Film cameras
Second example - Exakta Pocket Guide Reference guide
Reference guide for Second example - Exakta Pocket Guide. 36 pages in German, English. Read the original PDF, download or print a copy without registration.
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- Exakta
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- Second example - Exakta Pocket Guide
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- Reference guide
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- German, English
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- 36
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- Film cameras
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Page 3 · Read text
EXAI(TA POCKET GUIDE
'EXAKTA-Tips" Title of the Originnl GermanEdition:
Authorized English translation: Fred.Willy Frerk, London
Printed in Germany. Only authorized English translation. All rights including that of reproduction in whole or
in part expressly reserved. Published ryt9 by Fleering-Verlag GmbH, Seebrudr am Chiemsee. Printed by
Vilh. Friedr. Mayr, Buchdruckerei,Miesbach/Obb. This book is distributed in the U.S.A. by Exakta Camera
Company, 7o5 Bronx River Road, Bronxville, New York,
P U B L I S H E D B Y H E E R I N G - V E R L A G S E E B R U C K A M C H I E M S E E T 9 ' gView original page 3Page 4 · Read text
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Foeusing rrn a acreen is the safest way to tuccesg
There is no getting away from the fact that the old plate camera with its ground-glass screen
had its undeniable merits. When the photographer of that era looked at the ground glass, he
had fuLl control over the framing, the definition, and the aesthetic value of the picture he
was about to take. The results proved the soundness of this method of photography, and,
although the large plate camera is no longer a favorite of photographers because of its size,
the ground-glass screen certainly is still popular, probably even more so than ever before.
Long before the invention of photography it was known that an image produced by a lens
could be viewed on a matted glass plate. The plate camera was the logical development of this
discovery, but when the plate holders replaced the ground-glass screen in the camera, a
considerable amount of time was lost in changing holders etc./ consequently, photography
of that time was slow, and people did not show signs of tremendous interest in this medium. In
tg36,however,there was a spectacular revival of screen focusing,whenthelhageeKamerawerk of
Dresden introduced the "Kine-Exakta", which, in those days was the only 24x36 mm. (35 mm.)
miniature camera with a real focusing screen: It was the first single-lens mirror reflex miniature
camera in the world and the predecessor of todays "Automatic EXAKTA LIGHT-METER II a".
It is true that the Exakta embodied a streanrlined version of the old, well-known reflex principle
but it was unique in so far as the reflex principle was used in a tiny miniature carnera and,
for the ftrst time, made screen focusing possible in this newly awakened field of photography.
It- possible now with the Exakta, to focus a miniature image with the ac&racy of the -wa,s
old plate -camera, but with incomparable greater convenience. With this new single lens reflex
_camera,the point of focus, the depth of field and the lighting conditions can all 6e determined
before taking a photograph. Even more important, the pictorial contenr and composition, those
vital elements which make a real "picture" can be studied right up to the moment of exposure,
The adoption of the reflex principle by many other camera manufaiturers is a positive indication
iL, that the groundglass screen imagg was to play a major role in thefieldof miniaturephotography.View original page 4Page 5 · Read text
A new way of eeelng and photographrng at the rarne fime
Prior to the introduction of the EXAKTA, photographers had to squint through the usually tin1, peepholc
of the viewf rangefinder-: now however, th.y h"". a life-sized, briliiant i-agJ or, ,tr.-f.ourrd-glass screen
of thc EXAKTA. With rangefinder & twin lens reflex cameras, rhe viewfinder ,h. Iaking lens
are two units independent of eadr other, although frequently coupled ro one another"ndas far as folusirrg
was concerned. \rith the EXAKTA, the finder and the taking camera ^re o,'te unit. The ,r.ry ,"-" l.ni
whidr projects the picture onto the film also serves for viewingl The same t."r ntrip.oau.., ah" image on
the screen and then on the film, no matter what lens is useJ. Viewing the s.reen- image is viewing the
future picture' since both are absolutely identical. The diagram below de-onsrrates the optical rcflex
principle on which the. design of a single-lens reflex ."*.r"- i, based. The lens forms the usual upside-
down image of the subject in the fo.al plane. The path of rays, however, is interrupted by a small
pivoted mirror which deflects the image of the subject upwards on to the focusing screen, which is at the
same distance from the lens as the focal plane. The resuiing screen image appears as an upright, sharply
defined picture in its natural colors. Thi area covered, the-relative brigitrris a,ra tt. a.nnition will be
strictly idenrical with those of the picture actually exposed on the film.
