Film cameras
Voigtlander Ultramatic User manual
User manual for Voigtlander Ultramatic. 33 pages in English. Read the original PDF, download or print a copy without registration.
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- Brand
- Voigtländer
- Model / document
- Voigtlander Ultramatic
- Document type
- User manual
- Language
- English
- Pages
- 33
- File size
- 2.7 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
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Right Here is the most importontpiece of odvice of this instruction
booklel.We hove preporedit with o greot deol of core
to show everythingin the cleorest possiblewoy. So
pleose reod this booklet corefully before putting your
first film in the comero! {
Firstof oll, moke yourselfthoroughlyfomilior with the
ULTRAMATICond proctisethe vorious operotionswith I
the emptycomero.Rememberolso thot ihe ULTRAMATIC
is very robust,but neverthelesson opticol ond mecho-
nicol precisioninstrument.lt therefore requiresgenile i . -: ond sensibletreotment.The comerowill repoy coreful
hondlingwith beoutifullycleor ond shorp piciuresfor
mony yeors to come. l
V O I G T L A N D E R A . G . B R A U N S C H W E I GView original page 3Page 4 · Read text
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poge
Loodingthe comero 4
Setting the film speed 5
lnseriing the film cosseite 7
Film counler ond Ropid wind 8
Unloodingthe comero
Chonging portly exposedfilms . 9
'11
Automoiic control
Monuol control (operture) 12-13
Two woys of focusing 14 '15Holdingthe comeroond Tokingthe picture....
lnlerchongeoblelensesond their hondling 16
Apertureond Depthof field 17
Floshshots .... 18-19
S eff- t i m e r . . . . . . . 2 0
Close-upswith Focor supplementorylenses.. . 21
When to use filters 22-23
How to use the exposuremeter 24
C o of u r p i c t u r e s . , . . . . . 2 5
Micro pictures 26
Smqll occessories 27
Core of cqmerqond lens 28View original page 4Page 6 · Read text
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Distqncering @ Film speedscole in DIN @ Film counlero
for focusing with odiustment @ Cqble releosesocket
@ Distqncescole button for 20 or 36
with depthof field indicotor @ Film speed scqle in ASA exposure cossettes
CEControl ring @ Lens cqtch @) Tripod bush
for qutomoticor monuol
operturecontrol
@ Synchroniser
for M or X flosh synchron-
isqtion,ond self-timerV
@ Flqshsocket
for plug from floshgun
@ Reversinglever
for film rewindknob
@ Shutterring
for settingthe shutterspeed
@ Releqse
@ Filter fqclor disc
to compensotefor f ilters
@ Film rewind knob
with film type indicotor
@ Film speed cqtch
for odiustingfilm speed scoles F i g . l lView original page 6Page 7 · Read text
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Loading the camera
You moy use ony type of film in your ULTRAMATIC comero.
The usuol doylight cossetteswith perforoted 35-mm block-ond-
white or colour film yield 36 or 20 exposures of 24 x 35 mm
eoch. Colour film con be the reversol type for colour fronspo-
rencies, or colour negotive film for colour prints on poper.
Although the cossettesore light-tight, it is better not to hondle
them in direct sunlight. Alwoys lood or unlood the comero in
the shode - even in your own shodow if need be.
The film type indicqtor
is intended only to remind you of the type of film octuolly in
the comero. lt hos no effect whotsoever on the exposure.
T o s e t it : press reversing lever (6) to the right, ond rewind
knob (.|0)will spring up.Turn the coloured disc until the sector
with the corresponding film symbol is situoted opposite the
engroved mork.
White _ block-ond-white film
Blue = colour film for doylight
Yellow - colour film for ortificiql lightView original page 7Page 8 · Read text
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Setting the Film Speed , . ,:r 3200160080040020010050 .25 12. ASA
Moke it o rule to set the film sPeed
olwoys bef ore looding the comero,
becousethe outomotic exposurecontrol
dependson this setting.You will find the
film speedmorkedin ASA or DIN on thef ilm corton or in the instructionleoflet I
occomponyingthe film. f
To set the film speed,press cotch I (11)ond turn the ring morkedwith
scoles (12) ond (14) until the re-
quired ASA or DIN number is
opposite the red V index mork.
10 ASA: I dot before 12 ASA
32 ASA: I dot ofter 25 ASAView original page 8Page 10 · Read text
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Inserting
To open the comero: push reversing lever (5)
to the right; rewind knob (lB) will then spring
up. Fully pull out the rewind knob (through www.orphancameras.com
the intermediote stop position) ond the co-
mero bock con be opened (see Fig. lll).
Anchor the beginning of the film to the hook
of the toke-up spool by o perforotion hole.
