Film cameras
Zeiss Ikon Contina I User manual
User manual for Zeiss Ikon Contina I. 33 pages. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Zeiss Ikon
- Model / document
- Zeiss Ikon Contina I
- Document type
- User manual
- Language
- Check the original document
- Pages
- 33
- File size
- 6.7 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 5 · Read text
Venmo @mike-butkus-camera Ph. 2083 PayPal Name Lynn@butkus.org www.PayPal.me/lynnbutkusView original page 5
Page 11 · Read text
Shutter Speed: The correct shutter "stop" for short) depends on the depth
speed to be chosen depends on the of field desired (see page 8). The
amount of movement of the subject. smaller the f/number, the larger is the
The faster the subject movement, the actual opening of the diaphragm.
shorter should be the exposure time. To set the stop required, the same
The figures on scale (1 6) denote frac- operation should be performed as fortions of seconds (60 means r/ao sec., setting the shutter speed, The desired
etc.), Owners of exposure meters with value should be set against the setting
(1/zs,conventional speed shutter dials value mark (18), With an exposure
speed shutter select ther/56 sec.) will combination setting any of shutter
closely to the actual reading, They will speed and lens aperture will automat-use %s sec. instead of t/2u sec., etc., ically yield a correctly exposed picture.
without any compensation. When set to The diaphragm and shutter speed"B" (green), the shutter remains open setting ring (15) can only be turned
as long as the release knob (1) is de- until the f inal va lues of their scales
pressed (see page 16). are set against the setting mark (18).
The green figures denote full seconds The final value at the right end of the
but cannot be set against the setting shutter speed scale is "B".mark (18). Their importance will be lf it should happen that after settingexplained later on. the exposure value, the lens is stopped
Diaphragm or Aperture Setting: The down until the scale indicates "8", an
correct aperture of the diaphragm (or exposure time of 2 seconds will nowView original page 11Page 12 · Read text
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be required, lf it is necessary to stop Setting the distance
down even further, the required ex-
posure time in full seconds (green fig- The setting ring with the engraved
ures) can be read off from its position distance scale (1 1) should be turned
opposite the desired stop to which the until the required distance in feet is
diaphragm must be set. For that pur- opposite the setting mark (9, fig. 3).
pose depress the knob (7) as with
setting the exposure value. The ex-
posure time required can then be con-
trolled by depressing the release knob
(1) for the requisite number of seconds.
lf after these long-time exposures you
wish to change from "8" to shorter ex-
posures, the exposure value must first
be set anew.
fis. 3View original page 12Page 13 · Read text
Depth-of-field scale
Every lens focused on a definite dis-
tance will yield sharp pictures of sub-
jects only within a limited space before
or beyond the plane on which it is
focused, This zone of sharp definition
becomes deeper the more the lens is
stopped down. The depth-of-field range
of any lens aperture can be read off
from the depth-of-field scale (10). The
zone of sharp def inition can be read
off from the distance scale by means
of the f/numbers to the right and left
of the distance setting mark (9). ln
illustration 4, lor instance, the distance
is set to 6 feet and at f/8. The zone of
sharp def inition therefore, extends f rom
approx. 4' 6" lo 9'. Exact depth-of-field
values can be found in the table on
www.butkus.us page 26.
fis.4View original page 13Page 14 · Read text
www.butkus.us Red dot or Snapshot Setting In order to be ready for quick shots, the diaphragm should be set to f/8 and the distance to the red dot (fig. S). To facilitate this setting, the figure B is marked in red. With this "red dot setting" all subjects between approx, I feet and "infinity" will be sharply re- cord ed. fis.5View original page 14
Page 15 · Read text
The correct Exposure Value can be determined by means of an exposure table or, safer still, with the aid of a photo-electric ex- posure meter such as the lkophot Rapid (see figure). The exposure value depends on the prevailing light conditions, the speed of the film and the filter- factor when a filter is used (see page 22). As a rule of thumb, it is worthwhile to keep this in mind: Outdoor exposures in bright sunshine for film speed 40 ASA exposure value 13 Outdoor exposures with overcast sun for film speed 40 ASA exposure value 1 1View original page 15
Page 16 · Read text
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fis.6
Flashlight and selftimer
The speed-synchronized Prontor-
SVS shutter can be coupled to
every type of flash equipment.
Moreover, it has a built-in self-
timer (delayed action release). By
means of lever (14), which, in
I order to avoid unintentional dis-
I placement, is hidden on the base
of the Contina, three different
settings are possible (fig,6).
