Film cameras
Promatic SLF User manual
User manual for Promatic SLF. 36 pages. Read the original PDF, download or print a copy without registration.
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TYPE; P e n t a p r i s m S L R c a m e r a w i t h b u i l t - i n c r o s s c o u p l e d C d S e x p o g u r e m e t e r
in TTL system.
F I LM : 3 5 m m . f i l m ( 2 0 , 3 6 o r 1 2 e x p o s u r e s )
F I L M S I Z E : 2 4 m m . x 3 6 m m
S T A N D A R DL E N S : P R O M A T I C 5 5 m m . t 1 1 . 7 , 6 e l e m e n t s i n 4 g r o u p s w i t h f u l l y a u t o m a t i c
d i a p hr a g m .
S HU T T E R : F o c a l p l a n e t y p e w i t h s p e e d s , 1 s e c o n d t o 1 / 1 0 0 0 s e c o n d a n d B . B u i l t - i n
s e l f- t i m er .
E X P O S U R ME E T E R B u i l t - i n c r o s s c o u p l e d C d S e x p o s u r e m e t e r i n T T L s y s t e m .
A S A . 2 5 t o 1 6 0 0 ( D l N : 1 5 t o 3 3 ) .
V I E W F I DN ER P e n t a p r i s m v i e w f i n d e r w i t h " M i c r o m a t i c P r i s m F o c u s i n g " d e v i c e
F I L M T R A N S P O R T S i n g l e s t r o k e r a p i d f i l m w i n d i n g a n d s h u t t e r c o c k i n g .
SYNCH RON IZATIO N F P a n d X a u t o m a t i c s e t t i n g . A h o t s h o e c o n t a c t .
L E N S M O U N T : S c r e w m o u n t .
F I L T E RS I Z E : 5 2 m m . s c r e w - i n t y p e
L E N S H O O D S I Z E : 5 4 m m . p u s h - o n t y p eView original page 3Page 5 · Read text
Mike DigitallyDN:org,Date: cn=Mikeemail=mike@butkus.org,2025.12.03signedButkus,by10:11:00Mikeo, ou=Butkus.Butkus-05'00'c=USButkusView original page 5
Page 7 · Read text
www.butkus.us @a V ie wfinder @ Battery Compartment F i l m C a s s e t t e C h a m b e r @ F i l m R e w i nd B u t t on [9 Sp ro c ket T r i p o d S o c k e t€9 T a k e - u p S p o o l @(o A u t o & M a n u a l D i a p hr a g m S w i t c hView original page 7
Page 11 · Read text
FILM TRANSPORTLEVER
W h e n t h e f i l m t r a n s p o r t l e v e r i s a d v a n c e d , t h e
f o l l o w i n g t h i n g s h a p p e n s i m u l t a n e o u s l y
l T h e b a t t e r y s w i t c h i s t u r n e d o n a n d t h e
expo s u r e m e t e r l s a c t i v a t e d .
2 . T h e f i l m f r a m e i s t r a n s p o r t e d t o t h e n e x t
u n e x p o s e d f r a m e .
3 . T h e f i l m c o u n t e r i s a d v a n c e d .
4 . T h e s h u t t e r i s c o c k e d .
After the s h u t t e r i s r e l e a s e d ,t h e b a t t e r y c i r c u i t i s
s h u t o f f a n d u n n e c e s s a r y b a t t e r y d r a r n i s a v o i d e d .
EXPOSURECOUNTER
T h e c o u n t e r i s l o c a t e d o n t o p o f t h e c a m e r a b o d y .
I t s h o w s t h e n u m b e r o f f i l m f r a m e s e x p o s e d ,a n d
is aUtom a t i c a l l yr e s e t t o " S " ( f o r " S t a r t " ) p o S i t i o n
w h e n t h e b a c k c o v e r i s o p e n e d . F r a m e s o f t h e 1 2 t h ,
2 O t h a n d 3 6 t h a r e m a r k e d i n r e d t o s i g n a l e n d o f
t h e r o l l ,d e p e n d i n g o n t h e l e n g t h o f t h e f i l m u s e d .View original page 11Page 15 · Read text
DIAPHRAGMSCALE
T h e d i a p hr a g m s c a l e i s l o c a t e d o n u p p e r s i d e o f t h e l e n s
b a r r e l .
