Film cameras
Polaroid One Step SE User manual
User manual for Polaroid One Step SE. 35 pages in English. Read the original PDF, download or print a copy without registration.
35 pagesEnglish2.4 MB PDF

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Document details
- Brand
- Polaroid
- Model / document
- Polaroid One Step SE
- Document type
- User manual
- Language
- English
- Pages
- 35
- File size
- 2.4 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
PICTURE TAKING IS A SNAP WITH ONESTEP! Here are brief Instructions. For more details, see the book. You r camera produces crisp, well exposed color snapshots outdoors in bright daylight, and indoors with flash at distances of 4-8 ft. Even without bright sunlight you can get good daylight pictures with fill-flash (4-8 ft.) or automatic time exposures (using a tripod). The camera's unique aspheric lens is prefocused to make sharp images of everything beyond 4 ft. HOWTOLOADFILM Use Polaroid SX-7O Land film. Push the latch (A) forward. The film door will drop open. Hold the film pack only by its edges. (Gripping the pack above and below the yellow tab may damage the film.) Push the film pack into the camera until the narrow strip (B) snaps open. Close the f ilm door. You'll hear the cam. era eject the film cover. To remove an empty pack, pullthe yel. low tab.View original page 3
Page 4 · Read text
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HOW TO HOLD YOUR CAMERA
Grip it firmly in the palm of your left hand.
Steady it by pressing your right thumb
iust below the picture counter.
You'll use your right forefinger to
squeeze the shutter button. lts raised rim
prevents you from accidentally taking a
picture. Curlthe other f ingers into your
palm to avoid blocking the film exit slot.
HOW TO VIEW YOUR SUBJECT
Bring your eye ciose to the viewfinder eye.
piece so you can see all four corners
inside the viewfinder.
Try to place yourself and your subiect
so the scene "fills" the viewfinder, but
don't come closer than 4 ft.
HOWTOTAKEA PICTURE
Hold the camera yery steady. Squeeze the
shutter button gently and hold it in without
moving until the camera ejects the pic-
ture. Try to include large areas of color;
add colorf ul "props" such as bright cloth-
ing, toys, etc. Look for pleasing back-
grounds;the camera "sees" them, too.
PICTURES INDOORS
Use flash for all indoor pictures. Stand
4-8 ft. (no more, no less) from your sub-
ject. Try to have your subject near a light,
colorful background.
Insert a FlashBar. After 5 flashes, rev-
erse the FlashBar and shoot 5 more. The
camera automatically picks the good
bulbs in a partly used FlashBar,
For advice on electronic flash units, see
page 5.
ilView original page 4Page 5 · Read text
PICTURES OUTDOORS:PEOPLE
In bright daylight, stand so the light falting
on the subiect comes from behind you or
from the side.
But use flash (4.8 ft. only) if your subiect
is in the shade, is in dim light or has harsh
shadows. Also use the flash if you must
take the picture with the light coming
from behind your subject,
The camera's fill-flash feature will
automatically balance the flash with day-
light to give you pleasing, well-exposed
pictures. You will get best results with fill-
flash when you are about 6 ft. from your
subiect.
Rule for success: lf in doubt about the
light, use flash.
PICTURES OUTDOORS:SCENESsur% In bright daylight, stand so the sun is
behind you or at the side. lf the sun is%rrrN shining into your eyes (and into the cam.
era's electric eye) the scene will be too
dark in your picture.
lf the light is not bright, rest the camera
on a firm support or use a tripod to pre-
vent movement and fuzzy pictures. The
camera can automatically make a time
exposure for as long as I second.View original page 5Page 6 · Read text
-I
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Polaroid OneStep SE
Land Camera
When to use flash
Making good flash pictures
Making good daylight pictures
Using flash in daylight 13
What's "depth of field"? tc
Tips for better pictures aaII
Copies and enlargements 19
Need help? CallCustomer Service 21
Camera, film and picture care 23
Troubleshooting 27
Fullwarranty 32
Repairs
Service Centers 34
Film and flash
Your camera uses Polaroid SX-70 Land film,
and FlashBars. Each film pack provides ten 3 )za
inch square color pictures, and contains a bat
tery that powers the camera. Each FlashBar has
ten bulbs, five per side.