Focusing with this life-sized image before one's eye means photographing just what appears on the {
screen and nothing else. There is never the slightesi differencJ between the visual i*";.";;;;;.;;;;\)
on the negative: the single-lens reflex camera is perfectly free from parallax...p"r"llli'i]"ai."r.l'ri.5
difference between the view seen in a separate ,ri.wfind., and that which will
the taking lens' Parallax is particularly conspicuos in other ."-..^, when used "oruull],^b.',4l;#:;;\ifor close-ups. There thefinal is quite different from that seen through the -picture
viewfinder. Parallax-errors can arise with any cameral with
the exception of a single-lens reflex EXAKTA. where the
same lens is used for both, taking the picture and view_
finding. Even in close-ups, photomicrography, telephoto-
photography, or on other occasions where special l..rre,
used you are never bothered with parallax. "..View original page 5Page 6 · Read text
www.butkus.usConvertible earner:a: a new prlnelple
To a certain extent the Automatic Exakta II a is a photographer's dream come true. Enthusiastic
;["i"gdh.rr tlu"" always dreamt of a cameru, i,vhi.h,-although easy to operate and without
i; #;,. ; t lr, of u..ess'ories, can be assembled to suit the re(uiret"..ltt of the task at hand.
In stort, a multi-purpose camera, the_most- imp_ortant-elementJ of which can be converted to i'tools". This iream has been realized in the "dual'system" i;; ; variety of photog.aphic
Exakta II a carnera. tt tf," iu*. *uy as one Exakta lens can be, replaced_by- another/ more
suitable for the subject to be taken, the focusing system of the Exaktf can also-be- interchanged
according to the tt."dr of the moment. The time--honoured reflex finder hood, which necessitates
"the grourld-glass image from above, can be replac-e-dby a p91t3-prism viewfinder,
"i"*i"gwhich iermits"viewin! at eyelev"el and gives an upright, laierally correct find.er image..You need
no longer compromiie beiween a rigid cameri-system and yo-ur pictorial ambitions. The "IIExakta u .ur, ie equipped so that itllways -to meetl your parti;r.r,lar d-emands and ensures the
best results in whatever way you prefer work. If you don't like the low view-point,
unavoidable with the finder hboi, yo^o .ur't use the penta-prism viewfinder; if you are mainly
concerned with taking children, animals, people sitling, flowers, rowing boats, etc., stick to
the finder hood, since"the waist-level position gives a more genuine perspective of such subjects
than the looking-down of the eye-level position. The important - thing is: the Automatic
Exakta IIa is ani remains a singie-lens reflex camera with-its highfy m-agnified, bright-and
parallax-free ground-glass screen-image. The finder hood can be used by looking-hasinto it from
ubo.r", fro- iire side"or from below. ihe hooded reflex finder image, tiowerret, one little
disadvantage: it is upright, but laterally reversed, that is to say, obiects on the right in front
of the lens-appear on the left on the screen, and vice versa. With the penta-prism viewfinder,
with which the exakta IIa is used at eye level, the subject will be upright and laterally_correct
in all cases. Before dealing with a detiiled description of the various applications of the two
focusing systems, it would be useful first to have a look at the various operational components
of the Exakta II a.