T h e a p e r t u r e o p e n i n g h a s s e v e n s e t t r n g s , r a n g i n g f r o m
f / 1 . 7 , t h e m a x i m u m o p e n i n g , t o t / 1 6 , t h e m i n i m u m o p e n i n g .
S et t rn g s b e t we e n f / st ops are also possible.
AUTOMATIC/UANUAL OPERATION
T he re a re " 4 " (sh o rt f or Automatic)mark in green a n d " M "
( s h o r t f o r M a n u a l )m a r k i n r e d o n t h e u n d e r s i d eo f t h e l e n s
b a rre l
M o v e t h e a u t o & m a n u a l d i a p hr a g m s w i t c h e D t o t h e left,
a n d y o u w i l l s e e t h e d i a p h r a g m i s s e t a t " A " p o s i t i o n . T h i s
i s t h e n o r m a l p o s i t i o n f o r m o s t c i r c u m s t a n c e sW. i t h t h e " 4 "
ffi,
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l 2View original page 15Page 17 · Read text
UPRIGHT.UNREVERSEDIMAGE
A s a 3 5 m m s i n g l e l e n s r e f l e x c a m e r a , y o u r S L R c a m e r a u s e s a
m i r r o r a s p a r t o f i t s o p t i c a l s y s t e m t o t r a n s f e r t h e i m a g e
e n t e r i n g t h e l e n s t o t h e v i e w fi n d e r . I n t h e p r o c e s s ,t h e i m a g e
w h i c h i s o r i g i n a l l y r e v e r s e d a n d i n v e r t e d w h e n i t e n t e r s t h e l e n s r s r e v e r s e d a n d t u r n e d r i g h t s i d e u p s o y o u s e e t h e tu
p r c t u r e i n t h e v i e w f i n d e r e x a c t l y a s y o u r n a k e d e y e w o u l d . {(rM
MICROMATICPRISM GRID
y o u r c a m e r a h a s a M i c r o m a t i c F o c u s i n g s l s t e r F f o r f a s t a n d
accurate f ocusing. The precision focusing elements in the
v i e w f i n d e r c o n s i s t o f a g r o u p o f m o r e t h a n 8 O O m i c r o -
p n s m s a s s h o w n i n t h e c e n t e r o f t h e p i c t u r e . A s y o u l o o k
t h r o u g h t h e m i c r o - p r i s m a r e a l ) i n t h e v i e w f i n d e r , y o u c a n
s e e t h e s u b j e c t c l e a r l y , O N L Y w h e n i t i s c o r r e c t l y f o c u s e d .
R o t a t r n g t h e f o c u s i n g r i n g y o u w i l l n o t i c e t h e a p p e a r a n c e o f
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IAt" tView original page 17Page 20 · Read text
COUPLEDCdS METER
The CdS meter of your SLR camera is coupled to the
lens aperture, shutter speed and film speed settings.
A c h a n g e i n t h e s e t t i n g o f a n y o n e o r m o r e w i l l ,
therefore, alter the meter reading. lt is preferable, of
course,to change either the aperture or shutter speed
if an adjustment is required. The film speed setting O V E R
should always be the one for the film you are using.
By advancing the film transport lever, the battery
switch is turned on and the exposure meter is activated.
Keep your finger on the diaphragm button@. (When the
diaphragm is being set at the manual operation, there
is no need to press the button.Refer to AUTO/MANUAL
O P E R A T I O Na t p a g e 1 2 . ) A n d s w i n g t h e d i a p h r a g m s c a l e
@. When the exposure meter needle is centered, thesetting is correct. ,-tr
lf the lens aperture is too large or the shutter speed
t o o s l o w f o r t h e a v a i l a b l e l i g h t , t h e n e e d l e i n t h e
viewfinder will be above the circle and indicate that
the picture,if taken, will be overexposed.
lf the lens aperture is too small or the shutter speed
too fast for the available light, the needle will be below
the circle to indicate that the picture will be underexposed. U ND E R
t7 :,a,*-,, -,.-: !. ..a"i*:4r, ; ,lView original page 20Page 22 · Read text
EXPOSUREMETERCOUPLEDRANGE
Your SLR camera has a fully coupled CdS exposure f r o m 1 / 1 2 5s e c o n tdo 1 / 2 5 0 ,o n e s t o pf a s t " , , l
meter which measures optimum exposure d i a p n r a g m h a s t o b e a l t e r e d f r o m f J 5 . 6 t o f 1 4 ,
c o n d i t i o n s T h r o u g h - T h e - L e n s ,r a n g i n g f r o m E V one stop larger aperture.Thus, you can usg seven.*
3 t o E V 1 8 w i t h A S A 1 0 0 ( D l N 2 1 ) f i l m . d i f f e r e n t s h u t t e r s p e e d s r a n g i n g f r o m 1 / 1 0 0 O
s e c o n d t o 1 / 1 5 s e c o n d ( s e e t h e c h a r t ) w h e n t h e
HOW TO READ.THE CHART E V i s a t 1 2 .
