Film cameras
NISHIKA 3-D CAMERA User manual
User manual for NISHIKA 3-D CAMERA. 26 pages in English. Read the original PDF, download or print a copy without registration.
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Document details
- Brand
- Nishika
- Model / document
- NISHIKA 3-D CAMERA
- Document type
- User manual
- Language
- English
- Pages
- 26
- File size
- 5.1 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 3 · Read text
DearNishikaOwner,
Sincethe beginningof photography,
man has soughtto capturethe elusive"third SECTION
dimension"of life in pictures.your new KEY TO CAMERAPARTS
NishikaN800035mm camerarepresentsthe . . InsideFront&
most revolutionarybreakthroughin 3-D HOW TO USE THIS MANUAL
photographyto date. You can now enjoy CAMERAPARTSAND
3-dimensionalphotographywithoutthe need THEIRFUNCTIONS
for specialglassesor viewers.With the INSTALLINGAND
NishikaN8000cameraand processingsys- CHECKINGTHE BATTERIES. .
tem, you get snapshotswith remarkably LOADINGAND
lifelikedepthand realismyou experience ADVANCINGTHE FILM
with the nakedeye. USINGYOURCAMERA
This owner'smanualwill show you how REWINDINGAND
simple3-dimensionalphotographycan be. UNLOADINGTHE FILM
Pleasetake a few minutesto read the in- CAREAND STORAGEOF YOUR CAMERA,PHOTOGRAPHS
structionsand suggestionsit contains,which AND NEGATIVES
are designedto helpyou obtainthe best pos- GUIDELINESFORTAKING
sibleresultsfrornyour revolutionarynew 3-D THE BEST3-D PHOTOS
camera. TROUBLE.SHOOTING G U IDE
Sincerely, SPECIFICATIONS
WARRANTY
NISHIKA OPTICAL SYSTEMS CUSTOMERSERVICE
A DIVISIONOFNISHIKACORPORATION TIPSON TAKINGTHE BEST
3-D PHOTOS(SUMMARY)
OutsideBack Flap
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Open the front and back flaps of this 1. ExclusiveQuadra Lens SYstem
bookletto revealthe Key to CameraParts The heartof the Nishika35mm3-dimen-
pages. Keepthese pagesopenedout as sionalcamerais its patentedQuadraLens
you readthroughthe manual.Usingyour design,comprisedof four 30mmtwo-ele-
manualin this way will providea handyrefer- ment lensespositionedto an accuracymeas-
ence to the partsof the cameramentionedin ured in thousandthsof an inch. These
the instructions. high-indexlensesare coatedto reduceflare
and increasecontrast,and have exceptional
opticalqualityand resolution.Prefocusedto
provideoptimaldepthof fieldfrom as close
as 5 112feetto as far away as infinity,the
four precisionlenseseliminatethe needfor
manualfocusingand ensuremaximumedge-
to-edgesharpnessof images.
2. Aperture Selector
The apertureselectorcontrolsthe size
of the lensdiaphragmopening,therebyde-
terminingthe arnountof lightenteringthe
camera. The rangeof settings,also known
as f-stops,enablesyou to best utilizeavail-
able lighting.The sizeof the lensdiaphragm
openingis controlledby movingthe aperture
selectorup and down to correspondwith the
appropriatebrightnesssymbol.
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3. Shutter ReleaseButton to maximizethe 3-dimensionaleffectof your
This convenientlylocatedbuttontrig- photographs.
gers the shutter. 9. Hot Shoe
4. Cable ReleaseSocket The hot shoe acceptselectronicflash
The cable releasesocketacceptsstand- unitssuchas the NishikaTwin Light3010,
ard cablereleasesas well as time delay whichprovideshighperformancelighting
unitsfor self-portraitsand groupshotsthat and easeof operationunderlow-lightcondi-
includethe photographer. tions.
5. Battery Indicator Light 10. Battery Tester Switch
This red indicatorlightsup if your bat- This switchactivatesthe batterytest cir-
terieshavesufficientchargefor the camera cuit.The batteryindicatorlight(#5) lightsup
to operate.lt is activatedby the battery when the batterieshavesufficientchargefor
testerswitch(#10). the camerato operate.