Drow the cossette ocross the film trock, in-
sert it into the cossette chomber ond push F i g . l V
the rewind knob home. At the some time,
ensure thot the shoft of the rewind knob
engoges the fifm cossette core correctly (see
Fig. lV).
Finolly turn the lower milled ring of the
toke- up spool until the full width of the
film lies tightly upon the sprocket wheel ond
two of its teeth engoge two film perforotions
(see F;g. V).
Close the comero bock by clicking into the
locked position.
F i q . VView original page 10Page 11 · Read text
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Getting Ready for the First Exposure
The film counter con be set to one of two positions:
for o 36 or 20-exposure cossette. Accordingly turn
film counter (15) to the left or right, ond the oppro-
priote number (36 or 20) will qppeor in the window.
S e t l i n g : W h e n t h e c o m e r o w o s o P e n e d ,
the counter outomoticolly returned to the
zero position f . Now operote the ropid wind-
ing lever ond the releose button (8) olter-
notely until the film counter indicotes No.36
or No.20 below the Y mork in the window.
After eoch exposure the counter will show
the number of exposure still ovoiloble.
lf the ropid winder is locked to stort with (when the
shutter is still cocked) first press the releose.
The Rapid Winder
cocks the shutter, odvonces the film by one frome
ond olso operotes the film counter. The ropid winder
must olwoys be pulled os for os it will go only
then will it fly bock outomoticolly.
8View original page 11Page 12 · Read text
www.orphancameras.com Unloading the camera When the lost exposure hos been mode, the fi lm must be rewound: Push reversing lever (6) to the right ond the rewind knob will then spring up; turn the lotter in the direction of the orrow until o definite resistonce is felt, sufficient to stop the knob rototing. This ist the signol thot the exposed fi lm hos been wound bock into the film cossette. Now you con open the comero bock by fully pulling out the rewind knob, ond remove the cossette f rom the comero. When trying to obtoin more thon 36 or 20 exposureson one roll of film, it moy hoppenthot the ropid winder connotbe swungcompletely ond thot it blocks.In this cose do not opply force, otherwiseyou wiil teortheperforotionor mokethefilmend slip out of the cossette.Proceed os follows: push reversinglever (6) to the right, ond the rewind knob will then spring up; lurn the ropid winding lever os for os it will go ond let it fly bock to its originol position. Unlood the comero os described obove. Changing Partly Exposed Films Rewind the porlly exposed film os described on poge 14. Remember lo moke o note of lhe number of lhe lost exposed frome, ond to re-set the film speed ond film lype if necessory. When relooding the originol film, firsi of oll ploce the block lens cop over the lens mounl. Then insert the film in the usuol woy ond olfernotely ocluote the ropid winder ond the releose bullon uniil the number of the frome yoy h9d noied oppeors in the filrrt counler window (16). Advonce the film once more qnd you ore reody for further picture toking. Don't forgef lo remove'lhe lens cop!View original page 12
Page 14 · Read text
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For Automatic Control The depth of field indicotor which rides
over the distonce scole does not func-
With control ring (3) set ot the "A" position tion with ihe "A" setfing. However the
the correctoperturewill be set outomoticolly. operture number indicoted by the
pointer in the viewfinder will serve os o
C Settinglhe shutterspeed guide to the extent of the depth of field.
Turn shutter ring (71 until the required But more oboui depth of field on poge 17.
shutterspeedclicksinto positionopposite
the red mork V. The shutterspeedshould
be chosen occording to subiect move-
ment ond prevoiling light conditions.
@ Sertingthe distonce(focusing)
os describedon poge 14
@ . .. qnd Tokinglhe Piclure
Look through the viewfinder ond frome
the subiectin the best possiblewoy; if the
operturepointer lies in the white oreo -
iust press the releoseond the picture is
to ken.
Should this pointer be in one of the two red oreos
it is not possible to toke o picture becouse of ihe
lighl conditions or becouse lhe preselected shutter
speed is too short. lf possible, select onother longer
shutter speed.View original page 14Page 16 · Read text
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lhe Pictureto ... ond Toking
Look through the viewfinder ond turn the
shutterring till the needle(in the white oreo)
pointsto the some operturenumberto which
you hove olreody set the control ring . . . ond
then toke the picture.
The SYNCHRO-COMPURShutter
The white figures on the shutter ring (1/500-
l/30 second) ore shutier speeds which, under
normol conditions, moy sofely be used for
hond-held shots.With the yellow figures1/15-
I second the comero should be firmly sup-
ported on o tripod, tree trunk, etc., to ovoid
unshorpnessthrough comero movement during
exposure.