,lView original page 6Page 7 · Read text
Horl a penla.prisrrr viewffndcr r.orhs
Tbe lelt ball of tbe screen inage (zahen looking tbrough
the eyepiece)is reflected lrom the left-band portion of the
prism-roof (a) on to tbe rigbt-band side of tbe oblique
(450) mirror (c), From tbe rightband portion of the prism_
roof (b) tbe rigbt-band ball ol tbe scr.eenimage is reflected
on to tbe left-hand side of the rnirror (c). On the surlace
of tbe rnirror (c) an upright, laterally correct image will
dppedf.
Cnoss section thr:ough Diagrarn of the prism finder
the Automatic EXAKTA IIa \-
a) witb locasing hood,
Changing the focusing aystem
Tbe small catch on the lens panel ot' the Awtomatic
EXAKTA II a should be pressed downroards and the
closed finder bood or penta-prism attacbment r.emoaed
frorn the catneftt by lilting it upwards bodily. _ Either
dttdchment sbould be replaced carelully and exactly ver_
tically, without cdnting. It should be inserted at tbe correct
angle into tlte camera, uhere a sligbt pressure will locb it
in position (never use force).
b) witb prism finderView original page 7Page 8 · Read text
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Do you know your Autornatic Exakta IIa?
The EXAKTA IIa is a camera which will never l.6. Finder hood release button
let you down, but it is of the utmost import- r-7. Slow shutter speeds (r/s-xz sec.) setting
ance that it should be handled strictly in knob, also for setting delayed action
accordance with the instructions. (self-timer)
r-. Rotaiy release knob for camera back r.8. Film type indicator
z. Camera back lock (operated by knob r. r.9. Film advance control disc
above) r9a. Pin-head of back hinge
3. Shutter release knob 2c.. "M" Flash contact
3a. Safety lock for shutter release knob za. Red dot on camera (guide mark for
4. Eyelets for carrying strap changing lenses)
5. Frame counter ' 22. Depth-of-field scale of the lens
5a. Frame counter setting knob 23. Distance setting ring with feet or metre
6. Film advance and shuttertensioning lever scale
film rewind pin for Release 7. knob (1/zs- Lltooo, 24. Diaphragm setting ring with aperture speed setting 8. Shutter scale T and B) z4b. Tensioning lever for automatic spring 9. Release catch for focusing units (finder
hood or penta-prism) diaphragm
z4c. Release knob for operating the spring 1 0 . "F" Flash contact
diaphragm a7-. Finder hood
7-2. Frame finder cover for magnifier r3 2 5 . Lens
L 3 . Magnifier (in swung-down position) 26. Red dot on the lens (guide mark for "
L 4 . Operating knob for collapsible magnifier changing lenses)
L 5 . Back of finder hood (with frame finder 27. Lens bayonet catch
eyepiece) 28. "X" Flash contact :,
- :,. .| .. #View original page 8Page 10 · Read text
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29. Empty take-up spool for exposed film
1.o. Spool chamber for take-up spool or
empty cartridge
3T. Film advance sprocket
3aa.Holding bracket for cartridge
32. Film guiding rails
33. Shutter curtain
34. Film cutting knife
35. Button for operating 34
36. Fork for engaging spool
37. Rewind knob
38. Centre disc of rewind button 37 (press
inwards before rewinding)
39. Chamber for cartridge with unexposed
film
4c.. Hinged camera back (detachable)
4T. Film pressure plate
42. Tripod bushing
$. Penta-prism
4+. Eyepiece of penta-prism finder
IView original page 10Page 12 · Read text
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Ifow to use the Automatle EXAKTA IIa wlth the ftnden hood
When the reflex waist level finder hood is inserted into the EXAKTA II a,
the camera can be used succe_ssfullyin almost every field of photography,
pa11i9u-larlyfor stationary subjects, such as landscapes,architecrurul detail,
still life, technical photographs, etc. The highly magnified image on the
ground-glass screen can be examined easi,ly with both eyes. tf,is screen
is actually a plano-convex lens, acting as a powerful magnifier, the
lower side of which is finely matted. For criticilly sharp foiusing this
magnifyilg- screen is truly an asset; horvever, tb ensr.rr. the hi-ghest
possible definition a second magnifier is built into the camera in the front
wall of the finder hood and can be folded up inro the viewing position.
