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Zeiss Ikon see another the Box-Tengor User manual

User manual for Zeiss Ikon see another the Box-Tengor. 16 pages in English. Read the original PDF, download or print a copy without registration.

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Brand
Zeiss Ikon
Model / document
Zeiss Ikon see another the Box-Tengor
Document type
User manual
Language
English
Pages
16
File size
1.8 MB
Category
Film cameras
Document date
Not specified in catalog

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Page 3 · Read text
Taken with BOX TENGOR
                               i.n bright sunshine




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Page 4 · Read text
i .


Taken with BOX TENGOR
    in sunshineat 14.00hours
           in October;1/3ss€c,
        diaphragm setting 9
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Page 7 · Read text
t

         at  the bottom of  the BOX TENGOR   permits secure attachment of
        the camera to a tripod..
        After every exposure the fflm has to be advanced with  the fflm win-
       ding knob (1) until the next frbme number appears in the window  (15).
   FLASH PHOTOGRAPHS
      can also be made with  the BOX TENGOR  thanks to  its built-in  flash
       synchronization contact, which  ftres the flash when the shutter is wide
       open. For taking  flash photographs, attadl the connecting cord of the
        flash  unit   to  the  flash  synchronization  contact  (14)  of  the BOX
     TENGOR.  Of  course, the flash unit must have a standard plug. Flash
       photographs with  flash lamps can be made with  the "M"    setting.
       Consequently, the BOX TENGOR  can even be used for  flash action
      photographs from  the hand. The most suitable flash lamps available
      on the market are the Osram  flashes F0,  F1  and  F2,  the  Philips
       flashes Pf74, Pf25 and Pf56 as well as the Syntax flash. The camera
         is synchronised only  for  flash lamps (Vacuflashes), not  for  electronic
        flashes.fr      The BOX TENGOR    is  a  dependable camera even  in  rough  use.
       provided   its  efffciency  is  preserved by  careful  protection  of  the
      camera from  moisture,  dust,  and  similar  detrimental  external  in-
       fluences. Careful handling  will  pay  in so far as the BOX TENGOR
         will  remain a source of constant pleasure for  its owner.

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Page 9 · Read text
lt   -  Shutter release lock
       72 :  Diaphragm  setting lever
       13 -  Thread  for  cable release                                            .:?
       11 -  Flash synchronization contact
       15 -  Vindow   for  verifying  the number of exposures made
       16 -  Tripod  thread
       17 -  Spring blade for holding  film spool
       13 -  Film winding prong.

      The BOX TENGOR   is equipped with an excellently colour corrected
        two-lens objective, well suitable for colour photography.

       Before loading the BOX TENGOR   for  the  first  time,   it  is advisable
         to read these instructions very  carefully and to practise the necessary
                                            'and
       manipulations  in  order  to be fast      safe in  later  practical. photo-
       graphic rvork.


B o x - T E N c oR ' B o x - T EN c o R ; B o x - T EN c o R . B o x - T E N c o R. B o x - T E N c o R. B o x - T E N G o R
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Page 10 · Read text
LOADING OF THE CAMERA

The BOX TENGOR   is loaded with  standard B II/8  roll  ftlm,  furnish-
ing 8 2rla" x3tla"   pictures. For opening the BOX TENGOR,  pull out
the locking knob  (10) and remove the back  of  the camera. Insert  the.
empty  spool  into  the  upper  spool  chamber  with  the  prong  of  the
film winding key engaging with  the  slit  of the spool. Then engage the
unexposed ftlm  with  the two  lower  spool pins,  turn  the spool  until
the narrow end of the protective paper points upward and then  sl.it the
gummed  label.  Pull  the beginning  of  the  protective paper  civer the
                                                 two   rollers   to   the
                                                upper  spool (take-up
                                                      spool), insert the be-
                                                   ginning  of  the  pro-
                                                          tective paper into the
                                               wide slot of the take-
                                             up spool, tighten the
                                                paper by  turning  the
                                                            film   winding   knob
                                                            (1), slide the back of
                                                     the  camera  on   its
                                                          front  part and close
View original page 10
Page 11 · Read text
the camera with  the locking knob  (10). Then open the window  (15)
 and turn  the film winding knob  (1)  until  the number  " 1"  appears
 in  the window.  Now,  the  ftrst frame  of  the  ftlm  can be exposed.
 Then close the window  (15).

