Film cameras
Voigtlander Superb User manual
User manual for Voigtlander Superb. 16 pages in English. Read the original PDF, download or print a copy without registration.
16 pagesEnglish7.3 MB PDF

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Document details
- Brand
- Voigtländer
- Model / document
- Voigtlander Superb
- Document type
- User manual
- Language
- English
- Pages
- 16
- File size
- 7.3 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 2 · Read text
www.butkus.usThe Fil:' i:,';:ur superb lltustrq, the highly sensitive Ortho filmfor blue, yellow, qnd green most efficient yet only stqndord pr'ice Besscrpor, for oll colours, olso sensitive to ied. The rnoteriol to suit the most exocting dernonds, for qrtificiol light ond portroiti.ore, of course, +ane-grqin qnd perfectly free of hqlotion. A point which yoi, will especiolly gppreciote: they hqve on extensive lqtitude for exposure! Nr. 3251 oll38 engl. INSTRUCTION BOOKView original page 2
Page 4 · Read text
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the focussing hood, ,the four sides of
rvhich open Iutomatically. There under
your eie is the grognd-glass, wgll
4) ' protected " from , any sidelight (fig. .When closing, first fold 'the two side
pieces, then the back and lastlY the
cover.
Ground-Gloss Ficture. The image
thrown on the ground-glass bY the large aperture , "Helomar" Finder
Anastigmat lens is very brilliant and
easy to discern. It stands the right
wat up, but is reversed sideways as tr'ig. 2. One movement and the find.er hood. in all l mirror reflex' cameras. The
springs open fact that the ground-glass image is
and shutter not influenced by the do is to acquaint yourself with the new is exposure the remains visible during camera in such a way that it becomes a familiar instrument in your hands. particularly useful.
The dealer will probably show you the- Porollox Gompensotion. The clever
principle movements, but neveitheless way in which the finder and the it will be to your advantage to read focussing' mechanism are coupled this booklet and see for yourself how together completely obviates the effect
wonderfully every part o-f the camera of parallax. 'The finder lens tilts eombines to make it wbat it is. automatically downwards as the
camera is focussed. In this way theTh.e Ground-Glsss ground-glass image of the 'lSuperb" Focussing Hood. A touch of the always corresponds exactly with the
spring 10 (fig. 2) releases the lock of image thrown on the film, even in
4View original page 4Page 9 · Read text
Instontoneou3 Exposures. The ring 1b lasting minutes and for flash-light
not is turned until the speed required' is exposures so that You need opposite the pointer 19. Now set the maintain pressure on the lever.
shutter by pressing the lever 12 as far The Deloyed Action Devlce. This can
as the stop. When-released the shutter be used in conjunction with all opens and closes automaticallv after instantaneous speeds except the highest the correct time has elapsed. For speed. After the setting lever has been
speeds between those engraved on the pressed down as far as it wiJl g_q to setting ring, the ring is set so that the 6et the shutter, the knob 18 (fig.5) is pointer comes betwe-en the two nearest pushed towards the camera when it figures. The shutter cannot however witt be found that the lever can bebe set to speeds between tlrn, and further depressed to set the delayedl/sro sec. or between B and 1 sec. . action device. On the release lever or
Shorr Time Exposures. Set the letter the wire release being Pressed the
B to the pointer. The shutter will now delayed acti<in device will start running releasedopen on the lever or wire release and the shutter will be 12 seconds,being qressed and remain open as after an interval of about
the pressure is maintaiied. If, so that you can include yourself in theloog.as instance, you wish to expose the photo.I9.rfilm for 2 seconds you should-count at The Exposureno.rmal speed: 'on6 litile second, two
little seconds' at 'one .. .' press the Holding ihe Comero. The fascinating Ilever and at the end release'it. montent which you wish to Preserve as j for ever in a photo disaPPears Long Time Exposures. If ? is opposite quickly as it comes; you must be.-the._ po-inter to _ the shutter wili open prepared. It is not enough for youon the lever being pressed and remain know what this lever or that knob I
qpgn until it is pressed a second time. does, you must learn to handle Your
This setting is- used for exposures camera as instinctively as the pianist
t4 15 1lView original page 9Page 10 · Read text
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il
It
ancl Fig. 6. The esseutial movements eoncentrate Fig. 7. And you c&n Beo all the scales in three points levers at a glanee
finds his notes. The "Superb" makes Control from obove. Neither the
this very easy for you because, as can hands nor the eyes must have to look
be seen from fig.6, all movetnents are $ for the levers and scales, therefore all
concentrated in three points. The first the important parts of the "Superb"finger of the right hand serves the illI can be seen from above (fig. a and 7).focussing lever 8, whilst the thurnb At the same moment you can see the
lies on the release lever 14 and the ground-glass and spirit level, thediaphragm setting knob. The left hand focussing and iris diaphragm scales,holds the camera firmly against the the shutter speeds in the prism and
chest and the thumb lies readv on the all the levers. How can you possibly
setting lever 72 of. the shutter. forget anything?