11View original page 16Page 17 · Read text
With 'X" 'setting the shutter fires the 8 seconds. Time exposures ("B" set-
flash automatically the moment the ting) are not possible. lf a flashlamp
shutter is fully open. Electronic flash is connected to the shutter in "V" set-
units should be fired with "X" setting ting, the delayed action will operate
exclusively and then fire the flash as if in "X"
setting. The lever (14) can only be sei
liH With "M" setting there is a delay to to "V" if the shutter is tensioned. lt
must, peak which corresponds to that of most returns automatically to "X" and
again. flashbulbs. The correct settings ("X" if necessary, be set to "V"
or "M") for" the various f lashbulbs and
capsules should be found in the instruc- For flash exposures connect the lead
tions for their use as given by their of the flash to the flash contact (1 2)
respective manufactures, or, from the first and only then insert the bulb. De-
table on page 13. pressing the release knob (1) fires the
flash bulb in synchronization with the
With "V" setting the delayed action s h utte r,
release or self-timen is set for opera-
tion. After depressing the release knob For further information study the in-
(1), a retarding movement is set in structions for the use of flash equip-
motion releasing the shutter after about ment as supplied by the makers,
12View original page 17Page 19 · Read text
Holding the Camera The Contina must be held firmly and steadily during exposure. The body of the camera should be held with both hands (fig.7). Everything that you see within the brightly- defined outer frame in the crystal-clear bright line viewf inder will be recorded on the f ilm. Even spectacle wearers can see ex- actly what they are taking, without having to remove their glasses. The right-hand index f inger operates the shutter release (1) whilst the elbows are slightly pressed against your own body. In this way horizontal pictures should be taken, To take vertical pictures, the left hand should hold the camera from above fiwhile the right hand acts as support from #dt below (fig. 8). ln this case the thumb of the right hand operates the release knob (1).View original page 19
Page 22 · Read text
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ttg. lu
As the shutter can be released only
af.te1 being tensioned by the rapid
wind lever (3), and the rapid wind
lever can only be operated after the
shutter has been released by de-
pressing the release knob (1), double
exposures and blanks are thus pre-
vented. However, attention has to be
paid to the fact that the lever (3) is
positively swung home until it stbps.
The shutter can remain tensioneo
without endangering the mechanism.
17View original page 22Page 23 · Read text
loading the camera
The Contina can be loaded
with all commercial cartridges
containing black-and-white or
colour" 35 mm miniature film
for 36 or 2O exposures, Load-
ing should neven be done in
bright sunlight.
When the locking bar (13) has
been pulled out, the back of
the camera can be opened.
Pull out the rewind knob (6)
and insert the film cartridge
into the empty chamben (fig.
1 1), and see that the be-
ginning of the film points to-
wards the take-up spool. Push
back the rewind knob so that
its prong engages correctlY
with the recess at the top of
fig.11View original page 23Page 24 · Read text
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the film cartridge. Turn the take-up
spool by means of the milled flanges
until the slit with its small lug poi-nts
upwards. Hook the film to this-lug and
wind the film on to the take-up ipool
until the sprockets on botfr sides
engage in the perforations (fig. 12) de-
pressing the locking knob (20) ai the
same time. Now close the back. tension
the shutter and advance the fiim twice
by .means of the rapid wind lever (3)
and release the shutter twice. This will
advance the unexposed film to the film ffi' gate, Set the film counter (2) by turn-
ing the black ring in the direciion of
ffim the arrow to "0", Operate the rapid
K film wind once again and the Contina
is ready for the first exposure.
il;.
ffi
19 fiq.12IView original page 24Page 25 · Read text
Film type indicator one of the three black marks (f or black-
and-white film, daylight colour film or
As soon as you have inserted a new artificial-light colour film) is opposite
film, set the film type indicator. Turn the appropriate film speed figure (fig.
the inner disc with vour thumb until tJt.
