Home/Butkus archive/Ricoh
Film cameras

Ricoh CR-5 User manual

User manual for Ricoh CR-5. 28 pages. Read the original PDF, download or print a copy without registration.

28 pagesOriginal document3.5 MB PDF
Ricoh CR-5 manual cover
Read the manual Original PDF
Download PDF
Loading your manual…Open PDF directly

Document details

Brand
Ricoh
Model / document
Ricoh CR-5
Document type
User manual
Language
Check the original document
Pages
28
File size
3.5 MB
Category
Film cameras
Document date
Not specified in catalog

Search available document text

Find a term, then jump to its page in the original PDF. Image-only pages may not be searchable; check the PDF for exact wording and diagrams.

Page 11 · Read text
www.butkus.us

 DESCRIPTION OF PARTS
  1. Film Rewind knob/Back Cover lock Release Knob
  2.  Film Rewind Crank              I
  3.  Film Speed Diat(ASA/D|N)
  4.  Film Speed Lock Button
  5. Hot Shoe/Flash Contact
  6. Shutter Speed Index Line
  7. Shutter Speed Dial
  8. Cable Release Socket
  9. Shutter Release Button
 10. Meter/Shutter "ON-OFF" Index Mark
 1 1. Film Advance Lever
 12. Exposure Counter
 13. Neck Strap Eyelet
 14. Self-timer Lever
 1 5. Lens Release Lever
 1 6. Lens Locator Node
17. Focusing Ring
18. Distance Scale
19. F-Stop Ring
20. Sprocket Teeth
21. Film Guide Rail
22. Viewfinder Eyepiece
23. Film Rail
24. Film Rewind Shaft
25. Film Chamber
26. Battery Compartment Cover
27. Tripod Socket
28. Film Rewind Release Button
29. Film Take-up Spool
30. Back Cover
31. Film Pressure Plate
32. Microprism-image Band
View original page 11
Page 12 · Read text
33.  Split-image Spot
34.  Exposure Meter Needle
35.  Shutter Speed Needle
                                                 I
We are most gratified that you have selected the CR-S which we are
sure will give you many delightful years of picture-taking pleasure. The
CR-S is a 35 mm SLR camera which assures you of superb optics and
outstanding mechanical performance and reliability and which will jus-
tify your chice for years to come.

Before Using Your CR-5.....
Please read this instruction booklet carefully and familiarize yourself
with the equipment and its features thoroughly. Your pleasure  in using
your CR-5 will be greater  if you know your camera properly.
View original page 12
Page 13 · Read text
www.butkus.us


BATTERY LOADING
The built-in through-the lens CdS exposure metering system of your
CR-5 operates on power activated by two 1.5V G13 silver-oxide batter-
ies, which are supplied together with your camera.
1. Remove Battery Compartment Cover (26) by unscrewing  it counter-
    clockwise with a coin (Fig. 1).
2. Place the two batteries into the compartment with the plus @ side
   down, as illustrated in the battery holder of Battery Compartment
   Cover (26) (Fig. 2). Make sure that the batteries are correctly
    placed. lf incorrectly placed, Exposure Meter Needle (34) in the
    viewfinder will not move at all.
3. Replace Battery Compartment Cover (26) by screwing it clockwise
    until it stoDs but do not force.