6. Film Advance Lever 11. RewindKnob
The film advanceleversmoothlyadvan- The rewindknob servestwo purposes:
ces the film,rollingthe exposedfilmontothe 1) when usedin conjunctionwiththe rewind
filmtake-upspool(#18). releasebutton,to rewindthe film smoothly
duringunloading;2)whenpulledup, to open7. Exposure Counter the cameraback.
The exposurecounterindicatesthe
12. Rewind Cranknumberof timesthe film has beenadvanced.
This crankfoldsout for convenientturn-8. ldeal 3-D DistancesChart ing of the rewindknob.
This helpfulchart,convenientlylocated
13. Eyeletsfor Shoulder Strapon top of the camerafor quickreference,
providesinformationregardingthe optimum Two sturdymetaleyeletsbuiltintothe
distancesto positionthe foreground,mid- camerabody allowthe easy attachmentof
groundand backgroundof your composition the shoulderstrap.
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14. Viewfinder 18. Film Take-UpSpool
The viewfinderprovidesdirectviewing The film take-upspoolreceivesthe film
of the subjectand facilitatesthe framingand as it is beingadvancedfrom its originalcar-
compositionof photographs. tridge. lt has four toothedslotsfor securely
anchoringthe film ontothe sPool.15. Rewind ReleaseButton
The rewindreleasebuttondisengages 19. Film Advance Sprockets
the sprocketwheelfrom the film advance These sprocketsare tooth-likeprojec-
mechanism,therebymakingit possibleto tionsthat engagethe film perforationsto
rewindthe film. This button,locatedon the measurethe amountof film beingadvanced
undersideof the camera,must be pushedin ontothe take-upspool.
beforerewindingthe film. lt is importantthat 20. Tripod Mount
this buttonbe used ONLYwhen rewinding This screwmountis designedfor mount-the film. Oncepushed,the buttonremains ing the cameraonto a tripodfor self-portraitslockedin the rewindpositionuntilthe film ad- and groupshotsthat includethe photogra-vance lever (#6) is operated. pher.
16. Film PressurePlate 21. Battery Ghamber
The film pressureplateon the insideof The camerais poweredbYtwo AA bat-the cameraback holdsthe film in precise teries.alignment.
22. Rewind Shaft17. Camera Back
The shaftof the rewindknob extends
The cameraback,when closed,Pre- intothe film chamberand securelyengagesventsunwantedexposureof the film to light. the top of the filmcartridge,enablingthe It is openedby simplypullingup on the re- rewindknob and shaftto functionas a re-wind knob (#11), and closedby clickingthe windmechanism.
back securelyshut.
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23. Film Ghamber
The film chamberacceptsany standard
rollof 35mm ISO/ASA100 colorprintfilm.
24, Thumbwheel
The toothedthumbwheelallowsyou to
advancethe film take-upspool(#18) when
loadingfilm intothe camera.
1. Opening the Battery Chamber
The batterychamber(#21) is locatedon
the undersideof the camera.To open,use
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a thumbnailor a coin to pushthe battery NOTE: For longer battery life and to mini-
door in the directionof the broadarrowuntil mize the danger of leakage,we recom-
it swingsopen. mend the use of high-qualityalkaline
batteries.
3. Ghecking the Batteries
Checkthe batterieseach time before
usingthe camera.Do this by simplypressing
the batterytesterswitch(#10) forward. lf the
red batteryindicatorlight(#5) is illuminated,
the batterieshave enoughpowerto operate
your camera. lf this indicatordoes not light
up, the batteriesare eitherpositionedincor-
rectlyor have insufficientpowerand must be
replaced.
2. Battery Insertion Procedure
Inserttwo AA batteriesside by side into
the chamberso that the (+) and (-) ends cor-
respondwith the symbolson the contact
pointsinscribedon the insidesurfaceof the
batterycover.
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1. Use 35mm ISO/ASA100 color print
film.
