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Kodak Ektachrome 100 Slide Film User manual
User manual for Kodak Ektachrome 100 Slide Film. 6 pages in English. Read the original PDF, download or print a copy without registration.
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- Brand
- Kodak
- Model / document
- Kodak Ektachrome 100 Slide Film
- Document type
- User manual
- Language
- English
- Pages
- 6
- File size
- 0.1 MB
- Category
- Film cameras
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Page 1 · Read text
KODAK EKTACHROME 100
Professional Film
TECHNICAL DATA / COLOR REVERSAL FILM July 2007 • E-27
KODAK EKTACHROME 100 Professional Film is a SIZES AVAILABLE
daylight-balanced color transparency film designed to Sizes and catalog numbers differ from country to country.
meet the special demands of commercial photographers, For a complete list of sizes, contact a dealer who supplies
especially those whose primary business is catalog KODAK PROFESSIONAL Products.
photography. The film features very fine grain, very high
sharpness, and exceptional color accuracy. Rolls Film Code Acetate Base
EKTACHROME 100 Professional Film is an excellent 135-36 EPN
choice for photographic applications where natural color
EPN
rendition is required; i.e., commercial images of furniture, 35 mm x 100 ft SP404* 5-mil
fabric, and clothing—particularly those with reflectance (0.13 mm)
EPN
characteristics that often adversely affect color 35 mm x 400 ft SP663*
reproduction.
120 3.9-mil
EPN The film is intended for exposure with daylight or (0.10 mm) 220
electronic flash.You can also expose it with photolamps
(3400 K) or tungsten (3200 K) illumination with * Perforated on both edges.
conversion filters.
Film Code
The exposure range is 1/10,000 to 1/10 second without
Sheets ESTAR Thick Base
the need for filter correction or exposure compensation.
You can use this film to produce color transparencies for
4 x 5 EPN 7-milviewing with 5000 K illumination You can also print the
8 x 10 EPN (0.18 mm)transparencies by photomechanical methods or by the
photographic methods of direct duplication and direct
reversal printing. They can be scanned for graphic-arts
reproduction as well.
FEATURES BENEFITS
• Spectral sensitivity designed • The most accurate film for
to optimize color reproduction color reproduction, most
obvious with teal, green, and
blue hues
• Exceptional shadow detail and • Rich colors without
color saturation compromising color accuracy
• Excellent flesh-to-neutral • Accurately records neutral
color balance colors while maintaining
pleasing flesh tones
• Very high sharpness • Able to provide images with
excellent detail
©Eastman Kodak Company, 2007View original page 1Page 2 · Read text
STORAGE AND HANDLING Electronic Flash
Load and unload film in subdued light. Use the appropriate guide number in the table below as a
Store unexposed film at 13°C (55°F ) or lower, in the starting point for your equipment. First select the unit
original sealed package. To avoid moisture condensation output closest to the number given by your flash
on film that has been refrigerated, allow the film to warm manufacturer. Then find the guide number for feet or
up to room temperature before opening the package. metres. To determine the lens opening, divide the guide
Process film as soon as possible after exposure. number by the flash-to-subject distance. If transparencies
Protect processed film from strong light, and store them are consistently too thin (overexposed), use a higher guide
in a cool dry place. For more information on storing number; if they are too dense (underexposed), use a lower
transparencies, see KODAK Publication No. E-30, Storage number.
and Care of KODAK Photographic Materials—Before and
Guide Number
After Processing. Unit Output
(BCPS)* Distance in Distance in
Feet Metres
DARKROOM RECOMMENDATIONS 350 40 12
Do not use a safelight. Handle unprocessed film in total 500 50 15
darkness. 700 60 18
1000 70 21
EXPOSURE 1400 85 26
2000 100 30
Exposure Index Numbers
2800 120 36Use the exposure index (EI) numbers below with light
meters or cameras marked for ISO or ASA speeds or 4000 140 42
exposure indexes. Do not change the film-speed setting 5600 170 50
when metering through a filter. Metering through filters 8000 200 60
may affect light meter accuracy; see your meter or camera *BCPS = beam candlepower seconds.
manual for specific information. For critical work, make a
series of test exposures. Multiple Exposures with Electronic Flash
No filter corrections or exposure adjustments are required
KODAK
Exposure for 1 or 2 flashes (multipops). For additional multipops, see Light Source WRATTEN
Index the adjustments in the table below. Gelatin Filter
Daylight or Electronic Flash None 100
KODAK Color
Photolamp (3400 K) No. 80B 32 Number of Compensating Exposure
Flashes Adjustment
Tungsten (3200 K) No. 80A 25 Filter
1 or 2 None None
Daylight 4 CC025M +1/3 stop
Use the exposures in the table below for average frontlit 8 CC05M +1/2 stop
subjects from 2 hours after sunrise to 2 hours before
16 CC05M +2/3 stop
sunset.