.. POCKET PRIMER
I Brief operating instructions - Detach and save
PHOTO FACTBOOK \
Helpfulpicture-takrngguide )Read it once, refer to it oftenView original page 6Page 9 · Read text
Use flash indoors, and outdoors in shade, under heavily overcast skies, or at dusk. Stand 4 to B ft. from your subject when using flash. Always insert a FlashBar with the camera point- ing away from you. Once all the bulbs on the side of the FlashBar facing front have been fired, the camera won't operate. This orevents you from accidentally wasting film. lf the cam- era does not operate when an unused side of a FlashBar faces front, reverse the FlashBar or insert a new one. lf you can then take a picture, the first side of the FlashBar was defective Contact Customer Service. Flash pictures should not be taken where the atmosphere contains gases or dust that mav oe ignrted by a spark Your camera was designed to use FlashBars and with a FlashBar will produce well exposed pictures over the full flash range, 4 to B ft. Before buying an electronic flash unit, test it on your camera for good prcture results at 4 ft. ano B ft lf you own an electronic flash and are not getting good pictures with rt, try a FlashBar. lf you get good pictures with a FlashBar but rror with electronic flash, the cause of the problem is the electronic flash, not the camera or frlrrr.View original page 9
Page 11 · Read text
MAKING GOOD FLASH PICTURES Stay within the flash range Your flash range is 4-B feet. Closer, your suo- ject will be too light and tuzzy. Farther away, your subject will be too dark. Watch the background Place your subject near a colorful background if you can. Color adds interest to the picture; hav- ing the background near the subiect assures that it will be well lit. Avoid dark or distant backgrounds, particularly when photographing dark-haired people. Also don't shoot straight at reflective backgrounds like windows, paneled walls and oolished sur- faces. These can cause a "hot spot" (flash reflection) in your picture. lf you must shoot toward such a surface, shoot at an angle rather than straight on. Arrange groups Each person in a group should be about the same distance from the camera. Then allwill be lit evenly by the flash. And, don't forget: hold the camera steady until the picture is ejected.View original page 11
Page 13 · Read text
MAKING GOOD DAYLIGHT PICTURES
In general, place your subjects so the light falls
on them from behind you or from the side. Also,
try to place your subjects so the light on them is
about as bright as the light on the backgrouno.
lf your subjects aren't in the sunshine, use f lash
or a firm support to get good daylight pictures.
See page 1 3.
How the background affects exposure
Exposure is controlled by the electric eye next
to the lens. lt governs the opening and closing
of the camera's shutter, letting just the right
amount of light reach the film.
lf the background is much darker or lighter than
your subject, the eye will be "fooled" and your
subject may be too light or dark in the picture.
Move closer to reduce the background,s effect,
or reset the Lighten/Darken control (next page).
Generally, your camera will set the correct ex-
posure wrthout any adjustment of the L/D con_
trol. Leave it at normal, as shown. (lf flash pic-
tures are too light or dark, you probably didn't
stay within the flash range of 4-B feet.)
NormalsettingView original page 13Page 15 · Read text
lf the background is very bright, your subject
may be too dark (top left). Set the Lighten/
Darken control 1 or 2 marks to Lighten so the
subject receives normal exposure, as in the top
right picture.
i,t s"tting,
'.& 1 mark toward Lighten.