ryJ
Abb. 13
20View original page 25Page 26 · Read text
www.butkus.us Unloading the Gamera To make sure whether the camera is loaded or not, turn the rewind knob (6) in the direction of the arrow. A slight resistance will be felt after a short turn which means that the camera is loaded. Before opening the camera, the ex- posed film should be rewound into its original cartridge. Depress the revers- ing button (20) completely and at the same time turn the rewind knob (6) in the direction of the arrow (f ig. 1 ). After some time, a slight resistance will indicate that the film has parted fig.14 from the take-up spool. Then open the back of the camera, pull out the rewind chips which occasionally occur should knob (6) completely and remove the be removed immediately from the cam- cartridge with the exposed film. Film e ra. 21View original page 26
Page 27 · Read text
Accessories benef it: yellow, yellow-green, orange, red, blue (lkolor-B) and UV. The lkolor-B
filter should also be used for colour
light on daylightI shots with artificial colour film. For daylight shots on arti-
ficial light colour films the lkolor-A
Ever-ready case filter should be used. When using fil-
beThe Contina is well protected from ex- ters the exposure time has to f ilterterna I damage by its attractive ever- extended in accordance with the
ready case, The camera is held in the factor engraved on the mount of every
case by means of a screw which also Zeiss lkon filter. When four filters are
f its the tripod (tripod bush 19) and ordered, a special case is supplied free
need not be taken out of the case for of charge.
taking pictures.
Polarising filter Gontapol
Zeiss lkon precision filters To reduce or even eliminate reflections
In order to improve the tone values in in highly polished, non-metallic sur-
black-and-white photographs Zeiss lkon faces of subjects or to darken the sky
precision f ilters should be used. Screw- in both colour and b lack-and-white
ed into the lens mount (Q 27 mm), the photographs, the polarising f ilter Conta-
following filters will prove of great pol can be slipped on to the lens
22View original page 27Page 28 · Read text
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(28.5 mm diameter). For particulars by a corresponding displacement of
see the instructions for use supplied either the camera or the subject.
with the polarising filter. When purchasing four Proxar lenses a
handy case is supplied free. On the lid
of the case there is a depth-of-field
Supplementary lenses for close-ups calculator, which shows you the re-
quired lens distance-setting for individ- (Zeiss Proxar) ual taking distances for close-up shots.
For photographs taken at short range
coated Zeiss Proxar lenses should be Glose-up viewfinder slipped on to the 28.5 mm diameter
lens of the Contina. They are available There is a close-up or short-range
a in four different types. For distance viewfinder for the Contina which is
and lens settings necessary see table supplied together with the Proxar lens
on page 27. The distance is measured f : 0.5 m in a combined plastic case.
from the front rim of the Proxar lens For determining the distance between
mount to the subject. Sufficient depth subject and camera, a special meas-\i of field is obtained by stopping down uring chain marked by coloured balls
the lens to tl8 at least. The finder at 1'8" and f is also supplied. The
parallax, particularly resulting from the viewfinder shows the correct image
use of Proxar lenses with very short field for these distances making even
focal lengths, can be compensated for short-range snapshots possible.
23View original page 28Page 29 · Read text
Lens hood It can be screwed into the thread of
the body shutter release (1). For longThe use of a lens hood or sunshade time exposures (shutter setting "B"),prevents halation, flares and fog in the Zeiss lkon cable release has aback-lit photographs. Moreover, a lens special time lock.hood protects the lens from rain and
snow. The Zeiss lkon lens hood can be
slipped over Zeiss lkon filters and lkoblitz
Zeiss lkon Proxar lenses (28.5 mm dia- The Zeiss lkon lkoblitz capacitor f lash-meter).
A leather case is also availab le f or gun can easily be f itted to the Contina; its light-efficiency is really amazing.holding the lens hood together with upthree colour filters, There is also a The lkoblitz 4 is so simple to fold
flexible lenshood (screw-in mount, and carry.
27 mm), which can be folded back and
enables you to close the everreadY lkophot Rapid exposure meter
case with the lenshood mounted on the
lens. It is extremely difficult to estimate the
correct exposure time but the lkophot
Rapid photo-electric exposure meter
Gable release immediately gives the correct values
When using a tripod a cable release for all lighting conditions, without extra
isshould also be used (see Page 15)' calculations. An exposure meter
24View original page 29Page 30 · Read text
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particularly indispensable when making dust with a soft brush, then clean the
colour pictures which call for the most surface with a lens tissue or with a accurate exposure time. Ask your frequently washed piece of fluff-free photo-dealer for our special lkophot I i nen.
Rapid leaflet.
Serial Numbers
Movilum lighting Unit
Every Contina has a serial number en-
The general-purpose Movilum unit can gnaved on its back and every lens unit
be used to provide artificial light of has a serial number on the mount. lt is
any desired intensity since it can be strongly recommended that a recordfitted with two, four or even six re- should be kept of these ntrmbers, which
f lecto rs. may be of valuable aid in establishing
ownership in cases of loss or theft.
Maintenance of the Gontina
The film cartridge chambers and the
track should be cleaned from time to
time with a very soft brush. The lens,
however, should be cleaned onlv when
absolutely necessary. First remove anyView original page 30From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.