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Rollei Camera and Accessories '61 - '62 User manual
User manual for Rollei Camera and Accessories '61 - '62. 47 pages in English. Read the original PDF, download or print a copy without registration.
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- Rollei
- Model / document
- Rollei Camera and Accessories '61 - '62
- Document type
- User manual
- Language
- English
- Pages
- 47
- File size
- 7.6 MB
- Category
- Camera accessories
- Document date
- Not specified in catalog
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Page 3 · Read text
7
WHYA
To choosea Rollei is to choosethe finest camerain the world. The Rollei is really two cameras.
One, taking the picture and the secondgiving you a preview of this picture - in full size - right
way up - in full colour, which is observedbefore and during exposure.
Whether you are a beginner or professional, Rollei is the camera for you and its system
ensuresyour getting the best possible picture.
The large brilliant focusing screenmakes you the complete master of picture composition.
As this picture is in full colour, one can selectwith easethe correct colour distribution. A turn
of the focusing knob brings the picture dead sharp and as an added check, a large magnifier
is housed in the focusing hood to guaranteeevery time complete sharpness.The brightness of
the image on the focusing screenis always something of a revelation to the new owner of a
Rollei.
Wh i c h e ve r mo d e l o f
Rollei you select, you
always see exactly what
you are taking and by
skilful positioning of the
c o n t r o l s , t h e w h o l e
attention can be given to
obtaining the best possible
composition.Now there is
an entirely new Rollei -
the Rollei-Magic.
This is the only 21 in. x
2 l i n . c a m e r a w h i c h
automatically gives correct
exposureand a preview of
your picture - in full size
- and in full colour. The
exposure is automatically
set and a perfectly exposed
negative is guaranteed
every time.
2
t www.orphancameras.com ItIView original page 3Page 4 · Read text
COLOURPHOTOGBA
WITI|A
Successfulcolour photography is probably the most satisfying type of work which any photographer
can do, whether he is a Professional satisfying the requirements of his clients, a keen amateur making
picturesfor exhibition, or an ardent snapshotterpleasinghimself and his friends. Colour photography
with a Rolleiflex is by far the easiest method of achieving this successbecause the technical problems
of camera handling are reduced to the minimum and the finished picture can be visualized accurately
thanks to the glowing image in full colour, visible on the Rollei screen. Whichever model of the
Rollei may be used, the technical problems of exposure, framing and focusing are reduced to the
minimum and the photographer is free to concentrate on aesthetic problems - the expression in 'exact moment' in illustrative photography,portraiture, the composition in landscape, or the
Furthermore, the Rollei screen gives an uninterrupted view before, during and after the picture has
been taken. There is no sudden darkness, not even a split second of time when the picture is not
fully and clearly presented. Thanks to the twin-lens system of parallax correction and accurate
focusing,there is never a morhent's doubt of what is in the picture area, which colours are adjacent
to other colours, which might give a colour cast or a colour clash.
Films Available
Colour film is, of course, available for the Rollei as reversal material giving colour transparencies
or negativematerial giving colour prints. Both are readily obtainable in the 120 roll film size and can
be used for the highest quality colour reproduction from the full 2| in. x 2t in. format, or with
somemodelsoftheRollei,intheeconomicall6-onorSuperSlide(lf in. x lf in.)size.Foramateur
proiection use, the latter size gives a very economical method of obtaining sixteen pictures on a
roll of 120 film which can be mounted and projected in a miniature slide projector, still giving a very
large picture area and therefore greatly increased picture quality when compared to the 24 x 36 mm,
miniature size. The projected 2l in. x 2+ in. transparency is of such amazing quality that even
enormous screens can be used and the picturg still shows a fantastic wealth of detail and a rare
cotour quality unobtainable by other means.
In the realm of colour prints, both the 2{ in. x 2l in. and the lf in. x 1f in. size formats will
give a very much finer quality print than their little 35 mm. brothers and becauseof the use of
backing paper with the film, the negatives
are produced scratch and blemish free and
again permit of much greater enlargement
and better detail and quality, thanks to the
very much larger original negative area.
If, however, the 35 mm. size is required
occasionally or for special purposes, the
Rolleikin cine film attachments are available
at low cost for most Rollei models. The same
superiority and advantages are available to
the worker in this size and the brilliant screen
with accurate focusing and full parallax
correction right down to the closest distance
of 9i in. is possible,when using the Rolleinar
close-up attachments.View original page 4Page 5 · Read text
Using Colourwith the Rollei
The first trap into which the beginner in colour is likely to fall is that of trying to use too much colour
and of being aware only of scenes that show great splashes of vivid hues. Flower borders, summer
dressesand bathing belles on the beach are among the things to attract him in the first flush of the
novelty of colour. Try these by all means to satisfy yourself that the process works, but subjects
having simpler colours and quiet tones with a predominance of grey and the occasional small aicent
of a strong colour will be found to be much more effective and pleasing. As in monochrome work,
oomposition in line can be helpful in holding your pictures together, but colour composition is even
more important. Of the latter, little more than the maiir pointers can be given as, in full, it is a
very lengthy subject and the world of art is already well supplied with treatises on this subject which
should be studied for further information.
It is, therefore, impossible to pursue this subject in detail, but.it is sufficient to say that the
arrangement of the colours in your picture should be harmonious. Two or more brilliant oi saturated
colours are rarely satisfactory, except when one is a small accent. For instance, a large patch ofblue
next to one of yellow or similar patches of red and green will produce too much colour contrast and
may cause conflict and disunity in your picture. This condition will be particularly unpleasant if both
colours are fully saturated and of equal area. The conflict will be at its worst (we say 'the colours
clash') when two adjacent colours are not complementary, like red and magenta or blue and
blue-green.
The warmer colours, such as red, orange and yellow, are best used for foreground subjects, the
cooler colours, like green, blue and mauve, for backgrounds and more distant areas. As in black and
white work, the darker tones are better for the nearer planes and the lighter tones for the further
planes if the picture is to have any third-dimensional quality, but most outdoor scenes do precisely
this of their own accord without any attention from the photographer,
It must be remembered that a pale or unsaturated colour close to a strong colour may pick up a
colour cast from its stronger neighbour, so beware of faces too close to green foliage and other
similar points of contact.
Generally speaking, the eye cannot tolerate badly out-of-focus areas in colour as it can in black
and white. They become jarring and unpleasant and must be avoided unless the worker really knows
what he is doing and has already sorne experience of their out-of-focus effects, All can be Carefullv
watched and accurately seen on the actual size Rollei screen,
llluminationfor Golour
Many of the colour films available today are marketed in two forms, one for daylight use and the
other for artificial light and with the film is generally supplied some fairly accurate information as to
what light sources should be used and a list of filters suggested for any variation from this
recommendation' At first sight this may appear somewhat strange, as in black and white photography
little thought need be given to the nature of the light source but only to the level of itlumination.
