Film cameras
Revere 33 Stereo Guide Reference guide
Reference guide for Revere 33 Stereo Guide. 64 pages in English. Read the original PDF, download or print a copy without registration.
64 pagesEnglish6.4 MB PDF

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Document details
- Brand
- Revere
- Model / document
- Revere 33 Stereo Guide
- Document type
- Reference guide
- Language
- English
- Pages
- 64
- File size
- 6.4 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Tntroduction Why should you choose a Revere 33 Stereo as your own personal camera? Every manufacturer will tell you that his model is the best, but it is the using of the camera that proves to you which one is the most adaptable for your purposes. Unfortunately, you cannot give every camera a trial run in order to arrive at a conclusion. Therefore you must determine your choice on the basis of the actual design features. It is presumed that you have come to realize the magic of stereo photography—how it reproduces a picture with a startling reality of truelife images—how it outmodes the usual type of flat-plane photo- graphs by duplicating the subject in its actual perspective—and how it gives you the sensation of seeing the object rather than its picture. You are “sold” on the idea of stereo, so you are buying, are about to buy, or have bought a Revere 33 Stereo. If you have been a careful investigator of all stereo camera characteristics, and have decided that the Revere meets all your requirements, then you will have been con- vinced that the following features outweighed those found in any other stereo camera: 1. The Revere has an automatic film wind and shutter cocking. This means that you need never lose a picture because you forgot to cock the shutter. So long as the film is wound in the Revere, the shutter is always automatically cocked and ready to take the picture. 2. A superimposed image rangefinder quickly and clearly shows the position of sharpest focus. 3. A focusing wheel is conveniently located for easy turning with the thumb. Its location eliminates the chance of accidental focusing- wheel travel into an out-of-focus position. 4. A double exposure is prevented by means of a coupling of the film wind and shutter cocking. 5. Intentional double exposures may be made when needed for trick effects. 6. Intentional separated exposures may he made for both hypo- (close-up) and hyper- (long distance) stereo. 7. Simplified loading assures the full number of exposures. & The camera is flash-synchronized for all flashlamps and flash- tubes. 3 ‘www orphancameras.comView original page 2
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PDF verified 2026-10-10.