The word "EV"stands for"Exposure Value," which \Mrat shutter speed you should use depends on the
represents the brightness on the sub.;ect you condition of subject.(Refer to SHUTTER SPEED
frame in the viewfinder. The EV is represented D l A L a t p a g e l 1 . ) T h e d i a p h r a g m o p e n i n g s h o u l d b e
by numbers, and exposure meter of your SLR also decided according to the purpose of your
cameracan measure the brightness on the subject p h o t o g r a q h y . ( R e f e rt o D E P T H O F F I E L Da t p a g e 2 5 . )
r a n g i n g f r o m E V 3 t o E V 1 8 w h e n y o u u s e t h e ExposureMeter CoupledRangeChart EV3-EVl8 (ASA100)
EV
f i l m s p e e d e d a t A S A 1 O O ( D l N 2 U . f 3 4 5 6 7 8 9 1 0 1 1 1 2 1 3 1 4 1 5 1 6 1 7 l 8
For example, if the exposure meter needle is 1.4 4 I 15 30 60 125250 500 1000
' centered when you select aperture opening of 211.71 2 4 8 15 30 60 125250 500
* , t 1 5 . 6 w i t h s h u t t e r s p e e d o f 1 / 1 2 5 s e c o n d ( t h e 2.8 t 2 4 8 1 5 3 0 6 0 1 2 5 2 5 0
]F f i l m s p e e d d i a l i s s e t a t A S A 1 O O ) ,t h e b r i g h t - 4 1 2 4 8 1 5 3 0 6 0 1 2 5
b ness on the subject is supposed EV 12. lf the h'*- | b r i g h t n e s si s a t E V 1 2 , y o u c a n u s e e v e r y o n e o f 8 4 15 30 I
II seven different shutter speeds and get properly l l z R l E
* e x p o s e d p i c t u r e s . l f y o u c h a n g e s h u t t e r s p e e d 1 6 1 4 8 ilt*il*'*i
iI;D- t 9View original page 22Page 23 · Read text
F IL M LOADING
Y o u r SL R ca me ra a cce pts the standard 35mm t h e f i l m c a r t r i d g e . L o a d t h e f i l m i n a s h a d e ,
c a r t r i d g e sc o n t a i n i n g 1 2 , 2 0 o r 3 6 - e x p o s u r e l e - u s i n g y o u r b o d y w i t h y o u r b a c k t o t h e s u n a s
n g t h s o f f i l m . A v o i d d i r e c t s u n l i g h t f a l l i n g o n p r o t e c t i o n i f y o u h a v e n o o t h e r m e t h o d
1 T O O P E N T H E C A M E R A B A C K 2 T O P U L L O U T T H E K N O B 3 F I LM L O A D I N G
Pul l d o w n t h e le ve r with your P u l l o u t t h e f i l m r e w i n d k n o b o n S l i p t h e f i l m e n d i n t o a n y s l i t o n
t h u m b n a i la n d o p e n t h e c a m e r a t o p o f t h e c a m e r a . T h i s i s t o t h e t a k e - u p s p o o l a n d s l i d e i t
b a c k . A t t h e s a m e t i m e , t h e e x - allow the film cas s e t t e t o b e p u t d o w n t o w a r d t h e b o t t o m o f t h e
p o s u r e c o u n t e r a u t o m a t i c a l l yr e - i n t o t h e c a s s e t t e c h a m b e r . c a m e r a b o d y , a n d c h e c k t h a t
t u r n s t o " S " ( w i h c h m e a n s t h e f i l m p e r f o r a t i o n i s p r o p e r l y
" S t a r t " ) p o s i t i o n . e n g a g e d w i t h t h e t o o t h o f
c a m e r a s p r o c k e t . www.butkus.us
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4 . T O A D V A N C E T H E F I L M 5 TO CLOSE THE CAMERA 6 TO RELEASETHE SHUTTER
A d v a n c e t h e f i l m a d v a n c e l e v e r BACK AN D ADVANCE TH E FILM
a l i t t l e a n d , s e e t h a t t h e f i l m i s The cameraback will be locked Repeatthis actiontwice,and You
fa ste n e drou n d t h e t a ke -u p spool, with a snap by a slight pressure. are ready to take your first pic-
b e f o r e c l o s i n g t h e c a m e r a b a c k . tu re.