NOTE:Two 35mm frames produce one
3-di mensionalphotograph.
No.of exposures No.of 3-D
on film cartridge prints
1 2 6 NOTE: lf the exposure counter (#7) does
"S" 24 12 not return to (start) when the door is
opened, push the film advance lever (#6) 36 18
to the right as far as it will go.
The Nishika3-dimensionalprocessre- 3. Insert the film into a slot of the film
quiresa groupof four half-frame35mm take-upspool.
negativeimages(usingtwo regular35mm Holdingthe film cartridge,insertthe end
frames)to produceeach 3-dimensional of a new roll of film into one of the slotsof
photograph.Therefore,halfthe numberof the filmtake-upspool(#18). Securea film
picturesstatedon the film cartridgewill be perforationhole onto the hook at the base of
producedfrom any rollof film used in your the slot.
Nishikacamera. 4. Insert the film cartridge into the film
2. Open the camera. chamber.
Openthe cameraback (#17) by pulling Drawthe film cartridgeacrossthe back
up firmlyon the rewindknob (#11) untilthe of the cameraand drop intothe film cham-
backdoor springsopen. ber (#23),makingsure that the film cartridge
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toothedthumbwheel(#24),rotatethe film
take-upspoolin the directionof the arrowto
makesurethat the film is securelyattached
and liesflat againstthe back of the camera,
with no slack. Alignthe film perforations
with the film advancesprockets(#19). Push
the rewindknob (#11) down into its original
position.
g B E t s B t s t s E O B E E E
openingis correctlypositioned(see illustra-
tion below). Be sureto draw out only
enoughfilm for the cartridgeto reachthe r'::tH Ufil gF.1U f.n@ fit
chamber-otherwisethere may not be
enoughfor the last picture. Usingthe
Correct position 5. Close the camera back.
Closethe cameraback (#17)by firmly
pressingit untilit clicksshut.
6. Releasethe shutter.
Pressthe shutterreleasebutton(#3).
This will free the film advancelever(#6)for
advancingthe film.
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7. Advancethe film.
Operatethe film advancelever (#6) by
cushingit to the rightas far as it willgo.
Whenyou releaseit, the levershouldreturn
to its normalposition.An intermediatedot
willappearin the exposurecounterwindow
(#7).
8. Advance to number 1 for your first
picture.
Repeatsteps6 and 7 untilthe number
"-1-" appearsin the centerof the exposure
counterwindow(#7). The film is now in posi-
tionfor your firstpicture.
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1. The Exposure Counter
The exposurecounter(#7) is designed
to indicatethe numberof 3-dimensional
photographsyou have taken once the film
has been advanced.Sinceyour camera
"standard"uses two exposuresfor each
3-dimensionalphotograph,alwayskeep in
mindthat the numberof 3-dimensionalex-
posuresequalshalf of the exposuresstated
on the film cartridge,with the exposure
counterautomaticallykeepingtrack.
2. Holding the Camera
HOLDTHE CAMERAFIRMLYIN A
HORIZONTALPOSITIONWITH BOTH
HANDSAT THE SIDESOF THE CAMERA.
PHOTOGRAPHSTAKENWH ILE
HOLDINGTHE CAMERAVERTICALLY
WILL PRODUCENEGATIVESWHICH
CANNOTBE PROCESSEDINTO3-DIMEN-
SIONALPRINTS.
1 0
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3. Setting the Aperture Low light
Selectthe apertureor lensdiaphragm indicator
:oeningthat best representsthe amountof
,ghton the subjectbeingphotographed.
