Film cameras
Minolta-35 model II COLOR User manual
User manual for Minolta-35 model II COLOR. 20 pages in English. Read the original PDF, download or print a copy without registration.
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- Minolta
- Model / document
- Minolta-35 model II COLOR
- Document type
- User manual
- Language
- English
- Pages
- 20
- File size
- 2.1 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 2 · Read text
The Most lmproved 35-- Camera
Minolt a -' 3 5 M o d e l I I i s a ca me ra o F 3 5 mm in size d e vise d a n d
in t e g rat e d w i t h a d j u s t a b l e se lf-time r a n d fla sh syn ch ro n ize r, its
bac k c o v e r s y s t e m b e i n g c o n ve n ie n t fo r tilm lo a d in g s, h a vin g
ey e a d ju s t a b l e d e v i c e f o r its sin g le e ye -p ie ce ra n ,3 e fin d e r a n d
c onv enie n t l y y o u c a n m a k e yo u r sh o t with o u t p u ttin g to rwa rd
it s le n s b a r r e l .
O F c ours e t h e s h u L t e r i s se t simu lta n e o u sly wh e n th e film wa s
wo u n d , t h u s p r e v e n t i n g d o u b le e xp o su re s. Th e film is ve ry
ec onomic a l l y u s e d b y l o a din g it to ma g a zin e , cu ttin g it a t
will in p r o p e r l e n g t h o u t o F lo n g film.
A ls o v a r i o u s s u i t a b l e t e l e p h o to le n se s b e in g p ro vid e d , o n e
qame ra c a n b e u t i l i z e d f o r fe a tu re s u su a lly n e ce ssa ryto r se ve ra l
c ame ras .
Standard Lens of Minolta-35
Th e S up e r R o k k o r C o a t e d F I z.a -+ smm L e n s titte d ma ke s
v ery s har p t o c u s a n d F r o m th e sh o rte st ra n g e to in Fin ite it h a s
s uperior c a p a c i t v t o m a k e sh a rp fin e d e p ictio n s.
A ls o t he l e n s h a s n o t e d c o lo u r tra n sp a re n cy ca p a city, h ig h ly
pra is ed b y m a n y k n o w n p h o to sp e cia lists in h o me la n d a s we ll
as t h o s e i n a b r o a d u n d i t i s n o w a n e sta b lish e d ta ct th a t th e
tullest satisFactions are being expected by various users oF this
le n s . Th i s i s o n e o F t h e r e a so n s th a t we a re still stickin g to
t his t in e s t a n d a r d t r l z . B le n s ra th e r th a n th o se o F la rg e r in
d ia met er.
oView original page 2Page 5 · Read text
l . S u p e r R o k k o r L e n s F f z . o - t + s m m
is a lens w i d e r i n i t s c o v erin g
angle and d e e p e r i n i t s r a n g e o F
f oc us in c o m p a r i s o n w i t h usu a l
5omm le n s e s f o r 3 5 m m c a m e ra s
und most fitted for snao-
sh otti na s.
2 . Th e lens b a r r e l i s u n n e c e s s ary to
be pulled i t o u t w h e n y o u m a ke
yo ur s hot t in g . T h e l r i s - S t o p Dia l
i s g r a d u a t e d f r o m F z . B t o F t 6
and it s gra d u a t i o n s a r e r e g i s te re d
t heir res pe c t i v e s t a g e s F r o m lm.
( s. g F t ) t o i n f i n i t e a l o n 3 with
depths oF range oF focus too.
www.butkus.us
Th e F o c a l P l a n e S h u t t e r Fitte d
wo rk s c oupl e d w i t h s h u t t e r s pe e d s
o F t 1 2 5 - 5 o o s e c o n d a n d B i n
th e c a s e o F i t s r a p i d s h u E t e r a n d
in the case bF slow speed shutter
it rn, ork s c o u p l e d w i t h f r o m t/B
scc. to L and T.
4, Counter Dial : \L/hen the counter
' o ' i s { i x e d u n d e r t h e n u m b e r
arrow-mark al-Ler Ioading the
f il m in t he c a m e r a , t h e s : m e wi ll
mov e o n o n e b y o n e f o l l o w in g
yo u r s uc c e s s i v e t a k i n g s u n t il it
r e a c h e s t o N o . 3 9 .
