Film cameras
Agfa LUCIMETER-S User manual
User manual for Agfa LUCIMETER-S. 26 pages in English. Read the original PDF, download or print a copy without registration.
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- Brand
- Agfa
- Model / document
- Agfa LUCIMETER-S
- Document type
- User manual
- Language
- English
- Pages
- 26
- File size
- 1.3 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
Key to lllustrotion @ Film Speed Settins Ring
(rototoble in both
directions) occording to DIN
Setting Frome@ ond ASA
Exposure Pointer Diophrogm Scole@ @
Exposure Volue Scole Shufter Speed Scole@ @
T rio n g u lor M o r k i n d i c o t i n g t h e Milled Ring for centrolising the@ @
exposure volues exposure pointer in the sett- @
ing frome Setting the Scoles @@
(rishr DlN, lefr ASA) Eyelet for neck choin @
The Agfo Lucimeter S, if purchosed without o cose, is supplied in o lrons-
porent contoiner. ln order to toke out the exposure meter the thumb is pressed
ogoinst the boftom port below the serroted gripping bor, ond the lid opened
with the oiher hond on lhe gripping bor.
2
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Alphobeticollndex
po g e poge
Artificiol Light Exposures 1 8 Mo in te n o n ce n
Centrolising the Exposure Neck Choin ond Cose 21
Poi nter 6-9 Reoding of the Meosurement
Choice of Exposure Time - Result 1.r--12
C o mbin o t i o n 12-14 wifh exposurevolue shutter 10
without exposure volue
Close-Up Meosurement l4-lJ shutter 10-12
Conversion Toble of Film o) 1/so,rlm, rl::zr sec., etc. '10
Speed Rotings 22 b) rlrs, rlso, Tlno sec., etc. 11-12
Heot Conductor (climotic with cine comeros 18-.19
odiustment) 20 Reflected Light Meosurement 7-9
Incident Light Meosurement 16-18 Setting ihe Film Speed 4-5
www.butkus.usView original page 5Page 6 · Read text
Deqr Pholo-Amoleur:
In your new Agfo Lucimeter S you now own o relioble guide to the perfectly
exposed picture.
whether you use colour or block-ond-wh;tefilm, you ore now certoin to be obre
to employ the lost refinement in exposure technique.
Since we meet border line coses here os in meosuring technique everywhere
t ofelse,thiswebooklet,hove describedto moke themyourselfin defoil.fomiliorDowithtokethes potentiolitieslittle rime overof theyourstudyex-
posure meter. The operotion of the Lucimeter S is so simple thot it requiresI neit her t ime n o r t h o u g h t .
our designers hove not only considered the speed with which the meosuremenl
results con be reod, they hove olso mode ihe mechonism proof ogoinst the
extremes of climote ond designed o pleosing instrument oltogether.View original page 6Page 8 · Read text
Settingthe Film Speed Most probobly your photo deoler hos olreody exploined to you thot there ore types of film of vorying speed. The film speed is normolly printed on the film corton. This volue must be tronsferred to the ASA or DIN scole respectively. It is best to grip the Lucimeter S with the left hond turning the inner setting ring with ihe thumb of the right hond, until the required speed volue lies o p p o s i t et h e b l o c k t r i o n g u l o r m o r k ( i n f i g . 2 : 5 0 A S A / l 8 0 D I N ) . ASA volues ore set in the left hond window, DIN volues in the right hond window. when using films the speed of which is indicoted occording to onorher system pleose refer to the film Speed Comporison Toble on poge 22.View original page 8
Page 10 · Read text
Reflectedond Incident Light Meosurement
In the first cose (reflected light meosurement) the light reflecied by the subiect
is meosured: the exposure meter being pointed ot the subject from the comero
position, without the opol diffusing plote; this is colled reflecled lighi meos-
uremenl.
In the second iose the light incidenf on the subiect is meosured: the exposure
meter, lhe opol diffusing plole in position, is pointed ot the comero from the
subiect; this is colled the incident light meosuremenl.