It is of rectangular shape and allows almosr the whole image Tieta to be
viewed, providing a high (6 *) magnification of the reflected image.
Satisfactory horizontal pictures can b-e obtained by either of the follow-
i.g focusing methods:
Use the full aperture,of the lens (see pages rg-25)-Thenand focus to the highest
possible definition by using the magnifier. return the folding
magnifier to its rest position and watch the subject on the focusing screen
until the shutter is released,holding the camera at either chest or Jhoulder
level. The diaphragm should be re-set to the aperture required, either
shortly before the exposure is made (with lenses with pre-sel diaphragm)
or simply by releasing the shutter (with lenses with automatiC spring-
diaphragffi, (see page 4).
The other way is to hold the camera as near to the eye as possible and
to watch the focusing screen by using the magnifier. Naiurally, pre-
selecting the aperture should precede focusing at full aperture with-the
aid of the magnifier.
7 0View original page 12Page 13 · Read text
Both these methods can similarly be employed for vertical pictures. In this
case the picture is taken "around the corner", so to speak, and this is an
ic{eal method for candid shots. By looking straight in front of you, the
actual taking direction is "camouflaged" while the subject is snappeclat
an angle to the right or left. You may also hide behind a wall or a tree
rvith only the camera sticking out.
as walls or hedgerows. In this case the EXAKTA II a is sin-rply held atrovc
orlc's hcad and the screell irnage examined frorn below.
corrcctly. For close-ups at distances of less than 9 feet, the frame finder
shoulc{ not be use'c{on accoullt of parallax. Spcciacle wearers using the
re'fle'xfincler hood (with thc rnagnifier) shoulcl-focus the subject witlr the
slrcctaclcsthev normallv wL.ar for reading.
7_7View original page 13Page 14 · Read text
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Hov' to use the Autornatie EXAKTA IIa
wlth the pnisrn-viewftnder
Equipped with the penta-prism, the EXAKTA II a becomes a "rapicl-action
camera". When the subject is moving rapidly, as in sports events or even
in daily life (cars, horses, aeroplanes,etc.), the enormous advantages of
the prism-viewfinder will soon be obvious. I t ensures a direct eye-level
view of the subject, the lines-of-sight of both the eye and the camera are
always identical and the image in the finder moves in the same direction
as the subject in front of the lens. In addition - the image is upright and
laterally correct. All these advantages apply no matter whether horizontal
or vertical pictures are taken. A racing car travelling at tremendous speed
can easily be sighted even at a considerable distance and kept within the
image field up to the last moment. Slowly "swinging" the camera, one
follows the car and releasesthe shutter shortly before it reachesthe point
on which the lens has been focused beforehand. When using lenses with
pre-set diaphragffis, the stop required should be set beforehand; with
lenses with semi-automatic or automatic diaphragm setting, stopping
down to the pre-selected stop is done automatically.
When photographing subjects which call for the fastest possible shutter
speed, such as those which have to be taken at right angles to their
direction of motion (ski-jumping, car or motorcycle races), it may happen
that even the shortest shutter speed of 1/rooosecond is not fast enough to
freeze motion. These are cases when "swinging the camera" is indicated.
Get the fast-moving subject in the viewfinder while it is still at a distance
and keep it constantly in the centre of the viewfinder by moving the
camera slowly but steadily along with the moving subiect, as described
above.
7.2View original page 14Page 15 · Read text
Using the prism-finder and making the Automatic EXAKTA II a an'action'
camera, however, does not mean that the prism-finder should be used
only for action shots at the fastest shutter speed. Whenever it appears
more suitable to use the EXAKTA II a at eye level and to focus critically
on the laterally correct reflected image, it can and should be done. The
dual-focusing system of the EXAKTA II a has been introduced with the
definite purpose of replacing the categorical "you must" by the more
tolerant "you can". It is quite possible that certain subjects will give a
better picture when taken at eye level, because they are habitually seen
from the eye-level position (persons, architectural details, technical sub-
jects, etc.). Sometimes a subject cannot be viewed properly by looking
from above into the finder hood; well, then, use the prism-viewfinder.