Thereare threepossiblesettings,chosenby
roving the apertureselector(#2) up and
iown. Use the top setting(Sunny)when the
surbjectof your pictureis well illuminatedby
:nightsunlight.Use the middlesetting(Part-
y Sunny)in partiallysunny/partiallycloudy
situations.Use the bottomsetting(Cloudy/
ndoors)when the subjectof your pictureis
coorlyilluminated,as on an overcastor rainy
day, or wheneveryou are takinga picture
ndoors.
lf you are in doubt as to where to set the
aperture,it is betterto err in favor of allowing
'Trorelightintothe camera. For example,if enoughlightfor a properexposure,and you
./ouare not sure whetherto set the aperture will need a flashunit such as the Nishika
selectorto Sunnyor to PartlySunny,it is Twin Light3010to producecorrectlyex-
saferto choosePartlySunny. posednegatives.lf no red lightappears,
4. The Low Light Indicator thereis enoughilluminationfor a properex-
Look intothe viewfinder(#14)and push posure.
down lightly on the shutterreleasebutton 5. Framing the Picture
#3), beingcarefulnot to depressit all the Lookingintothe viewfindereyepieceway down. When the buttonis partiallyde- (#14),you will see a brightlineframe-an
cressed,a red lightmay appearin the view- outlineof the imagearea in whichyou can
finder. lf so, this indicatesthat there is not composeyour photographquicklyand
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in the photographis insidethe brightline
frame.WHENCOMPOSINGYOUR PIC-
TURES,AVOIDSUBJECTSOR OBJECTS
IN THE SCENECLOSERTO YOU THAN
5 112FEET. Thiswill enableyou to com-
pose beautiful3-dimensionalphotographs
whichare in sharp,crispfocus. For other
suggestionson composing3-D pictures,con- "Guide- sultthe sectionof this manualtitled
linesfor Takingthe Best3-D Photos."
7. Taking the Picture
Becausethe lensesare prefocused,no
manualadjustmentsare required.Simply
holdthe camerasteadyand pressgently
down on the shutterreleasebutton(#3) until
you heara click.
8. Advancingthe Film
accurately.This frameservesas a guideto Beforeyou take the next picture,ad-
show you whichobjectsin the scenewill ac- vancethe film by movingthe film advance
tuallybe in your3-dimensionalphotograph. lever(#6)to the rightas far as it willgo, and
lettingit returnto its originalposition.You6. Viewing a Typical 3-Dimensional are now readyto shootagain. Scene
Whencomposingyour pictures,move WARNING:Avoid touching the rewind
releasebutton (#15)until you have com-aroundwhileyou are lookingthroughthe
camera'sviewfinder.Take the photograph pletedshooting the roll of film. Should
you push the rewind releasebutton in thewhen you see the most pleasingarrange-
ment,makingsurethat everythingyou want middle of a roll of film, you will disengage
1 2
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the sprocket wheel which measures the
amount of film advanced.
9. End of Roll
lf you havefollowedthe film loadingin-
structionscorrectly,when all the available
exposuresare used you shouldfeel a resis-
tance if you try to move the film advance
lever(#6). This indicatesthe end of the roll.
Do not force the film advance lever as
you approach the end of your roll of film.
You may have already shot the last pic-
ture on that roll. lf you feel any resis-
tance in advancing the film, rewind the
film to prevent tearing.
Forcing the lever in order to
"squeeze in" one more picture may
cause exposure overlap, spoilinE both
the picture you are trying to shoot and
the one you shot just before it. Film Rewind ReleaseButton
To disengageyour film when you have
reachedthe end of the roll,depressthe
rewindreleasebutton(#15)locatedon the
bottomof your Nishikacamera.
2. Film Rewind Grank
Foldout the film rewindcrank(#12) lo-
catedon top of the rewindknob (#11). Turn
the crankin a clockwisedirection.You will
feeltensionwhilerewinding.Continueto
1 3
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Camera
1. When you are not usingyourcamera
for long periodsof tiffie,storeit with the film
advanceleveruncockedin a cool,clean,
dry, well-ventilatedplace,free from dust and
moisture.
2. lf storingfor a long period,remove
the batteriesfrom the batterychamber.
3. Do not droPthe camera,knock it
againstanythingsolidor misuseit. Acci-
dentsand roughhandlingcan easilydam-
age the camera'sinternalmechanism.
turnthe crankuntilthereis no tension, 4. Your camerais not waterProof.
indicatingthat the film has beenfullyre- Protectit from watersplashesand rain.
wound intothe film cartridge. 5. Do not touchthe surfaceof the len-
ses. Alwayskeepthe viewfinderand lenses3. Unloadingthe Film as cleanas possible.To removeloosedust Pullup the rewindknob (#11) to open and dirt,cleanwith a lens brushor soft,lint-the back of the cameraand removethe film free cottoncloth. Do not try to wipe off
cartridge. granulardirt or dust by any othermeansor
you may scratchthe lens.