In colour photography, however, all cblour values are affected by rhe colour of the light falling on
the subject. This will be immediately apparent when it is realized that if bluish light f;lls on alale
yellow subject, the colour photograph would show it as green! Similarty if you were to photogriph
a patch of snow in sunlight in the middle hours of the day it would probably appear as whitebr
blue-white; later in the day, however, the same patch would appear yellowish and still later, just
before sunset, as orange. It will therefore be understood that the colour of the light source will have
a very great influence on colour rendering
of the subject.
Noon daylight is a bluish light, half-watt
or tungsten is a yellowish light and each
would tinge a white object with its own
colour. This colour cast will .be recorded
on the colour film unless the makers have
compensated for this effect. This they do,
in fact, so that by daylight a white object
appears white on 'daylight' fllm and it still
appears white by tungsten light when
photographed on 'artificial' light fitm. Both
types of illumination have many variations
and, as shown above, the different times of day
cause sufficient colour differences for the
daylight film to need correction by a suitable
Rollei colour conversion filter. With artificial
l i g h t m a t e r i a l h a l f - w a t t , p h o t o - f l o o d ,
fluorescent, photoflash bulbs and electronic
flash will all need different Rollei correction
filters.
www.orphancameras.comView original page 5Page 6 · Read text
In order to select the appropriate Rollei conversion filter for any particular illumination, it is
essential to know the precise colour of the light for which the film has been balanced by the
manufacturers. It is customary to express the quality of the light in terms of its colour temperature
and then to quote the necessary correction filter when using light of a different quality, Colour
temperature is usually indicated in degrees Kelvin and a full range of Rollei Colour Correction
Filters is available. These, however, are not calibrated in degrees Kelvin because the same number of
degreesK, variation would give unequal results at either end of the Kelvin scale. They are in fact
calibrated in Mired, or more accurately in Deca-Mired (10's of Mired). The Mired system, although
related to the Kelvin scale, allows accurate addition or subtraction of values at any part of the
colour temperature scale and fuller details are given in the camera instruction manual or in Alec 'RolleiPearlman's Manual' (Fountain Press), available from your Dealer.
ROLLEI MANUAL Price 45/-
Colour Photography
by Daylight
The best type of illumination for colour material by daylight out of doors is a soft, slightly diffused
sun, fairly high in the heavens. Otherwise bright sun with plenty of white clouds and not too great
an area of blue sky will provide conditions likely to give a very pleasant colour rendering. In high
altitudes or near to the sea in both winter and summer sunshine, the amount of blue sky becomes a
highly important factor and neglect of this
point may produce transparencies or colour
prints with a distinctly over-all blue colour
cast. This can be corrected to a limited extent
by the use of the Rollei H.1 ultra-violet filter
or by the R.2 colour correction filter. It is not
required, however, with Rollei Planar or
Xenotar lenses due to the type of glass used
in lens manufacture.
Exposure
Correct exposure is essential for colour
material, as it has very little latitude, but this
limitation need not unduly frighten the
beginner in colour. The majority of reversal
colour films (transparencies) and the greater
part of the negative-positiveprocessesavailable
(colour prints) have a great measure of accord
in their sensitivitieseach within its own group
and a start can be made immediately by the
beginner with no equipment other than his
Rollei and a roll of colour film. If the Rollei
model has a built-in exposure meter, then
very few mistakes can be made.
Flash
Flash bulbs are a highly satisfactory method of supplying the necessary correctly balanced
illuniination for colour materials in present-day use and for many subjects it is the only possible
method of illumination. With daylight films of the reversal type, blue bulbs must, of course, be
used and with negative film for the making of positive prints, clear flashbulbs must be used. The
Rolleiflash gun which fits to the top bayonet of the camera, is probably the most satisfactory method
of having the light source at the camera position and this can be varied and the possioilities greatly
increasedby having one or two Rolleiflash extension units which are in fact further flash reflectors on
long leads, connected to the original Rolleiflash and operated by the Rollei shutter release. The
main Rolleiflash gun has i variable beam to cover the angle of view of the full-size format or the
Super Slide size and flash factors are carefully worked out for both angles on the back of the
Rolleiflash.
Whichever type of colour photography may interest you or whether you prefer to change from
one type to another, all models of the Rollei camera are designed to facilitate your colour
photography and allow you to concentrate on your subject which is always glowing and brilliant
on the full size Rollei screen.View original page 6Page 7 · Read text
TELE
THE
REVOLUTIONARY
ROLLEIFLEX
lllustrationshows
camera fitted with
Special Rolleinar
Lens No. 0.35
Here is a comparison of the two focal lengths. On the left the 80 mm, lens on the Rolleiflex 2.8F
and on the right the 135 mm. lens on the Tele-Rolleiflex. Both pictures are taken at the identical
position and it should be noted how the Tele-Rolleiflexdraws the main subject and the background
closer because of the 1.7 x magnification.
www.orphancameras.comView original page 7Page 8 · Read text
Rollei has long had its own special reputation, but here is something new in photography - a true
long focus Rollei with 135 mm. lens for professional and scientific use, for press work and a superb
instrument for the serious amateur photographer. The Tele-Rolleiflex is made possible by the
construction of the new Zeiss Sonnar 135 mm. lens. This new lens must not be confused with the
135 mm. Sonnar widely used on 35 mm. cameras. The latter lens consists of 4-elements with an
angle of view of l8'. The new Sonnar fitted to the Tele-Rolleiflex has S-elements,which are grouped
in 3 components. Its resolving power is outstanding and possessesan unusually high image contrast
and covers the 2* x 2! in. size with the picture field sharply covered right up to the corners even
at the f 14 aperture. Furthermore, it has an angle of view of 32" compared with the 55' of the standard
35 mm. lens. Thus the Sonnar opens up new vistas in subject material due to the longer focal length
and approximately 1.75 x enlarged reproduction ratio. Coupled with the Sonnar lens is a completely
new 4-element finder lens - Heidosmat f/4 135 mm. - of surprising sharpness.There is no doubt that
the Tele-Rolleiflex and the Zeiss Sonnar is a wonderful combination bringing forth something
entirely new in photography.
The Tele-Rolleiflex is ready to take advantage of every rapidly changing scene where there is no
time to change from normal to a tele shot. It is moreover ideal for portraiture, fashion work,
architecture and for photographing all distant inaccessible objects and animal life. By means of
the standard and the special Rolleinar lenses, the full advantage of large scale reproduction can be
taken even at the closest focusing ranges.