(3)View original page 5Page 6 · Read text
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5 . Coupled Range-Finder and Viewer :
T w o - i m a g e - c o i n c i d e n c e t y p e
co u p led ra n g e [ i n d e r i s d e vise d
co mbir' red w i t h t h r o u g h f i n d e r.
Th e v iew r a n g e c o v e r e d i n t i lm is
sl ig h t ly lar g e r t h a n t h a t s e e n in
t h e f in d e r a n d i s c o n v e n i e n t to r
its s nap s h o t t i n g s .
6 . Vi s u a l Re g u l a t i n g F i n d e r : L o o se n
th e e y e le n s s c r e w p r o p e r l y a n d
pu s h e y e le n s o u t . T h e n v i s i b ility
oF t h e f ar - s i g h t e d c a n b e p io -
pe rly a d ju s t e d . T h e s yn ch ro
t e rminal is t w o - t e r m i n a l s vste rn
lik e L e ic a.
7 . O p e n ing a n d s h u t t i n g o F th e
ba c k c ov er i s m a d e b y m e a ns o F
' S h u t ' o r ' O p e n ' f i x i n g t h e m a r k
t o t h e p o in t m a r k e d : 2 . S i m u l ta n e -
ou s ly t h e w i n d o w o F m a ga zin e
lo a d e d w ill a u t o m a t i c a l l y o p e n o r
sh u t .
B . Th e maga z i n e i s c o n s i s t e d o t
t h ree p a rts , s p o o l , i n n e r ca se
an d t he ou t e r c a s e . W h e n Y o u
de s ire t o lo a d y o u r s u i t a b l e lo n g
t il m in it , p l e a s e c u t i t i n p ro p e r
le n g t h and l o s d i t i n t h e d a rk
r o o m .
GJView original page 6Page 8 · Read text
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K. Self-timer
L. Starting Button for Self-timer
M. Rewind Shaft
N. Full-view RangeFinder
O. Terminal{ror Flash Synchronizer
P. AccessoryRail
O. PressurePlate
R. Take-up Spool
S. Sprins Clip
T. Sprocket GearView original page 8Page 9 · Read text
R e g u l a t i o n o f
S h u t t e r S p e e d s
Th e f ollowi n g F e a t u r e sd o n o L fu n c-
tion properly before the shutter
is aut oma t i c s e t b y w i n d i n g th e
f i l m w i n d i n g k n o b .
R a p id S hu t t e r : P i c k u p t h e kn o b
oF Ra p id S h u t t e r D i a l a n d t urn it
t o rig h t o r l e f t t o t h e d e sire d
speed und e r t h e p o i n t a rro w-
m ark e d in c a s e t h e s p e e d s s ou g lrt
r a n g i n g f r o m | 1 2 5 t o I I 5 o o
sec ond. ln s u c h c a s e , h o we ve r,
r he d ial o F S l o w S h u t t e r ha s to
b e k ept u n d e r s p e e C p o i n t o F
I f 2 5 s 2 c .
S low S h u t t e r : I n c a s e o F s hu tL e r
speeds de s i r e d a r e r a n g i n g tro m
t - l l B s e c . t u r n t h e d i a l t o t h e
p o int unde r t h e m a r k ( . ) . I n su ch
cas e dia l o F R a p i d S h u t t e r ha s to
be pla c e d u n d e r t h e p o i nt o F
I f 25 s ec.
'1 B u lb S hut te r : P u t " B " o F Ra P id
S h u t t e r D i a l u n d e r t h e a rro w-
m ark e d po i n t , l n t h i s c a s e , a s lo n g a s yo u p u sh o n th e sh u tte r ,
th e s hut t e r s c r e e n w i l l b e ke p t o p e n . Bu t in su ch ca se th e d ia l
oF S lo' w S h u t t e r h a s t o b e ke p t u n d e r sh u tte r sp b e d o F | 1 2 5
s ec .
4. Time Shutter : To open the shutter screen, f ix " T " on the
Slow Shutter Dial at the mark (.) and push the button. To
close the shutter screen just remove the dial From mark " T " to
s hut t er s p e e d " l " s e c o n d . B e wa re in su ch ca se th e Ra p id
Shutter Dial has to be kept fixeC at the point oF t I z5 sec.
