n g . T h o b u i l t - i n . s e l f - t i m e r c o n b e s e t t h e r e l o o s i n g t i m e . T h e s e o r o s u p o r l o t i v e f e o t u r e s o f P E T R IP E N T A V . I t i s t o b e o d d e d s p e c i o l l y t o o t h e r s u p o r l o t i v e f e o t u r e s t h o t P E T R I P E N T A V h o s t h e r e l e o s i n g device for FULLY AUTOMATIC DIAPHRAGM.View original page 10
Page 13 · Read text
o f V ie wfinder . When it is out- of- f ocus. the im oges 3. HolTT0t0c|Js
i n i h o m i d d l e p o r t o n d i n b o t h u p p e r o n d b e l o w
p o rts d o not fit. As you tur n the helicoid r ing,
. A s y o u l u r n t h e h e l i c o i d r i n g w h i l e l o o k i n g t h r o u g h o n e o f i n r o g e sm o v e s . W h e n t h e i m o g e s i n t h e
V iewf inde r , y o u w i l l n o f i c e o n e sp o t wh e ro yo u n r i d d l e p o r t f i t s t h e o n e s i n b o t h u p p e r o n d b e l o w
c o n s e e t h e s u b i e c t m o s t c l e o r l y . T h o t i s t h e p o i n t p o rts co mpletely, tho focusing is m ode cor r ectly.
w h e re y o u c o n g e t i h e p r o p e r fo cu sin g . Fu rih e r ( S e e t h e p i c t u r e b e l o w )
o c c u r o t e f o c u s i n g c o n b e m o d e b y u s i n g t h o s p l i t . W i t h S t o n d o r d L e n s , y o u c o n g e t t h e f o c u s i n g o
i m o g e s y s t e me q u i p p e d w i f h P E T R IP E N T A V . T h e s u bj e c t b e t w e e n i h e d i s t o n c e o f 1 . 75 f t . o n d a
s p l i t - i m o g ei s t h e c i r c l e c o n b e s e e n i n l h e c e n t e r inftniry.. ' n
S p l i l - i m og e F r e s n e l l e n s
W r o n g Cor r ect
www.orphancameras.comView original page 13Page 14 · Read text
4. Careto ]|andleF|JttY-Al|T0]t|AIIC
& Iv|AI{UAIIIAPHRAGfi|
. L o o k o t t h e F u l l y - A u t o m o t iDc i o p h r o g mR i n g . T u r n
t h e r i n g u n t i l t h e m o r k " A U T O " c o m e s l o t h e
t o p o f l e n s r i n g o n d t h e c o m o r o i s i n " F u l l y -
I A u t o m o t i c D i o p h r o g m" O p e r o f i o n . U s u o l l y t h i s
p o s i t i o n s h o u l d b e k e p t . W h o n r e l e o s i n g t h e 1/
o p e r o t i o n ,t u r n t h e r i n g u n t i l t h e m o r k , " M A N U A L "
c o m e s t o f h e t o p o f l e n s r i n g . F 2 5 0 m m
. l n " F u l l y - A u t o m o t i cD i o p h r o g m" O p c r o t i o n , - t h e
l e n s i s f u l l y - o p o n e d o t o l l t i m e s o n d o n l y w h e n W h e n t h e m o r k " A U T O " c o n b e s e e n o n
y o u r e l e o s e t h e s h u t t e r b u t t o n t h e F v o l u e o f i h o t o p o f l e n s r i n g o s s h o w n i n t h e p i c t u r o
o p e r t u r c c o n b e o b t o i n e d . T h e s t e o d y o p e n i n g o b o v e , i t m e o n s t h e c o m e r o i s o p e r o t i n g
o f lens m o k o sy o u t o f o c u s o su b ie ci ve ry e o sily, vr ith " F ULLY- AUT OM AT IC DIAPHRAGM"-
b u t w h e n y o u w o n t l o l o o k t h r o u g h t h o s u b i e c t As you tur n the knob ( shown by the or r ow-
m o r k i n t h e p i c t u r e ) t o t h e o n d o n d w h e n i n t h o d e s i r e d o p e r t u r e , r e l e o s e F u l l y - A u t o m o t i c t h e m o r k " M A N U A L " c o m e s 1 o t h o t o p ,
D i o p h r o g mc r n dl o o k t h r o u g h t h e o u t s i d eo f d o u b l e - its ooer otion becom es " M ANUAL DIA-
c i r c l ei n f h e c e n l e r o f v i e w l l n d e r , o f t e r g i v i n g t h e PHRAGM ". T his device by which you con
d e s i r e d o p e r i u r e b y m o n u o l . Y o u c o n t o k o o sr vitch the dicphr ogm cosr ly fr om Autom otic
p i c t u r ew i t h l h e r e l e o s e o f A u t o m o t i c O p e r o t i o n . Oper otion io M onuql Oper otion is onother
PET RIPENT A V Exclusive.
