Light meters
Weston Universal Exposure Meter Model 617 User manual
User manual for Weston Universal Exposure Meter Model 617. 10 pages in English. Read the original PDF, download or print a copy without registration.
10 pagesEnglish1.8 MB PDF

Loading your manual…Open PDF directly
Document details
- Brand
- Weston
- Model / document
- Weston Universal Exposure Meter Model 617
- Document type
- User manual
- Language
- English
- Pages
- 10
- File size
- 1.8 MB
- Category
- Light meters
- Document date
- Not specified in catalog
Search available document text
Find a term, then jump to its page in the original PDF. Image-only pages may not be searchable; check the PDF for exact wording and diagrams.
Page 2 · Read text
How to Use your
WESTON UNIVERSAL
EXPOSURE METER
CAUTION
‘When aiming the Exposure Meter
at the scene to be photographed, do
not allow your fingers to drop be-
hind the meter in such a manner as
to partially cut off the light from
the photoelectric cells which are be-
neath the glass windows.
Direct sunlight does not harm the
photo cells but if it is allowed to
enter the cell openings it will cause
an_erroneous reading of the scene’s
brightness.
Copyright, 1933
Weston Electrical Instrument Corp.
donated to www.butkus.usView original page 2Page 6 · Read text
on your camera is 1/25, use that speed. The
difference is extremely slight, and the latitude of / PROPER CLASSIFICATION
all present day film fully compensates for this
variation. Also, if the lens opening (stop num- /' OF SCENES WILL IMPROVE
ber) indicated by the meter does not appear on PHOTOGRAPHIC RESULTS
your camera choose the next nearest stop open-
ing that your camera has, For instance, if the
meter indicates {7 and the camera reads {5.6, Uniformly good results will not be obtained6.3, {8, etc., set the lens at the nearest number,
6.3, or you may approximate more closely by if all scenes are considered as average. The Ex-
setting the lens between 16.3 and {8 posure Meter dial divides the various types of
scenes into three general groups as shown, namely, HOW TO USE THE METER WITH
A, B and C. See Fig. 4.
YOUR MOVIE CAMERA
The normal speed of a movie camera is 16 A—Distant Scenes—These include distant land-
frames per second but the actual time of expo- scapes and sea views which, because of their
sure varies for different cameras in accordance
with the design of the shutter. On page 9 is a distance and generally small shadow areas,
table showing the shutter speeds to be used on require less exposure than average scenes
the exposure meter for various cameras. Select
the shutter speed of your own camera and note B—Normal Scenes—These include average scenes
how it varies when frame speeds other than nor- where the area of high lights and shadows
mal are used. Remember that only the figures are approximately equal and include such
applying to your own camera need be considered views as open streets, ordinary landscapes,
Thus, if you own an Eastman K or Filmo 71-A-B
two speed camera, you need only remember that portraits in the sun or shade, beach and
if you shoot at regular speed, the shutter speed river scenes and all normal objects.
applying is 1/32, and when shooting at half speed,
the shutter speed is 1/16. No other figures C-—Dark Scenes with Strong Contrast—These
apply. If Super Cine Kodak Pan. film is used, include scenes having dark shadow areas and
which has a speed of 16, the arrow on the white strong contrasts such as are found in narrow dial should be placed at 16 on the bottom black streets among high buildings, ravines and
dial scenes under trees with heavy foliage, etc
In these scenes more than normal exposure is
required
Exposure values for scenes falling in class A
or C are determined exactly as described for
average scenes except that the A or C scene
arrow is used instead ‘of the Normal B arrow.
The arrows marked “DARKER OBJECTS
WILL BE UNDER-EXPOSED" and “BRIGHT-
ER OBJECTS WILL BE OVER-EXPOSED™
are used when fitting the brightness range of the
scenc to the film latitude as discussed in the
booklet described on page 15
[71View original page 6Page 10 · Read text
INTERIORS
FOR THE ADVANCED AMATEUR
For photographing interiors the use of AND PROFESSIONAL
photo flood lamps is suggested to increase PHOTOGRAPHER
and round out the illumination. These For those more advanced in the art of lamps give about ten times more light
than the ordinary 60 watt lamp. photography there are additional methods
of obtaining exposures with the Weston
Jse the same plate speeds given in
Universal Exposure Meter, by which the table on page 8 for tungsten (Mazda).
brightness range in the scene can be so fitted
to the film range or latitude as to obtain any
desired average density in the negative, and
special lighting effects
This information is contained in the book-
ZERO SETTING let, “Instructions for Advanced Amateurs and
OF INSTRUMENT POINTER Professionals for Using the Weston Universal
" Exposure Meter.”
When no light reaches the “elec-
tric eyes” in the back of the Expo-
sure Meter the instrument pointer
should rest directly over the zero
position on the scale.
If this is not the case then the
pointer can be readily set to its zero
position by slightly turning the zero
corrector located in the glass over
the instrument scale.
‘When making this correction place
the meter back downward on some
opaque object, as a card or a book
50 as to exclude all light from the
photoelectric cells, and hold it at an
angle of about 45°.
{141 15}View original page 10From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.