At "B" lhe shutter remoins open os long os
releose (8) is pressed. Here, too, o tripod is
necessory, os well os o coble releose which
con be screwed into coble releose socket ('13).il
l r3View original page 16Page 17 · Read text
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o In the split-imoge rongefinder verticol lines of the
subiecf ore disploced to the left or right (with the
comero held horizontol) or upwords or downwords
(with the comero held upright) os you turn the di-
stqnce ring (see exomple l). The lens is occurotely
focused when the two ports of the imoge register
precisely ocross the split circle (see exomple ll).
o The ground-glossscreen is most suitoble for focusing
subiectswithout prominentverticolor horizontol lines.
ln this cose turn the distonce ring until the subiect
oppeors shorp on the ground-glossscreen,which is
orronged oround the centrol split-imoge oreo.
1 4View original page 17Page 18 · Read text
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For on exposure we recommend thot you hold the
comero os shown in the two illustrotions.The eye
should be os neor to the eyepiece of the view-
finder thot the entire imoge oreo con be seen in
co m fo rt.
Alwoys press the releose button os smoothly
os possible - never ierk it ! The imoge in the
viewfinder disoppeors of the instont of ex-
posure ond re-oppeors immediotely ofter-
words, so thot the subiect con be wotched
virtuolly without interruption.
l 5View original page 18Page 19 · Read text
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Interchangeable Lenses -
Insertion and Removal
A full ronge of Voigtlcinder high-performonceonostig-
mot lenses,of different focol lengths ond opertures,ore
ovoiloble for ihe ULTRAMATIC comero. These lenses
boyonet mount ond ore occurotely focused wiih the ;::ffi::,::;t::::'::lHl:'t two-woy rongefinder. As the toking lens it ot the some
time olso the viewfinder lens,you olwoys see the correct
view in the finder irrespectiveof the subiect distonce or
the focol length of the lens used'
W h e n i n s e r t i n g o l e n s , m o k e s u r e t h o t i h e r e d
dot on the lens mount is opposite the red dot on the
operture control ring (see illustrotion).Then turn the ring I
slightly to the right until it clicks inio position ond it
will be firmly mounted in the comero.
To r e m o v e the lens, press cotch ('15),turn lhe lens
to the lefi qnd pull it out of the shutter (see illustrotion).
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The depth of field covers thot pori of the subiect, in Aperture and Depth of Fielcl
front of ond behind the focused distonce, which is re-
produced on the film with occeptoble
shorpness. This depth of field, how-
ever, is not permonenl; it grows
when siopping down ond it decreoses
the more the lens is opened up.
Pleosenote: -
rge aperlures (e. g. fi2.8)
= smqller depth of field;
Smoll operlures (e. g. tl6)
= wider depthof field.
You con instontly reod off the depth
of field ot ony distonce setting ond
with every interchongeoble lens, with
the exception of the Voigtlcinder
Zoomor lens, os long os the operiure
hos been set "monuolly". The two
red pointers obove the distonce
scole indicote the limits of the
shorply focused zone (see illustro-
t i o n ) .
1 7View original page 20Page 21 · Read text
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Flash!
Wiih flosh you con toke the most delightful indoor pic-
you\{rr tures of ihe fomily circle or of festive occosions;
con olso give your outdoor portroits o beoutiful sunny
effect on o cloudy doy, or moke heovy shodows in
"ogoinst-the-light" pictures iusf thot little lighter.\1Y With block-ond-withe film the flosh con be used on its
own, or equolly well combined with doylight or ortificiql
light sources, such os tungsten lomps. For flqsh shots with
doylight type or ortificiol light type colour film refer io
the oppropriote instruction leoflets. In cose of doubt your
Deoler will be glod to odvise you.
Mounting the Flashgunon the Camera
The floshgun or the flosh tube of on electronic unit is
usuolly fitted to the side of the comero by meons of o
speciol brocket. A seporote occessory shoe con olso beMfficlomped behind the viewfinder eyepiece mounf; you con
then fii the floshgun on the top of the cqmero os well.
The illusirotion shows the Voigtlcinder Floshgun in position.
The flosh coble completes the electric circuit between the
flosh unit ond ihe comero shutter. Push the plug of the
flosh coble into the flosh socket (5).
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Flos h-b u lbs o n d e l e c t r o n i c flo sh u n its d iffe r
in iheir chorocteristics such os ihe firing de-
loy ond light outpui. To ensure thoi the peok
brightness of the flosh coincides with the
instont when the shutter is fully open, there
ore two types of synchronisotion: M ond X.
Accordino to the tvpe of flosh-bulb or eleclronicflosh, thJ synchroniier (4) is either left ot the "X" nwposition or-moved to "M" (post o smoll locking
powl).