A new feature of the Tele-Rolleiflex is the possibility of positioning the film behind a specially
inserted optically flat glass, thus ensuring plateJike flatness of the film to cover the most exacting
requirements for enlarging. The film can, however, also be positioned normally in the film channel.
Focusing range is from infinity to 8| feet, but the Tele-Rolleiflex in combination with special Rolleinars
0.35 and 0.7 and standard Rolleinars can focus right down to 11 in., permitting 213 natwal size
pictures. Both the special Rolleinar lenses for the Tele-Rolleiflex are mounted for the twin lens
and are compensated for parallax.
TECHNICAL DETAILS:
* Lenses: Zeiss Sonnar f l4ll35 mm. taking lens with Heidosmat viewing lens f/4/135 mm.
* Focusing range: Infinity to 8* feet with special Rolleinar lensesin twin clip-on mount down to 4 ft 5 in. (1.35
metres) and 3 ft. 0* in. (0.93 metres).
* Synchro-Compur Shutter MXV Speeds from I sec.-l/500 sec. and Bulb.
* Detachable flat folding focusing hood with 2.5x magnifier filling the entire picture area; built-in direct
viewfinder and hinged super brilliant focusing screen.
* Automatic parallax compensation even for Rolleikin size.
* New film gate to permit insertion of optically flat glass plate supplied with Camera.
* lnstallation of exposure meter easily effected at any time by the user (same meter as on Rolleiflex 'T').
* Height 518 in.; width 4 in.; depth 5rt in.; weight 54 oz.
* All Rollei accessoriesare available for use with Tele-Rolleiflex, excepting only the Panorama Head and Metal
Ever-Ready Case.
* Lens AccessoriesBayonet Size III.
* This Camera is supplied complete with hinged lens cap, cable release and neckstrap.
*
PRIGES: RetallPrice RetailPrice Code without tax Tax with tax
Tele-Rolleiflex fl4 Zeiss Sonnar lens without exposure
meter TOCOS €155 5 .0 f;25 4 7 €180 I 7
Tele-Rolleiflex f 14 Zeiss Sonnar lens with Exposure meter TfcAS €168 5 3 f,27 6 10 €195 12 |
Ever Ready Case for above BETEL 27 9 I €1 4 4 8814 |
Exposure meter for later installation B E L A T € 1 3 0 9 f ; 2 2 4 € t s 3 l
Special set Rolleinar lenses0.35 TELAR f12 0 6 €1 19 1 €t3 t9 7
Special set Rolleinar lenses 0.7 TEZWI €11 0 0 f1 15 9 €12 t5 9
Spare optically Flat Glass . . PLANG f1 14 4 €0 5 7 €t t9 11
Rolleikin Direct Viewfinder Mask T E M A S € 0 7 4 € 0 1 3 € 0 8 7
FOR DETAILS OF ACCESSORIES SEE PAGES 23 TO 40View original page 8Page 9 · Read text
2,gF
WITI|COUPLEDEXPOSUREMETER
The Rolleiflex 2.8F is the most advanced of
alt ROLLEI models and incorporates all the
advantages and comforts of modern ROLLEI
techniques.
Designed to meet the most exacting demands
of the critical, creative photographer and all
r e q u i r e m e n t s o f P r o f e s s i o n a l , S c i e n t i f i c ,
Industrial and Press Photography by means of
the fast f 12.8 lens fitted.
www.orphancameras.comView original page 9Page 10 · Read text
The outstanding feature of the Rolleiflex 2.8F camera is the coupled exposure meter. Apertrre
and shutter speeds are linked with the setting needle of the exposure meter but, at the same time,
permits a completely free choice of setting in the orthodox way - a point which professional photo-
graphers will appreciate. The operation of this coupled shutter is the same as in Rolleiflex 3,5F,
describedon pages 12 and l3 ofthis Catalogue.
The operation of this fine instrument is further simplified by the automatic depth offield indicator
which is coupled with the aperture setting. Changing the diaphragm automatically moves a white
band which is located near to the focusing scale, so that the exact depth offield is immediately
shown.
The Rolleiflex 2.8F incorporates the new removable folding type of focusing hood with the new
super-brilliant focusing screen. The hood is raised with a single hand operation and a 2,5 times
magnifier is included which covers the entire picture area. A built-in direct vision finder is fitted
and directly beneath it is a focusing device with 4 x magnification for eye-level focusing.
TECHNICALDETAILS
* Taking Lens SchneiderXenotar or Carl Zeiss Planar f 12.8180mm. ViewingLens Heidosmatf 12.8.
* Coupled Synchro-Compur shtttter MVX with speeds 1-li500th sec. and B (time exposure).
* Exposure Meter is incorporated for pre-selection of either speed or stop settings. Individual
adjustment of both is permissible. Control wheel to feed filter corre;ctionfactor directly into the
meter. I
* Focusing range from 40 in. to oo by revolving extra large focusing knob.
* The exclusive automatic depth of field indicator, coupled to the diaphragm.
* Fitted with standard co-axial socket for Rollei locking type flash cable.
* 9qn be supplied with a special camera back and optically flat glass, if specially ordered. (See
below.)
* Coupled film transport and shutter setting, with double exposure prevention device or provision
for multiple exposures if required.
* Camera back equipped with adjustable pressure plate for 6 x 6 cm. and 35 mm. sizes.
* Lens Accessory Bayonet Size III.
* This camera is supplied complete with hinged lens cap, cable release and neck strap.
PRICES RetailPrice RetailPrice
Code withouttax Tax with tax
Rolleiflex fl2.8F Zeiss Planar lens with coupled exposure
meter xucAP €133 10 I f,21 14 0 €155 4 9
Rolleiflex fl2.8F Xenotar lens with coupled exposure
meter xuclx fr124 9 0 f,20 4 6 sr44 l3 6
Ever Ready case for above BEXUP f,,6 7 O fl O 8 8 7 7 8
Attachment for optically flat glass (consisting of special
camera back and optically flat glass) PLARU €,9 3 9 €,1 I 10 €r0 13 7
Spare optically flat glass PLANG fr1 14 4 f,,o 5 7 €t t9 tl
The Rolleiflex 2.8F can be supplied complete with the special camera back and optically
flat glass in the same way as on the Tele-Rolleiflex and the Rolleiflex 3.5F cameras, in
lieu of the standard back normally supplied. This equipment can be obtained to special
order only and there would be an additional charge over and above the camera prices
listed above of f3 5s. 3d. including Tax. When ordering pleasequote camera code number
required, adding further code word PLADD.