@View original page 9Page 10 · Read text
How to Use Self-Timer www.butkus.us
R e mov e t h e l e v e r o F s e l f - t i me r to th e d ire c-
t ion a rro w - m e r k e d . l t w ill sto p a t a n y
p o s it io n . V / h e n y o u p u s h th e Sta rte r B u tto n
t o t h e d i r e c t i o n a r r o w - ma rke d , th e le ve r
w ill s L a rt i t s m o v e m e n t a n d a ct a u to ma tica lly
o n t he s h u t t e r . W h e n y o u p u sh d o wn th e
lev er t o a d e g r e e o F r i g h t a n g le , th e n th e
w o r k i n g t i m e o F i t w i l l b e a b o u t B - 9 s e : o n d s
a n d a d e g r e e o F l - 3 t h e c o rre sp o n d in g time
w ill b e ab o u t 4 s e c o n d s , wh e n th e sh u tte r
is t o b e r e l e a s e d .
C o u p l e d R a n g e
F i n d e r { r Y i e w e r
L o o k ing t h r o u g h t h e f i n d e r p u sh
t o rwa rd o r b a c k w a r d t h e le n s b a rre l
b y t urn in g i t b y m e a n s o F Fo cu sin g
L e v e r u n t i l t h e r o u n d i m a g e o n th e
r"nge f ind e r i n c e n t e r o F fin d e r a n d
t h e w h o l e i m a g e o n t i n d e r w o u l d
c o inc id e , w h i c h a r e s e e n a t th e o u tse t
s e p a rat ely o r d o u b l y . C o i n cid e n ce o F
t h e s e t wo i m a g e s m e a n s a rig h t fo cu s
o F o b jec t i v e s a i m e d .
R e m o v e t h i s visu a l a d -
j u s t e r b y t u rn in g it to
t h e p o i n t t ha t su it to
y o u r v i s i b i l i t y , t h e n i t
w i l l h e l p y o u t o l o o k
t h r o u g h t he fin d e r
m u c h e a s i e r . Esp e cia lly
t h i s d e v i c e i s e Ffe ctive
t o e y e s f a r -sig h te J.
G)View original page 10Page 11 · Read text
F l a s h S y n c h r o n i z e r
A. Ple as e F ix t h e t e r m i n a l o F t h e co rd to
the plug , t o t h e r e d p o i n t a l o n g t h e d ire c-
ti on ar r ow-ma rk e d .
A l s o ple a s e us e F . P . b u l b s , t h e b ulb s to r
Focal o lane s h u t t e r s .
B. Wh e n a S pe e d F l a s h ( a n e l e c tric d is-
c hsr ge t ube) is u s e d :
l . P l e a s e m o k e t h e r e d m a r k " X " o F t h e
Sl ow Sp e e d D i a l t o c o i n c i d e with th e
point ' . ' .
2 . A l s o p u t t h e p o i n t ' 2 5 ' o F t h e H i g h
Speed D ial t o F ix t o t h e p o i n t a r r o w -ma rke d .
T h e n a l l i s n o w m a d e r e a d y F o r ' X ' p o i n t
c ontsct a n d it w i l l b e t l a s h s y n c h ro n ize d
a t a sh ut t er s pe e d o F 1 1 2 5 s e c . by u sin g
a Speed F las h a n d a l s o t h e F l a s h S p e e d
c an be us ed a t s h u t t e r s p e e d s s l o w e r th a n
1/ B sec. by s imp l y t i x i n g i t t o t h e p o in t ' .' .
Handling of Back Cover
T u r n th e B a c k C o v e r L o c k " O o e n " a t th e
botLom o F t h e c a m e r a t o t h e p o in t re d
mar ked, t h e n t he B a c k C o v e r w i l l o p e n .
T o Fix t he B ac k C o v e r a g a i n , y o u h a ve to
keep th e magazi n e i n s i d e i n r i g ht p o si-
tions and rewinding nozzle must be kept
not t o le a v e it u p w a r d , o t h e r wise th e
back cov er w ill n o t b e f i x e d p r o pe rly.
Interchange of Lenses
In case t o in t e rch a n g e w i t h v a r i o u s te le -
p hoto le n s e s , p l e a s e t u r n t h e l e n s b a rre l
i n Anti -c loc k -w i s e w u y f o r a b o u t two o r
thr ee t imes , t hen t h e l e n s w i l l c ome o Ft.
€)View original page 11Page 12 · Read text
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Completion
MaE a z ines f o r M i n o l t a - 3 5 C a me ra
ar e c o n s is t ed o F A , B , & C in
t hr e e p a rt s . P l e a s e t a m i l i a l i z e y o u r-
selF wit h e mp t y m a g a z i n e s w i t ho u L
t h e f i l m l o a d e d i n s i d e .
