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Ricoh 300 User manual

User manual for Ricoh 300. 21 pages in English. Read the original PDF, download or print a copy without registration.

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Ricoh 300 manual cover
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Document details

Brand
Ricoh
Model / document
Ricoh 300
Document type
User manual
Language
English
Pages
21
File size
2.4 MB
Category
Film cameras
Document date
Not specified in catalog

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Page 4 · Read text
B l  Ro p id r ewinding cronk                                            | 4l  Film'tyPe indicotor
 9l  Accestory rhoe                                                              | 5l  Shutter 3Pecd lcolc
| 0l  Cordlesr f, orh contoct                          I6}  FLASHBULBSYNCHRO-RANGESCALE
l l l   F i l m c o u n t e r                                          l7l  F stop rcolc
l2l   Shutter releore button                                               | 8l  Dirtonce scole
| 3 l  Film wi nding  fever                                                  t 9l  Depth-of'fiel d rc o le
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Page 5 · Read text
20)  Rcwinding releose button                           25l. Toke-up spool knob
2ll   Rewinding spindle                           261  Toke-up spool rlot
22l-  View-ond-ronge-ftnder eyepiecc                271  Film pre33ure plote
23l-  Film roil                                   281  Cortridge poritioning rpring
21l-  Sprocket                                   291  Tripod burhing



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Page 6 · Read text
I
Loosen  the  leother cose locking knob  ond
remoYe the comero from  the cose.
Pull th€  bock  cover  locking cotch  to  open
bock cover.   (Fig.  ll
View original page 6
Page 7 · Read text
2                            3
Pulf-up the ropid  rewinding cronk to pull-out            Insert the end of  the fllm firmly  in the toke-up
 t h e   r e w i n d i n g    t p i n d l e     f r o m     t h e  c o r t r i d g e          spool  slot.  (fig.  3)  ff the slot is not in proper
chomber.  Then, put the film cortridge  in the           position,  correcl   it  by  turning  the  toke-up    r
corlridge  chomber. (Fig. 2l Now,  return  the          spool knob.
r o p i d   r e w i n d i n g c r o n k   t o    i t s  f o r m e r p o s i t i o n
o n d  e n g o g e    t h e  c o r t r i d g e  o x l e  w i t h    t h e
rewinding  spin'dle sldt.    lf  the cronk cotches
for  ony  reoion, push  down   lightly  on  the
c r o n k o s y o u   t u r n   i t o n d    i t w i l l s l i p b o c k   i n .

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Page 8 · Read text
4                               6
After  moking  sure the  perforotions   of  the          Turn the film-type indicotor on  the top  of  the
film ore properly  engoged  on  the  teeth  of             film winding lever in the direction of the orrow
the sprocket, turn the film winding  lever until          ond motch  it  with  the exposure index  of  the
 it stops.  Now, push the shutter button  ond             film. (Fig. 5l  The  " D Col "  meons doylight.
ogoin  turn the lever until  it stops. (Fig. 4l             type   color   film  ond    " T  Col  "   indicqtes
                                                                             color  ftlm.5                                                      tungsten-type
Lightly wipe  ofi ony  dust or  fingerprints on
the film pressure plote  with  o  soft  brush  or
gouze.  The bock  coyer  locking  mechonism
locks merely by pushing on the bock cover.
                                                                                             7
View original page 8
Page 9 · Read text
Af ter  pushin g  the  shutter  butlon,  turn  the  film    7
             winding lever until   il stops.  Now one frome hos
           been  completely  wound  ond  lhe  shutter  outo-
              moticolly cocked.  Now, push the  shulter button
              o n e m o r e   t i m e  o n d  c o m p l e t e l y w i n d  o n e m o r e
                           f rome.  This tokes  up  ony  ftlm  thof moy  hove
              b e e n o l r e o d y e x p o s e d .  ( F i g . 6 ) A l s o ,   i t   i s p o s s i b l e
                lo toke-up the film o  little ot  o time mony times.
              Bul,  pleose remember,   if  one    f rome  hos been
            completely wound up, the lever WILL NOT MOVE.


