Film cameras
Petri Penta V2 User manual
User manual for Petri Penta V2. 33 pages in English. Read the original PDF, download or print a copy without registration.
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- Brand
- Petri
- Model / document
- Petri Penta V2
- Document type
- User manual
- Language
- English
- Pages
- 33
- File size
- 2.4 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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T Y P E : F u l l y - A u t o m o t i cD i o p h r o g m P e n t o P r i s m S i n g l e L e n s R e f l e x C o m e r o w i t h Q u i c k - R e t u r n
M i r r o r .
|a FILM SIZE 3 35mm film l2O or 36 exposuresf
PICTURE SIZE . 24mm x 36mm.rIe
S T A N D A R D L E N S ! P E T R TO R I K K O R 5 0 m m F 2 , C o l o r - c o r r e c t e d L e n s .i
; ( S H U T T E R : F o c o l P l o n e S h u t t o r . f f ilr SHUTTER:lT:l:^l;,l{,;n,,J,:,o,,.,',','u.|..'''ffi,l/500se l'zrrl lrl
I V | E w . F | N D E R : P e n t o P r i s m V i e w f i n d e r w i t h B u i | t - ' w n u ' L e n s .
FILM TRANSPORT: Single-srroke il 80'l ropid rron o u t o m o t i c o l l yt r o n s p o r t s lr(c-
JFt-H INTERCHANGEABLEfilm snd cocksLEr'lS:the shunerBoyonetsimuttffiffi#rvp%Nlchon
E c o m e r ow i t h t h e o d o p t e r .
qE6o V l :
O T H E R F E A T U R E S: A u t o m o fi c - R e s e t t i n g F i l m C o u n t o r , C r o n k - t y p e F i l m R o w i n d i n g , B u i l t - i n
S e l f t i m e r e t c .
www.orphancameras.com #View original page 5Page 8 · Read text
l l . C R I K K OR F 2 5 0 m m L E N S 16. DIAPHRAGMSCALE 21. SPROCKET
12.C O V E R L E V E R 17. MANUAL AND AUTOMATIC DIAPHRAGM 22. TAKE.UPSPOOL
SWITCH RINGt J . F O C U S A D J U S T I N GL E V E R 23. PATRONEBOX I 8 . B A Y O N E TM O U N T
1 4 . D I S T A N EC S C A L E I9. ACCESSORYSHOE SCREW HOLE 24. TRIPODHOLE
D E P T H O F F I E L D S C A L E 20. EYE-PIECE ?5. RETURNBUTTONView original page 8Page 10 · Read text
b u t t o n , t h e n u m b o r o f f i l m i n d i c o t o r o d v o n c e s o u t o m o ti c ol l y . A s s h u t t o rd i o l i s s i r r g r e - p i v o Nt o n - r o t o r i o n t y p o , y o r r c o n s e t t h e s c o r e e i t h e ' b e f o r e o r o f t e r t h e f l l m - w i n d i n g T h e s c o r e i s e n g r o v e d i n t h e s o m e d i s t o n c co n d m u l t i p l en u m b e r s . B e s i d e t h e s e f e o f u r e s , t h e s h u t r e rr e r e o s e b u t i o n r s c o n v e n i e n t r py o s i t i o n e do n t h e L / p p e r f r o n t o f c o m e r o b o d y i n t h e o n g l e o f 3 0 d e g r e o o g o i n s t t h e l i n e o f L e n s R i n g . r t g i v e s y o u t h e s t o b i r i z o - t i o n i n y o u r r e l e o s i n gt h e s h u f t o r b u t t o n . l 5 d e g r e e p l o y o f F i l m A d v o n c e L e v e r i s f o r y o u t o g e t q u i c k e r p i c t u r e - i o k i n g . T h o b u i r t - i n s e r f - t i m e r c o n b o s e t t h e r o l o o s i n gt i m e . T h e s e o r o s u p o r l o r i v of e o r u r e s o f p E T R rp E N T A v . I t i s t o b e o d d e d s p e c i o i l y t o o t h e r s u p e r r o t i v e f e o t u r e s t h o r P E T R rp E N T A v h o s t h e r e r e o s i n g d e v i c o f o r F U L L YA U T O M A T T C D t A p H R A G M .View original page 10
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I BASICHANDTINGTO BE REIUIETIIBERED
t. lllllDilllc0F fltlt utlllolllctEufR tphi ce tl uer .er e4ro| .u At onmd ot ht iec owlol ryr ek t ou dr nv sot on ct he seosnt eo rf tr -opmoei no tf .l fSi leme.