t7View original page 10Page 11 · Read text
Make a special note of the following
order of movements for speed in
preparation and don't forget the right
order:
(1) Set the shutter specd
(2) Set the shutter spring
(8) Set the iris diaphragm
(4) Focus sharply
(6) Stand firm with the feet well apart
(6) Hold your breath
(7) Release the shutter
(8) Movo the film on at once. I'ig. 8. Ihis is where the tripod" serews in
Corrying 5tin9. A carrying sling of Exposure Golcutaror. Included in thesoft leather to hang round your neck e_quipment of every "Superb" is aholds the "Superb" at the correct Voigtlander Calculator whichheight (fig.6). With its safety hooks gives you theFxposurecorrect exposure forit can easily be attached to the any subject anywhere in the world byeyelets 1 (fig. 1) and taken off again. mo_ving _one scale and without ani Tripod Bush. Exposures of 1/ruth sec. independent calculations.
and shorter can easily be made with
the camera held in the hand but for The Film Tronsport
longer exposures the camera must The Film Size. When purchasing astand firm on the edge of a table or Voigtlander. camera you know you arescrewed on to a tripod with the bush 20 acquiring an instrument of precision(fig.8). and quality and therefore you will of
18
19View original page 11Page 13 · Read text
the back and side of the camera and
make sure that the spring has clicked
into place.
Conrrol Window. The transport lever is swung backwards and - forwards
u_ntil a hand, a few dots and lastly
the figure 1 appear in the red control
window 4 (fig. 12) on the right hand
side of the camera.
Above the control window 4 you will fi.nd a square knob 24 (fig. 12). On
giving this knob a turn to the left
respectively right thewindow is covered paper safety Fig. 11. Push the into the wide slit or uncovered. It is uncovered when spool empty in the one corner of the knob points to the
a 3r lc" Y..Zt l o"out the knob 5 (fig. 1). In doing this rvindow. On loading with film you should cover the window'asyou must see that the end of the safetv soon as the number 1 appears. Thispape_r comes out on the hinge side oi decidedly necessary onthe film chamber. Now teai the seal precaution is using panchromatie film as otherwiseand draw the safety paper over the traces of reflected ruby light maytwo large rollers on the left and right
thbof the film window and insert the end reach the film after a time and fog edges.in the wide slit of the empty spool
(fig. 11). By swinging the -tr-ansport
lever the film is wound once or twice Automoric Counrer. The film windows
round- the spool so that it is tight and have now done their work and for the
smooth. If everything is in order close further control of the film transport
22 23View original page 13Page 14 · Read text
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imrnediately after each exposure so
as to make double exposures im-
possible.
The Film Tronsporfing Lever is very
strong and can, without fear of damage,
be moved quickly backwards and
forwards (fig. 13). On account of the
movement of the film and the accurate
film guides, scratches on the film, the so called "tram lines", are
impossible. When making night
exposures ortaking scenes in the theatre
etc. and the numbers of the counter
Fig. 12. The eounter sets itself automatieally are hard to distinguish, move the
transport lever seven times bach andthe automatic counter colnes into use. forth after each exposure. The distances If. you push the little knob 2 (fig. 12), between each exposure will be greaterwhich is protected by a nickelled cover, and you will only get 11 picturesto the right the counter rvill run baek on the spool but you will be sureof its own accord so that the figure 1is in the window 23 (fig. 12). The that the pictures do not overlap.canlera is now ready for the first
e_xposure and for every further exposure Unlooding the Gomero. After the last
the transport lever is moved until the exposure of the film, let the counternumbers 2 to 12 have appeared - run back to avoid its overstrainingbetrveen the two red lines in the when the film is wound further ! Thenwindow. It is a good idea to move go on moving the transport lever untilthe film on to the next number the end of the safety paper has gone
2{ 25View original page 14From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.