The correct application of the two different focusing systems soon
becomes a habit - you will select the most suitable method almost auto-
matically. Both horizontal and vertical pictures can be taken without
difficulty. Horizontal shots can also be made with the camera upside
down which permits the smooth back of the camera to be pressed against
the forehead for protection against camera shake.
Furthermore, there is eyepiece which can be slippecl on the eyepiece of the
prism-viewfinder, preventing stray light from both sides entering the eye-
piece and making it possible to press the camera firmly against the face.
Peoplewith defective eyesight can have a corrective glass fordistant views
fitted to the eyepiece.
The stanclard grounc{-glass eyepiece can be replaced by the split-image
rangefinder glass. It pennits precision focusing by means of its built-in
split-image rangefinclerand can be usecl with lenses of all focal lengths
For focusing a rvic{eaperture (not under fr 5.6) should be used as usual.
L 3View original page 15Page 16 · Read text
www.butkus.usPr.eedng the r.elcaee knob
starts a chain of interesting events inside the Automatic EXAKTA II a. You should make a
careful study of these operations before loading the camera, preferably with the camera open
and the lens removed.
When the release knob is depressedthe mirror flips upwards and seals off the ground-glass
screen,so that the beam of,light lrom the lens can faf on the film in the film ga"tewhen"the
focal plane opens-'The focal plane shutter, consisting of two blinds oI rubberizeidcloth, has a
slit between the blinds, whidr is either narrow or *ide accordinq to the sDeedto whidr the
shutter is set. The slit travels along the film from left to right and"exposeseachportion of film
for exactly that exposure time to-whidr the shutter is se-t.At the same insta'nce the frame
counter advancesby_one stroke. Depressing the releaseknob once again has no effect at all,
since the whole mechanism is no longer tinsioned. When the film irarrsport lever is turned
until it stops, the shutter will bo teniioned once again, the film will bl advanced and the
mirror will return to its vlewing position, that is to say, the screen image will again become
visible. Unintentional double expoiures are impossible, is the fflm can be"advancel only when
the shutter has been released.Even when the transpoit lever
has not been turned as far as it will go but has been left
at an intermediate position, the shutter will be locked. For
intentional double exposures, see pag e 47.
Hozo to operate the shutter
The use of the various shutter speeds will be described later.
Small setting knob: Shutter speeds from l/es to 1/rooosecond ttB" 'tTt' ttTtt and and are set by this knob. is for time ex-
posures of more than rz seconds duration. The small setting
knob should be lifted slightly before or after tensioning-knobthE
shutter and turned in the diiection of the arrow. The
1.4View original page 16Page 17 · Read text
The required shutter speed (in black-figures) coincides with the red dot in the centre. Then let
the knob spring back. For the actual exposure release the body release knob of the camera asgently as possible.
Self-tintcr cxpostffes (delayed'knob). action release 13 seconds after
depressing the release
a) ExptssllresbetzueenIl; sec. nnd 6 seconds (red figttres)
Proceed as before, but set the large setting knob so that the recl
mark coincides with the red figttris.
b) Ex1toutresbetueen t lz; and 1/tooosecond
Set the small.setting knob to the actual exposure time required,
proceed with large setting knob as before, but turn it so that the
centre mark coincides with any red figure.
L 5View original page 17Page 19 · Read text
direction of the arrow so that the last dividing stroke before "L"
points towards the small black triangle.
The EXAKTA II a is ready for thc first shot!