UNLOADING OF THE CAMERA
 After exposure of the 8th frame, turn the ftlm winding knob  (1) until
 the end of  the protective paper has passetl the window  (15). Then
open the camera as described above and  seal the  ftlm  while    it  is
 in  the  spool chamber.  In  order  to  remove  the  ftlm,  bend  the
spring (17) outward,'
simultaneously hold-
ing and removing the
spool. Then take out
the empty spool and
 insert it into the upper
spool  chamber,  en-
gaging the prong (18)
of  the ftlm winding
knob  with  the  slot
of the spool core.



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View original page 11
Page 12 · Read text
T H E S E T T I N G S

                            Tocusin!:    \07hentaking Picturesat
                              distances closer than 25  ft,  estimate or
                          measure the distance of  the object be-
                                  fore the exposure and set the lever (8)
                           on  the  respective distance.  Close-ups
                           and  portraits  are  usually  made  with                                the  7-2 m  (40"-80")   distance setting,   IJ
                                 pictures of groups of persons are made
                                 with  the 2-8 m (80"-25  ft)  setting, and
                             landscape or  architectural photographs
                               are best made with  the 8-o   (25 ft-in-
                                         finity)  distance setting.
                          T h e D i a p h r a g m         i s s e t w i t h   l e v e r
                                    (12). Three  different  lens apertures can
                           be chosen: 9, 71, or 15. The higher the
                                lens aperture ftgure the smaller  is  the
lens aperture. Every reduction of the lens aperture, however, requires
an extension of the exposure time. The best pictures are obtained with
the medium diaphragm  setting  "77"  which,  therefore,  is  preferably
used for  all outdoor photographs. Under  less favourable lighting  con-
View original page 12
Page 13 · Read text
ditions use diaphragm setting '(9"  and  in  bright  sunlight (snow or
       beach in  sunshine), or   if  a large depth of  field  is required, use dia-
       phragm setting "75".
       T h e S h u t t e r  o f   t h e B O X  T E N G O R   h a s t w o s e t t i n g so: n e f o r
        time exposures and one for action photographs. For action photographs
        set lever (5) on "M",   for time exposures on 3'T". The exposure time
          for action photographs is approximately 1/gosec.IL THE FILM \TINDING LOCK
        prevents double exposures. The shutter can be released only   if  the red
       mark appears in  the
       window   (4)  of  the
        signal  device. After
        every   exposure  a
        white spot appears in
        the window (4)  indi-
         cating that the shut-
          ter release is locked.
              It  can be  unlocked
        only  by  advancing
        the film with  the ftlm
       winding knob (1).



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Page 15 · Read text
THE EXPOSURE
+     \When an exposure is  to be made the locking knob (11) must  ftrst be
 I       pushed back and the red dot must be in the signal window  (4),  indi-
        cating  that  the  ftlm  has been  ad-
       vanced. The  lever  (6)  is  set on the
        desired exposure time  (action photo-
       graph  or  time  exposure). Then  the
       exposure can be made by  pressing
      down  the  shutter  release lever  (5).
         tVith  setting "M"   the shutter opcns
         for  l/so sec and then closes automati-
f-        cally. Vhen  making  time exposures
        (lever t61 to be  set on  "T"),   the
        shutter opens when the release (5)  is
       pressed down  and  closes after  the
       pressure ceases. tVith  the  aid  of  a
I       cable release equipped with a plnnger
        catch the  shutter can be kept open
Ir        forpressinga longthe time,releasewithout(5). In constantlyfact,  it  is



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Page 16 · Read text
highly  recommendable to  use  a  cable
                             release for every time exposure. The cable
                             release must be screwed into the thread (13).
                        The ZEISS IKON  cable release, equipped
                                with   plunger   catch,  permits  extremely
                             long time exposures. For  all action photo-
                           graphs and short time exposures the disk
                                                                       '   ((B"                              must ftrst be pressed in the direction
                                  of "C"  and then be slightly  twisted until
                                                    it remains in  this position close to "C".
For long exposgres, however, the disk "B"  must be apart from  "C".
Vhen  the cable release plunger  is pressed, the disk (68" catches the
knob  " A"  which,  subsequently, can be  released only  by  a  slight
pressure on the disk "8".   \trith  the aid of  this device unlimited time
exposures can be made without  con-
 stantly pressing the cable releaseknob.
Vhen  taking  action photographs it is
advisable not  to  breathe during  the
exposure in  order  to avoid  blurring
of  the picture. Time exposures must        ,        ,.'l
be made from a  solid support, pre-
ferably from a tripod. A  thread (16)
                                                                                                                                                                      . .,+*o:::t+:,
View original page 16

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PDF verified 2026-10-10.