A t t h i s t i m e , t h e s h u t t e r b l i n d i s o l s o o d v o n c e d
A s i n d i c o t i n gi n P i c t u r e l , h o l d y o u r c o m e r o t i g h t l y s i m u l t o n e o u s l y . Y o u c o n n o w r e l e o s e t h e s h u t t e r
o s c l o s e l y o s p o s s i b l e t o y o u r b o d y w i t h y o u i ' b u t t o n o n y l i m e y o u w o n l . U n l e s s y o u r e p e o t t h o
b o t h h o n d s . T h e n t u r n t h e w i n d i n g l e v e r w i t h w i n d i n g , y o u c o n n o l r e l e o s e t h e s h u t t e r b u t t o n .
y o u r r i g h t t h u m b ( S e e P i c t u r e 2 , i t i s o c t u o l l y l 5 ' A n d t h i s i s t o p r e v e n l t h e d o u b l e - e x p o s u r e ' U n -
p l o y ) . A n d t h i s i s t h e s l o r t - p o i n t . T h e n t u r n t h e l e s s y o u r e l e o s e t h e b u t l o n , y o u c o n n o t o d v o n c e
l e v e r t o t h e e n d ( S e e P i c t u r e 3 , i t i s 1 8 0 ' t u r n - t h e f i l m . A n d t h i s i s t o p r e v e n t t h e m i s - o d v o n c e
i n g ) . A s y o u r e l e o s e y o u r t h u m b f r o m t h e l e v e r , o f f i l m .
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o f Vie wfinder . When it is out- of - focus, the im oges 3. lt0wI0 r0c|Js in th o middle por t ond in both upper ond below
p o rts d o not fit. As you tur n the helicoid r ing,
. A s y o u lur n t h e h e l i c o i d r i n g wh ile lo g kin g fh ro u g h o n e o f im oges m oves. When the im oges in the
V iewf inde r , y o u w i l l n o t i c e on e sp o t wh e re yo u n rid d le p o r t fils the ones in both upper ond below
c o n s e e t h e s u b i e c t m o s t c l e o rly. Th o t is th e p o in t p o rts co mpletely, tho focusing is m ode cor r eclly.
where you con get the propel focusing. Furfher (Se o th e pictur e belovr l
o c c u rot e fo c u s i n g c o n b e m o d o b y u sin g th e sp lit . With S to ndor d Lens, you con get the focusing o
imo g e s y s t e me q u i p p e d w i t h PE TRIPE NTA V . Th e su b io ct b etwoen ihe distonce of | .75 f t. ond I
s p lit -imog e i s l h e c i r c l e c o n b e se e n in lh e ce n te r in fi nity.
F r e sn e l le n s
W r o n g Cor r ect
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4. Careto ]|andletULtY-lUI0lrlATlC
& iililt|il. DtAPl|RtG[l
. L o o k o t t h e F u l l y - A uof m o fic Dio p h ro g m Rin g . Tu rn
t h e r i n g u n t i l t h e m o r k " A U T O " c o m e s t o t h e
t o p o f l e n s r i n g o n d t h e c o m e r o i s i n " F u l l y -
a A u t o m o ifc D i o p h r o g m" O p e r o l i o n . U s u o l l y t h i s
p o s i t i o n s h o u l d b c k e p t . W h e n r e l e o s i n g t h o
o p e r o t i o n ,l u r n t h e r i n g u n t i l t h e m o r k , " M A N U A L "
c o m e s l o l h e t o p o f l e n s r i n g . F 2 5 0 m m
. I n " Fu l l y - A u t o m o t i c D i o p h ro g m" Op cro tio n , -f h e
lens is f u l l y - o p o n e d o t oll time s o n d o n ly wh e n When the m or k " AUT O " con be seen on
y o u re l e o s e t h e s h u t t e r bu ffo n th e F vo lu e o f tho top of lens r ing os shown in the'operpicturoiinge
o p e rt ur e g o n b e o b t o i n ed . Th e ste o d y o p e n in g obove, it r ir oonslhe com er o is
o f lens m o k o s y o u t o f o c u s o su b je ct ve ry o o sily, with " F ULLY- AUT OM AT IC DIAPHRAGM ".