The EXAKTA II a is designed so that the take-up spool usually
supplied can be replaced by an empty film cartridge of normal
commercial type. The film neecl not be rewound in this casc,
but can be removed from the camera together with the take-up
cartridge. Since the film is in a light-tight container it is not
necessary to expose all 36 frames, it can be relnoved after any
number of exposures (see page ag). It will then be necessary,
however, to trim the beginning of the remaining film and to
attach it to the centre spool of another take-up cartridge. With respect to trimming,
the necessary curved cut should begin between the ninth and tenth hole of the lower per-
forations. When re-inserting the closed cartridge the prongs of the film transport lever should
engage the small bar in the cartridge, anc{ the cmulsion side of the film must face the film gate.
TIte snrcoth umning of the filtn
and its corrcct advance can be controlled by watching the film control disk or rotodial in th:
circular holc on the outer rim of the large shutter speed setting knob: it should rotate when
the film is advanced. The film type indicator around the base of the large setting knob (not
to bc confused with the shutter speed setting ring) should be set to the type of film with which
the camera is loaded. The ring underneath the large knob should be turned in an anti-clockwise
direction until the type of film in question coincides with the small triangle. The figures denote
the speeds of the various black-and-white films (e. g. z3 ASA, roo ASA etc.). For color films
Ietters are provided as follows: black "C" for daylight color reversal film (as Kodachrome),
red "C" for color reversal film for artificial light, black "NC" for daylight color negative film
(asta color negative), red "NC" for color negative film for artificial light.
77View original page 19Page 20 · Read text
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Unloadlng the ,lutornatle EXAKTA lla
Wlrcn 36 <tr 20 cxposurcshavc bccn made it is usually possible
to adc{ two n'rorc cxposurcs, be'fore the film aclvancclever of
thc EXAKTA II a bcct-uncsirnmovable. Thc carncra should thcn
be unloadcd.
Wltcn rrsirrgtltc takc-tt2ts1tool
irnc{thc filrn transport lcver canllot bc rnovec{to its rcst posi-
tion bccause the cnd of thc filrn has becn rcached, the
rcwinc{ catch or pin G5) shoulcl be clepresseci.The film
arrlvarttcclcve'r carl then bc rcturncd to its initial position.
To rcwind thc fihn, dcprcss the ccntrc clisk of thc rewind knob.
Thcn holc{ thc carncrAas shown in thc illustration and rewind
thc fihn by turning thc rcrvinc-lknob slowly ancl cvcnly in a
cloc-kwisedircction whilst keeping the rcwind pin cleprcssed
ar[l the tirtrc. Rcwincling can bc controllccl casily by observing
the control clisk on the outcr rim of the spindle of the film
trarlsport levcr (the onc with the big scrcw nick). As soon as
this spincllc conlcs to a standstill the film is rcwound. Whcn
the rcwinc{ pin is relcasedit will rcturn to thc initial position.
Thc canrcrA cArl now bc opencd ancl thc cartridgc with the
cxp'tosediilm rcmovcd by prulling the rcwirrd knob out as far
ns it will go. Bcforc ckrsing thc carncrAback the rcwind knob
shtlr.rlclbc ptllshcclback in its initial position.
WItcn ttsirtg a tnke-u1tcartridge
rcwinciirrgis unnccessary.When the cnd of the film is reachcd,
rnaking the film transport lever immovable, unscrcw the knob
t 8View original page 20Page 21 · Read text
of thc film cutting knife (lS) by turning it in an anti-clock-
wise direction and pulling it out from the camera. This wili
cause the knife at the end of the rod to cut right through the
film. Now push back the knife and tighten the screw. In ordcr
to wind thc film right into the cartridge turn the film trans-
prlrt lc'vcr anc{rclcasc the shuttcr twice. Now opcn thc cantcra
and remove the exposed film.
The engravings ar<rund the EXAKTA lenses
inc-licatethc narnc of the manufacturer, the name ancl thc
optical clata of the lens in use, and also include various scales.
Thcse cngravings are of the greatest importance, since the
clata given provide all thc knorvledge necessaryfor using thc
lens just for thc purposc for which it is clesignecl.