You will find oll the necessory informotion on "X"
ond "M" os well os on suiloble shutter speeds,
with the flosh-bulbs ond with the floshgun or elec-
tronic flosh unit itself.
For flosh shots with the self-iimer (synchronisersel
to "V"), use only the shutter speeds intended for
the "X" posiiion (see olso poge 20).
The lens operiure required for correcf exposure
con be obtoined from lhe so-colled guide number.
This is usuolly quoted on the flosh-bulb pocking
or in lhe leofleis issued with the bulb or electronic
flosh unit. To find the correct operiure divide the
op pro p rio t e g u i d e n u m b e r b y th e d isto n ce in fe e l
between ihe subject ond the comero; therefore: -
qperlure - guide number -i disfonce,View original page 22Page 23 · Read text
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Shots with the Self-timer
The Synchro-Compur shutter con olso be releosed
through o deloying device (self-timer)with ihe con-
trol ring set lo Automotic or to ony of the monuol
settings.
I t i s v e r y s i m p l e i n d e e d : -
Pui the comero on q firm bose, preferobly screwed
on o tripod, ond move synchroniser (4) to "V". lI
you now press the releose you will hove time to
move to your position; ofter o deloy of obout l0 se-
conds the shutter will be reosed outomoticolly. The
synchroniser lhen returns itself from ihe "V" to the
"X"
_position.
Do not use the self-timer with the shulter set to "B".
The synchroniser, once sel lo "Y" connol be pushed
bqck to the X or M positions by hqnd.
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Voigtl?inder Focar lenses
ore obtoinoble in different powers for oll inter-
chongeoble lenses from 40 mm focol length,
from 0.25 to 6.5 diopters; they moy be combined
to o moximum power of l0 diopters, which will
.|.85.
ollow o scole of reproduction of I :
Simply screw the Focor lenses on the comero
lens mount. Focus wifh the rongefinder or
ground-glossscreen.The f inder of the some time
shows the correct field of view, in full brillionce
right into the corners. The imoge is the right
woy round ond free f rom ony poro llox error.
To moke sure of odequote depth of f ield for such
close-ups,stop down to of leost 115.6of fl9. When
copyingdocumentsond similororiginolson opertureof
tlll or fl16 is odvisoble.The use of Focor lensesdoes
not offect the exposure.lf filters ore to be used,screw A detoiled Focusing Toble for oll Focor
the filter in front of the Focor lens.When using more lenses ond interchongeoble lenses, in-
thon oneFocorlens,ploce the onewith thehighestpower cluding doto on scoles of reproduction,
(engrovedwith the lorgestnumberof diopters)immedi- depth of field, etc. is ovoiloble from
otely in front of the comerolens. your Deoler.
21View original page 24Page 25 · Read text
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ore hord-cooted ond do not impoir the lens performonce in ony woy. The
yellow, green ond oronge one con, of course, only be used with block-ond-
white films ultro-violet, sky-light ond polorising filters ore suitoble for
c o l o u r f i l m o s w e l l .
YellowrilterG I'5x t'l',"di:9,,"tt":. llgli I::.:.:'L:::.:i:l:.:::i.::.::.::':.:.11
Yellow filter G3x Universol filter for londscopes ond other outdoor subiects;
indispensoblefor snow pictures
Green filter GR 4 Lightens green tones in londscopes. Recommendedfor orti-
ficiol light portroiture ond for copying of coloured originols
Oronge filter OR 5 x Strongly cuts blue light for dromotic effects. Reducesotmo-
spheric hoze in distont views
Ultrq-violet filter UV Cuts out ultro-violet rodiotion in high mountoins or neor the
seo. Eliminotes unpleosont blue cqsts in colour shots.
Requires no exposure increose
Sky-light filter SF A combinotion of the u. v. filter ond o weok conversion
filter; it completely eliminotes the ultro-violet port of the
spectrum
Polorising filter POt Reduces or cuts out disturbing reflections from shiny sur-
foces (spectocles, polished oreos, woter) other thon metol
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Compensating for a Filter
With ony filter (except the u. v. ond sky-lighf
f ilters) the exposure setting requires some
correction. You con corry out this odiustment
simply by turning filter foctor disc (9) to the
number of the corresponding filter foctor, so
thot the presence of o filter will be outomoti-
co I ly to ken into occount by the exposure
meter.
Just to remind you thot you hove compen-
soted for o filter, o smoll block circle will
hove become visible in the top left corner of
the viewfinder. This circle will disoppeor
when the fifter foctor disc is turned bock to
unity.
The indicotedfilter foctors ore only opproximote
volues,becousethey qlso depend on the type of
film emulsionond on the lightingconditionswhen
the pictureis token.
23View original page 26From the M. Butkus archive. Original publisher and archive notices are retained.
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