b u t wh e n y o u w o n t t o l o o k th ro u g h fh o su b ie ct As you lur n lhe knob ( shown by the or r ow-
in t h o d e s i r e d o p e r t u r e , ro le o se Fu lly-Au to mo tic m or k in the pictur e) to the ond ond when
the m or k " M ANUAL " com es to lho f op, D iophro g mo n d l o o k t h r o u gh f h e o u tsid e o f d o u b le - its oper olion bocom es " M ANUAL DIA-
c irc le in t h e c e n fe r o f v i e w fin d e r, o lle r g ivin g th e PHRAGM ". T his device by which you con
d e s ire d o p e r t u r e b y m o nu o l. Yo u co n to ke o switch the diophr ogm eosr ly fr om Autom otic
p i c t u r e w i t h t h e r e l e o s e o f A u t o m o t i c O p e r o f i o n . Oper otion to M onuol Oper otion is onother
PET RIPENT A V Exclusive.
l3View original page 14Page 15 · Read text
th e re le o se lim e, ond iust r eleose the shufler -5. 1l0UI0 t|SESEttTlilER b u tlo n .
. Th e se lftim er selting con be m ode either befor e
o r o fte r yo ur odvoncing the film winding lever .
. Pu ll down t h e s e l f t i m e r l e v e r lo th e e n d (1 8 0 "1 . S e lftime r con be used in oll shutter speeds excepi
os s h o w n in t h e p i c t u r e o n l he rig h t o n d re le o se B se tfin g .
t h e bult o n o s s h o w n i n f h e piclu re o n th e le ft, . Se lflime r is useful f or the gr oup pictur e to which
t h e n o b o u t I I s e c o n d s o f l e r yo u r re le o sin g th e yo u io in ofter r eleosing the button. lt is olso
bu t lon f he f i l m w i l l b e e x p o se d . u se fu l fo r Close- up ond M icr o- phofogr ophy. ln
. Yo u c on s e t l h e s e l f f i m e r i n b e twe e n fo sh o rle n th is co se , the use of tr ipod is r ecom m endoble.
;Gfffl?rir"* -ffi
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0. lt0tyT0|JsEfltit Exp0s|JRtc0ljilrtR F I L M E X P O S U R EC O D N T E R i s t h e d e v i c e r o s h o w t h e n u m b e r o f f i l m s e x p o s e d . A n u m b e r w i l l b e o d v o n c e d o u t o m o t i c o l l yw h e n e v e r y o u r e l e o s e t h e s h u l t e r r e l e o s e b u t t o n o f t e r c o c k i n g t h e f i l m o d - v c n c e l e v e r . T h u s i t o l w o y s t e l l s y o u o c c u r o t e l y h o w m u c h p i c t u r e s y o u h o v e t o k e n . A s t h e c o u n t e r o u t o m o t i c o l l y r e s o t t o Z e r o p o i n t , y o u d o n o t h o v e t o w o r r y o b o u t s e t t i n g t h e c o u n t e r b y y o u r s e l f o t e v e r y p i c t u r e t o k i n g .View original page 16
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PETRIOilKKOR LENS
PETRI ORIKKORF2 5om
T h e s t on d o r d l e n s e q u i p p e d with P E TRIPE NTA V
c o mero is o f H i g h - q u o l i t y ,S u p o r-fo stPE TRIORIK K OR
5 0 mm 4 g r o u p 6 e l e m e n t l e n s u sin g flin t-g lo ss with
H igh-R e f r o c t i o n R o l i o . T h i s PE TRIORIK K OR L ENS
h o s H igh R e s o l v i n g P o w e r e ve n in its fu ll-o p e n in g
c o n d it io n . l t i s v e r y u s e f u l fo r co lo r o s we ll o s
b loc k -& -w h i t e p h o t o g r o p h y , sin ce th e lo n s is p ro -
c e s s e d w ith E x c e l l e n tC o m b i n o tio n -Co o tin gMe th o d .
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ORDEROF PHOTOGRAPHY
The f ollowing p r e p o r o l i o n s o r e n ee d e d b e fo re yo u r p ictu re -
f oking . . .
( I I L o o d t h e f i l m i n Y o u r c o me ro '
l2l A d v o n c e t h e f i l m o n d r e l e o se th e sh u tte r b u tto n '
R e p o o t t h i s o c t i o n . ( 2 e x Po su re sl
I 3 I A c k nowl e d g e i f F u l l y - A u t o m o ticDio p h ro g m Rin g fits o n
t h e mor k A U T O . N o w y ou o re re o d y lo fo ce so me
s u bie c t .