N O T E : ln ca se t h e f il m rewind knob does, not turn c o u n t e r c l o c k w i s e b y a d v a n c i n g t h e f i l m a d v a n c e
le ve r, it sh o ws that the f i l m i s n o t p r o p e r l y t r a n s p o r t e d . O p e n t h e c a m e r a b a c k a n d c h e c k
t h e t a ke -u P sPool.
2 lView original page 24Page 25 · Read text
F IL M UNLOADING
After the entire length of f i l m i n the r e m o v e d i n t o t h e f i l m c a r t r i d g e s o i t c a n
cartridgehas been exposed,rt must b e be removed from the camera.
1 T O R E W I N D T H E F I L M 2 . T O R EM O V E T H E C A R T R I D GE
D ep re s s t h e f ilm re u , , indbutton a l i t t l e t e n s i o n o n t h e c r a n k w h i l e P u l l o u t t h e f i l m r e w i n d k n o b a n d
l o c a t e do n b o t t o m o f t h e c a m e r a t h e f i l m i s b e i n g r e w o u n d W h e n r e m o v e t h e f i l m c a r t r i d g e
b o d y R a i s et h e f i l m r e w i n d c r a n k t h e t e n s i o n s t o p s ; y o u k n o w t h a t A v o i d d i r e c t s u n l i g h t w h e n r e -
a n d t u r n i t i n t h e d i r e c t i o n i n d i - t h e r e w i n d i n g i s c o m p l e t e m o v i n g t h e f i l m c a r t r i d g e f r o m
c a t e d b y t h e a r r o w Y o u w i l l f e e l t h e c a m e r a A l s o ,t h e c a m e r a l e n s
s h o u l d f a c e d o w n w a r d w h i l e t h e
c a r t r i d g e i s b e i n g r e m o v e d s o a s
t o p r e v e n t i t f r o m d r o p p i n g o u t
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HOW TO HOLD YOUR SLR CAMERA
T h e f o r m a t o f y o u r p i c t u r e r s d e t e r n r i n e db y t h e p o ? i t i o n i n w h i c h
y o u h o l d t h e c a m e r a H o l d i n g t h e w i d e s t p a r t i n a h o r i z o n t a lp o s i -
t i o n w r l l r e s u l t i n a h o r i z o n t a fl o r m a t H o l d i n g t h e w i d e s t p a r t i n a
v e r t i c a lp o s i t i o n w i l l r e s u l t i n a v e r t i c a l f o r m a t B l u r r i n g i n a p i c t u r e
i s o f t e n c a u s e d b y c a m e r a s h a k e a t t h e m o m e n t o f e x p o s u r e
P r a c t i c eh o l d i n g t h e c a m e r a a n d r e l e a s i n gt h e s h u t t e r s o y o u c a n
t a k e p i c t u r e s w i t h o u t j a r r i n g o r s h a k i n g i t
U s e t h e f o l l o w i n g t h r e e s i m p l e r u l e sf o r t a k i n g a p i c t u r e t o a v o i d
c a m e r a m o v e m e n t :
1 B e f o r e r e l e a s i n gt h e s h u t t e r ,t a k e a d e e p b r e a t h a n d h o l d
i t u n t i l a f t e r t h e p i c t u r e h a s b e e n t a k e n
2 W h i l e t a k i n g t h e p i c t u r e ,h o l d t h e c a m e r a f i r m l y w i t h b o t h
h a n d s a n d p r e s s t h e b a c k a g a i n s t y o u r f a c e a n d f o r e h e a d
a s f i r m l y a s p o s s i b l e
3 Squeeze t h e s h u t t e r r e l e a s e b u t t o n , d o n o t P r o d o r t a P t t
P r a c t i c es q u e e z i n gu n t i l Y o u c a n r e l e a s et h e s h u t t e r w i t h o u t
t h e s l i gh t e s t q u i v e r
23View original page 26Page 27 · Read text
HOW TO INTERCHANGETHE LENS
Y o u r S L R c a m e r a h a s a s t a n d a r d 5 5 m m l e n s
w h i c h f e a t u r e s a s c r e w m o u n t a n d i s m o s t
s u i t a b l e f o r t a k i n g g e n e r a l - p u r p o s ep i c t u r e s .
