Film cameras
ROLLOP 2.8 Automatic User manual
User manual for ROLLOP 2.8 Automatic. 20 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Rollop
- Model / document
- ROLLOP 2.8 Automatic
- Document type
- User manual
- Language
- English
- Pages
- 20
- File size
- 3.1 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
R O LtO P 2,8 r,outorlqtic"
With the ROttOP 2.8 ,,automatic" the amateur
and the prof'essional gets a rollfilm twin lens camera
in his hands which as a product of the well known
ROLLOP Line meets all the reguirements of the
modern up-to-date photographer. It is fully auto-
matic and incorporates double exposure prevention
device one sweep of the crank advances the film
by one- frame, sets the shutter and advances the
film counting d'evice thus guaranteeing an easy con-
trol of exposure.
The ROLLOP 2.8 ,,automatic" is equipped with
two matched colour corrected anastigmat 4 Element
Lenses, hard coated flz.e focal length gomm/g" for
12 pictur,es (zrln x 2rla) (0 x 0 cm) on rollfilm black
and white as well as colour. The picture to be
taken appears on the ground glass screen by means
of the viewing lens and can be observed all the
t'me even when taking the picture. In contrast to the
single Lens reflex-camera there is no darkening of
the ground glass picture by using the taking Lens at
a small aperture.
Both Lenses are coupl,ed firmly, and distances bet-
ween 3 feet and infinity can be set by just one half
of a turn of the focusing knob.
The ROLLOP 2.S ,,automatic" is furnished with
the latest type Prontor SVS shutter with cross-cou-
pled light values and selftimer, speeds of L sec
1.l3oolsec. which can also be switched over bv - a
small lever to the former normal time settings and
apertures. Double exposures are impossible ! Further
advantages are: body-release combined with socket
for cable-release; flash-socket for bulb and
electronic flash unit. -
www.butkus.usView original page 3Page 7 · Read text
Inserting the film
Pull out spool knob (aa) and lock it by turni.ng it
either way. Insert empty film spool (zo) in upper
film chamber but take care that the key engages in
the slot on one side of the film spool. Turn spool
knob again until it snaps back fully into place.
Bring long slot of the film spool into visible
position by turning lever wind (crank) for film
transport (22).
www.butkus.usView original page 7Page 8 · Read text
B'efore inserting the film You
have to turn the small knurled
wheel (28) in the film rail (in
the direction of the arrow) until
it stops.
Norv place a new Lzo (2rl+x2r/+)
. film into lower film chamber and
handle spool knob (ab) as You
did with 4a. Insert film th'e same
wayyou insertedlnsertect emptyempty filmfllm spool.sPoor.
Teer the tape seal of the film and .lead protecting
paper ov"" th" gliding rollers (26). Thread -the poin- 't".i ur,d througi th,e long slot of empty film spool'
Turn lever wind (crank) (22) until film starts to wind
iignt until the mark (a)'on the backing paper.,of
"ptn" fii- reaches the 2 white points (zr) on the film
gliding track. Make sure that film rolls up. qto,p".tly
empty spool. The piinted side
of the protecting PaPer must
be always on toP ! Never
insert film in bright
sunlight!
FII(I
fi
IltView original page 8Page 9 · Read text
Closlng the comerq
t ond winding the film
Close camera back lid (zs) by pressing it against ca-
mera body until it catches, screw side screw (3) tight
to the body.
Now sweep the crank (zz) forward and backward
as often as possible until it stops, and secure it
behind the small holding plate. In the exposure
counter (zs) now appears the figure No. 1. The ca-
nera is ready for use and the shutter automatically
set. After exposing the first picture sweep the crank
forward and backward and the camera is now ready
for exposure No. 2. And so forth until picture No.
12. The film is always advanced automatically by
one frame and the shutter is set at the same time
whil,e the number of the exposure counter changes
and shows the number of the next exposure.
Untoqding rhe cqmerq
Having exposed all tz pictures several full revolu'
. tions of the crank (22) will completely wind up the
film. Open cilfit€ra as described before. Take expo'-
sed film out and put in new one.|[
www.butkus.us
'8View original page 9Page 10 · Read text
Focusing the comerc
Lift the top lid (2) and focusing hood (r) opens up
automatically. The image to be taken appears on the
ground glass screen in focusing hood. For sharp and
clear definition on thg ground glass screen turn fo-
cusing knob (z) which is placed on the left side of
the ROLLOP camera. Just one half of a full turn is
necessary to focus all distances between 3 feet and
infinity (o). Sharpness really ,,jumps" into the
picture.
For extra sharp focusing use
magnifier (L9) in focusing hood.
Magnifier lifts up automatically
by just pressing slightly the in-
ner part oft the top lid (z)
Magnifier enlarges about.
thlce times.View original page 10Page 11 · Read text
The diophrogm
Set lever of diaphragm (15) to th,e wanted dia-
phragm number. The smaller the diaphragm number
the bigger the aperture, i. e. 2.8 biggest, 22 smallest
opening. Stopping down results in greater depth of
field (se,e schedule on page 12) but longer exposure
times are necessary..
The shutter
The ROLLOP 2.8 ,,automatic" is eguipped with a
cross coupled light value Prontor SVS shutter with
speeds of 1 sec 1/300 sec and is changeable so
that it can be used- without (i. e. that is normal
setting) and with light values.
a) Setting without
light values.