Tips for Better Results.
*  Before loading. wipe off the surfaces of the batteries with a clean
   and dry cloth to ensure they are free of fingerprints or stains.
*  When your camera is not used for a long period, remove the batter-
    ies and keep them in a cool, dry place.
*  The batteries will last for about one year in normal use. We sug-
   gest you replace them regularly once a year on your birthday or
    sooner.
*  The batteries may explode if disposed of in fire.
*  Replace the batteries when the Exposure Meter Needle (34) in the.
    viewfinder does not move in direct sunlight or other bright lights
   with Film Advance Lever (11) moved to "ON" position (Refer to
   "METER/SHUTTER ON-OFF CONTROL"). For reptacement, use two
   new Mallory MS76, Eveready 576 or equivalent.
View original page 13
Page 14 · Read text
FILM LOADING
 Your CR-S is designed to accept any standared 35 mm color or black
 and white film roll in cartridge (12,20,24 or 36 exposures).
 1. First of all, press Shutter Release Button (9) to see that the shutter
    has been released. (Refer to "METER"/SHUTTER ON-OFF CON-
    TROL")
                                                                                           (Fig. 2. Pull up Film Rewind Knob (1) until Back Cover (30) snaps open
     3). Then, pull it out all the way to allow for insertion of the film car-
     tridge.
 3. Swing open back Cover (3O) and place a film cartridge into Film
    Chamber (25) (Fig. a).
 4. Push down Film Rewind Knob (1) to its original position by turning
     Film Rewind Crank (2) clockwise or counterclockwise so that Film
    Rewind Shaft (24) engages the film cartridge and that the film car-
     tridge is seated in place (Fig. 5).
 5. Draw the film leader across the camera back and insert it into one
     of the slits of Film Take-up Spool (29) (Fig. 6). To bring the slit into
    a convenient position, rotate Film Take-up Spool (29) in the direc-
     tion of arrow with your finger.
 6. Rotate Film Take-up Spool (29) by advancing Film Advance Lever
    (11)to take up any slack in the film and check to see that the film
     tip is firmly hooked onto Film Take-up Spool (29) (Fig. 7) and that
-    sprocket holes on the film are fully engaged on Sprocket Teeth (20)
      (Fig.8).
 7. Close and press Back Cover (30) firmly until it snaps shut.   \
 8. Advance Film Advance Lever (1 1)two or three times, after depress-
     ing Shutter Release Button (9) each time, until the number "1" is
     opposite the index line in Exposure Counter (12) (Fig.9), because
     the first portions of the film can not be used for picture taking as
     they have already been exposed to light and two or three blank ex-
    posures should be made before taking your first picture. Now it is
     ready for your first picture.
View original page 14
Page 15 · Read text
R                                       www.butkus.us

           Tips for Better Results
           *  Always load your camera in the shade or in a poorly-lit place, never
                   in direct sunlight or other bright light.
          *  As you advance Film Advance Lever (1 1), Film Rewind Knob (1) will
               simultaneously  rotate counterclockwise indicating that the film is
               properly advanced.

        SETTING FILM SPEED
          Each type of film, color or black and white, has its own sensitivity to
              light. This sensitivity is assigned by a numerical value described as an
       ASA rating (U.S.A. Standard) or a DIN rating (Europe and most other
            countries). In most cases, both ASA and DIN ratings are imprinteo on
           the film package, as well as the data sheet packed with the film and
            film cartridge  itself. The higher the film speed rating, the more sensi-
            tive the film is to light; that is, less light is required for a proper expo-
            sure. The film speed, therefore, is an important element in insuring that
          the through-the lens metering system of your camera determines the
            correct shutter speed and f-stop combinations  for a given lighting si-
             tuation.
          1. Depress Film Speed lock Button (a) (Fig. 1O) and rotate the outer
               ring of Film Speed Dial (3) until the ASA (or DIN) number of your
              film is exactly opposite the index line on the outer ring of Film
H-l           Speed Dial (3) and click stops. For example, if the film is ASA 1OO.
H           make the correct setting at "10O" (Fig. 1 1).
         2. Take your finger off Film Speed Lock Button (4) to locf the film
   l            speed setting in the camera.

           Tips for Better Results
          *  Each time a film with a new film speed rating is loaded in your
              camera, the film speed must be set to assure accurately exposed
             photographs
View original page 15
Page 16 · Read text
M ETER/SHUTTER "ON.OFF" CONTROL
Film Advance Lever (11) controls exposure meter "ON-OFF" and shut-
ter release "LOCK-UNLOCK" to protect your camera from unnecessary
deoletion of the batteries and accidental shutter release when not tak-
ing pictures. 4O' pre-advance and 135' advance angle assures faster
winding and permits contiuous operation for sequence photography.
1. When Film Advance Lever (1 1) is moved to "ON" position (Fig. 12)'
    the electric circuit is switched on and Shutter Release Button (9) is
    unlocked.
2. Whenever picture-taking is completed, be sure to move Film Ad-
   vance Lever (11)to "OFF" position (Fig. 13). The electric circuit is
    switched off and Shutter Release Button (9) is locked.

Tips for Better Results
*  To prevent unnecessary consumption of the batteries, be sure to
   move Film Advance Lever (11)to "OFF" position when not taking
    pictures.