13View original page 14Page 15 · Read text
t h e r e l e o s e t i m e , o n d i u s t r e l e o s e t h e s h u t t e r 5. 1l0t{T0l|sE$rLtTrliltR
b u tto n .
. T h e s e l f t i m e r s e t t i n g c o n b e m o d e e i t h e r b e f o r e
o r o fte r your odvoncing the film winding lever .
. P u l l d o w n t h e s e l ft i m e r l e v e r t o t h e e n d ( l 8 0 ' ) . S e l f t i m e r c o n b e u s e d i n o l l s h u t t e rs p e e d s e x c e p t
o s s hown i n t h e p i c t u r e o n f h e rig h t o n d re le o se B s e t t i n g .
lhe but t o n o s s h o w n i n t h e p icfu re o n th e le ft, . S e l f t i m e ri s u s e f u l f o r f h e g r o u p p i c t u r e t o w h i c h
ihen o b o u t I I s e c o n d s o f t e r yo u r re le o sin g th e yo u .;' 1 o )p ofter /lF leosing the button. lt is olso
b u t t o n lh e f i l m w i l l b e e x o o se d . ixe fu l"fo r Cloie=up ond M icr o- photogr ophy. In
. Y o u c on s e t t h e s e l f t i m e r i n b e iwe e n lo sh o rte n lh is co se , the use of tr ipod is r ecom m endoble.
www.orphancameras.comView original page 15Page 16 · Read text
E. l|OItTOUSERI.METPO$URECOUIITER F I L M E X P O S U R EC O C I N T E R i s fh e d e vice to sh o w t h e n u mbe r o f f i l m s e x p o s e d . A n u mb e r will b e o d v o n c e d o u t o m o t i c o l l y w h e n e ve r yo u re le o se th e s h u t t e r re l e o s e b u t t o n o f t e r co ckin g th e film o d - v o n c e leve r . T h u s i t o l w o y s te lls yo u o ccu ro to ly h o w much p i c i u r e s y o u h ove to ke n . As th e c o u n t e r o u t o m o t i c o l l y r e s o t to Ze ro p o in t, yo u d o n o t h o v e t o w o r r y o b o u t s e t t i n g t h c c o u n t e r b y y o u r s e l f o t e v e r y p i c t u r e t o k i n g . 'View original page 16
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PETRIORIKKOR IENS
PETRI ORIKKORF2 50mm
T h e s t o n d o r d l e n s e q u i p p sd wirh PE TRIP E NTA V
c o mero i s o f H i g h - q u o l i r y ,S u p e r-fo srp ETRIOn f f f 6 f'
5 0 mm 4 g r o u p 6 e l e m e n t l en s u sin g flin t_ g lo sswith
H igh-R e f r o c t i o n R o t i o . T h is p E TRt ORTK K ORL E NS
h o s H ig h R e s o l v i n g P o w e r e ve n in its fu ll_ o p e n in g
condition. lt is very useful for color os well os
b loc k -& - w h i t e p h o t o g r o p h y, sin co th e le n s is p ro -
c e s s e d v T i t hE x c e l l e n tC o m b in o tio n -Co o tin gMe th o d .
www.orphancameras.comView original page 17Page 19 · Read text
ORDEROF PHOTOGRAP}IY
T h o f o l l o w i n g p r e p o r o t i o n so r e n e e d e d b e f o r e y o u r p i c t u r e '
t oking . . .
( I I L o o d t h e f i l m i n Y o u r c o m e ro '
l2l A d v o n c e t h e f i l m o n d r e l e o se th e sh u tte r b u tto n '
R e p e o t i h i s o c t i o n . ( 2 e xPo su re sl
( 3 i A c k now l e d g e i f F u l l y - A u t o moicf Dio p h ro g m Rin g fits o n
t h e mor k A U T O . N o w y ou o re re o d y to fo ce so me
s u b i e c t .
