Film cameras
Kodak single page B&W User manual
User manual for Kodak single page B&W. 33 pages in English. Read the original PDF, download or print a copy without registration.
33 pagesEnglish10.7 MB PDF

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Document details
- Brand
- Kodak
- Model / document
- Kodak single page B&W
- Document type
- User manual
- Language
- English
- Pages
- 33
- File size
- 10.7 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
I:.1
I:tr
I
I
Il
*importonl: The film odvqnce lever od-
vonces the film qnd cocks the shuller;
it should nof be forced. lt locks when
the counter is set of l, olso when lhe
film hos been odvonced but not exposed.
NUMBERSERTAL in j
front of lhe occessory- forclip;positivekeep oidentificqtionrecor{, of this- isnumber.locotedThe
prefix "EK" is used lo designcle those Reiino Comeros im-pqted by the Eostmon Kodok Compony. Be sure to fully de- I
scri!e your comero, including the full seriol number with pre-
fix when corresponding qbout if. Be sure to sqve the Certiffcote
of lmport qnd Ownership included with your comerq.View original page 3Page 4 · Read text
www.butkus.us
l(odak Retina Ila Camera
tqble of confenfs
2 Introduction
3 Opening and Closingthe Camera
4 A B C's and Simplest Settings
7 Shutter Speed
7 Lens Opening
8 Focusing
to Films
12 Loading
l5 H olding the C amera- V i,ewing
t6 Takingthe Picture
t7 Unloading
TE Flash
21 Time Exposures
22 Depth of Field
23 Pi,cture Taking Aids
28 Exposure Tables
T. M. REG. U. S. PAT. OFF.View original page 4Page 6 · Read text
www.butkus.us To open the cqmero . . . press the OpENING BUTTON ond pull down lhe front until it locks. To close the comero . . . this comero con- nol be closed if it is focused for onyihing but infinity. Be sure the focusing knob is pushed clockwise, os you foce the lens, os for os it will go; then squeeze lhe two CIOS- ING BUTTONS while closing the bed.View original page 6
Page 8 · Read text
www.butkus.us The tinted oppeoronce of the lens is due lo o speciol cooling which improves the brillionce of blqck-ond-white pictures ond the color purity of full-color pictures.View original page 8
Page 9 · Read text
stcrndqrd settings
Ior simple snqpshots
For snapshots of average subjects in bright
sunlight, use the following settings:
Wirh Kodochrome Film Daylighl Type:
second). Set "a" (shutter speed) on 50 0/50
Set "b" (lens opening) betweenf/5.6 andf /8.
Set "c" (focus) to bring the small circle, near
the l0-foot mark, to the focusing index for
subjects in the 7- to l5-foot range. For sub-
jects 13 feet and beyond, bring the small
circle, near the 25-foot mark, to the focusing
index.
Wih Kodak Plus-X Film:
Set "a" (shutter speed) on 50 (L/50 second).
Set "b" (lens opening) on 11 (f/tt1.
Set "c" (focus) to bring the small circle, near
the lO-foot mark, to the focusing index for
subjects in the 6- to 25-foot range. For sub-
jects t0 feet and beyond, bring the small
circle, near the 25-foot mark, to ttre focusing +
index. I
6i .$
IView original page 9Page 10 · Read text
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q shuffer speed
Turn the knurled shutter
speed ring to bring the nno
DoT opposite the required
shutter speed. The follow-
ing speeds are provided:
1, r/2, L/5, L/r}, L/25,
l/50, UL00, I/250, and L/500 second. ..8,'
exposures can also be made; see page 21.
The shutter is cocked automaticallv when
the film is advanced.
Do not change the shutter setting from
I/250 to l/500 or vice versa when thi shut-
ter is cocked.
A tripod or other firm support should be
used for speeds slower than 17ZS second.
I,{ote: Never oil the shutter or camera
mechanism.
b lens opening
Move the LENs opENrNG LEVER across the
scale, illustrated on page 8, to regulate the
amount of light reaching the film. tt is lever
click stgps at each opening. By pressing down
on it, the lever is easier to move.
7View original page 10Page 11 · Read text
Digitally signed by mike butkus
DN: cn=mike butkus, o=orphancameras,
email=mike@butkus.org, c=USmike butkus ou=29,Date: 2019.08.18 17:01:52 -04'00'
The opening is largest when the lever is
set at 2 (ftZ1 and smallest when set at 16
(f trc\. Each succeeding larger opening lets
through twice the light of the one before;
for example, f /8 lets through twice the light
of f /t1, and f /tt lets through twice the light
ot f/rc.
The shutter speed and lens opening work
together to give the right exposure. Expo-
sure tables are on pages 28 and 29.
c focusing
The range finder of this
camera is coupled to
the lens. Moving the
FocusrNc KNoB until the
two images in the range
finder coincide focuses
the camera.