( 4 t B e s u r e i f t h e l e n s c o p i s u n c o v e r e d ' OPENINGTHE BACK COVER
t 5l A diu s t t h e e x P o s u r e b y s ettin g b o th Dio p h ro g m o n d '
S h u t t e r S P e e d S c o l e ' P u l l d o w n t h e l e v e r w i t h Y o u r
l6l Co c k t h e f i l m o d v o n c e l e ve r' t h u m b n o i lt o o p e n t h e b o c k c o v e r '
l7 | De c ide t h o p i c t u r e - c o m p ositio nb y f o cu sin g it th ro u 3 h A t t h e s o m e t i m e , t h e f l l m r e s e t t i n g
the viewfincier. c o u n t e r o u t o m o t i c o l l Y r e t u r n s t o
( 8. 1 R e leos e t h e s h u t t e r b u t t o n ' t h e s i o r t i n g - p o i n (t 0 ) .
t 9 I Re p e o t t h e s o m e o c i i o n lf ro m 6 to 8 ) o t e ve ry
P ic t ure- t o k in g '
t l0) U n lood t h e f i l m w h e n t h e ro ll o f film is o ll e xp o se d '
www.orphancameras.com FIIM LOADING
18View original page 19Page 20 · Read text
PULLINGOUT THECRANK FILM LOADING
P u ll o u t t h e f i t m r o w i n d k n o b o n Slip the 2nd or 3rd perforotion of Pull the cor fr idge bock, ler ting
the top of comero. This is for film fro m th e e n d in to fh e slot on enough film unwind so lhot you
the cortridge to be put into the ih e to ke -u p sp o o l so th o t th e end con ploce the cor tr idge in its com -
corlridge-box. is fo ste n e d b y fittin g th e p e rfor o- por tm ent. Put the film r ewinding
tio n to ih e to o th o f th e to ko- up cr onk to the or iginol position.
sp o o l.
l qView original page 20Page 21 · Read text
THE CONDITION CLOSING THE BACK COVER PERFORATION ADVANCE THE FILM LEVER OF
Advo n c e t h e f i l m o d v o n c o l e v e r o Be su re if th e film Pe rfo ro ti ons Bock cover will outom cticollY be
liiilo t o s ee if t h e s P o o l c o t c h e s co mp lo te ly fit with th e sP ro cket closed by pushing it.
the film. 9 e o rs.
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xlView original page 21Page 24 · Read text
HOW TO rOOK HOW TO INTERCHANGE
THR.OUGHVIEWFINDER THE TENSES
AND FOCUS
As tho mount of PETRIPENTA
A s t h e e y e - p i e c e e q u i p p e d w i t h P E T R I V is BAYONET Type, you con
P E N T AV i s b r i g h t o n d w i d e , e v e n t h o i n t o r c h o n g e t h e l e n s e s ,i u s t t u r n
g l o s s e dp e r s o n c o n l o o k f h r o u g h i t w i t h o u t the Boyoneil Ring focoted in
t o k i n go f f t h e g l o s s e s . L o o k t h r o u g h t h e t h e f o o t o f l e n s r i n g t o t h e
c e n t e ro f e y o - p i e c e . A s m e n t i o n e db e f o r o , r i g h t o n d t u r n t h e i n d i c o t i o n
i n y o u r f o c u s i n g ,y o u c o n f o c u s e o s i l y o n d firork (Red Point, see picture]
r o o i d l y c, v e n o f t e r y o u r o d i u s t i n gi h e o p e r - to tho top, ond you con dis-
t u r oi o F V o l u e o s t h e d i o p h r o g mi s o c t u o l l y m o u n t t h e l o n s . I n y o u r m o u n t -
r e m o i n e do p e n , f o r t h e c o m e r o e q u i p p e d i n g t h e l e n s , i u s t g i v e t h e
w i t h F u l l y - A u t o m o t iDc i o p h r o h m . reverse oction of some.
T o u s o t h e s p l i t - i m o g e f o c u s i n g p l o c e The screw-in type Interchongeoble Lenses {or PETRI
t h e v e r t i c o l l i n e o f o s u b i e c t i n t h e PENTA con bE ottoched by using rhe speciolly-designed
c e n t e r o f V i e w f i n d e rt o s e e t h e u p p e r l i n e Adopter Ring.
o n d b o t t o m l i n e o f t h e s u b i e c t v o r y e o s i l y .