( 4 t B e s u r e i f t h e l e n s c o p i s u n c o v e r e d ' OPENTNGTHE BACK COVER
( 5 l A d i u s t t h e € x p o s u r e b y s e t t i n g b o t h D i o p h r o g m o n d
S h u t t e r S P e e d S c o l e ' P u l l d o w n t h e l e v e r w i t h Y o u r
( 6 l C o c i < t h e f i l m o d v o n c e l e v e r ' t h u m b n o i lt o o p e n t h e b o c k c o v e r .
( 7 | De c ide t h e p i c t u r e - c o m p ositio nb y f o cu sin g ii th ro u g lt A t t h e s o m e t i m c , t h e f i l m r e s e t t i n g
ihe v ie w f i n d e r . c o u n t e r o u t o : ' n o t i c o l l yr e t u r n s t o
( E l R e leos e t h e s h u t t e r b u t t o n' t h e s t o r t i n g - p o i n (t 0 ) .
( 9 ) R e p e o t t h e s o m e o c t i o n ( f r o m 6 to 8 ) o t e ve (Y
p i c t ure - t o k in g .
( 1 0 ) U n l o o d t h e f i l m w h e n t h e r o l l o f f i l m i s o l l e x p o s e d .
F I t M ! . O A D I N G
18 www.orphancameras.comView original page 19Page 20 · Read text
,,1
PULLINGOUT THE CRANK FILM LOADING
Pull o u t t he f i l m r e w i n d k n o b d n S lip th e 2 n d o r 3 rd p e rf6 ro tio n of P u l l t h e c o r t r i d g e b o c k , l e r t i n g
the t oo o f c o m e r o . T h i s i s fo r film fro m th e e n d in to th e slo t on enough film unwind so thot you
the c ort rid g e t o b e p u t i n t o th e th e to ke -u p sp o o l so th o t ih e end con ploce the cor tr idge in its com -
co rt rid g e-bo x . is fo sle n e d b y fittin g th e p e rfor o- por tm €nt,. Put the film r ewinding
tio n to th e to o th o f ih e to ke- up cr onk to the or iginol position.
sp o o l.
19View original page 20Page 21 · Read text
\
THE CONDITION ADVANCETHE FILM LEVER CLOSING THE BACK COVER OF PERFORATION
Advon c e t h e f ilm o d v o n c e t e v e r o B e su re if th e film p e 4 o ro tio ns Bock covor will ouf om cticollv be
l i t t lo t o s e e if t h e s p o o l c o f c h e s co mp lo to ly { lt with th e sp ro cket closed by pushing it.
t he f il m.
www.orphancameras.com20View original page 21Page 24 · Read text
HOW TO rOOK I{OW TO INTERCHANGE
THR.OUGHVIEWFINDER THE IENSES
AND FOCUS
As th e mo u n t of PET RIPENT A
A s t h e e y e- p i e c e e q u i p p e d w i t h P E T R I V is B A Y ONE T T ype, you con
P E N T AV i s b r i g h t o n d w i d e , e v e n t h o in to rch o n g o th e lenses, iust iur n
g l o s s o dp e r s o n c o n l o o k t h r o u g h i t w i t h o u t th e Bo yo n e tt R ing locoted in
to k ingo f l lh e g l o s s e s . L o o k th ro u g h th e t h e f o o t . o [ - l o n s r i n g t o t h e
c e n l e ro f e y o - p i e c e . A s m e n t i o n e db e f o r o , r i g h t . ' o n d - I l u r n t h e i n d i c o t i o n
in y o u r f o c u s i n g , y o u c o n f o c u s e o siiy o n d mo rk (Ro d P o i nt, see pictur o)
r o p i d l y o, v e n o f t e r y o u r o d i u s t i n gt h e o p e r - fo th o to p , o n d you con dis-
l u r o t o F V o l u e o s t h e d i o p h r o g mi s o c t u o l l y m o u n t i h e l e n s . I n y o u r m o u n t -
r omo ined o p e n , f o r i h e c o m e ro e q u ip p e d i n g t h e l e n s , i u s t g i v e t h e
w it h Fu lly -Au t o m o t i cD i o p h r o h m. re ve rse o ctio n of som o.
