Film cameras
Kodak BANTAM Colorsnap 2 User manual
User manual for Kodak BANTAM Colorsnap 2. 17 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Kodak
- Model / document
- Kodak BANTAM Colorsnap 2
- Document type
- User manual
- Language
- English
- Pages
- 17
- File size
- 3.3 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 1 · Read text
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AbOUT.KODAGOLCDR' F1IM
'Kodacolor' Film makes colour negatioes, 'Kodachrome' transparencies; develop-
which are then printed on paper to ing and printing, which must be order6d
p_qovide large natural coloui prints. through a Kodak dealer, is chareed
'Kodacolor' Film is faster in spee-d than separately. There is only one kind- of'Kodachrome' Film and thus enables 'Kodacolor' Film; it id suitable forgood pictures to be made in lighting taking daylight pictures or for pictures
conditions hitherto considered unsuit- at night by the sole light of clear flash-able for colour. Colour orints from bulbs. For details of flash exposures see
'Kodacolor'negatives cost leis than from page 13.
About'KODAGHRCD|U|E, Film R
There are two kinds of 'Kodachrome' can also be used by the light of blue- ,Film-Daylight Type and, for artificial coated flashbulbs (elther alone or suo-light, Type A. Both give miniature pleme_nting daylight). Type A film'is
transparency slides in full natural colour fgr after-dark pictures by- the light of
no_ extra processing charge. Prints Photoflood bulbs. It can- be used' withand-a-t enlargements in colour or black- clear flashbulbs as the sole light, but
and-white and duplicate colour trans- only if a filter is fitted over the l-enl (see
pareacies can be made subsequentlv page rq.
frontthese colour snaps. Daylight fihir
For BLACK-AN D-WHITE pictures
If you wish to take black-and-white Bantam'Colorsnap' Camera with Kodakpictures (daylight or flash) load your 'Verichrome'Pan Film, size 828.View original page 1Page 2 · Read text
Introducing the'BANTAM' (Dolor.snap 2 CAMERA
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www.butkus.usView original page 2Page 3 · Read text
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Practise handling your camera BEFORE LOADING
Look at the picture opposite. This is pressed by movement of the last joint
shows the best position for your hands only. The pressure on the button is
when taking a picture. balanced by the thumb underneath the
Practise camera. (Note that the button stays
(l) Holding your camera like this down. If you now turn the winding see (z) Sighting your picture through knob, the button will spring up: is the viewfinder note below). Absolute steadiness essential So at the moment of exposure, Squeezing the exposure button G) hold the camera firmly against the face, without a jerk. as shown overleaf. With practice, yourt See how the right index finger lies along hands will fall naturally into the most
the top of the camera, so that the button suitable positions.
NOTE: t-, ,..
Operation of the exposure button release lever shown in the pictu16
enables the exposure button to be re-set after the shutter has been
fired, without winding on the film. lt should only be used in the
circumstances explained on page 14.View original page 3Page 4 · Read text
Venmo @mike-butkus-camera Ph. 2083 PayPal Name Lynn@butkus.org www.PayPal.me/lynnbutkusView original page 4
Page 5 · Read text
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Watch these points when VIEWING YOUR SUBJECT
For safety, provide your camera with the Make sure the subject does not appear
ever-ready case mentioned on page 16. tilted in the viewfinder. Keep your eye
The neckstraD can then be worn while as close as you can to the finder aperture,
trying out these holds and, should you and see that the picture framed by the
lose your grip, the camera cannot fall. front aperture is exactly centred in the
You will probably find it better to change rear apertlue. You should just be able
your grip for vertical pictures and to to see all four edges of the front
press the button lvith your thumb. aDerture.View original page 5Page 7 · Read text
NEW FILM IN PLACE ATTACH LEADER www.buktus.us Always load in subdued light (in the Turn the winding knob until the longer shade). Take the new film out of its slot of the empty spool is uppermost' metal'container; hold the film firmly. Thread the end of the leader PaPer Place it in the empty recess 4s shown, squarely through the longer slot a-s far so that the spring holds it in position. as it will go; the tapered end of the Carefully pull the leader paper (coloured paper then protrudes through the shorter side towards you) across to the take-up itot of the spool. To ensurE trouble-free spool so that the paper lies between the winding, take care that the tongue goes four raised studs. straight into the slot-not askew.View original page 7
Page 8 · Read text
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WIND 4 TIMES CLOSE CAMERA
I{olci the leader paper down into the Make sure that the sliding lock is still
slot with the fingei-tip. Keep the finger down. Close the camera-back and keep
in place while g-iving'the wiirding kn"ob it shut while pushing down the sliding
4 !u1ns. Make sure the -thepaper winds catch. This will lock the camera. Nowtightly and evenly on to take-up tlrrn the winding knob white watching
spool, without 'wandering'. If the oaoel the red window. $fhen the number'f
is not then lying between all four ituhs, in a square appears (just after the name
disengage the take-up spool, unwind the of the film), stop winding. After loading,
paper fiom it, and re-insert the emptv set the 'film reminder' dial (see page rr)
spool., Keeping the full spool tiglitly to indicate the type of film in thewound, re-thread the paper. camera.View original page 8Page 13 · Read text
I
I
WHEN YOU'VE FINISHED THE ROLL OF FILM ilt:Vind until the end of the coloured paper If it is 'Kodachrome' Film, enclose the ,passes the red window, then give a few packed film in the mailing bag, print
more turns. In subdued light (i.e. in the your name and address clearly on the il
shade), open the camera-back gently; label, then either hand it to your dealer tl
lift out the full spool, making sure that or post it to a Kodak processing station. i:!