I t a c c e p t s a v a r i e t y o f i n t e r c h a n g e a b l e
l e n s e s f r o m w i d e a n g l et o t e l e p h o t o a n d t h e
b u i l t - i n C d S e x p o s u r e m e t e r i s g e a r e d t o
t h e i n t e r c h a n g e a b l el e n s e s
T o r e m o v e t h e l e n s , t u r n t h e l e n s i n a c o u n -
t e r c l o c k w i s e d i r e c t i o n u n t i l i t c a n b e r e -
m o v e d .
T o i n s e r t a n o t h e r l e n s , t u r n t h e l e n s i n a
c l o c k w i s ed i r e c t i o nu n t i l t h e l e n s i s s e c u r e d
1 n p o s r t l o n .
www.butkus.usView original page 27Page 31 · Read text
FLASH PHOTOGRAPHY
W h e n t h e e xp o su re me ter needle in the viewfind-
e r s t a y s b e l o w t h e c i r c l e( s e e p a g e l 7 ) a n d e v e n a
l a r g e r a p e r t u r e o p e n i n g a n d s l o w e r s h u t t e r s p e e d
c a n n e v e r m a k e i t c o m e u p i n t o t h e c i r c l e i t
s h o w s t h a t t h e l i g h t i n g c o n d i t i o n i s t o o p o o r
a n d t h a t y o u m u s t s w i t c h t o f l a s h p h o t o g r a p h y .
Pho t og ra p h y wit h f la sh not, only extends your
p ic t u re po ssib ilit ie sg re atly but adds excitement
a n d d ra ma t o yo u r p ictures. The use of flash
,lffi{lMA-TI{:
e q ui pme n t wit h yo u r camera is relatively simple
b e c a u s ei t h a s b u ilt -in synch ro nization.lt is equip-
ped with X synchronization. Therefore, both
e l e c t r o n i c f l a s h a n d o r d i n a r y s i n g l e - e x p o s u r e
f l a s hb u l b s c a n b e u s e d .
Any modern flash with a hotshoe can be
used. Most now are automatic. Set F/stop
setting on flash, then on lens @ 1/60 sec
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Y o u r S L R c a m e r ai s e q u i p p e dw i t h b o t h a " h o t s h o e " u n i t h a s a c o r d , s i m p l y p l u g t h e c o r d i n t o t h e f l a s h c o n t a c t f o r c o r d l e s s u n i t a n d a s t a n d a r d P C t e r m i - socket @ n a l f o r o n e t h a t h a s a c o r d . l f y o u u s e a c o r d l e s s W h e n u s i n g F c l a s s , M c l a s s a n d F P c l a s s f l a s h b u l b s , u n i t , m e r e l y s l i p t h e f o o t o f t h e u n i t i n t o t h e s h o e o r a n e l e c t r o n i cf l a s h u n i t , s h u t t e r s p e e d s m u s t b e o n t o p o f t h e c a m e r a b o d y a n d i t w i l l a u t o m a t i c a l l y se l e c t e d a c c o r d i n g t o t h e t a b l e ( S p e e d s w i t h i n t h e m a k e c o n t a c t w i t h t h e s h u t t e r m e c h a n i s m . l f t h e c o l o r e d a r e a a r e a v a i l a b l e . )View original page 32
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H O W T O U S E T H E B U I L T - I N S E L F - T I M E R S w i n g t h e s e l f - t i m e rl e v e r i n t h e d i r e c t i o ni n d i c a t e db y t h e a r r o w a s i l l u s t ra t e d Re le a se t h e self-timer release button ,@, ,a n d t h e f r a m e w i l l b e e x p o s e d a f t e r a d e l a y o f a p p r o x i m a t e l y9 s e c o n d s T h e s e l f - t i m e r c a n b e s e t a t b e t w e e n p o s i t i o n s ( w i t h i nt h e r a n g e o f s o l i d l i n e ) s o a s t o s h o r t e n t h e r e l e a s et i m e a n d a l s o b e s e t e i t h e r b e f o r e o r a f t e r a d v a n c i n g t h e f i l m A l l s h u t t e r s p e e d s e x c e p t B s e t t i ng c a n b e u s e d w i t h t h