            Turn the film counter in the direction of  the orrow    8
             o n d m o t c h t h e n u m b e r o f  f r o m e s o f  y o u r   f i l m w i t h
             the  a. mork.   In other  words,  20  fromes motch
          w i t h   t h e n u m b e r 2 0  o n d  3 6   f r o m e s w i i h  3 6 ,   r e -
               s p e c t i v e l y .  T h e n t h e  . z r m o r k w i l l o l w o y s    i n d i c o t e
                           t h e  r e m o i n i n g n u m b e r o f   f r o m e s .
          N o w ,    l h e c o m e r o  i s r e o d y  f o r   t o k i n g p h o t o g r o p h s .
               (Fig. 7l,.
       Coution
        W h e n  w i n d i n g    t h e   f i l m , m o k e  d o u b l y   s u r e    t o
                          t u r n    l h e   f i l m w i n d i n g     l e v e r  c o m p l e t e l y  u n t i t    i t
             stops.
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Page 10 · Read text
i.EI
EXP0SURE,
APERTUREAlID SHUITER
When  lighi, enlering the  lenr, reqchec the film surfoce  it  is termed exPosure.  This foct   ir  the  firrt
slep  in phologrophic  lechnique.
f o  c ont ro l  t h e o m o u n t o f    l ig h t sirikin g  th e film, th e re o re o n oper tur e which conlr ols the intensity
o f   t he  li g h t o d m i t t e d   i n t o  lh e co me ro o n d  o sh u tte r wh ich e st oblishes the tim e lim it of light enter '
ing   t he   l e n s .
Y o u c on b e t t e r u n d e r s t o n d th e fu n ctio n o f  th e sh u lte r b y o p e n ing the bock cover when the com er o
is u n loo d e d o n d   r e l e o s i n g th e sh u tle r o l vo rio u s time limits'
B  is o n o b b r e v i o t i o n   f o r B UL B wh e re th e sh u tte r will  re mo in open  os  long  cl3 you  coniinue  to
p res s  t h e s h u i t e r b u t t o n .   l0 me o n s l/lO se co n d , 5 0 me o ms  I 5 0 second    .. ond 300 m eons l'300th
of  o second.
Next, set the shutter ot  I ond  while pushing the shutter releose bufton,  look  through  fhe lens from
t h e b o c k o f   t h e c o m e r o o s yo u ch o n g e th e F slo p se tlin g .  You  will  notice  thot  os  the  F stop
n u mber b e c o m e s s m o l l e r t h e o p e rtu re b e co me s lo rg e r o n d o s th e num ber becom es lor ger lhe oper tur e
b e c o mes s m o l l e r .
A n e x p o s u r e   i s b o r n   f r o m  th e vo rio u s co mb in o lio n o f  b o th .
Therefore, occording  to  the brightness of  the subiect,  if  the  light from  the  subiect  ir  too  slrong
lhen mo k e  t h e o p e r t u r e s mo lle r o n d  u se o  fo ste r sh u tte r sp e ed, ond  conver sely, when  ihe  lighf
f rom   t he s u b i e c t  i s w e o k ,  in cre o se th e o p e rtu re o p e n in g o n d use o slower shutter speed.
I n ord e r   t o o b l o i n  p r o p e r  e xp o su re s, e xp o su re to b le s o r  o n exposur e m eter should be  used  lo
f u ll odvo n t o g e .
H o w e v e r , y o u  c o n n o t e n i o y p h o to g ro p h y  b y  b e co min g o ve r-teniilive  obout  the   r ight exPosur es.
A  d if ie r e n i e  o f  o n e g r o d u o tio n  e ith e r wo y  will n o t mo ke to o m uch difter ence so enioy  your lelf.
Keeping exposure records  of eoch exposed  film  will  olso serve os excellent reference  moteriol.
View original page 10
Page 12 · Read text
MAKilG
THEBESTUSE





                                                                                                                                                                                                                                                                                                                          4OF
     -OF-DEPTH  FIEI.D


Therefore, os  in Figure 8,  if you motch  t  2.8 with  the red
dot on the distonce scole everything   f rom 15 feet  to  30
feel will be in shorp focus.    lf you  select F 8, then every.
 t h i n g  f r o m    l 0   f e e t   t o    i n f i n i t y w i l l b e    i n c l e o r  f o c u s .
In this monner,  if you motch the red  line  with  the  center
of  the  depth-of -field  scole  you  con  obto in  much more
effective snops.  This is colled normol focus.
View original page 12
Page 14 · Read text
TAKIlIG
                                                                                                                                                                                                                       f f i I
THEPHOTOGRAPH