CORRECT EXPOSURE
Your CR-5 has a built-in through-the-lens  full aperture CdS exposure
meter which measures the light coming through the lens and enables
you to set the proper exposure for a given lighting condition.
The correct exposure is obtained by setting the shutter speed and f-
 stop in the correct combination  for the film, subject and lighting con-
 ditions.
 1. Set the desired shutter speed opposite Shutter Speed Index Line (6)
   by rotating Shutter Speed Dial (7) (Fig. 1a). (Read "SETT|NG THE
   SHUTTER"). Shutter Speed Needle (35) in the viewfinder moves
    according to the shutter speed you set.
 2. Move Film Advance Lever (1 1) to "ON" position (Fig. 12)
View original page 16
Page 17 · Read text
www.butkus.us

3. Hold your camera, look at your subject through the Viewfinder Eye-
    piece (221and check Exposure Meter Needle (34).
4. Rotate F-Stop (lens opening) Ring (19) and align Exposure Meter
    Needle (34) with Shutter Speed Needle (35) (Fig. 1 5). lf Exposure
   Meter Needle (34) goes above Shutter Speed Needle (35), this
   means "overexposure"  (Fig. 16); select a faster shutter speed or a
    smaller lens opening. On the contrary, if the needle goes below
    Shutter Speed Needle (35), this means "underexposure"  (Fig. 17);
    choose a slower shutter speed or larger lens opening.
lf you want to use a specific f-stop for depth of field control, you may
set the f-stop first and then the shutter speed, while other procedures
are the same as above.
This setting may be used when you take a portrait or the like, intention-
ally making your subject attractive with the background or the scene in
front of it blurred. How your subject turns out in the picture depends
on the f-stop setting. (Refer to "DEPTH OF FIELD"). The chart (Fig. 18)
shows the exposure value range (shutter speed and f-stop combina-
tion) of your camera's metering system for selected film speeds.

Exposure Compensation
Though you learned how correct exposure is obtained. in unusual light-
ing conditions, the desired effect or the correct exposure will not be
obtained in the final picture and exposure compensation  is necessary.
Back-lit subjects
When the light is behind the subjects,
1. Move close to the subject for meter reading, then, move back,focus
   and shoot.
2.  lf  it is impossible to approach the subject, adjust either shutter
   speed or lens opening to overexpose. When you adjust the lens
    opening, open up the aperture by 1 or 2 stops.
View original page 17
Page 18 · Read text
Spot-lighted subiects and dark backgrounds
1. Move close to the subject for meter reading, then, move back, focus
  . and shoot.
2. lf it is impossible to appioach the subject. adjust either shutter
   speed or lens opening to underexpose' When you adjust the lens
    opening, close down the aperture by 1 or 2 stops.

    Tips for Better Results
   When the Shutter Speed Dial (7) is set at "B" (Bulb), set the desired
    f-stop and expose manually because metering with the built-in ex-
   posure meter is not possible.
    Outside of the meter's coupling range, the exposure meter will not
   respond correctly. For example, coupling range for ASA 1OO film is
                                                                           1 8) (Fig. 18).   from 1/8 sec. atf 12.2 to 1/1OOO sec. at f/1 6 (EV5.3 -
       lf the light is too dim. use supplementary lighting.

SETTING SHUTTER SPEED
The shutter controls the length of time the light is allowed to strike the
film. The speed at which the shutter opens and closes is measured in
fractions of a second that correspond to the numbers on Shutter
Speed Dial (7). For example, "lOOO" is 1/1OOO sec., "125" is 11125
sec., and so on.
*  Simply turn Shutter Speed Dial (7) until the desired shutter speed is
     set opposite Shutter Speed Index Line (6) (Fig. 1a)'
Generally speaking, when shooting outdoors in bright or hazy sunlight.
"125" l1l125 sec.) is suitable for most pictures. When taking your
 subjects in motion, "25O"  (1 l25O sec.) to "1OOO" (1/1OOO sec'  ) should
be used... Faster speeds will "freeze" extremely fastmoving subjects
 (sports, racing cars. etc.). When indoors in a well-lit room. "60" (1/60
 sec.) should be sufficient to take your subjects, depending upon the
film you are using. When in poorly-lit places, or to achieve the
View original page 18
Page 19 · Read text
www.butkus.us

          maximum depth of field, "30" (1 /30 sec.) to "8" (1 /8 sec.) are available.
         When set at "8", the shutter will remain open as long as Shutter Re-
             lease Button (9) is depressed (preferably by a cable release). The "8"
              setting is used for long night exposure using street lights or electric
            signs as a light source, or under poor lighting conditions when flash
            cannot be used.