FOR DETAILS OF ACCESSORIES SEE PAGES 23 TO 40View original page 10Page 11 · Read text
NEW WIDEANGLE
ROLLEIFLEX
This is a 6 x 6 Rolleiflex and it has the largest-ever field of
view. With its wide angle lens it gives Rollei photography a
new starting point. After all, once the picture is taken, you can
only reduce the field of view - by enlarging just sections of a
negative - but you can never increase it. That is the reason for
the Wide Angle Rollei. Its 71o angle of view instead of the
usual 56o covers a subject field of approximately one third
wider and one third higher. It also provides far more scope in
selecting the best picture area. With its increased field of view,
the greater depth of field zones, a nearest focusing distance of
2 ft. (instead of 3 ft.) and new possibilities of pictorial
perspective effects, the Wide Angle Rolleiflex is the Rollei for
the expert. It is the ideal camera for anyone who has to take
pictures in confined interiors, narrow streets, or who has to
deal with factory installations, industrial feature shots and
architectural photography. Equally, it is the camera for the
Rollei amateur who knows how to value the advantages of a
liberal field of view.
A special lens for this camera has been designed by Messrs
Carl Zeiss in the form of a Distagon f 14, a superb lens with
seven elements, a focal length of 55 mm. and a focusing
range from 24 in. to infinity. The Wide Angle Rolleiflex is
equipped with a Synchro-Compur shutter speeded from 1 to 1/500th of a second, with full light value coupling,
fully synchronizedfor all flash.
Ii dther resoects the Wide Anele Rolleiflex has a similar specification to that of the Tele-Rolleiflex described
on Dase 7 and. of course. incorodratei all the many advantagesassociatedwith the Rollei principle. We were not
abli t-o includi accessories for'this new camera in the A@essory Section, but details ofthese are given below.
Supplied complete with Neck Strap, Cable Release and Lens Cap.
Lens accessories,Bayonet size IV.
p R I C E S : R e t a i l P r i c e RetailPrice
Wide Angle Rolleiflex fl4 Zeiss Distagon camera 9odg without tax Tax with tax (without Exposure Meter) WOWOD f.147 17 0 f,24 0 6 g17l 17 6
Ever Ready Case (with compartment for Flat Glass). . BEWIW f7 9 I f,,1 4 4 €8 14 |
Exposure Meter for later installation BELAT f,,13 0 I f , 2 2 4 € , 1 5 3 1
Lens Hood WIOBL f2 15 6 f,,o I 0 €3 4 6
FILTERS IN LEATHER CASE
Light Yellow (-1) W H E
Medium Yellow (-1.5) w M I
Light Green (-l) W L I N
Green (-1.5) W EEN
Orange (-1.5 to 3) W ORA
Light Red (-2 to 3.5) w U B I f,,3 13 0 f,o 11 10 t 4 4 l 0
Lieht Blue (-0.5) W BLA
Infra Red W FIR
uv (-0.s) SKYGrey 2 (-2) Ww N E U
Grey 4 (-4) TY
C O L O U R C O N V E R S I O N F I L T E R S I N L E A T H E R C A S E
€6 3 10
Rolleipot (-1.5) WITAR f'12 0 6 f,,l 19 1 f,13 19 7
Rolleiflash 2 Attachment (complete with special arm
for Lens size IV) FLAWI €8 1 0 fr1 6 2 € , 9 7 2
Spare Arm only for above (Lens size IV) ARMWI f2 11 3 f,,O 8 4 S2 19 7
Spare Opticallt' Flat Glass PLANG f1 14 4 f,,O 5 7 f,l 19 11
P L E A S E N O T E T H E F O L L O W I N G :
l. The Wide Angle Rolleiflex can be supplied with an Exposure Meter (BELAT) for subsequent installation,
which is identical io that available for the Tele-Rolleiffex (page ?), as well as the Prot@tive Caps (BELED).
2. Spare N@k Strap (FOCLI) and Shoulder Pad (FOGUZ) also available.
3. Other accessorieafor the Wide Angle Rolleiflex are: Penta Prism (PENTA), Plate Adaptor Equipm€nt (FOSET),
Rolleikin (ROLKI), Rolleifix (FOFIX), Pistol Grip (FOBUM) and wrist Strap for Pistol Grip (FqHAN). ,
4. with regard to Flash equipment. The Extension Units (FLOMB) are avaiiable as w€ll as the Carrying Case
(BOFLA), i0 ft. Extension'leid (KATRI),32 in. lead (KACHT), Coiled lead (COICO) and two-way Cg"p!!qg
Piece (KOKUP). If you already have a Rolleiflash 2, all you require is the special arm (ARMWI - Lens size IV).
5. The Rollei Panorama Head is not suitable for use with this Model.
FOR PRICES OF THE ACCESSORIES REFERRED TO ABOVE SEE PAGES 23-38
t0
www.orphancameras.comView original page 11Page 12 · Read text
o Themulti-sizecamera
The advantages of the square size are now universally acknowledged. The standard Rollei size is
still the 6 x 6 cm. using a 120 roll film; but a new square size has recently become extremely popular,
namely the 4 x 4 cm. giving 16 square pictures on a standard 120 roll film, or 12 on 127 sizefilm.
For colour and special work, however, accessoriesare available which enable many Rollei cameras
to produce a range of negative sizes.
The following is given as a guide to help you to choose the size according to the subject
requirements:
1 * i n . x 1 8 i n .
4 X 4 cffl. This popular size is now widely
known as the Super Slide and has the great
advantage that under projection it fills completely
2L in. x 2t in. fora squareminiaturescreen.colourIt is photography.therefore the Whenlogical usingsize
6 X 6 cm. The ideal big negative size with this size on the Rolleiflex T and Rollei-Magic, a
unf imited possibilities. It permits a large angle of useful telephoto effect is achieved employing the
view both horizontal and vertical to include a wealth standard 75 mm. lens.
of detail. So long as film emulsions are made from
silver, the grain size, which determines the
enlargement possibilities, obviously offers many
advantages over the smaller negative sizes. For
really big enlargements or to obtain the finest results
in the production of colour slides, the 6 x 6 size is
without equal.
I i n . x 1 t i n .
24x 36mm.
I n t e r n a t i o n a l
m i n i a t u r e s i z e
p o p u l a r l y 18 in. x 2$ in.
known as 35
mm. When using Rolleikin on cameras designed for 4 X 5.5 Gfil. R very usefur size when taking
this accessory, one has the choice of taking 20 or horizontal compositions, such as landscapes and
36 exposures in a standard casette. This size is seascapes, giving 16 pictures on standard I20 roll
specially suitable for economical use of colour film. film. It is also an advantageous size when
Again, a very useful telephoto effect is obtained when taking scientific, technical and photographs in
using 35 mm. film, in conjunction with 75 or 80 mm. sequence. such as progress pictures or
lenses. When using the direct viewfinder, it is easily oscillograms. Furthermore, one obtains 4
possible to take vertical or horizontal pictures. In additional pictures to the standard 6 x 6 size on
fact with Rollei, one is just as easy as the other. 120 roll film.