As s h o w n in d i e 3 r a : n " I " p u t
" B " i n " C " , b e w a r i n g n o t t o
p l a c e " B " i n u p s i d e d o w n .
A s s h o w n i n d i a g r a m " 2 " & " 3 "
put ' ( C " in " A " , p l a c i n 3 e a ch
window o F t h e , r i n s t r a i g h t u n d
t L r r n " C " i n a n t i - c l o c k - w i s e w a y
unt il it w ill b e f i x e d s t a b l e w i th a
soun d o F " T i c k " f r o m i t . (OF
cour s e t h e s o u n d " T i c k " w i l l o :cu r
er r en b y t u rnin g i t i n c l o c k w i s e wa y
b u t i n t h i s c a s e i t i s a d v i s a b l e t o
t ur n it in a n t i - c l o c k - w i s e w a y in
or de r t o a v o i d a n y i n c o n v e n i en ce s
t hat mig h t o c c u r a F t e r l o a d i n g th e
t t l m J.
As s hown in d i e g r a m " 4 " th e
w i n d o w s o F " A " f ) ' " C " s h o u l d
coinc id e each o t h e r i n s t r a ig h t,
ot he rwis e t h e s 3 m e w i l l n o t b e
t ixed pro p e rl y .
@View original page 12Page 14 · Read text
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l. Pla ce th e Re win d in g L e ve r to the
p o sitio n o F " R ". (Th e n Fil m
Win d in g Kn o b will tu rn f re e ly to
th e d ire ctio n a rro w-ma rke d .)
2 . Op e n th e b a ck co ve r.
l. Pu ll u p th e Re w,in d in g K n o b a nd
in se rt it tro m th e b o tto m o F ma gu-
zin e a n d a tta ch it to th e Re wind
S h a f t.
A s sh o wn in d ia g ra m (3 ) it h a s to
b e ma d e so a s to ma ke Film co me
out from center oF the rnagazine.
Dia g ra m (4 ) sh o ws th a t in ca se iF
o u tle t o F th e film is o n e -sid e d the
b a ck co ve r will n o t b e clo se d e ven
th o u g h it mig h t b e in se rte d fo rcib l y.
!. Tu rn th e Fi lm V /in d in g K n o b a nd
fix th e e n d o F film fro m th e f ro nt
s i d e t o t h e S p r i n g C l i p .
5 . \(/in d th e Win d in g K n o b slo wly so
a s to a sce rta in wh e th e r P e rFo r a-
tio n o F th e film h a s we ll g e a r ed
in to th e Sp ro cke t Ge a rs a n d close
th e Ba ck Co ve r.
5 . Re tu rn th e Re win d L e ve r to the
o rig in a l p o sitio n fro m th e p o sition
, , R " .
7 . Tu rn th e Film Win d in g Kn o b to the
p o sitio n wh e re it a u to ma ticallY
sto p s a n d re le a se th e sh u tter .
Please repeat such action for two
o r th re e time s a n d win C u P to the
Ta ke -u p Sp o o l a ll th o se f ilm ex-
p o se d d u rin g su ch tria l time oF
lo a d in g it.
B. Tu rn th e kn o b o n th e Counter
D i a l w i t h t i n g e r tip s a n d fix O at
th e a rro w ma rk.
@View original page 14Page 15 · Read text
l. H o ! d c a m e r a f i r m l y p re ssin g o n yo u r fa ce in o rd e r to
p r e v e n t i t f r o m s h a kin g . S /h e n yo u re le a se sh u tte r at
s h u t t e r s p e e d s l o w er th a n | 1 2 5 se co n d , p te a se u se a
t ri p o d o r p l a c e t h e ca me ra o n o r p re ssin g a lo n g so me th ing
s t a b l e , s o a s t o k e ep it tro m sh a kin g .
2 . W i n d t h e F i l m W i n d i n q K n o b u n t i l t h e s a m e w i l l a u t o m a t i -
c a l l y s t o p . T h e r o ta tio n o F th e Film Re win d in g K n o b at
t h e t i m e w h e n y o u win d th e Film \X/in d in g Kn o b me 3ns
t h a t t h e t i l m i s b e i n g w o u n d .
3. P l e a s e t u r n t h a S h u tte r S p e e d Dia l a n d f ix th e d e te rmined
s o e e d .