 T o  p r e v e n t   f o i l u r e     i n  o n  e m e r g e n c y , e s t o b l i s h o  s t o n d o r d
 p r o c e d u r e o f   t o k i n g p h o t o g r o p h s o n d   l e o v e n o t h i n g  t o c h o n c e ,
 I )  Determine the. proper  exposure.
 2l  Motch-up the shutter speed ond  the F stop.
 3 )  W i n d   t h e  f i l m .
 4l  Focus the subiect.
5)  Releose the shutter releose button.
Regordless of  how  good  the  lens, movemeni  of  the comero
when releosing the shutter will  nol  result  in  o  good  picture.
when  you push the  shutter button  be  extro  coreful  not  to
m o v e  t h e c o m e r o .
First hold the comero firmly ond steody the comero on o  port
of  the   f oce.  Then, while  holdin g  your  breoth,  reteose the
rhutter GENTLY.
For exposures lon ger  thon    | 12Sth of  o  second, o  tripod   is
recdmmended.
View original page 14
Page 15 · Read text
When you use o  self-timer o
tripod  is o necessity, too.  A
s e l f - t i m e r o s w e l l o s o  c o b l e
releose  is screwed  into  the
center  of  the shutter releose
b u t t o n .

       ATTEREXPOSIIIG
            At[ OFTHEFIIIUI
                                                 After  the film hos  oll  been  exposed,  roise  the  ropid   re-
                                   w i n d i n g  c r o n k  o n d   r e w i n d w h i l e p r e s s i n g  t h e   r e w i n d i n g
                                             releose  button.  When  the  film hos  bein  completely  r€.
                                   w o u n d   t h e  r e w i n d i n g  c r o n k w i l l  s u d d e n l y b e c o m e   l i g h t e r
                                                    to  turn.  Then open  the bock cover ond remove the film.
                               ALWAYS AVOID DIRECT SUNLIGHT WHEN OPENING THE
                                  COVER.  Do nol open the comero bock cover  until the film
                                        bos been completely rewound.
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View original page 15
Page 16 · Read text
FI.ASH
        PHOTOGRAPH



It  is neceJ3ory  to  ure  o  ffosh producing  o
light when toking fost-moving obiects ot  night
or indoorr ond  in  softening shodows under
o scorching midsummer run.
!n the po3l, synchro-photogrophy wos thought
of  os  o  troublesome  operotion  but  todoy
synchroflosh photogrophy hos become univer-
solly populor becouse of  its relioble  perfor-
monce onywhere ond eose of  operotion.
In floshbulbs, there ore the F Closs, M Closs
ond the electronic flosh.  The RICOH 300 hos
o synchro setting of  X, so oll three types  of
bulbs con be used.
                                                                                                                                                                  t 5
View original page 16
Page 17 · Read text
SY]ICHRO.RAIIGE
  SCALE

          T h e R I C O H 3 0 0 h o s o u n i q u e F L A S H B U L B S Y N C H R O - R A N G E
         S C A L E w h i c h  s h o w s o t  o  g l o n c e w h o t   f l o s h b u l b s l h c h r q .
          nizes with whol  shutter speeds.
         As con be seen from  the top  of  the comero, between the
           shutter speed scole ond  the  t  stop scole, there ore  three
           lines of  different colors representing X, F ond M.  This is
           the FLASHBULB SYNCHRO-RANGE SCALE.  X  represents
           electronic  flosh, F meons F Closs floshbulbs ond  M  re-
          presentt M Closs foshbulbs.

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View original page 17
Page 18 · Read text
For cxomple,  when  the  shuiler  rpeed       Therc relotionr  ore  represenled  in the toble  below.
  i c s e l o t B ,  l / 1 0 o n d  1 2 5    f h e V m o r k
 on the right of  the shutter speed scole
                                 FLASHBULE             SYNCHRO.RANGE poin t s  t o  o l l   t h r e e    l i n e s .  Th is me o n s
 lhof  the  electronic  f,osh, F floshbulbs
 ond M   f l o s h b u l b s o l l  s y n c hro n ize .           M Clo ss flo shbulb                   B, lrl0--1i25

                                                 F Clo ss flo sh bulb                B , l i l Q - 1 , t 5 9


                                                      Electronic flosh                                  All speeds

 In cose of  l/50  the  v  mork  points  lo
 lhe two  liner representing X ond  F, so
lhe  electronic  ftsh   ond  F  floshbulb
rynchron ize


Al l/100 ond l/300, rhe .rz mork points
to only X, ro only lhe electronicflosh
synchronizes.
View original page 18
Page 21 · Read text
".t,-?d!..
        YOUR MARK OF QUALITY
RIKEI|OPIIGAL|I|DUSIRIES,lTD.





      Tokyo  Oillcc
      No.  l, 3-chome, Ginzq, Chuo-ku,Tokyo
     Ncw York  Ofiicc
      521 Fifrh Avenue, Ncw York 17, Ncw York
                                           D0604 D. N. P. €,   Printed in Jopon                 www.orphancameras.com
View original page 21

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