1#
i1
lf the background is very dark, your subject may
be too light (bottom left). Set the Lighten/
Darken control 1 or 2 marks to Darken so the
sublect receives normalexposure, as in the bot-
tom rig.ht picture. ' /' .& ,$'ntt:Kalt
ft
. Spttinn'
., 1 mark toward Darken.
tj
,.:
Always take the second picture under exacily
the same conditions: same subject, same posi-
tion and distance, same lighting. Reset the
Lighten/Darken control to normal when vou,re
done.View original page 15Page 17 · Read text
USING FLASH IN DAYLIGHT
Your camera can blend daylight and light from
a FlashBar to produce properly exposed out-
door pictures which might otherwise have been
too dark, and luzzy.
In all outdoor situations other than bright day-
light-for instance, in the shade, under heavily
overcast skies or at dusk_use flash and place
yourself 4 to B feet from your subject. Or you
can prop your camera on a firm support or use
a tripod to avoid camera movement (and fuzzy
pictures)during the relatively long time the shut-
ter stays open in these conditions.
In the picture at top left, the subjects are dark
and Iuzzy. But adding f lash makes a well
exposed, crisp picture.
Even when there's enough sunlight, flash can
be used to avoid picture problems. lt can soften
or eliminate unpleasant shadows, as shown at
bottom. And it can add a sense of sunshine to
the bluish, cold appearance of a face lit by a
blue sky, rather than lighted directly by the sun.
Remember to be no closer than 4 feet or far-
ther than 8 feet from your subject.
13View original page 17Page 19 · Read text
WHAT'S "DEPTH OF FIELD''? In your pictures, everything from four feet to the most distant object will be clear and in focus. This long range of sharpness, called "depth of field, " is suf6rnsti6-lhe camera is prefocused. Your camera's long depth of field can proouce interesting pictures like the one at left. you can easily compare the artist's painting with her subject, since both are in sharp focus. Other ideas for taking advantage of this depth of field: pose friends against distant historical sites you want clear and sharp. Capture amaz- ing detail in parades, even though objects are at varying distances from you. At the zoo, have foreground subjects and background animals sharply in focus. City skylines, amusement parks, sporting sys6ls-3ll offer many oppor- tunities for long depth of field.View original page 19
Page 23 · Read text
COPIES AND ENLARGEMENTS
You can order copies or enlargements of your
favorite pictures to send to family and friends or
enjoy at home. High-quality copies and enlarge-
ments may be ordered through your camera
dealer or directly from Polaroid Copy Service
(the order form is on the back of the film cover).
ACCESSORIES
us Brt'(kuJ '
Picture taking can be even more fun with the
accessories shown at left, available from your
camera dealer.
The Tripod Mount #2325 (right) tets you attach
your camera to a standard tripod, to steady it
during picture taking. The Self-Timer #2326
(center) lets you get into your pictures, and the
Cable Release #2327 (left) tets you operate the
shutter button without touching the camera.
These accessories may be purchased individu-
ally or in the Pronto! Accessorv Kit # 183.
Attractive Pronto! carrying cases designed to
hold your camera, FlashBars and film are also
available.View original page 23Page 25 · Read text
NEED HELP? CALL CUSTOMER SERVICE
We have a staff of polaroid Land camera
experts whose job is to help you get good pic_
tures. lf something's wrong with your camera,
pictures or film, they'll try to solve the problemA*1 fast.
800-225-1 394
. . . That's our toll{ree number from anywhere
in the continental USA except Massachusetts
and Alaska. From those states, call collect
(617) 8644568. In Canada cail toil free
800-261-6970. We can be reached Monday
through Friday, B a.m. to 5 p.m., your time.
You can write us at polaroid Corporation, Cus_
tomer Service, Cambridge, Mass. 02139, or to
Customer Service at any of the locations hsted
on pages 34-35. Include your address and
phone number.