             Tips for Better Results
            *  When using slow sppeds {below 1/30 sec.), use a tripod or other
                 firm support to prevent the movement of the camera and blurred
                  pictures. In shooting with a telephoto lens, be careful to minimize
                 the camera shake especially.
            *  Do not set Shutter Speed Dial (7) between marked speeds, but at
                    click stop in accordance with indicated speeds only.
            *   Shutter Speed Dial (7) does not revolve between "1OOO" and "8".

         SETTING APERTURE
           The lens opening determines the amount of light entering the lens and
            exposing the film. The smaller the f-stop  lf /2.2,   f 12.8, etc.), the wider
             the lens opening and the greater the amount of light entering the lens.
           The larger the f-stop  lf /16,f 111, etc.), the smaller the lens opening and
b           the smaller the amount of light entering the lens. As the lens opening
                is moved from f/16 to f/1 1, the amount of light entering the lens is
             doubled. As the lens opening is moved tromf /2.8tof /4, the amount of
              entering light is cut in half (Fig. 19). I            *  Rotate F-stop Ring (19) until the desired f-stop is opposite the
                 aperture index line (Fig. 2O). Click stop is provided to prevent acci- I                 dental movement from the setting made.

             Tips for Better Results
Fl            *     lf necessary, you may set F-Stop Ring (19) between two f-stops.
View original page 19
Page 20 · Read text
VIEWING AND FOCUSING
Since you are viewing through the lens, there is no parallax problem...
What you are viewing in the viewfinder  will exactly appear in your pic-
ture. This enables you to determine the exact composition  of your sub-
jects before pressing Shutter Release Button (9).
Even when you shoot close-ups, there is no danger of accidentally cut-
ting off a portion of your picture. To assure the sharpest possible pic-               t
tures, your CR-S has a three way focusing screen with diagonal Split-
image Spot (33), Microprism-image Band (32) and Fresnel field, and
you can select three way focusing according to your subject.
1. Look into Viewfinder Eyepiece l22l to compose your subject.
2. Split-image Focusing...  is helpful for the subject with either vertical
    or horizontal lines.
    Rotate Focusing Ring (17) until the split image in Split-image Spot
    (33) forms a single image. When it is out of focus, your subject  is
     split into two parts (Fig. 21).
3. Microprism-image  Focusing... is good for the subject which lacks
    clear vertical or horizontal lines.
    Rotate Focusing Ring (17) until the image in Microprism-image
   Band (32) appears sharp (Fig. 21).
4. You can also focus with any part of the area surrounding Micro-
    prism-image Band (32). This is most useful when taking pictures
    with ultra telephoto lenses or in close-up photography with bel-
    lows unit, macro lenses or extension rings because the other focus-
     ing aids may darken appreciably.

UNLOADING FILM
After the last picture on the roll of film has been taken, rewind the film
and unload your camera
 1. Press Fif m Rewind Release Button (281lFig.22l.
2. Lift up Film Rewind Crank (2) and turn it clockwise until Film Re-
   wind Release Button (28) stops revolving and you feel the film
View original page 20
Page 21 · Read text
www.butkus.us

             tension released (Fig. 23). This indicates that the film has been
              completely rewound into the cartridge.
         3. Open Back Cover (3O) by pulling up Film Rewind Knob (1).
         4. Remove the film cartridge and have the film processed as soon as
                possible.

          Tips for Better Results
          *  Always unload your camera in the shade or in a poorly-lit place,
              never in direct sunlight or other bright light.
          *  When you r:each the end of the roll of film, Film Advance Lever (1 1)
                  will tighten and refuse to advance.  lf this happens, do not advance
              Film Advance Lever (11) by force for "Just one more shot", other-
             wise the film will be torn out of the cartridge.
          *  Film Rewind Release Button (28) will remain in place once it is
               pressed, and return automatically to its original position when Film
            Advance Lever (1 1 ) is advanced.

      TAKING FLASH PICTURES
        You can use a flash at night or in a dimly lit room as well as for supple-
         mentary lighting in outdoor photogrphy. The camera and electronic
           flash will be fully synchronized with the shutter speed at "8" and 118
           sec. to 11125
          *  Mount a flash unit with a built-in hot shoe contact on Hot Shoe (5).