There is, f or instnncc,f 12.58rttnr.Wltnt dctasthis ntenn?
The light rays rcflected from the subject are "collcctetl" by thc camcra lens (consisting of
various high-quality lens components) and maclc to convcrgc to give a picture of the subject.
The light rays coming from a distant point enter the lens in straight lincs almost parallcl to thc
optical axis and are brought to a focus behind the lens, in the focal point. The distancc bctwcen
the lcns (approximately from the diaphragm plane) to the focal point is called the focal length
and denoted as f ('=focus) so-and-so, usually cxpressed in millimetres. So f -58 mm. means
a focal length of 58 mm. Subjects which arc ncarer to the camera are not depicted sharply
by the lens in the actual focal plane, however, but behind it. To compensatc for this difference
thc lerrs must be "focused' on a shorter distance, that is to sav, the lens must bc movcd
79View original page 21Page 22 · Read text
www.butkus.us forward slightly in order to place the sharp picture correctly in the film plane of the EXAKTA in accordance with the increased lens-image distance. This is done by turning the distance setting ring; the result of this operation can be watched on the ground-glass screen of the EXAKTA II a and read off from the distance scale in feet or merres. In any lens, the amount of light passing through is limited by the metal circle of the mount. A room with a large window will be brighter than a room of the same size with a small window. It is the same with the camera. Lenses are classified as high-speed, medium-speed, or low-speed, and this highly important factor is denoted by the numerical ratio between the diame'ter of the largest aperture and the focal length (d:f). Thus a lehs of 50mm. focal length and a maximum aperture of 18 mm. has a speed of rB :5o, or as it is usually expressed t : 2 . 8 o r f / 2 . 8 . However, the high-speed EXAKTA lenses are not always used at this maximum aperture although it is ektremely useful for focusing. The EXAKTA lenses have diaphragm setting rings which permit the speed of the lens to be reduced, that is to say, to give the built-in iris diaphragm a smaller aperture. There is a scale on the diaphragm setting ring showing the various f/numbers. The smaller the f/number the larger is the aperture and consequently the quantiqy of light passed by the lens, the larger the f/number the smaller will be the aperture. An I/4lens passes half the light passed by an flz.8 lens. Hence, the smaller the f/number the shorter is the exposure needed, whatever the lighting conditions. The calibration on the diaphragm setting ring are arranged so that in passing from one f/number to the next the amount of light passed by the lens is halved or doubled. If, for instance, the correct exposure time at fl8 is 1/so second, it will be 1/roo second at f./5.6 but 1/zr second at f./tt. The diaphragm, however, is not intended only to exclude or admit hght to a varying extent as required, but is primarily used to increase the depth of field and to improve to a certain extent the overall efficiency of the ,lens. Befo_redescribing the most important uses of the diaphragm the latest development in improv- ing lenses should be mentioned: the coating. All modern lenses and, of course, all EXAKTAView original page 22
Page 23 · Read text
lenses are coated, that is_to say, all lens surfices have an anti-reflection layer which largely'u
eliminates the surface reflections in a compound lens. These reflecions, whiA ut" u.t.tuiiy
scattering of the light at the glass-to-air surfaces, increase with the number of surfaces, and
degrade the image co_ntrast.By coati_ng.the surfaces the loss of light and the decrease in contrast
have been eliminated to a very l_righ degree; after coating, lensis have proved to have gained
and to give greater -brillilnce ind contrast. Coiied lenses cun b" recognized 5y the it] ?p,""4
bluish-red tinge of the front lens.
diophrogm
opticol
o x t s
E X A K T A P H O T O G N A P I I Y
by Jacob Deschin
A worhing rnanual lor the EXAKTA and. EXA cd,lterds whidt thoroughly explores the operational
details and picture-taking potentidls of botb cdmerds.