11View original page 12Page 13 · Read text
3,5F
The Rollei principle is a
guarantee of sharp, expertly
composed pictures. Now, on
the 3.5F, you have
additionally a guarantee of
correct exposure by means of
the coupled shutter and
exposure meter. You need
no longer think, but can
concentrate the whole time
on composition of the
picture. Failure in picture
making with the 3.5F is a
thing of the past.
Rolleiflex 3.5F is available in two models, being equipped with either the Zeiss Planat f 13.5or the
Schneider Xenotar f/3.5 5-element lenses and each has the exposure meter fully coupled with the
synchronized Compur shutter. The meter reading is transferred directly to the diaphragm, making
for even further simplification in handling the camera and quicker and surer shooting.
Two operations only are now required; pre-selection of shutter spded and superimposing the
pointer of the exposure meter. Thus the diaphragm will automatically be selectedin accordance with
the previously selectedshutter speed. Thus one setting only has to be considered, namely the shutter
speed. Individual pre-selection of speed and diaphragm is now possible, a point which professional
photographers will especially appreciate. In addition, the depth of field available with any given
f/stop is indicated by the automatic depth of field indicator housed in the focusing knob. This
mechanical coupling makes calculation of figures no longer necessary,leaving the operator free to
concentrate entirely on composition of the picture to be taken. The exposure.meter can be adjusted
very simply for the various film speeds and can also be set to compensate for the use of filters. A
small setting button on the left side of the camera permits exposure compensation for I to 3 exposure
values, depending on the density of the filters used. This operation is again carried out without the
necessity of any calculations. Thus automation in Rollgi takes a further step forward and always
remaining is the fundamental Rollei principle of seeing the picture in the ground glass screen the
whole time in full size and colour, the right way up, ensuring constant control even during the
actual exposure.
l2
www.orphancameras.comView original page 13Page 16 · Read text
The very popular Rolleiflex 'T'is within the means of every serious amateur photographer. The
'T'Rolleiflex is equipped with the Zeiss Tessar f 13.5175mm.4-element lens'
The Tessar has always had an outstanding reputation for sharpness and by keeping pace with the
latest developments in optical construction it has been found possible even further to improve this. 'T' can be made into a multiplealready famous 4-element lens design. In addition the Rolleiflex
size camera by means of the accessoryMasking Set No. 16 which, in addition to giving the normal
t w e l v e p i c t u f e s 6 x 6 c m . ( 2 + x 2 + i n . ) a l s o p e r m i t s s i x t e e n p i c t u r e s 4 x 4 c m . ( l * x l * i n . ) a s w e l l
as sixteen pictures 4 x 5.5 cm. (1* x 2{ in.), all on 120 size roll film. For illustrations of these sizes
seepage ll.
The film counter is designed for both twelve and sixteen exposure operation and switches
automatically when the appropriate film mask on which 4 x 4 cm. is indicated, is inserted or 'T' is equipped with fully synchronized Synchro-Compur shutter, having aremoved. The Rolteiflex
range of l-1 /500 sec. and can be supplied both with or without built-in exposure meter. The exposule
meter can always be purchased later and simply installed as a complete unit by the owner'
The Compur shutter is fitted with light value coupling and is operated by a single lever. This
same lever serves for selecting any desired diaphragm/speed combination.
A detachable focusing hood is fitted to this camera and the ground glass screen is hinged and
may be lifted to permit the insertion of the masks for the various sizes, at the same time retaining
full parallax compensation for all sizes.
TheEver Readycaseisavailable with strap holder on either side and thefrontofthecasecan be
detached and replaced by means of a practical quick fastening device (see illustration on page 29).
TECHNICALDETAILS
* Automatic speed/stop cross coupling secures selected exposure value.
* One-lever-operation for setting exposure value, diaphragm and shutter speed. The same lever
serves for choosing the most suitable stop/speed combination and-pulling lever outward-
for switching to another exposure value. The same procedure permits independent adjustment
of shutter speed and diaphragm opening.
* Closing the back engages film transport mechanism and exposure counter.
* Crank-operated film transport coupled with shutter loading.
* Prevention against double exposures and blanks.
* The Masking Set No. 16 makes most economical use of the film by providing 16 pictures
4 x 5.5 cm. (l* x 2+ in.) or 4 x 4 cm. Super Slides (l* x l* in.) on 120 roll film.
f, Inserting the film Mask No. 16 automatically switches the picture counter from 12 to 16 frames
per roll.
* Automatic parallax correction for all sizes employed'
I Body release placed fot easy use.
* Film reminder disc in the focusing knob (to be removed if exposure meter equipment is fitted
later).
* Synchro-Compur MXV shutter l-1/500 sec. and B for time exposures; with exposure guide
scale to 60 secs. Fully synchronized for all types of flash bulbs'
f Lens Accessory Bayonet Size I.
I Supplied complete with lens cap, cable release and neck strap.
P R I C ES: Retail Price Retail Price
Code without tax Tax with tax
Rolleiflex T with Zeiss Tessar 3.5 lens with built in
exposure meter RIBAT f,88 11 6 f14 7 10 t102 19 4
Rolleiflex T with Zeiss Tessar 3.5 lens without exposure
meter ROBET f75 11 3 f12 5 7 f,,8716 10
Ever Ready Case for above BEROB €,s 19 3 f,,o 19 4 €,6 18 7
Exposure meter equipment for latet installation BELAT f,,13 0 I f2 2 4 €15 3 |
Masking Set No. l6 FOVIE f 2 8 1 0 f , , o 7 1 1 E 2 1 6 I
FOR DETAILS OF ACCESSORIES REFER TO PAGES 23 TO 40
15View original page 16Page 18 · Read text
This is the ideal camera for sport and travel; being light, small and handy. It has,'moreover,
the perfect miniature sizeof 4 x 4 cm. which can be used in any standard 35 mm. slide projector
but has the advantageof completely filling the square size screen.Compare this with the 35 mm.
colour transparencies which are either vertical or horizontal but neither of which will fill
the square screen.Compare also the negative quality made possible by the large miniature
4 x 4 cm. size as opposed to the smaller 35 mm. size. The Rolleiflex 4 x 4 gives 12 pictures
l8 in. x l* in. (4 x 4 cm.) on the standard 127 V.P. roll film and thus becomesthe large
format miniature camera. In addition it has the Rollei system which shows the future picture
the right way up, in full size and natural colour both before and during exposure. Thus the
whole of one's attention can be given to composing the perfect picture.
The Rolleiflex 4 x 4 is handsomely finished in lacquer and grey leather giving it the most -
elegantirppearance.The hood lifts into position at a touch and incorporated is a 4$x magnifier
for dead sharp focusing over the whole picture area. A built-in spoits finder for direct vision
of fast moving objects is also incorporated.