T o u s e f h o s p l i t - i m o g e f o c u s i n g p l o c e Th e scre w-in type Inter chongeoble Lenses for PETRI
l h e v o r t i c o l l i n e o f o s u b i e c t i n t h e P E NTA co n b e oitochod by using the speciolly-designed
c o n t e ro f V i e w l l n d e r t o s e e t h e u p p e r l i n e A d o p te r Rin g .
on d b o t t o m l i n e o f f h e s u b i e c t ve ry e o sily.
nView original page 24Page 29 · Read text
3o
tr6 oc- a -
= J
F T tro
E5
o.g REWINDING FIL'N REtflovtNc Fttm
fo.
P u l l o u l i h e r e win d in g cro n k o n d tu rn P u ll o ut the r ewind knob to r gm ove
i t t o t h e o r r o w d ire ciio n wh ile Dre ss- t h e c o r i r i d g e . .?Tr I - -
!.3 ibnogl t ol hme o fr e ct uo rmn erob u ttob o dn y.lo coB ete sud reo t ththoet otr t h o f i l m i s c o m ple te ly re win d e d in to th e
4 ( E c o r t r i d g e .
n FILM UNLOADINGwww.orphancameras.comView original page 29Page 30 · Read text
SYNCHRO-FLASHPI{OTOGRAPF{Y
T h e s u b i e c t i n t h e d o r k p l o c e c o n b e p h o t o g r o p h e d se t Syn c hr o,swifch lever to X- m or k ( Soe pi cture
by u s ing f l o s h b u l b s s y n c h ro n izin g th e sh u tte r. A s B) o n d when using F P- clossfloshbulb,you h o v e f o
t he p ic i u r e A s h o w s , i n o rd e r to to ko Syn ch ro - s w i t c h t h e l e v e r t o F P m o r k .
Flos h P h o t o g r o p h y , f i r s t o f o ll, co n n e ct th e co rd R e f e r r i n gt o t h e t o b l e , s e t t h e o n o
of f los h - g u n l o S y n c h r o -te rmin o l. Th e flo sh -g u n d e c i d e F V o l u o o f D i o o h r o h o l
c o n e o s i l y b e o t t o c h e d l o P E N T A V i t y o u u s e typ e o f floshbulbyou use on I h e '
t he P E T R IE x c l u s i v e A c c e s s o ry Sh o e wh ich is o lso s u b i e c t . N o w y o u q r e r e t h e
o n s o l e . s h u l t e r b u t t o n . T h i s i s f h e w o v o .
W h e n y o u u s e F - c l o s s M, - c l o s s F l o s h - b u l bo r S t r o b e , F l o s h : ' P h o t o g r o p h y .
TABLE
FP clo.ss (Screw. mount)
FP closs (Boyonettl
F clqss bulb
M closs bulb
Speed LightView original page 30Page 32 · Read text
ESSOR.YSHOE LENSHOOD FILTERS
ond v er s o t i l o s c r e w - i n t y p e P E T R IP E N T A V L E N S H O O D h o s T o insur e per fect pictur e in oll
y S h o e o t t o c h m e n t f o r been coref ully designed ji-o pre- kinds of light condition, use PET RI
g u n , exp o s u r e m 6 l e r o n o ve n t srro y li$ ,| fro m o n tiiring the F I L T E R: SY l , Y 2 f c r o u t d o o r h u -
s is onoth e r P E T R IP E N T A V l e n s o f c o m e r o . l t i s c o n s t r u c t e d r n:r cnd londscope, YA3, Rl for
iv o . lt c o n b e o t t o c h o d t o o f l i g h t o l l o y m e t o l o n d s m o r t l y Distont View ond Sky, PO I f or
b o d y v e r y e o s i l y b y style d o f ro u n d sh o p o to e n honco hum on por tr oit UV for obsor bing
h s c rewing i t i n t o A c c e s s o r y lh o b e o u ty o f yo u r PE TRIP ENT A Ultr oviolet Roys. F or :color - photo-
lloe Hole. V. Co mp le to with e ve r-r eody sr ophy, W4, C4, C8, Cl2 or e
c o r r y i n g l e o t h e r c o s e . ovoiloble.
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