1 4
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li
6. Smudgessuchas fingerprintsshould Negatives:
be carefullywipedaway with a lenscleaning Negativesare extremelysensitiveto oil
tissue. For difficultmarks,use a liquidlens and scratching.Pleaserememberalwaysto
cleanerand lenstissue. HANDLEDEVELOPEDNEGATIVESTRIPS
7 . Do not leaveyour camerain your car BY THE EDGES. Oil fromyour skinand
or in directsunlightfor any lengthof time. othersubstancesfrom your fingerscan ruin
8. Have all repairsperformedby: otherwiseperfectnegatives.
NISHIKACORPORATION When you requirereprintedcopiesof
your3-dimensionalprints,you mustsupply SERVICECENTER
1 NishikaDrive the originalnegativegroupsin stripsto
Henderson,NV 89014 NishikaCorporation.
IMPORTANT:A copy print cannot be
made from your Nishika 3-dimensional
Photographs: print. The laboratorymust have the orig-
Nishika3-D photographsare printedon inal negativegroup.
a specialhighlydurablematerial.However,
you shouldtreatthesephotographstikeany
otherphoto-sensitizedproduct,and be care-
ful to protectthe surfacefrom scratchesand
liquidswhichmay leavea markor smudge
on the material.
WARNING: Do not mark or write on the
back of your Nishika photographs! Due
to the special translucent material used
for your photographs,the writing or mark-
ing will show through to the front.
1 5
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Severalguidelinesare usedby Nishika
techniciansto determinethe key subjectof a
3-D photo. lf thereis onlyone personin the
picture,that personwill be chosenas the
key subject. lf there are two peopleat dif-
Your NishikaN80003-D camerarepre- ferentdistancesfrom the camera,the key
sentsthe stateof the art in home 3-D photog- subjectwill be the closerperson. In photos
raphy,givingyou photosthat exhibitextraor- wherethereare morethan two peopleat dif-
dinarydepthand realism.The suggestions ferentdistancesfrom the camera,the key
in this sectionwill enab,leyou to makethe subjectwill be the personmostcentrallylo-
best use of your camera,and take the most catedin the midrangeof the composition.
effective3-D photographspossible. Finally,for photoswithoutpeople,the key
subjectwill be the mainsubjectas deter-
Overview minedby the technician,and willusuallybe
The 3-D effectof Nishikaphotographs centrallylocatedin the midrangeof the com-
occurswheneveran objectat one distance position.
from the cameravisuallyoverlapsanother The followingguidelineswillhelpyou
objectat a differentdistance.The most ef- take maximumadvantageof the 3-D poten-
fective3-D photoshave overlappingobjects tial of the Nishikasystem.
in the foreground,midgroundand back-
groundof the composition.
Whenyour Nishika3-D photosare
"keyprocessed,a (main)subject"must be
selectedby the printingtechnician.This key
subjectwill be the focalpointof the photo-
graph,and objectsthat shareits distance
fromthe camerawillexhibitthe mostclarity.
Objectseithertar in frontor far behindthe
key subjectmay be slightlylesssharp.
1 6
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I
General3-DGuidelines
Incorrect
2, Include foreground objects that
visually overlap more distant objects
1. Use your Nishika 3-D camera in a in the composition.
horizontalposition only. The most dramatic3-D effectis
ln the verticalposition,no 3-D effectwill achievedwhen objectsin the foreground
be achieved, cross over or partiallycover more distantob-
jects.
1 7
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3. For the most dramatic 3'D effect, keep
your foreground obiects as close to 6
feet from the camera as Possible.
Foregroundsat 6 feet will yieldmore
dramatic3-D effectsthan the same composi-
tion with the foregroundat 7 feetor more.