the paper remains tightly wound. Seal If 'Kodacolor' or black-and-white film, +
the spool with the gummed paper strip. have it developed and printed through
Place the spool into the metal container. your Kodak dealer. #I
ACCESSORTES
IJse size 3zo lens attachments, including dealer about the use of lens hoods and aspecial-purpose filters for colour or filters.
black-and-white films, and lens hoods. An ever-ready camera case (Code 9zz) is
'Kodachrome' Type A Film can be used available. It has a pocket containing a
in daylight if a No. 85 filter is fitted; copy of the reminder card and the ex-
with clear flashbulbs use a No. 8rC filter. posure guide dial can be read easily with-
Kodak 'Wratten' Filters of the numbers out removing the camera from the case.
specified can be fitted by means of a For flash pictures, use the 'Brownie'
'Kodak' Lens attachment. Ask vour Flasholder.
IF A BULB DOES NOT FLASH
If you are taking a picture by the light re-set the shutter button. You can then
of a flashbulb alone and the bulb fails to try again without winding on the film
fire, press the exposure button release and wasting an exposure. Further flash
lever (see page 4) to the right. This will advice on page 19.View original page 13Page 14 · Read text
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More about THE EXPOSURE GUIDE
This page explains the three main two arrows on the ,film' side oftypesofsubjectbrightnessandthe the exposure guide dial.
TYPES OF SUBJECT TYPES OF KODAK FIIM
Dark Subjects 'Kodachrome' Film
Picture area more dark than light, for full-colour transparencies. Use light-
specially when subject is crose. setring numbers opposite the green
Darl< foliage, rocl<s and buildings, arrow and you will be delighted with
people in dark clothes. colour pictures which are taken
Deep-colou red flowers, on sunny or bright days.dark-coloured animals.
'Kodacolor' Film
gives colour negatives
Average Subjects from which colour prints
Picture evenly lighted, or be For use made. d;l canequal areas and of light days most bright
Garden anddark. river m .I nonsu mer wtnter. or
bank scenes, full-length
people in clothes of medium 'Verichrome' Pan Film
tone, well-lit street scenes. can be used when colour
pictures are inadvisable
because of inadequate light.
Light Subiects Use light-setting numbers
Picture area mainly light. opposite the black arrow,
Beach, marine and distant
scenes, bright flowers and Kodak 'Tri-X' Film
fabrics, light
scenes,For snow buildings. ' summeris too fastsun forbut snapshotsinvaluable ininbrightweak
see advice on page | 5. daylight and for long-range flash (see p. l9).View original page 14Page 15 · Read text
When CONDITIONS ARE NOT AVERAGE
The instructions so far deal with the Early or late in day, within two hours
most common types of subject, in full of sunrise or sunset, add z.
daylight, during spring, summer and In winter with no snow add z (in winterautumn, For other conditions, an in England 'Clear Sun' is unusual).allowance may have to be made-by
adding to or subtracting from the light- Winter snow scenes at low altitudes; set
setting number indicated by the ex- for average subject and subtract t.
posure dial. The modified light-setting Mountain snow scenes in winter; set fornumber is then set on the lens. If more average subject and subtract z.than one unusual condition applies,estimate each allowance separately and Mountain snory scenes in summer; set
then combine them. A summary of this for average subject and subtract 3.
information is given on the 'reminder- Angle of lighting: Ifith front lighting
card'. A similar card is also packed with use the indicated light-setting. For side
the ever-ready case which is available lighting add r. For back lighting add z
for this camera. and use a 'Kodak' No. ?zo Lens Hood.
'Gl= \-t
-- Front Light Side Light Back Light flView original page 15From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.