reflecled light meosuremenl is the most populor meosuring methodf Since the
we wont to describe it first. Here, os we hove olreody mentioned, the Luci-
meter S is olwoys used wilhoul the opol diffusing plote. ln cose it is in position
in front of the meosuring window, it must be pulled downwords from its
grooves. lt con be stored conveniently in o speciol comportment, both in the
trqnsporent box os well os in the cose of the exposure meter.View original page 10Page 12 · Read text
You now point your exposure meter-crs you would your comero during on exposure-ot your subiect, the reflected light from which posses through the m eos uring w in d o w o n d f o l l s o n th e p h o io e le clric ce ll in sid e th e in str um ent. coution: The meosuring window of the cell must on no occount be obscured by your fingers! The incident light generotes on electric current which couses q deflection of the exposure pointer. This pointer deflection will be smoll with weok light, ond greot with strong light. The exposure pointer must now be centrolised in the setting frome which is olso visible in the scole window (see fig.5). To do this the outer milled ring (9) (see fig. 1) is turned wiih the thumb. when using colour Reversol Films (e. g. Agfocolor Reversol Films) it is rec- ommended to direct the Lucimeter to the light ports of the subiect. For sub- iects with smoll brightness differences (e. g. in fog, bod weother or in the shodow) it is more convenient to set the film speed scole on 25 ASA (l5o DIN) insteod of 50 ASA (l8o DIN). This rule opplies only to colour reversol films ond only t o t h e i n d i c o t e d c o s e s. When using o negolive colour film point the exposure meter olwoys to the essentiol ports of the subiect.View original page 12
Page 13 · Read text
F i s . 5
R e o c l i n g
t l r e M e c r s u r i r - t c 1R e s u l l
lf your comero hos on exposure
volue shutler you should reod
t h e r e l e v o n t r e d e x p o s u r e v o l u e
n u m b e r o p p o s i t e t h e t r i o n g u l o r
mork of the cut-out morked
with the Letter L ond tronsfer
it to the shutter of your comero
( e .g . e x p o s u r e v o l u e l 2 i n f i 9 . 6 ) .
For comeros without exposure
v o l u e s h u t t e r y o u w i l l f i n d t h e
result of your meosurement
(stop number ond shutter speed)
on the bottom scole (e. g. stop 8
o n d t / r i o s e c . i n F i g . 7 ) .
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The block numbers on the shutter speed scole represent froctions of seconds
(e. g. 60 : rlm, 125: rlns, 500 : 1/roo,'l : I second), ond the green numbers
f ull s e c o n d s .
When using the green numbers (shutter set ot B) ond the slow instontoneous
speeds from I (: I second) fo 15 (: rl:r" second), o tripod ond o coble releose
should be used. Thus comero shoke con be ovoided ihot would be encountered
durin g h o n d - h e l d e x p o s u r e s .
lntermedioteSettings
During the centrolising of ihe exposure pointer it moy hoppen thot the
white triongulor mork settles between two exposure volue numpers, or, re-
spectively, the shutter speed between two slop numbers. The tronsfer of such
o reoding to your comero is possible ond correct. However, you must only use
full shutier speeds, but inrermediore srop volues (opertures) moy be set. _y
1 lView original page 14Page 15 · Read text
should you own o comero whose shutter speed series differs from the lineor
scole olso used on the Lucimeter, you should olwoys set the next shutter speed
i. e, for instonce,
tln 7lz-o Tlso lllr,o
.
rnsteod of lla tl:o Tlao rl:'jzs
Which ShutterSpeed/Stop Combinotionshould be set?
We ore sure you know from your operoting instructions of your comero thot
the exposure of your film depends on two foctors, the exposure time ond the
operture stop. With the oid of these iwo foctors, therefore, o setting odoptoble l
to the lighting conditions ond the subiect con olwoys be found.
The Lucimeter S focilitotes this setting quite considerobly for you, os it offersyou lhe precise volues, i. e. os J
shulter speed/stop combinotion for oll comeros
. wilhout exposure volue shutter
ond os exposure volue for oll comeros
wilh exposure volue shutter.
1 2
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Let us ossume fhot the meosurement permits, os con olso be seen from fig.6
ond z the setting of the following shutter speed/stop combinotions:
Stop: fl2 2.8 4 5.6 8 ll 16 22 n Exposure
Shu t f e rs peed t r / r o o o r l s o o r l z so tlr2 s tla o rlso rls lla r7 n :Vo lu e 12
since eoch of ihese shutter speed/stop combinotions ollows the some quoniity
of light to reoch the film, oll you hove to do is to choose ihe one most fovour-
o.ble to your subiect. The following wiil ossist you in moking this choice:
lf you wont to photogroph o londscope where foreground os weil os bock-
ground ore lo oppeor shorp in the picture, the setting of o smoll stop is
necessory (see obove scole e. g. f/ll ond 1/:c sec.).
lf, however, you wonr ro copture o ropidly moving subiect, o fost shutter speed
is indispensoble, if o sufficiently shorp picture is to be obtoined (see obove
scole e. 9. llzso sec. ond f/4).
In the first cose o slow shutter speed should be set in the interest of o
smoller stop, in the second cose o lorge stop should be chosen to be oble
to set o foster shutter speed.