Shutter Speed Lens
Lighting Conditions
(second) Opening
Bright /hazy sun on 1/125 f/22
light sand or snow
Bright or hazy sun, 1/125 f/16*
distinct shadows
Weak, hazy sun, soft 1/125 f/11
shadows
Cloudy bright, no shadows 1/125 f/8
Heavy overcast, open shade† 1/125 f/5.6
* Use f/8 for back-lit close-up subjects.
† Subject shaded from the sun but lit by a large area of clear sky.
2 KODAK EKTACHROME 100 Professional Film • E-27View original page 2Page 3 · Read text
Fluorescent and High-Intensity Discharge Lamps Adjustments for Long and Short Exposures
Use the color-compensating filters and exposure No filter correction or exposure adjustment is required for
adjustments below as starting points to expose this film exposures from 1/10,000 to 1/10 second. At 1 second, use
under fluorescent or high-intensity discharge lamps. For a CC05M filter and increase exposure by 1/3 stop. We do
critical applications, make a series of test exposures under not recommend exposure times longer than 1 second. At
your actual conditions. longer exposures, significant color balance shifts in the
To avoid the brightness and color variations that occur cyan-green direction or contrast mismatch may occur.
during a single alternating-current cycle, use exposure Note: This information applies only when the film is
times of 1/60 second or longer with fluorescent lamps; exposed to daylight. The data are based on average
with high-intensity discharge lamps, use exposure times of emulsions rounded to the nearest 1/3 stop and assume
1/125 second or longer. normal recommended processing. Use the data only as a
guide. For critical applications, make tests under your
KODAK Color
Fluorescent Exposure conditions. Compensating
Lamps Adjustment
Filters
Daylight 50R +11/3 stops PROCESSING
White 40M +2/3 stop
Process KODAK EKTACHROME 100 Professional Film in
Warm White 20C + 40M +1 stop KODAK Chemicals, Process E-6.
Warm White Deluxe 30B + 30C +2 stops For consistent processing of this and other KODAK
Cool White 40M + 10Y +1 stop EKTACHROME Films, use a lab that is a member of the
Cool White Deluxe 20C + 10M +2/3 stop KODAK Q-LAB Process Monitoring Service.
Unknown Fluorescent * 30M +2/3 stop
*When the type of fluorescent lamp is unknown, try this filter and exposure RETOUCHING
adjustment; color rendition may be less than optimum.
Use KODAK E-6 Transparency Retouching Dyes. You can
KODAK Color chemically retouch sheet and 120/220 formats of
High-Intensity Exposure
Compensating
Discharge Lamps Adjustment EKTACHROME 100 Professional Film on both the base and
Filters
the emulsion side. Retouch only the emulsion side of the
General Electric Lucalox * 80B + 20C +21/3 stops 135 size.
General Electric Multi-Vapor 20R + 20M +2/3 stop For information on retouching equipment, supplies, and
Deluxe White Mercury 30R + 30M +11/3 stops techniques, see KODAK Publication No. E-68, Retouching
Clear Mercury 70R +12/3 stops Color Transparencies on KODAK EKTACHROME Film.
*This is a high-pressure sodium-vapor lamp. The information here may not
apply to other manufacturers' high-pressure sodium-vapor lamps due to
differences in spectral characteristics.
Note: Consult the manufacturer of high-intensity lamps for
ozone ventilation requirements and safety information on
ultraviolet radiation.
Some primary color filters were used in the previous
tables to reduce the number of filters and keep the
exposure adjustment to a minimum. Red filters were
substituted for equivalent filtration in magenta and yellow.
Blue filters were substituted for equivalent filtration in cyan
and magenta.