4 . T u r n t h e l r i s S t o p R in g a n d Fix th e d e sire d iris d ia p h ra gm .
P I e a s e r e F e r t o t h e re la tive list in n e xt p a g e fo r d ia p h ragm
v e r s u s s h u t t e r s p e e d s.
L o o k i n g t h r o u g h t h e fin d e r mo ve th e Fo cu sin g L e ve r u ntil
t w o i m a g e s w i l l c o i ncid e .
6. P u s h t h e r e l e a s e b u tto n slo wly b u t g ra d u a lly tirm. Do not
p u s h s t r o n g l y b e c au se th e ca me ra will sh a ke . L ight
rh y s m i c a l m o t i o n o F Fo ca l Pla n e Sh u tte r g ive s a fin e ex-
p o s u r e o n t h e F i l m .
De t e rm i n a t i o n o f E x p o s u re Time s :
D e t e r m i n a t i o n o F e x po su re time is th e mo st imp o rta n t fa ctor
f o r g e n e r a l p h o t o t akin g s. lt h a s to b e a sce rta in e d u su ally
u n C e r c a r e F u l c o n s i de ra tio n s o F d e g re e o F lig h t a va ila ble,
s e a s o n , t i m e , s e n s i tive n e ss o F g ra d e o F film e tc. Bu t it
b e i n g t o o c o m p l i c a te d to e xp la in simp ly o n th e se va rious
c o m b i n e d c o n d i t i o n s to th e b e g in n e rs, th e sh o rte st cu t f or
t h e m w i l l b e r a t h e r re ly o n u se o F e xp o su re me te rs a t the
b e g i n n i n g u n t i l t h e y co u ld ma ste r th e m th e o re tica lly.
@)View original page 15Page 16 · Read text
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Figure s eng r a v e d o n t h e s u r Fa ce o F le n s b a rre l su ch a s 2 .8 , 4 ,
5 . 6 , B , | | | t 6 e t c . a r e s i g n s s h o w i n g b r i g h t n e s s o F t h e l e n s .
Th e s maller t h e n u m b e r o F t i g u re s me n tio n e d me a n s th e wid e r o F
dia met er o F t h e l e n s , v o l u m e o F lig h t wo u ld p a ss th ro u g h . On
t he s u p p o s i t i o n t h a t t o t a l v o l ume o F lig h t th a t wo u ld p a ss th ro u g h
t h e l e n s u ' r d e r a c o n d i t i o n o F i r i s d i a p h r a g m o F F z . B a s t / t , t h e
c o r r e s p o n d i n g v o l u m e o F l ; g h t u n d e r i r i s d i a p h r a g m o F F + w i l l
6 e t f z , F s . 6 t l + , F a t l B , F t t l t 6 a n d F t 6 1 1 3 2 , i . e . t h e
vo lume o F l i g h t w i l l b e l e s s b y a ra tio o F a p p ro xima te ly o n e
do u b le-F o ld . S u p p o s i n g a v o lu me o F rig h t wo u ld b e ju st a p p ro -
pria t e at s h u t t e r s p e e d o F t/5 o se co n d u n d e r F8 , th e simila r
vo lume o F l i g h t w i l l r e a c h u po n th e [ilm su rFa cea t sh u tte r sp e e d
o F t l t o o u n d e r F s . 6 o r I l 2 o o u n d e r F 4 .
D e p t h o f F o c u s
When a c e r t a i n s u b j e c t i s fo cu se d ,
those other than the fixed objectives
around w ill a l s o b e a c c u r a t e l y Fo cu se d
simu lt aneo u s l y . T h i s r a n g e o F fo cu s
means the depth oF focus.
Th e d ial s h o w r r l e F t i s a s imp le list
for same.
A c c o r d i n g
t o t h i s l i s r ,
w h e n yo u
f o c u s a
c e r ta in su b -
j e c t Io ca -
t i n g a t a
d i sta n ce o F
l o f c e t a n d I i x t h e l e n s u n d e r i r i s
diaphra g m F + a l l t h o s e o b j e ctive s in
lo c a t ion b e t w e e n a b o u t B - 1 2 fe e t will
be ac c ura t e l y f o c u s e d . T h e s ma lle r th e
diame t e r o F t h e i r i s d i a p h r a gm o F th e
le n s t h e c o r r e s p o n d i n g d e p t h o F fo cu s
w ill be dee p e r i n d i s t a n c e . I n th e la tte r
ca s e , h o w e v e r , t h e t i m e o F e xp o su re
hu s o F c o u r s e t o b e m a d e l on g e r.