Other features include the large focusing knob; depth of field indicator and film speed
indicator in the focusing knob. Film loading is extremely simple and dispenseswith any red
window. Shutter loading is coupled with film wind and a double exposureprevention device
is incorporated. The Rolleiflex 4 x 4 measures only 4t x 2+ x 3* in. and weighs only
24 oz.
The Rolleiflex 4 x 4 is equipped with the superb SchneiderXenar f13.5160mm. taking lens
and Synchro-Compurshutter speededfrom 1-1/500th sec.with builfin self-timing deviceand
is fully synchronized for all flash. The viewing lens is a Heidosmat f/2.8/60 mm. giving a
brilliant picture in the ground glass focusing screen.
Convenientlyinstalled body release.
In addition to the normal leather ever-ready case there is also available a soft leather case
with wrist loop and a metal carrying casesimilar to those availablefor the 6 x 6 models.
* Lens AccessoryBayonet Size I.
* Supplied complete with Lens Cap, Cable Releaseand Neck Strap.
PRIGES:
. - . ' ( RetailPrice , RetailPrice
Code withouttax Tax with tax
Rolfeiflex4 x 4 f/3.5 Xenar lens with
Synchro-ComPurshutter VYBAX €41 16 6 €,6 15 11 f,.48l2 5
LeatherEverReadYCasefor above BERVY €,3 3 6 € 0 1 0 4 € 3 1 3 1 0
FOR DETAILS OF ACCESSORIES SEE PAGES 23 TO 40View original page 18Page 19 · Read text
SOONER OR LATER
YOU WILL CHANGE
TO AUTOMATIC
PHOTOGRAPHY
WHY NOT NOW?
This is the only
2* x 2L camera
which gives
automatically correct
exposure and a full
size, full colour
preview of your
picture. A11you do
rs compose your
picture in the screen
and press the trigger.
9i--,
wfffff"Bffifl#tffirvmmff$m
ffiKffiffiSffirffiffiffiffitrffifr
Witir the fabuior-is,nevr Roliel-Magic you can take superb photographs rn,ith
the utniost ease, Tiae lS.oliei-Vflagicgives yaru t"Fletouc]i of a prof'essionai at
the touch of a trigger. There are no teci-lnical eornplications" With the carnera
set on auto.ii-latie,ifl the exposure neeetrlesholrzsa reading, aii you rlo is compose
vour pict'"rneand press f-he trigger. [f the lighting is poor, you sir-nptryswitctr-i
over to ilash or t.ime exposure - bcti-l ere verv silnpne to clBenate.Even whem
u-srng fiiters. the ftoilei-h{agic gi.res vcri ;]'llcnrniir expoqi-tre."he earnera
i,ti
www.orphancameras.comView original page 19Page 20 · Read text
automatically adjusts itself when the
filter is mounted in position.
Rollei-Magic incorporates the basic
Rollei principle. A turn of the focusing
wheel brings the picture into exact
focus - full size, full colour, the right
way up, during and after exposure. The
automatic exposureand simplicity of the
controls enable you to devote all your
attention to composing the best possible
picture.
Rollei-Magic gives you black and
white or colour negatives and employs
the standad 120 size film. This gives
12 2L x 2t in. negatives which are
large enough to obviate enlargements.
Giant enlargements can be made, if
required, thanks to the superb Schneider
Xenar f/3.5 lens. For quality, the large
2i x 2L in. negatives or transparencies
are unsurpassed.By using Masking Set
'M'No. 16, you can obtain 16 negatives Rollei-Magic with Rolleiflash fitted to
or transparencies, size 4 x 5.5 cm. camera. Seepage 37 for details.
(18 in. x 2$ in.) or 16,4 x 4 superslides
which fit any standard 35 mm. slide
projector and exactly fiIl a square
screen.
The Rollei-Magic gives you perfect exposuresevery time. Being automatic it gives accurate
exposureswith even the most sensitivefilm. Consequently there is never any negative wastage.
TECHNICAL DETAILS
* SchneiderXenar f13.5175mm. lens in the new Gauthier Prontormat S shutter.
* Three setting ranges for Automatic, Flash and Time exposures.
* Detachable focusing hood with magnifier and direct frame finder for eye-level use.
* Combined film transport and shutter setting with double exposure prevention device.
* Focusing wheel with finger-tip control.
* Size 3t x 41 x 58 in. Weight 35i oz.
* Supplied complete with Lens Cap, Cable Releaseand Neck Strap.
* Lens AccessoryBayonet Size II.
P R I G ES :
Retail Price RetailPrice
Code without tax Tax with Tax
Rollei-Magic f 13.5175mm.Schneider Xenar - fully
automatic MAGUX €66 0 0 € 1 0 1 4 6 € 7 6 1 4 6
Ever Ready Case for above . BEMAG f.4 I 3 f 0 1 4 6 € 5 3 9
Masking Set No.'16 FOVIE f2 8 1 0 € 0 7 1 1 € 2 1 6 9
FOR DETAILS OF ROLLEI ACCESSORIES SEE PAGES 23 TO 40
19View original page 20Page 22 · Read text
A Zoomlens is in preparation for use on the Rollei Automatic Universal Projector with a variable
projector for the adding of any commentary.
The Rollei Automatic Projector is most attractively styled and finished in two shades of grey. A
robust and smart carrying caie with colours matching the projector is also available as an-accessory
i"a ttir"gti recomme.rdJA.fnis casepermits the stora-eeof magazinesand can also be used as a base
f;it-h;;i;1'"ctor. A projector stand is^extremelyusefuf and we strongly recommend the use of the
Hunter'Pr6jector-- Stand describedon page 78.
Special Rollei 6 x 6 cm. transparency frames are available as an accessory.
PRICES: Please State Voltage When Ordering
Code No Tax
and with connection for remote control Recorder with Tape for use Cable Special POT ON In pr ep. focusing adjustment sharp including cable,
Carrying Case for Automatic Universal Projector POKOF E7 4 O
Spare Heat Filter (required when using 500-watt Lamp) POF IL €3 7 O
Rollei 6 x 6 Frames (Packets of 12) POROD €O 1' 9
300-watt valve type Projector Lamp Ref' A1.178 POWZZ E2 0 0
500-watt valve type Projector Lamp. Ref. A1.180 POZZW E2 15 0
21View original page 22Page 23 · Read text
Table
Projector
This ingenious projector works in
conjunction with any Rollei 6 x 6
camera fitted with the detachable
focusing hood and standard lens of
75 mm.,80mm. or 135mm. focallength.
It has the high precision expected of all
Franke & Heidecke products and is
very compact in size and extremely
portable.