Carefully look through the view-and-range
ftnder opening and you will see that part
8View original page 11Page 12 · Read text
www.butkus.us of the picture is clear and part is tinted. When the camera is out of focus, the tinted image is separate from the clear image, form- ing a double image of the subject. Move the focusing knob until the two images coincide to become a single image. The range finder can be used only on still subjects. To focus the camera without using the range finder, estimate the d.istance by eYe; then move the focusing knob to bring the proper distance to the FocusrNc rNDEx. The numbers on the FocusrNc scALE represent the camera-to-subject distance in feet. When using infrared film, use the red dot for'the index instead of the regular index. The two small circles on the focusing scale are for the two standard settings described on page 6.View original page 12
Page 14 · Read text
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For high-quoliry
enlorgemenls
. . . use Kodok Plus-X
Pqnchromqtic Film-fine
groin ond high resolv-
ing power permil high-
quolity enlorgements.
An excellent film for
generol ouldoor ond
well-lighted inlerior
use. 20 or 36 exposures.
For-poor lighr
. . . use Kodok Super-
XX Ponchromqtic Film-
very high speed mokes
this qn ideol film to use
with ortificiol light. 20
or 36 exposures.
For fine-groin
copying
. . . use Kodok Micro-
File Film-on exlremely
fine-groin, slow, pon-
chromotic film for copy-
,"ng printed motter,
mops, documenis, etc.
36 exposures.
11View original page 14Page 15 · Read text
looding Load the camera in subdued light, never in bright light. Kodak 135 Film is contained in a lighttight mag azine. Rewind the film into this magazine after the expo&fies haoe been made and before the cunera back is opened. Various Kodak 135 Films are described on pages l0 and 11. | . lift rhe lock ond oPen lhe comero bqck. 2. Turn the knurted edge of the counter in the direc- tion of the qrrow to bring the diqmond'neor 36 to the in- dex mork for o 36-exposure mogozine. Bring ihe dio' mond neor 20 to lhe index mork for o 2O-exposure mogozine. The counler will move o mork every iime the film is odvonced. It will ol- woys show lhe number of ex- t'osures REMA,N,NG on fhe film. L2View original page 15
Page 16 · Read text
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3. Dro* out lhe film ReWtND
KNOB os for os it will go.
Inserl the film mogozine in
lhe recess under lhe rewind
knob. The end of the mog-
ozine contoining the cross-
piece goes loword the re-
wind knob. Push in the re-
wind knob ond turn it to
engoge lhe slot with the
crosspiece in the mogozine.
!nsert the end of the filmffi 4. leoder in the slof of the tqke-
up reel. Do nol try to remove
this reel f rom the comero.
Give the flonge of the reel
ffi o iurn with the thumb until
lhe film is wropped once
ffi oround the reel.
5. Continue to turn theffi flonge of the reel with fhe
lhumb, until the first or sec-
ond perfor.otion on fhe edge
of the film toword ihe fop of
the comero is engoged by
one of the sprocket .teeth.
The teeth of the sprockels
ru musf fil in ihe holes in theView original page 16Page 17 · Read text
film. Close ond lock lhe com- erq bock. tCD. Press qnd releqse the film lever bulton (orrow in 5); then operole the film lever. Do this 3 times. Be sure to moke o complete stroke with the lever; then let it fly bock to its originol position. After winding lhree limes the firsi frome of film is in plcce ond 36 or 2O on the film counter is in position. AdvqncinE the film qlso cocks the shulter. 7. Rotot" the film-type indi- color with the boll of the thumb to bring the nome of lhe film opposite the index. Note: When the figure I on the film counter reoches lhe index, moke the lost exposure. The film lever is locked qnd the film should be rewound into the mogo- zine (see pqge 171. ft the film lever locks ot ony time, .do nof force it but check lhe counler to see if it is set ot l. Move the co.unfer off I to releose the film winding mechonism. t4View original page 17
Page 18 · Read text
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holding fhe cqmerq
Hold the camera as shown below. Either
position is comfortable and practical; you
can hold the camera remarkably steady *iril"
you squeeze the exposure button to take the
picture.
using rhe view finder
Steady the carnera against your face. Focus
the camera as described on page B. place
the rear of the finder close to the eye
so that the entire front frame"rro',rgf,can be ,""rr.
Compose the picture, moving the camera
and your head together. l5
'ltView original page 18Page 19 · Read text
foking rhe picture
lens and | . Make the
shutter settings.
2. Cock the shutter and
advance the film" with
a single full stroke of
the film advance lever.
Focus and compose the picture in the3.
finder.
camera4. Make the exposure. Hold the
steridy; it's a good idea to hold your breath
while you s-q-rr-e-e-z-e the exposure button.
*When the exposure button is depressed, thg
film lever is releaied. It is necessary to press and
release the film lever button onlq when you wish
to advance film without having pressed the ex.
posure- button (as in loading). After the 20th or 36th exposure has been made,
and the counter is at 1, the fflm advance lever
will lock; rewind the film and unload the camera
(page L7). Do nnt open the back of the carnera
reusound into the filmintil the fiIm has been
rnagazi,ne, or the film will be fogged.