   I
?
          Tips for Better Results
          *  Use a flash unit with a built-in hot shoe contact only because the
  i            camera  is not equipped with flash terminal for a flash unit with con-
              necting cord.
          *  "125" (1/125 sec.)on Shutter Speed Dial (7) is marked in red as a
             reminder for electronic flash synchronization  (Fig. 24).
View original page 21
Page 22 · Read text
Exposure for Flash Photography
The exposure is determined by the guide number of the electronic flash
unit. The guide number represents a relationship between the light
output of the flash and the speed of the film. Guide numbers for elec-
tronic flash units are found in the technical specifications. Using the
guide number. you can determine the correct f-stop for a given flash si-
tuation using the following formula:
F-stop = Guide number + Flash-to-subject distance.
For example,  if your flash unit has a guide number of 1 6 (m) or 52.8  (ft.)
for the type of film you are using, and your subject is 2 meters (6.6 ft.)
from the flash unit as indicated on Distance Scale (18) after focusing,
divide 16 (52.8) bV 2 (6.6). The answer is 8; therefore, set F-Stop ring
(19) to I (VB).

Tips for Better Results
*     lf you are using an auto electronic flash unit with power ratio con-
     trol, follow the instruction sheets packed with the flash unit.
*  Most electronic flash units have a built-in dial or exposure table
   which enables you to quickly compute f-stops based on flash-to-
    subject distances.

USING SELF-TIMER
Your CR-5 has a built-in Self-timer which delays the shutter release
about maximum of 1O seconds. This enables you to include yourself  in
your own pictures and is also of benefit in taking close-ups or photomi-
crographs where camera movement must be avoided.
1 .  First, advance Film Advance Lever (1 1 ).
2. Merely move Self-timer Lever (14) counterclockwise  (Fig. 25).
   According to the degree you have moved  it down, you can adjust
    the operating time. For the maximum delay, move it until it stops.
3. Press Shutter Release Button (9) to start the self-timer moving.
View original page 22
Page 23 · Read text
www.butkus.us


            Tips for Better Result
         *  You can set Self-timer Lever (14) firstly and then advance Film
             Advance Lever (1 1 ).               I
         *  The Self-timer Level (14) can be returned to its original position
                 after setting the lever, however, be careful that the self-timer me-
              chanism will not be disengaged.
         *  The camera should be placed on a tripod or other sturdy support
            when using self-timer.
          *  When using a tripod with a long thread length (more than 5.7 mm),il             be careful not to forciblv screw in the thread further than the depth
                 of the socket.

       CHANGING LENSES
          To mount the lens on the camera
          1. Mount the lens by lining up the red dot on the lens mount with the
              matching dot on the camera mount (Fig. 26).
         2. Grasp the lens firmly around the lens barrel and turn it clockwise
                   until it clicks into place.

          To remove the lens from the camera
          1. Grasp the lens firmly around the lens barrel in one hand.
         2. With the other hand, hold the camera body and press Lens Release
               Lever (15) and turn the lens counterclockwise until it stops (Fig.
                271. The lens now can be removed.

         You can also change lenses easily without looking even in the dark by
          means of Lens Locator Node (16). Line up Lens Locator Node (16) with
           Lens Release Lever (15) and turn the lens clockwise for mounting the
             lens. For removing the lens, press Lens Release Lever (15) and turn the
            lens counterclockwise  until Lens Locator Node (16) and Lens Release
            Lever (15) line up.
View original page 23
Page 24 · Read text
Tips for Better Results
*  Whenever a lens is mounted on the camera, make sure that the lens

                                                                                                                                            I      is perfectly mounted.
*  Do not touch any of the internal parts or permit dust or durt to
    enter the camera body when removing or attaching lenses.
*   Protect the inside of the camera by putting on the body cap when-
    ever the camera  is carried or kept with the lens removed.

DEPTH OF FIELD
When you focus on a specific subject, an area in front of and behind
the subject will appear acceptably sharp in your picture.
This area of acceptable sharpness is called "Depth of Field". The depth
of field is determined by the f-stop you select and the distance from the
in-focus subject to the film plane. As you get closer to your subject, or
as you open your lens (for example, form f/16 to f/2.21, the depth of
field becomes shallower. By stopping the lens down (for example, from
f /2.2 to f/1 6), the depth of field becomes deeper.