All our Service Centers offer walk-in service,
too, including while-you-wait repairs in most
cases. lf you can get to us easily, bring your
camera and prctures in.View original page 25Page 27 · Read text
CAMERA, FILM AND PICTURE CARE Camera To clean the camera body, simply wipe it with a damp cloth. When necessary, clean the lens, viewfinder window and electric eye. Blow off any dust, then wipe genily with a clean, lint-free cloth The rollers inside the film door should be kept clean. Before loading new film, examtne them by rotating each one separately wrth your finger. Each should move freely. Remove any specks with a clean, lint-free cloth, moisteneo wrth water if necessary. Check the ends of the rollers, too, and the picture slot. To prevent dust from entering the film compartment, clean the rollers while an empty film pack is still in the camera. Film Store your f ilm in a cool place below Z5 " F, if possible. Film may be refrigerated,- but it shouldn't be frozen. (Before opening film that has been refrigerated, allow it to warm to room temperature. Usually this takes at least an hour.) Always keep the film box sealed until you're ready to load the filmView original page 27
Page 29 · Read text
Avoid leaving your film or a loaded camera in
hot places, like the glove or luggage compart-
ment of a car in warm weather, or in direcr
sunlight.
Pictures
.t
Don't fold your pictures, or cut them. Polaroid
Copy Service can, however, supply copies and
enlargements of your favorite pictures, which
may be trimmed as you like.
Fingerprints on your pictures can be easily
removed. Simply "mist" the suface wrth your
breath, then polish lightly with a tissue or a soft
clean cloth, lust as you might clean eyeglasses.
The Polaroid Album #129 is especiaily
designed for SX-70 pictures and is convenient
and easy to use.
SX-70 pictures are among the most stable
known in photography. You can display them in
normal home or office lighting without concern
about fadinq.View original page 29Page 31 · Read text
TROUBLESHOOTING
You will probably never have trouble with the
battery in your film pack. lf it is dead, however,
the following may occur. (Return any film wrth a
dead battery, which hasn't passed its expiration
date, to Polaroid or your dealer for replacement.)
The camera does not eject the film cover:
1 . Press the shutter button. lf the cover is not
ejected, remove the film pack, then reinsert it.
2. lf the cover still isn't eiected, insert a new
oack.
The film is not ejected when you press the
shutter button:
1 . Check the picture counter; the film pack may
be empty.
2. Check the FlashBar, see page 5.
3. In dim light, pullthe film pack out untilthe
shutter button clicks forward. Reinsert the pack.
The film should come out when you close the
door. lf the top piece of film is pushed forwardt
when you reinsert the pack, pull that piece out.
* 4.Then,lf thecloseabovethefaildoorto get your camera working,
insert a new film pack.
The film cover or film is ejected only part
way:
1 . Release the film shade so it snaos back.
2. Pull the cover or film out.
3. lf the camera stilldoes not work properly,
insert a new film pack.
lf these remedies fail to get the camera operar-
27 ing, call Customer Service (see page 21 ).View original page 31Page 33 · Read text
Fuzzy or blurred pictures can be caused by. . . o moving the camera during the exposure. lt is important to hold the camera steady as you squeeze the shutter button, until the picture is elected from the camera. o taking a picture in other than bright daylight wrthout using flash (right picture). For best results outdoors in other than bright daylight, place the camera on a firm support or use a tri_ pod, or use flash. o the subject ctoser than 4 feet (left picture). Your camera was designed to give sharp, crisp prctures of sublects four or more feet away. . movement of the subject during the exposure. (You'llget the best "action" pictures when vour sublect is moving toward you, rather than across the frame at a right angle to the camera.)View original page 33
Page 35 · Read text
Part of image area blank
The film pack may have been damaged before
picture taking, perhaps by being squeezed dur_
ing loading.
Also, developer chemicals may have leaked
onto the rollers inside the camera and onto the
back of the picture. Clean the rollers as
described on page 23. Avoid contact with the
developer chemicals (see the caution notice on
the film box).
lf this problem persists with any one pack,
remove it and insert a new one.
Repeated spots or bars on pictures
The rollers inside the camera are dirty Clean
them as described on page 23.
JIView original page 35From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.