't3View original page 16Page 17 · Read text
A comero with exposure volue shutter mokes it eosy for you to set the shutter
speed stop combinotion most f ovouroble to the subiect by one movement
d i r e c t o t t h e c o m e r o s h u t t e rr i n g .
l f y o u h o v e o n y d o u b t s o t o l l o b o u t t h i s , p l e o s e re-reod the chopter deoling
w i t h t h e o d v o n t o g e so f t h e e x p o s u r ev o l u e s h u t t e r
in tlre operoting irrstructionsof your comero.
lrr coses showing extreme brightness difterences
i n t h e s u b i e c t , o r i t s c l o s e s t n e i g h b o u r h o o d , o
c l o s e - u p m e o s u r e m o n ti s r e c o m m e n d e d .I n o r d e r
to effect this you opprooch the most importont
p o r t o f t h e s u b i e c t c l o s e l y e n o u g h w i t h y o u r
L u c i m e t e rt o e l i m i n o t e t h e d i s t u r b i n g i n f l u e n c eo f
t h e s u r r o u n d i n g s T h e f o l l o w i n g r u l e m o y s e r v e
y o u o s o g u i d e'
F i s .8
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lf ony further opprooch, or o
s l i g h t t u r n o f t h e L u c i m e t e r n o
l o n g e r c o u s e so n o t i c e o b l ec h o n g e
i;r the poirrier deflection, the cor-
r e c t m e o s u r i n g i s c o m p l e t e d .T h e
exposure is to ken f rom the orig-
i n o l l y c h o s e n c o m e r o v i e w p o i n t
w i t h t h e m e o s u r i n g r e s u l t t h u s
determined.
F i s .9View original page 18Page 19 · Read text
Incident Light Meosurement
lf the foregoing close-up meosurement of o subiect with lorge brightness differ-
ences is impossible, either becouse one connot get close enough to the subiecl
(e. g. due lo o snow field, o river or for other reosons), the light meosurement
method described below must be chosen.
Two extreme exomples moy moke this cleor:
When o person in o bright dress is loken ogoinst the bockground of o dork
wood, she would be over-exposed with reflected light meosurement, owing to
the preponderonce of the dork port of the subject.
On the other hond, lhe some meosuring method would leod to for too shori t,on exposure time for o chimney sweep in o field of snow, so thot in the positive
he w ould opp e o r m e r e l y o s o s i l ho u e tte .
lf o close-up meosurement is not possible in such coses or the brightness differ-
ences ore oltogether so greot os to moke reflected light meosurement of doubt-
f u l v o l u e , y o u s h o u | d c h o n g e o v e r t o i n c i d e n t l i g h t m e o s u r e m e n t . >
1 6
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Now, holding the instrument level, turn in the direction of the comero ono ttIreod ihe result of the meosurement. In diffused lighr, i. e. in bright generol
light in g w it hou t v i s i b l e s u n l i g h t , it is b e st to o p p ro o ch th e su b ie ct o n d tur n
round to toke the meosurement, i. e. in the direction of the intended comero
viewpoint.
With ortificiol light sublects, too, the light is olwoys meosured from the sub-
iect, irrespective of whether one or severol light sources ore used.
For norrow-gougecine-comeroowners
IIYou con reod your exposure volues off your Lucimeter for your norrow-gouge
cine-comero too, provided you know lhe shutter speed ot which it operotes;
this con be obtoined from your operoting instructions.
lf your comero provides single frome exposure, o second ond longer exposure
t im e will be g i v e n f o r t h i s o p e r o t io n .
1 8
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lf, for instonce, o shutter speed of 1/so sec. is stoted for the normol comero
rt. speed (16 fromes per second) pleose reod the stop focing 1/3s second on the
if Lucimeter. With o shutter speed of 7frr" sec., os on your Movex 88, the stop
, corresponding to the position on the holf-woy mork between 1/30ond 1/ooof o
second must be set.
The stop setting thus determined is lronsferred to the norrow-gouge cine-
. comero ond ensures the correct exposure of your film.
lf your norrow-gouge cine-comero provides other speeds in oddiiion, you must,
storling from lhe bosic l6 f.p.s. setting,
close your lens by one stop (next lorger stop number) for 8 f.p.s.,a
open your lens by one stop (next smoller stop number) for 32 f.p.s.,
open your lens by two stops for 6,4 f.p.s.
I ln this woy the Agfo Lucimeters con olso be used for norrow-gouge cine-
I come ros .
' ) 2 to,-/ ' ' lbL-----View original page 22Page 23 · Read text
Mointenonceof the Lucimeter The Lucimeter should olwoys be protected ogoinst dust, dirt, sond, ond humid- ity ond should never be left lying in lhe sun. lts movoble ports ore mounted on shockproof beorings; lhe instrument, however, must be proiected ogoinst hord knocks. Climote-proof? You hove reod correctly, the Lucimeter S is greotly protected ogoinst fem- peroture voriotions due to o built-in heot conductor. In the obsence of this electricol device it is possible thot foulty results of 1-2 stops moy be indicoted in very low or very high temperotures. You ore now certoin thot within o ronge ' from obout l4o to l04o F. (from -l0o C. to *40o C.) the indicoted exposures ore os precise os of normol temperotures, os the heot conductor compensotes for the disturbing temperoture differences 20 www.butkus.usView original page 23
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