If you want to
use th,: shutter in
the normal man-
ner then just
turn the small
l,ever (o) down
towards the
circle. Now speed
and aperture
settings are not
coupled. By tur-
ning the speed
setting ring (10)
+he speed is
being set. If the
picture on tl're
ground glass
screen is clear
and vou have
www.butkus.usView original page 11Page 12 · Read text
.t chosen the right aperture, the body release
(13) has to b'e pressed softly in order to re-
l,ease the shutter and the film is exposed. If a
cable release is used, screw it in body release
(L3). When taking exposures longer trhan 1 sec.
set the speed setting ring on ,,B".
b) Setting with light values. By setting the light
valu'es the red figures (16) shutter speed - - and aperture are automatically coupled. Set
the light value according to the exposure meter
or exposure-table and turn the lever (9) up
towards the point. This automatically couples
shutter speed and aperture. If 1'6.r use the
ROttOP 2.8 ,,automatic" without exposure
meter then set the speed and aperture as des-
cribed under (a) and afterwards turn th,e lever
(9) up. If you turn the setting ring (10) accor-
ding to the type of picture and set the neces-
sary speed or aperture you will always get an
evenly exposed film provided the same expo-
sure light and sensitivity of the film are used.
Turning the setting ring to the right aper-
- yoLr ture lever (15) moves towards figure (f zz) - get a greater depth of focus; turning to the
left (towards f z.a) you get a greater impression
of motion.
Please find further details in the special leaflet
of the cross-coupled light values Prontor SVS. IView original page 12Page 14 · Read text
Selftimel (Delayed action device)
If you want your own picture taken use selftimer.
The delayed action d,evice is brought into action
by setting the switchlever (1r) on "Y", This switch-
lever (1L) can only be moved if the shutter is set bv
sweeping the crank (zz).
By softly pressing the body r,eleas,e (13) selftimer
starts working and after about T b aO seconds shut.
ter releases automaticallv.
The built-in selftimer cun be used for all shutter
speeds from l- sec L/3o0 th of a s'econd exc,ept ,,8".
(see special instruction leaflet attached)
Direct viewfinder
When taking pictures of fast moving objects etc.
use the direct vision viewfinder device. Push the
viewfinder flap (2) together with the magnifier in
position. The picture to be taken is viewed and
checked by looking through the small aperture (zO).'
The camera should
be focused before-
hand on the ground-
glass screen or by
estimating the di-
stance and settin
the cam'era into
cus by means of the
feet scale.
For close-up pictu-res slide up knob i
(21). (Parallax cor-
rection for pictures 'i
taken from eye le- I
vel height). I
ItI
L3View original page 14Page 15 · Read text
Film indicotor disk for fifm type ond sensirivity
set film indicator dial (8) that it will always - -sorernind you of the type and sensitivity of the fihnin your camera.
Th; sensitivity of the film may be set in DIN degrees
when using German films and in AsA degr,ees ih.n
usi:.rg American films.
If a black and white film has for instance the sensi-
tivity 1,8lto DIN' the number 18 should appear
_opposite the black dot on the rim of the focusingknob. In the same way coloR Films are indicated
and the r,ed letters signify in this case:
D daylight for reversal films
A -: artificial light for reversal films
ND daylight with negativ film - and NA - artificial light wilh negativ films.
Accessories
Proxar lenses coJ.our and polarizing filters can b,e
screwed into the thread (l,z) of the taking andlor
viewing I'ens thus causing an absolutely plane-paral-
lel centering and avoiding an eventual shifting which
may cause blurred pictures. sunshade to be fitted in
front of taking lens, supplementary lens or filter.
www.butkus.usView original page 15Page 18 · Read text
Some exqmples how to opply the ROttOP
Woist-level shots (picture 1) Knee level shols (pictur e z)
This operation, with the The ideal position for recording
Camera snug against the body, children playing on the ground,
is most popular for taking pic- in gardens etc. Mother can
tured of obiects at midheight easily take these pictures - no
(blossoffis, branches, cars etc.). uncomfortable sqatting until
the right moment arrives.
t,
t,I(.
llUorms eye view (pictur e s)
achieved by placing the
ROLLOP Camera on the floor.
No wobblirg, distortion or til-
ted pictures.View original page 18Page 19 · Read text
Around-lhe-corner shots Eye level shots (picture 5)
(picture 4) Using the direct vision view-
By unobtrusively turning the finder with the range having
Camera either to the left or the been set. This allows you to
right without altering your follow the movement of the ob-
own position, the unexpected ject. For clear and sharp defini-
and unposed for photograph tion on the ground glass screen,
may be achieved. A peep round please turn ROLLOP horizon-
4. the corner will often give sur- tal and use it as in picture
prising and humorous results.
Over the crowd shots
(picture 6)
are easily obtained with the
ROLLOP by turning the Came-
ra upside down and holding it
high over the head and focus-
ing through the ground glasstI l screen. In this way scenes
i which are not visible to the
I human eye can be clearly seen
through the eyes of the {I't' ROLLOP (a chair is not oftenwww.butkus.us
It quickly accessible !).
i
{ls-View original page 19Page 20 · Read text
7) Over the ground views (pictureHigh level crowd shots - Bockwords (picture 8) held at arms Camera theWith length-lens facing downwards and A position similar to that in pic- the neckstrap pulled taut, 'a view ture 6 is taken up but with the -directly beneath the breast of a Camera lens facing over the back wall or overlooking a tower may of the head. be taken. Fear of heights and diz- ziness need not therefore deter you. Shots token frbm the woll (pict. e) 0verheod shots with o Tripod It is a saving of space in a small (picture 10) room where the depth of focus is This picture shows you how this very short to place the ROLLOP can be done. The use of a Cable directly against the wall and stand. Release in this position is of .alongside it while focusing on course essential. the ground glass screen.View original page 20
From the M. Butkus archive. Original publisher and archive notices are retained.
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PDF verified 2026-10-10.