INTERCHANGEABLE LENSES AND ACCESSORIES
A wide range of XR RIKENON interchangeable lenses including ex-
tremely wide angle lenses, telephoto lenses, zoom lenses and various
accessories are available to enable you to expand the pleasure of your
picture-taking. XR RIKENON interchangeable lenses and accessories
are made of selected high quality materials under strict quality control
to assure you of high performance and full satisfaction. Select XR
RIKENON interchangeable lenses that will meet your needs.
Since the camera is designed to accept any lens with the "K" type
bayonet mount, your CR-S affords you the opportunity to select any in-
terchangeable lens or accessory of the "K" type bayonet mount availa-
ble on the market.
View original page 24
Page 25 · Read text
www.butkus.us

PROPER CARE OF YOUR CAMERA
*  Always carry your camera with its carrying case and neck strap.
*  Use the lens cap to protbct the lens when not taking pictures.
    Protect your camera from dust, dirt, water" rain, dampness, salt air
   and rough handling.
    Never expose your camera to excessively high or low temperatures
    for an extended period of time. In extremely hot climates, do not
    leave your camera inside closed automobiles during the daytime or
     in direct sunlight.
     In extremely cold climates, expose your camera to the outer air only
   when in use... When using, expose your camera gradually to the
    outer air to prevent the lens from clouding.
      lf exposed to an extremely cold climates, the exposure meter bat-
    teries may fail to operate properly. Keep your camera inside your
    clothing until taking a picture.
    Never touch the surfaces of the lens, metal focal plane shutter cur-
     tain, reflex mirror, etc. with your fingers.
   To clean the lens, gently wipe it in a circular motion with a lens
    cleaning paper or a soft, clean and lintless cloth.
   Do not wipe the camera body with chemicals, such as benzine.
    thinner, etc. Use only soft cloth or cotton swab sprinkled LIGHTLY
    with alcohol on the camera body. Do not use them on the lens be-
    cause  it can affect coating.
   When your camera is not in use for an extended period of time, put
    the lens cap, remove the batteries, place your camera in its carrying
    case together with silica gel or other desiccant and store  it in a dry
   and cool place.
   Never store your camera in places where the temperatures are ex-
    cessively high or low.
View original page 25
Page 26 · Read text
*  Do not attempt to disassemble or repair your camera yourself.  lf
         service is necessary, get in touch with your dealer or authorized Ri-
      .  coh service station.                        r
    *  Do not leave your camerd near the magnetic objects like radio.
          television set, etc.

   MAJOR SPECIFICATIONS OF CR-5
    Camera Type:
        35 mm SLR with metal focal plane shutter.
     Film Format:
      24x36mm
     Film Size and Capacity:
        35 mm perforatedfilm in 12,20,24or36 exposures.
    Standard Lenses:
        55 mm RIKENON f 12.2,4 groups 4 elements
              Filter size: 52 mm screw-in type
    Lens Mount:
           "K" type bayonet with 65' rotating angle
     Shutter:
           Vertically moving Copal CCS metal focal plane shutter with
          speeds from 1 /8 to 1 /1 OOO sec. plus B.
    Viewfinder:
           Fixed eye-level pentaprism
          Exposure meter needle and Shutter speed needle visible.
    '       Viewing magnification O.89X (55 mm f2.2 lens)
            Field of view covers 93% of actual picture area
     Focusing:
          Diagonal Split-image spot in microprism-image band surrounded
         by Fresnel field.
'    Exposure Meter:
       Two Cds photocells TTL full open metering for center weighted
          average light reading coupled to shutter speeds, film sppeds and
            f-stops.
                             _16_
View original page 26
Page 27 · Read text
www.butkus.us


Exposu re Coupling Range:
                    1OO film with 55 mm f/2.2 lens)    EV 5.3 - 18 (ASA
Film Speed Range:
    ASA/ISO 12 - 32OO (DlN 12 - 36)
Exposure Meter Power SuPPIY:
    Two 1.5V silver-oxide batteries (JlS G13, Mallory MS76, Ever-
     eady S76 or equivalent.)
Flash Synchronization:
    X Synchronization  for electonic flash unit at "B" and 1/8 sec. to
     1/125
Flash Contact:
     "X" contact on hot shoe for cordless electronic flash unit
Film Loading:
       Multi-slit easy loading
Film Wind;
     Single stroke film advance lever with 135' winding angle (40'
       PlaY)
Film Rewind:
      Film rewind crank by pressing film rewind button on base of ca-
     mera
Exposure Counter:
      Additive, automatic resetting.
Other Features:
      Self-timer
     Hot shoe
      Shutter release lock (with film advance lever)
     Meter on/off switch (with film advance lever)
     ASA/DIN dial lock
      Cable release socket
      Tripod socket
View original page 27

From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.

PDF verified 2026-10-10.