4. Avoid having obiects nearerthan 5112
feet from the camera.
The N8000camerahas a focal rangeof
5 112feet to infinitY.
5. For the best 3-D effect, keeP Your
main subiect between 15 and 22 teet
from the camera, with 17 to 20 feet
being optimal.
With the foregroundat 6 feet, however,
good resultscan also be obtainedwith the
main subjectas closeas 10 to 14 feet. This I
is particularlyimportantfor indoorphotog- I
raphy,wherespaceand lightingconditions I
may requirephotographingsubjectsat I
closerdistances.(see the specialinforma- I 6 feet
tion on indoorphotographyat the end of this
section). \ l
\ l
\ t
1 8
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6. Be sure that all objects in your 3-D IndoorPhotography
pictures are well lit, and whenever As can be seen from the General3-D convenient include a variety of bright Guidelinesabove,it is possibleto take effec- colors in your composition. tive Nishikaphotographswith your mainsub-
This will enhancethe 3-D effect,as well ject positionedat a wide rangeof distances
as bringaddedlifeto your pictures. fromthe camera. In well-litoutdoorsettings,
7. Avoid posing subjects against a flat 17 to 20 feet is optimal. For indoorphotog-
background such as a wall. raphy,however,spaceconsiderationsmay
make such distancesimpractical.Further- Posingsubjectsagainstflat back-
groundswill naturallyresultin picturesthat more,the majorityof flashunits,including
lackdepth. the NishikaTwin Light3010,are mosteffec-
tive in lightingsubjectsthat are 14 feet or
Special Guidelines for Photograph- closerto the camera. For thesereasons,it
ing PEOPLE is usuallybest to photographsubjectsat dis-
8. Avoid photographingpeople in the tancesof 10 to 14 feet from the camera
foreground when the main subject is when taking3-D picturesindoors.
at a greater distance from the camera. To maximizethe 3-D effectof indoor
Peoplecan be photographedfrom as photographswith the main subjectat these
closeas 6 feet when they are in fact the closerdistances,rememberto keep your
rnainsubjectof the composition. foregroundas near as possibleto 6 feet
fromthe camera.9. Avoid photographingpeople from
For properexposure,makesure you set farther away than 25 feet.
the lightingselectoron your camerato the'l
0. When photographing a group of Cloudy/lndoorspositionwheneveryou are
people who are all at approximately takinga pictureindoors.
the same distance from the camera,
position them so that there is some
space side-to-sidebetween them.
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lf you haveany difficultywith yourcameraor 3-D prints,the followingguideto commonproble
solutionsmay be helPful.
Problem Solution
1. The film does not advancewhen the film advance 1. When loadingthe film,be surethat a film perfora-
lever is operated. tion hole at the bottomedge of the film is secure-
ly attachedto the hook at the base of one of the
slotsof the take-upspool,and that the film is
drawn tight acrossthe back of the camerabefore
closingthe back door.
2. The shutterdoes not releasewhen the shutter 2. Make sure that the film has been advanced.
releasebuttonis Pressed.
3. The red warninglightin the viewfinderdoes not 3. Use the batterytesterto check that the batteries
come on when the shutterreleasebuttonis par- are loadedproperlyand have sufficientcharge.
tiallydepressed,even thoughthe scene is poorly
tit.
4. The film advanceleverwill not advancethe film 4. Do not forcethe lever,but rewindthe"squeezefilm at this
for the last shot. point. Forcingthe leverin orderto in"
one more picturemay causeexposureoverlap'
More than likely,too muchfilm was woundonto
the take-upspoolduringloading,not leaving
enoughfor the last shot. Make sure to followthe
film loadinginstructionscarefully.
5. The rewindcrankwill not turn to rewindthe film at 5. Be sure that the rewindreleasebuttonat the bot-
the end of a roll. tom of the camerahas been pressedbeforeat-
temptingto rewindthe film.
"S" When 6. Operatethe film advanceleverone full strokeby 6. The expgsureCOunterdOeSnOtreturntO
the back door is openedafterthe film has been pushingit to the rightas far as possible.
rewound.
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