Fitment of the camera to the
projector is extremely simple - the
focusing hood is removed and the
camera locked safely in position on
the projector. The viewing lens of the
camera serves as the projector lens and
focusing is effected simply by using the
camera focusing knob. It is quite
possibleto use the camerafor projecting
whilst it is loaded with film. The
projector takes a standard car lamp
6 volt, 35 watt, which has an extremely
long life. Employing a 2i in. x 2i in.
size transparency, a picture size of
18 in. x 18 in. is obtained-quite large
enough for convenient viewing by a
small group of people. However, it is
possible to obtain a special Rolleinar
iens, which is supplied in the usual
bayonet mount sizesI, II and III to give
a large projectedpicture of 40 in. x 40 in.
and again, the Rollei 6 x 6 format
completely fills this square screen.
Bymeansof aspecial2 x2 adapter,
supplied as an accessory,it is possible
to project the square 4 x 4 cm. Super
Slides.
The projector is simply set to the
required voltage from I l0 v. to 250 v.
on AC current and is supplied with the
usual 3 core flex. A special small size
projection screen size 18 in. x 18 in.
is available for table viewing and this
size is quite large enough to give
enlarged pictures for small groups of
people.
P R I G E S :
6Spare volt x 35 watt Lamp for Table Projector. ANAUT €0 3 0 plus 6d. Tax €0 g 6 'Safari'Special Projection projection Screen, size
18 in. x 18 in. for Rollei Table Projector ANWAN E2 1S 6 No Tax
A v a ila b le: J u l y , A u g u s t , 1 9 6 1
22
www.orphancameras.comView original page 23Page 24 · Read text
Lens
Accesstlrie
There is an incomparable range of accessories for your Rollei camera. Do you know them all, their purpose and
how they will help you to get even better results with your Rollei? Go to your dealer and study the range
ofaccessories and have them demonstrated to you.
I T I S M O S T I M P O R T A N T T O N O T E T H E F O L L O W I N G :
Opticalaccessoriessuchasfilters,supplementarylenses,soft focuslenses,lenshoods,etc.,will in futurebe marketed
with bayonet mounts in three diameters:
I For Tessal, Triotar and Xenar f/3.5 (Not Rollei-Magic).
ll For Planar, Xenotarf/3.5 and Rollei-Magic.
lll For Planar and Xenotar f/2.8 and Sonnar f/4.
lV For Zeiss Distagon f/4 (See page 10)'
This applies also to the Rolleiflash flashgun which is affixed to the top bayonet mount on Rollei cameras.
Kindly note the correct In the accessory pages following, code numbers of
sequence of lens accessories every accessory are given and particularly with lens
is as follows: accessories and Rolleiflash these rnust be quoted so that
1. R o lle inar. the correct accessory is supplied for the particular model
2. Rolleisoft. Rollei camera. General accessories other than those
3. Filtets or Rolleipol. mentioned above are suitable for all the current Rollei
4. Lens Hood, camera range unless otherwise stated.
(lmportant. - Always quote Code Numbers when ordering. Exposure value correction given in
parentheses),
All Rollei lens accessories have anti-reflection coating. Coating of the camera lens surface materially increases
the brilliance of the picture. However, to retain this brilliance when using lens accessories it is essential that these
too must also be coated. All Rollei optical lens accessories are treated with a hard abrasion-resistant anti-reflection
coating. In addition the coating on each filter is adjusted to enhance the effect of the filter's colour and to give
maximum contrast. All optical accessories are supplied in leather cases at no
extra cost.
ROLLEI LENS HOOD
A lens hood is an essential piece of equipment. Not only to protect the lens
from extraneous light but also to shield the lens from rain, snow or spray at
water sport events. The Rollei lens hood is fitted with bayonet mount which
locks on the outer bayonet mount ofthe camera taking lens. It can, ofcourse,
be used in conjunction with other lens accessories.
LENS HOOD in leather case Lens RetailPrice RetailPrice
Code Size withouttax t a x with taxFor Rolleiflex f12.8 Planar, Xenotar and fl4 Sonnar
For Rolleiflex f/3.5 Planar, Xenotar and Rollei-Magic cEoBE lll f,210 3 f , o 8 2 8218 5
For Rolleiflex fi3.5 Tessar and Xenar G U O B E I I f 2 6 4 € 0 7 6 €2 13 t0
(Not Rollei-Magic). . BAOBE I f . 2 0 9 f 0 6 8 f , , 2 7 5
For Rolleiflex 4 x 4 f13.5 Xenar VYOBE I fl 16 3 €0 5 10 E 2 2 l
For Rolleicord f/3.5 BAOBE I 8 2 0 9 f 0 6 8 / E , 2 7 5
ROLLEI FILTERS
The table on page 25 shows the range of filters available (except colour
conversion filters), their use and the increases required in exposure. The
filters fasten to the inner bayonet mount of the taking lens and each filter is
supplied in a leather case. Separate cornbinations in leather cases are, however,
available, such as lens hood complete with two filters to choice or a complete
set in leather case consisting of lens hood, two sets of Rolleinar lenses and
five filters to your choice. For earlier Rollei cameras not equipped with
bayonet mount, an intermediate bayonet ring is required. Study the wide
range of Rollei filters available, as they will greatly increase the scope of
your camera.
23View original page 24Page 25 · Read text
FILTERS in leather case
For Rolleiflex 112.8Planar, Xenotar and f/4 Sonnar Lens Retail Price Retail Price
Code Size without tax Tax with tax
Light Yellow (- 1) C E I H E
Medium Yellow (- 1.5) CEIMI
Light Green (- 1) CELIN
Green (- 1.5) CEEEN
Orange(-1.5 3) .. CEORA
Light Red ( -2 . .. -3.5) CEUBI ilt f2 17 I f,o 9 5 €3 7 2Light Blue (-0.5) CEBLA
Infra-red CEFIR
uv (-0.5) CESKY
Grey 2 (-2) CENEU
Grey 4 (-4) CEITY
For Rolleiflex 113.5Planar, Xenotar and Rollei-Magic
Light Yellow (- 1) GUIHE
Medium Yellow (- 1.5) GUIMI
Light Green (- 1) GULIN
Green (- 1.5) GUEEN
Orange(- 1.5 3) . . GUORA
Light Red ( -2 .. . -3.5) GUUBI
Light Blue (-0.5) : . GUBLA 1 0 € 0 7 1 1 a 2 | 6 9
Infra-red GUFIR
uv (-0.5) GUSKY
Grey 2 (-2) GUNEU
Grey 4 (-4) GUITY
Hl (-0) for Rollei-Magic only , . . GUHAZ
For Rolleiflex f/3.5 Tessar, Xenar, Rolleiflex 4 x 4 and Rolleicord f/3.5 (Not Rollei-Magic)
Light Yellow (-1) BAIHE
Medium Yellow (- 1.5) BAIMI
Light Gresn ( - 1) BA Ll N
Green (-1.5) BAEEN
Orange(- 1.5 3) . . BAORA
Light Red ( -2 . .. -3.5) BAUBI
Light Blue (-0.s) BABLA f , l 1 9 7 € 0 6 5 E 2 6 0
Infra-red BAFIR
uv (-0.5) BASKY
Ht (-o) BAHAZ
Grey 2 (-2) BANEU
Grey 4 (-4) BAITY
ROLLEI COI-OUR CONVERSION
FILTERS
A valuable aid to colour photography with the
Rollei is provided by these filters, which are intended
to convert the colour temperature of the available
light to that for which the film (either daylight or
artificial light) is balanced. These filters also correct
the almost inevitable blue or red colour casts and
can be used for intentional variation of the colour
rendition according to personal taste as desired.