e s e l f- t i m e r T h e s e l f- t i m e r i s u s u a l l yu s e d w h e n t h e p h o t o g r a p h e r w a n t s t o j o i n a g r o u p w h i c h h e i s p h o t o g r a p hi n g l t i s a l s o u s e fu l f o r p h o t o m i c r o gr a p h y o r w h e n u s i n g a l o n g f o c a l l e n g t h l e n s I n a l l c a s e s t h e u s e o f a t r i p o d i s r e c o m m e n d e d INFRA-REDPHOTOGRAPHY W h e n t a k i n g i n f r a - r e d p i c t u r e s , r e s e t t h e f o c u s i n g d i s t a n c e t o t h e r e d l i n e i n d i c a t e db y t h e a p e r t u r et 1 1 . 7o n t h e d e p t h o f f i e l d i n d i c a t o r ( BView original page 34
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MAINTENANCEAND CARE OF YOUR SLR CAMERA
A f e w s i m p l e p r e c a u t i o n s , c a r e f u l h a n d l i n g a n d 6. Be sure that your camera is not kept in ab-
i m m e d i a t ea t t e n t i o n i n c a s e o f t r o u b l e w i l l p r o l o n g n o r m a l l y h i g h o r l o w t e m p e r a t u r e s - n o r m a l
t h e l i f e o f y o u r c a m e r a a n d k e e p i t o p e r a t i n g w e l l room temperature is best.
indefinitely. Follow these simple rules: 7. Before storage, release the shutter and re-
lieve a tension of every ap6aratus. When
1 . W h e n c l e a n i n g t h e o u t s i d e o f t h e c a m e r a , . y o u s t o r e y o u r c a m e r a f o r a p r o l o n g e d
f irst use a soft brush and then a soft cloth. period, rem.ove a battery and avoid a risk
2 . R e m o v ed u s t a n d s a n d t h a t e n t e r t h e c a m e r a o f d e t e r i o r a t i o n a n d c o r r o s i o n . I
w h i l e i t i s o p e n i m m e d i a t e l y ,u s i n g a c a m e l - 8. Do not leave your camera without use lor. .
h a i r b r u s h o r a h a n d - b l o w e r . l o n g p e r i o d . Y o u r c a m e r a , a s a n y o t h e r m e -
3 . D u s t , f i n g e r p r i n t s ,w a t e r d r o p s , e t c . , o n t h e c h a n i c a l i n s t r u m e n t , n e e d s t o b e e x e r c i s e d
l e n s n o t o n l y a f f e c t p i c t u r e c o n t r a s t b u t , i f regularly to keep it in. good condition. Set
left for a long time, they will attack the sudace. the shutter release and f ire. turn to a slow
4 . S h o u l d y o u r c a m e r a f a l l i n t o w a t e r , i m m e d i - shutter speed and again set the shutter re-
ate attention is imperative.Bring it to a repair lease and fire. Also, operate the. self-timer.
. s h o p a t o n c e . l f i t f a l l s i n t o s a l t w a t e r , r i n s e E x a m i n et h e e x p o s u r e m e t e r f o r c o r l e c t o p -
i t t h o r o u g h l y i n f r e s h w a t e r a n d t h e n d e l i v e r e r a t i o n . C h e c k f i l m t r a n s p o r t . C h e c k t h e
i t t o t h e r e p a i r m a n . P e n t a p r i s m v i e w f i n d e r . I
5 . Y o u r c a m e r a , w h e n n o t i n u s e , s h o u l d b e T h e s e a c t i o n s w i l l k e e p t h e m e c h a n i s m i n
p r o t e c t e d f r o m d a m p a n d d u s t . P r e f e r a b l y g o o d o r d e r , r e t a i n i n gt h e n a t u r a l q u a l i t i e so f
i n i t s c a s e a n d , a s a n a d d i t i o n a l p r e c a u t i o n , t h e l u b r i c a n t- t h u s e n s u r i n g y o u r c a m e r a i s
i n s e r t e d i n t o a p o l y t h e n e b a g . ready for an instant use when required.
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