KODAK EKTACHROME 100 Professional Film • E-27 3View original page 3Page 4 · Read text
PRINTING TRANSPARENCIES SCANNING TRANSPARENCIES
You can reproduce images made on KODAK For Graphic Arts Applications
EKTACHROME 100 Professional Film by using a variety of The KODAK EKTACHROME Film family is characterized by
Kodak materials. sets of image dyes which perform similarly when scanned.
The scanner operator can set up one basic tone scale and
Duplicate Color Transparencies color-correction channel for all EKTACHROME Films and
For direct printing, use— then optimize the tone scale and gray balance for the
KODAK PROFESSIONAL EKTACHROME Duplicating requirements of individual images.
Film EDUPE Use the KODAK Color Input Target / Q-60E1
(4 x 5-inch transparency) or Q-60E3A (35 mm slide) to
Color Prints establish the setup for KODAK EKTACHROME Films on all
You can scan your image to a file and print digitally to— scanners. This target meets ANSI standards and
KODAK PROFESSIONAL PORTRA, SUPRA, and ULTRA represents the dye sets of all EKTACHROME Films.
ENDURA Papers
Scanning for Photo CD Applications KODAK PROFESSIONAL ENDURA Clear Digital Display
For Output to a Photo CD Player: Using the Universal E-6 Material
Film Term should result in an image that closely matches
KODAK PROFESSIONAL ENDURA Transparency your original transparency in density, tone scale, and
Display Material overall color balance when viewed on a player. Use the
KODAK PROFESSIONAL ENDURA Metallic Paper Universal E-6 Film Term to scan all KODAK EKTACHROME
films for Photo CD Imaging Workstation applications.
For Output to Devices Other than Photo CD Players:
The YCC data that results when using the Universal E-6
Film Term is capable of producing a high-quality duplicate
of your original in terms of density, tone scale, and color
reproduction. Final quality of your reproduced image
depends on the capabilities of your output device, the
viewing environment, and the rendering path that is used.
4 KODAK EKTACHROME 100 Professional Film • E-27View original page 4Page 6 · Read text
KODAK EKTACHROME 100 Professional Film
MORE INFORMATION
Kodak has many publications to assist you with For the latest version of technical support publications for KODAK
information on Kodak products, equipment, and materials. PROFESSIONAL Products, visit Kodak on-line at:
The following publications are available from Kodak http://www.kodak.com/go/professional
customer service, or from dealers who sell Kodak products, If you have questions about KODAK PROFESSIONAL Products,
or you can contact Kodak in your country for more call Kodak.
information. In the U.S.A.:
1-800-242-2424, Ext. 19, Monday–Friday
E-8 KODAK EKTACHROME 64 Professional Film
9 a.m.–7 p.m. (Eastern time)
E-28 KODAK PROFESSIONAL EKTACHROME Film E200
In Canada:
E-30 Storage and Care of KODAK Photographic 1-800-465-6325, Monday–Friday
Materials—Before and After Processing
8 a.m.–5 p.m. (Eastern time)
E-68 Retouching Transparencies on KODAK EKTACHROME
Film Note: The Kodak materials described in this publication for
E103RF KODAK PROFESSIONAL Color Reversal Films use with KODAK EKTACHROME 100 Professional Film are
E-113 KODAK EKTACHROME 100 Plus Professional Film available from dealers who supply KODAK
E-130 KODAK EKTACHROME 64T Professional Film PROFESSIONAL Products. You can use other materials,
E-144 KODAK EKTACHROME 160T Professional Film but you may not obtain similar results.
E-145 KODAK EKTACHROME 320T Professional Film
E-147 KODAK EKTACHROME P1600 Professional Film
E-161 KODAK EKTACHROME 400X Professional Film
E-163 KODAK PROFESSIONAL EKTACHROME Film E100VS
E-4024 KODAK PROFESSIONAL EKTACHROME Films E100G
and E100GX
E-2529 KODAK PROFESSIONAL EKTACHROME Duplicating
Film EDUPE
Z-119 Using KODAK Chemicals, Process E-6
Kodak, Kodak Professional, Ektachrome, Endura, Estar, Q-Lab, Portra, Supra, Ultra, and
Wratten are trademarks.
Minor Revision 7-07
Printed in U.S.A.
KODAK EKTACHROME 100
Professional Film
KODAK Publication No. E-27
Film & Photofinishing Systems Group
EASTMAN KODAK COMPANY • ROCHESTER, NY 14650View original page 6Related documents and language editions
From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
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