ro" x7", r92 pp,, z5o pbotos fi .+.gS
Aoailable dt yoar dealer or EXAKTA PUBLICA.T/ONS, Box 97, Bronx'ztille, New York
27.View original page 23Page 24 · Read text
www.butkus.us
The effect of stopping'down a lens
Although modern lenses of large aperture are highly corrected their dep_thof field is compara'
liv"ly s"matl.Furthermore,thef trinsmit much-morL light than is usually neededfor modern
films' and even if the deiiniti6r, .ur, be consideredas very good at full aperture, it will be
improved when the lens is stoppeddown. The "resolving power" or "resolufion" is the ability
of a lens to separatethe finesi details of the subject. This resolving power is at its maximum
at one particular medium stop for each type of lens, usually fl8 (with lensesup to f.l-z'8).and
f/S.e (wittr higher speedlenserl. The highest speedof a lens or its largest-apertureis therefore,
uJuaily only rised ut der poor iighting conditions or for rapid-action work, e. g, for car-racing,
when the highest shutter speedis needed.
In theory a photographic lens can only provide a critically sharp image of the pllne on which
it is foclsed^.In ictual practice, howerr"t, a lens does not only defin-esharply objects-at the
accuratelyfocused distaice but will also produce a_sharp image of-objects a certain distance
in front tf and behind the actual distance focused. This "zone of sharp definition", better
known as "the depth of field", is comparatively narrow at full aperture (tlz or f/2.8) but
becomesgreater ttie more the lens is stopped down. With the EXAKTA lenses we need not
go into a- detailed explanation of this faii; we look into the finder hood and focus at full
ip.rtur. on an obl"ciat a distance of, say, 16 feet. The 9l?jectin que_stionwill be perfectly
,irurp, but in froni of it and behind it all other objects-will be more or less unsharp. With the
starriard lens of 50 or 58 mm. focal length many objects near the one on which we have
focused wil,l still ie shu-tp,but with a long focuJ lens the zone of sharp definition will be
smaller the longer the focat length of the lens; converqely,_withwide-a181e-lelses,the 4.p,4
of ii.ta wil be"greater the shoiter the focal length. The depth of field will also be reduced
when the taking distance is reduced.
2 2View original page 24Page 25 · Read text
{ow, when we reduce the aperture of our standard lens we can observe quite clearly how the
depth of field grows the more we decrease the aperture, and how the zoni of sharp-definition
becomes much greater beyond the distance focused on (5 ft) than in front of it. Aciually t/r of
the depth of field lies in front of the plane focused on and 2/g behind it.
All lenses of the EXAKTA IIa have a depth-of-field scale cngraved on their mounts. This scale
shows thc zonc of sharp definition at various aperture settings and distances. ln the centre the
red mark is sct to the distance focused on (16 ft). When now the aperturc setting to be used is
located among thc f/numbers to the lelt and right of the red distanic setting maif, the distance
values on the distance sctting scale opposite the selected f/numbers represent the near and far
limits of the depth-of-field zone. For instance: Focus on r6 ft. stop f/8; sharp definition from
ro ft. to 5o ft. (See illustration alongside).
Examining the ground-glass screen while decreasing the aperturc will become more difficult
bccausc a small apcrturc docs not transmit as much light as a large onc. Aftcr somc experience
this darkcning of thc focusing screcn can becomc quite uscful fordcterminingthc cxposure timc.
Thc full aperture of a lens gives the most brilliant image of the subjcct in front of the lens, but
for the actual exposurc thc diaphragm must be closed to the stop requircd. In ordcr to save time
the lenses of the Automatic EXAKTA II a have either a
fully autonlatic diaphragnr, a semi-automatic diaphragnr
or, at least, a manually operated ring which can be
turned to the pre-set stop just before the exposure,
without having to consult a scale.With the latter device
the aperture necessary for the exposure should be set
before focusing and the focusing done at full aperture.
With the semi-automatic diaphragm it is necessary to
tension the mechanism beforehand, whilst the automatic
diaphragrn springs back automatically to the pre-selectcr{
stop when the shutter releaseknob is depressed.
23View original page 25From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
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