There are two basic types of filters, each of which is
supplied in four densities. The reddish-brown
filters Rl, R2, R5 and Rll are for eliminating
excess blue with ascending colour temperature and
the blue filters Bl,B.2, 85 and Bl l are for eliminating
excess red with decreasing colour temperature.
These filter numbers are short for 10, 20, 50 and 110
slasswith specialanti-reflectioncoatinsandcomprete*trn oll,'ii*;::#:T,f,:",Xir?tt1'fr:1ff.1'i.:1."'.t11
compersation is possible by combination with another filter of the same group. Each set of filteri will provide
ten different combinations: l-2-3-5-6-7-ll-12-13-16. These filters are avaitabie either singly, or six suci filters
according to choice, in a single hinged leather cas,
. The Rl in colour photography has no additional U.V. effct on 5-element lenses but has slight colour conversion
similar to the so-called sky light filter. The effct of Rl on 4€lement lensc is increased U.V. absorption and slight
colouf conversion.
ROLLEI COLOUR CONVERSION FILTERS in leather case
For Rolleiflex f/2.8 Planar, Xenotar and f/4 Sonnar Lens Retail Price Retail Price
Code Size without tax Tax with tax
24
www.orphancameras.comView original page 25Page 28 · Read text
ROLLEISOFT SOFT FOCUS ATTACHMENTS
Soft focus lenses made in two grades, namely '0' and '1,' which soften the s_upercritical definition and_produce glass with ba_yonet-mount..The invaluable acessory_ntted light_ing.-An particularli with backstriking halo efects,
soft focus effect whilst the No. 'l' is used The No. '0' is used for weak in grooves. circles'groundtiJioicmtri"
ioi prcnounced soft foius effat. They are used principally for portraiture. The ef@t can be judged on the ground
glasi screen by placing the Rolleisoft on the finder lens.
ROLLEISOFT SOFT FOCUS LENSES in leather case
N o . 0 Lens Retail Price RetailPrice
Code Size without tax Tax with tax
For Rolleiflex f/2.8 Planar, Xenotar and fl{ Sonnar CETN U lll f,4 9 3 f,,o 14 6 €,5 3 9
For Rolleiflex f/3.5 Planar, Xenotar and Rollei-Magic G U T N U I I € 3 1 9 3 f0 12 11 E4 12 2
For Rolleiflex f 13.5 Tessar and Xenar (Not BATNU ) Rollei-Magic)
For Rolleiflex 4 x 4 f13.5Xenar BATNU f l €3 11 0 f,,o 11 6 E4 2 6
For Rolleicord f13.5 BATNU )
No. I
For Rolleiflex f/2.8 Planar, Xenotar and f 14 Sonnar CETON lll t'4 I 3 f0 14 6 €,5 3 I
For Rolleiflex f/3.5 Planar, Xenotar and Rollei-Magic GUTON ll €3 19 3 f0 12 11 E4 12 2
For Rolleiflex f ,t3.5 Tessar and Xenar (Not I
Rollei-Magic) BATON I- ' I Ace' i J iq' ' f,0 11 6 8 4 2 6F o r R o l l e i f l e x 4 x 4 f l 3 . 5 X e n a r B A T O N
For Rolleicord f/3.5 BATON )
ROLLEIPOL POTARISING FILTER
A oolarisinc filter will be found an invaluable ac@ssory for the elimination or subduing of-disturbing r^eflections
fr.fi ,li;;';;;:;"iu'iii" o6i""ii"i.uiriiii. unO"r certiin conditions it filters the blue sky. Rolleipol is first^fitted
iiiiii" hiiii"i idiri i"a ."taGO until the desired eff*t is obtained on the ground glass screen and is then transfbrred
to the taking lens.
ROLLEIPOL POLARISING SCREEN (-1.5) in leather case
Lens Retail Price Retail Price
Code Size without tax Tax with tax
For Rolleiflex f/2.8 Planar, Xenotar and f/4 Sonnar CETAR lll €8 14 6 €1 I 4 €10 2 10
ForRolleiffexf/i.5Planar,XenotarandRollei-Magic GUTAR ll €7 19 0 €1 510 €9 4l0
For Rolleiflex f/3.5 Tessar and Xenar (Not - - )
.-ffl'fiX?"]+r/i.sx"'u... :: :. Ei+i[ l' t7 4 3 €1 3 5 €8 7 8
For Rolleicord t13.5 .. BATAR J
LENS CAPS
Rolleiflex cameras other than modet 'T' and 4 x 4 are equipped with folding do-uble-lens-caps a.nd these can also
i;;;;;ii"d 6r;ailier model n"it"iR"* cameras. Plastic iens caps are available for the Rolleiflex'T',4x4'
Rollei--Magic and Rolleicord VA.
ROLLEI LENS CAPS Hinged'type and satin'chrome plated
Lens Retail Price Retail Price
Code Size without tax Tax with tax
For Rolleiflex f/2.8 Planar, Xenotar and f/4 Sonnar CECAP lll E1 2 0 f0 3 7 €l 5 7
For Rolleiflex f/3.5 Planar and xenotar (Not 3.5F) GUCAP ll €1 0 6 €0 3 4 €1 3 l0
Special for Rolleiflex 3.5F CAPGU ll €1 0 6 f0 3 4 €1 3 l0
€ore 4 €0 3 2 e1 2 6 F- ffi[iffL'fifr'"i'."'u":.*""u:.:: :: Ei3iF ]'
ROLLEI LENS CAPS, PLASTIC
€05 e f,o011 €06 8 :: :: 9+31[ ]' [::ffii:ifi:llll*:""'"':1u":: ' ' ll €0 2 11 €0 0 6 €0 3 5 CAPMA For Rollei-Magic
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From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.