@View original page 16Page 17 · Read text
Rotatio n oF F i l m W i n d i n g K n o b
will s t o p aut o m a t i c a l l y w h e n a l l
shotti ngs hav e b e e n c o m p l e t e d .
t . P l e a s e r e p l a c e R e w i n d i n g
L--ver to the position oF " R ",
2 . P ic k up t h e R e w i n d i n g K n o b
and turn to the direction
urro nr-ma r k e d . T h e t i l m w i l l
be w o u n d i n t h e o r i g i n a l
ma g a z ine. A s s o o n a s a l l t h e
f ilm has b e e n w o u n d u p i n
t he magaz i nt e et , yJ ov s u w i l l F e e l
v ery light o n y o u r w i n d i n g mo tij:n , so yo u ca n e a sily n o tice that
all h a s no w b e e n w o u n d u p .
3. O pen t he b o t t o m c o v e r a n d ta ke o u t th e film.
F o r M i n o l t a - 3 5 C a m e r a v a r i o u s
in te rch a n g e a b le le n se s su itin g F or
a ll th e p u rp o se s a re fo r yo u r needs
su ch a s fo r ta kin g p o rtra its, close-
u p to d ista n t ta kin g s o F b o L anical
a n d a n ima l life , sp o rts e b c. fo r which
wo n d e rfu l fe a tu re s o F ROK KOR
L e n se s will me e t with a ll o F your
su ch re q u ire me n ts. OF co u rse they
a re in te rch a n g e :b le to L e ica and
o L h e r ca me ra s a n d will g ive to all
th o se u se rs th e ir [u ll sa tisFa ctions.
Standard Super Rokkor Coated
F z . A f : / r 5 m m .
W e i g h t , 5 o u n c e s ( t s o g r m . )
L e n g t h , I . 5 i n c h e s ( 3 . B m . )
(15)View original page 17Page 18 · Read text
S u p e r R o k k o r C o a t e d
F 2 . 8 www.butkus.usf : 8 5 m m
W e i g h t , | 3 o u n c e s ( r z o g r m . )
L e n g t h , 3 i n c h e s ( 2 . 6 c m . )
E s pe cia lly a d a p ta b le fo r clo se -u p p o rtraits.
E x ce lle n t fo r d ista n t sce n e s. Ca p a city oF
a n g l e r a n g e i s 2 6 0 . I m a g e t a k e n i s 1 . 9
t i me s th a t o F sta n d a rd le n s.
T e l e R o k k o r C o a t e d
F 5 . 6 f : l l O m m
win
\X /e ig h t, o n ly 9 .5 o u n ce s (z zo g rm.)
L e n g t h , 2 . 7 i n c h e s ( 6 . B c m . )
R e l a t i v e l y s m a l l s i z e a n d l i g h t w e i g h t o F
t h i s le n s ma ke it a sp e cia l fa vo rite . t n
u n ive rsa l d e ma n d . Ca p a city o F a n g le t s
2 o o . lma g e ta ke n is 2 .4 time s th a t o F
s t a n d a r d l e n s .
T e l e R o k k o r C o a t e d
F 4 f : l 3 5 m m
A|lt ' f I t n l { -- lil ,utr iJ w |
W e i g h t , l B . 5 o u n c c s ( s z o g r m . )
L e n g t h . 4 i n c h e s ( t o c m . )
l '1 o st su ita b le fo r d ist.rn t su b je cts and
s c e n e s. V irtu a lly ta ke s yo u r ca me ra i nto
t h e a ctio n fo r so o rt sh o ts.
C a pa city o F a n g le ra n g e is | 7 o . ima g e
t a ke n is 3 time s th a t o F sta n d a rd le n s. ( DView original page 18Page 19 · Read text
Interchangeable Lenses :
Super Rokkor Coated F/ z.a -' 8s rnm
Tele Rokkor Coated Fls.6 - | tomrn,;
Tele Rokkor Coated F l + . - t 3 5 m m
Lens Shade: Round Typ..
Filters: 3 Color Set encased in fancv celluloid
case.
FlashUnit: MinoltaB.C. Model & M i n o l t a P e n l i t e
Model E.
Enlarger: " P e n n a n t " 6 X 6 Model fitted with
enlarginglens " E. Rokkor " 5omm or-
7 5mm.View original page 19Related documents and language editions
From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.