16View original page 19Page 20 · Read text
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unloqding
When the last exposure has been made, the
counter will be at I and the film lever will
Iock. Pull out the rewind knob halfway,
pre_ss the newrND BUTToN as far as it wil gL,
and turn the rewind knob in the directioriof
the arrow. Continue turning the rewind knob
until the rewind button ,iop, turning. The
film (except for an inch or twi of leadei strip)
is now back in the magazine. Now open tfre
back; pull out the rewind knob as fl, as it
will go; remove the mag azine.
ft's a good idea to get your exposed film
processed promptly. The Kodacraft Minia_'
ture Roll-Film Tank makes it easy to devel_
op your own black-and-white film.
17
jView original page 20Page 21 · Read text
flqsh pictures
. . . are easy and lots of fun to make with this
camera. trlashing of the lamp is controlled
by the synchro feature of the shutter. Class
F or M flash lamps can be used as well as
speedlamps. The Kodak B-C or the Kodak
Standard Flasholder and fresh batteries are
all the extra equipment you need for flash
18 shots. If photoflaslt, batteries are not avail-View original page 21Page 22 · Read text
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able, flashlight batteries can be used. The
t batteries should test at least 5 amperes.
i The flasholder is attached by sciewing the
I
I thumbscrew on the standard bracket int6 the
I{+ Tpoa socket of _your camera. Be sure to slip
the Kodak Single-Post Flasholder ADApr"i,
supplied with your camera, on the FLASH
posT before attempting to connect the flash_
older cord to the flash post.
Using Closs F Lomps*, such os S/Vl or SF
..X,,, . set the synchronizer sELECToR on
set the shutter speed at any speed up to and
including I/I00, cock the shutter with the
film advance lever, and snap the picture.
Using Closs M Lomps*, such qs No. 5 or No. 25
. ._. set the synchronizer sELECToR on ..M,,,
any_shutter speed up to and including :".l^e9!
I/250, cock the shutter, and snap the picture.
Using Speedlomps
. connect a Kodatron Speedlamp (o,
similar equipment with no lag in til trip
circuit) to the fash post, using the adapter. fg
iilrr" the bottom of the lornp bose is cleon ond bright
before inserring the lomp in the flosholder. If the .onrl"i poinf is larnished, rub il on o rough surfoce.View original page 22Page 23 · Read text
Set the synchronizer selector on "X," select a shutter speed, cock the shutter, and snap the picture. The light will flash when the shutter blades are open at all shutter speeds. nole: Do noi use units floshed by meons of heovy- duty reloys or solenoids. Such unils moy complelely destroy fhe shuller contocls. Supplem eni a ry Flosh-Ouldoors . . . blue flash bulbs are used with Daylight Typ" color films to reduce excessive contrast with back- or side-lighted subjects in bright sun. With selector on M use No. 58 or No. 25B flash lamps. A lamp-to-subject distance of 8,5 feet gives good contrast. Use the basic exposure for subjects in bright sunlight. Flash exposure data are given on page 28, and on the refector of the Kodak Flasholders. coufion: Since lomps moy shofler when floshed, the use of o Kodok 2-woy Floshguord or other shield over the reflector is recommended. Do nol flosh the lomps in on explosive otmosphere. Do not inserl flosh lomps in the refleclor if the shulter is open-the lomp will flosh ond o serious burn moy resull. 20View original page 23
Page 24 · Read text
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fime exposures
Jc .-. . enable you to take pictures at night out-
l doors or indoors of still subiects, using the
I existing light. Night pictures Lan add rr*ri"ty
"c, to your picture collection.
i The "B" setting_ enables you to keep the
shutter open for as long as required. ph6e the
camera on a tripod or other firm support.
Both camera and subiect must be stitt a*hg
the exposure.
To make a"B" exposure, the focus and lens
opening having been set, set the shutter on
"8," cock the shutter by
operating the film ad-
vance lever, press the
exposure button, hold it
down for the exposure
time required, and re-
lease the button to close
the shutter. The Kodak
TBI Metal Cable Re-
Iease No. 2, available
from your Kodak dealer,
can be used to hold the
shutter open for as Iong
as required. 2lView original page 24Page 25 · Read text
depth of field Objects some distance in front of and beyond the subject focused on will be sharp. This depth of field varies with the lens opening used; the smaller the lens opening, the great- er the range of sharpness. Your camera is equipped with a depth-of- field scale so that you can read this range of sharpness easily before you take each pic- ture. The focusing scale combined with the lens opening numbers engraved on the shut' ter barrel each side of the focusing index comprise the depth-of-field scale. The following example shows you how to read this scale: Subject is 12 feet away, ex- posure calls for a lens opening of f /8. Set the focusing scale with 12 opposite the focusing index. Look for the number 8 on each side of the index. The one on the right is"opposite 25 and the one on the left is near 8. Therefore, all objects between about 8 and 25 feet will be sharp. 22View original page 25
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