23View original page 24Page 27 · Read text
is th e d isto n ce between the fur thest ond neor esl poinls DEPTHOF FIELD De p ih o f Fie ld
wh ich yo u r su b ie ct will b e in focus. T he depth of focus of ony com er o
will vo ry o cco rd in g fo ifs fo col length lthe distonce botween the film
p lo n e o n d th o filml, o p e rtu ro or lens opening ond diffor ent lens.
Th e ch o rt is th e g ro u n d -p ictur e of distonce scole ond dopth of field
sco le b e in g e n g ro ve d o n th e lens r ing of PET RI ORIKKOR F 2 50m m
L e n s.
F l l - l
t -
f e e t 8 5 5 4 3 2 . 5
In th is ch o rt, th e d islo n ce shows 1.5m . lf you vr 'ont to know the depth
o f fie ld o t th e o p 6 rtu re F8 , oll you need is lo r eod the dislonce scolo
fo cin g with th e d e p th n u m ber 8. In this cose, the depth of field is
w i t h i n o b o u t l . 2 m o n d 2 m .
ln yo u r ln fro -Re dp h o to g ro p h y , use the r ed line m or ked in fr ont ol " 2"
o n th e d e p th sco le o f le n s r ing. T o use this m or k r ight, r etur n lho
d isto u ce sco le io th is lin e o f ter m oking fhe focol odiustm ent.
The depth of field guide is ihe chort describing the depth of field.
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26View original page 27Page 30 · Read text
Do
tr6 otr- a I
\t- J
g-t, tro
c5
o.g REWINDINO FITM REMOYING FITII
fo.
P u l l o u t f h e r ewin d in g cro n k o n d tu rn Pu ll out the r ewind knob to r em oye
i t t o t h e o r r o w d ire ctio n wh ile p re ss- lh e cor tr idge. .?Tr I --
!.3 ibnogt t ot mh e o fr e cJ ou mr ne rob u ltob o nd y.lo coBete sud reo t ththoet otr t h o f i l m i s c o m ple te ly re win d e d in to ih e
4(E c o r f r i d g e .
28 FILM UNTOADING IView original page 30Page 31 · Read text
SYNCHR,O.FIASHPHOTOGRAPHY
)
T h e s u b j c c f i n t h e d o r k p l o c e c o n b e p h o t o g r o p h e d se t S yn ch r o.switch lever to X- m or k lSee picturb
b y us in g f l o s h b u l b s s y n c h r o n i zin g th e sh u tte r. As B) o n d when using F P- clossfloshbulb,you hovQ,to
t h e pic t u re A s h o w s , i n o r de r fo to ko Syn ch ro - s w i l c h t h e l e v o r t o F P m o r k .
F los h P h o t o g r o p h y , f i r s t o f o l l, co n n e ct th e co rd R e f e r r i n gt o t h e l o b l e , s o t l h e \ e o d o n d
o f f l o s h - g u n t o S y n c h r o - t e r m i n o l . T h e f l o s h - g u n d e c i d e F V o l u e o f D i o p h r o g r q ' o l o w h o t
c o n e o s i l y b e o t t o c h e d t o P E N T A V i l y o u u s e typ e o f floshbulbyou use ond t h e
t h e P E T R IE x c l u s i v eA c c e s s o r y S h o e w h i c h i s o l s o s u b i e c t . N o w y o u o r e r e o t h e
o n s o t e , sh u tte r b u lton. T his is ihe woy y-nchro-
W h e n y o u u s e F - c l o s s M, - c l o s s F l o s h - b u l bo r S t r o b e , Flo sh Ph o togr ophy.
TABTE
FP clqss (Screw. mount)
FP closs (Boyoneftl
Speed Light
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SSOR.YSHOE LENS HOOD FItTER.S
) u r d yond v ers o t ile s c r e w - i n t y p e P E T R IP E N T A V L E N S H O O D h o s T o insur o per fect picfur e in oll
c c e ssor y Sh o e o t f o c h m e n f f o r b e e n c o r e { u l l y d e s i g n e d t o p r e - kinds of light condition, use PET RI
lsn-gun, ex pos ure m e t e r o n d v e n r s r r o y l i g h t f r o m e n f e r i n gf h o F I L T E R; SY l , Y 2 f c r o u t d o o r h u -
lhersis on o t h e r P E T R IP E N T A V l e n s o f c o m e r o . l t i s c o n s l r u c l e d r n:n cnd londscope, YA3, R I f or
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