Film cameras
Voigtländer THE BRILLIANT F7.7 User manual
User manual for Voigtländer THE BRILLIANT F7.7. 28 pages in English. Read the original PDF, download or print a copy without registration.
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- Brand
- Voigtländer
- Model / document
- Voigtländer THE BRILLIANT F7.7
- Document type
- User manual
- Language
- English
- Pages
- 28
- File size
- 1.6 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 2 · Read text
The movements in their proper
order when using the Brilliont
Comerq ore 3 -
The camera having been loaded, and
the film wound until the qumber 1 is
in the window in the base of the
camera; the indicator put back to
number 1,
(1) See that the shutter is correctly set.
(2) Open the finder hood.
(3) Judge distance and focus.
(4) Observe the picture in the finder
and release the shutter.
(5) Turn on the film to the next
number.
G
B
R-View original page 2Page 3 · Read text
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Digitally signed by Mike Butkus
cn=Mike Butkus, o,Mike DN:ou=Butkus.org,
Butkus email=mike@butkus.org,Date: 2024.11.24 21:58:13c=US-05'00'
f ig. 1. The Voigtlander Brilliant
Introduction
In. spite of the marvellously simple
construction of the Brilliant Cameral it
has characteristics r,vhich are usuailv glly found complicated apparatus. in You are quif_e_ right to be irioud of your new ',Voigtlander',, ana how satisfied you u'ill be when the first
dozen good pictures are in your hands!
Very tew movements are necessarv
rn'hen making a picturervith the BrillianiView original page 3Page 4 · Read text
Camera; these ferv must however be
understood, we rvould therefore recom-
mend you to read this booklet so that
you are conversant with the handling
of the camera before you start.
I'ig. 2. Find.er hood opeu
The Finder
The finder consists of a large aper-
ture finder lens 8 (fig.1) a mirror inside
the camera and a second lens which is
covered by the folded finder hood whenView original page 4Page 5 · Read text
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the camera is not in use. If you lift the
cover by the knob 7 (fig. 2) the other
three sides open of their own aceord.
If 5'e11 now look dorn'n vertically at this
Fig. 3. looking into the find.er
lens from a distance of about 10", you
rvill see the finder picture (fig.3) the
limits of which coincide exactly with
those of the picture thrown on the film.
It is the right way up, is very brilliantView original page 5Page 6 · Read text
and measures Lslrc"
square, i.e. two thirds
the size of the pic-
ture.
The four pointers
on the edges of the
finder point towards
the middle of the pie-
a ture and enable you
to see that the came-
ra is held correctly.
As a particular size
of the object in the finder always corresponds with a
certain distance from
the object, you can
b determine the fo-
www.butkus.us cussing point with
the aid of the poin-
ters. For example:
if a man 5' 5" tall ap-
pears as in (fig.aa)-
that is, so that the
vierv of him reaches
from top to bottom
of the finder, he is
e exactly 7'7" from the
Fig. a camera. If the viewView original page 6Page 8 · Read text
exposure), and the instantaneous ex-
1/soo Sec. are en-posures from 1 to
graved. The instantaneous speeds are
not engraved as fractions but as rvhole
numbers so that they are easier to
read.
Fig. 5. Compur Shutter
Instantaneous exposures
By turning the ring 17 the required
speed is brought opposite the pointer
on the left hand side of the word*Compur". The speeds from 1 to
1/q6s s€c. are all on the same cam so
8View original page 8Page 9 · Read text
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that the shutter can be set betrveen
any trvo numbers for speeds such as
1/16s s€c. 1/rr which is between 1/ro and
?he shutter must not, however, be set
between 1/1e6 and the highest speed nor
between B and 1 sec. The shutier is set
!V ptessing the lever 12 to the right (seen from the front) as far as it wiltgo. In the ordinary way it does not
matter whether you set the speed or.
the tension first. It is, horvevei. better
rvhen using the highest speecl to set
the ring before the shutter is tensioned,
as setting the ring to this speed after
the shutter has been tensioned is rather
difficult. The shutter can be released
either by pressing the lever 1b or the
wire lelease scre.wed into the nipple 18,
Time exposures
The shutter must not be tensioned for
12liqu exposures, the tensioning leveris locked when the ring is seito ? and
B and if it is forced the shutter will beclamaged. If the letter B is over the
index the shutter will open when pres-
sure is exerted on the wire releaie or
the lever 15 and remain open as long
as the pressure is continued. If youView original page 9Page 10 · Read text
wish to expose for instance three
seconds, you should count as follorvs,
'One little second. Two little seconds.
Three little seconds". At "One" press
the release and at the end of "Three
little seconds" relieve the pressure.
If the letter ? is over the pointer, the shutter is opened by the first
movement of the lever or wire release
and is shut by a second pressure on
either of these. This position is used
for exposures that will last for minutes
(for example, Night Pictures) and when
rvorking rvith flashlight.
Focussing
With the Brilliant F'/4'5 camera, the
focussing scale for 3 ft. to infinity is
engraved on the side of the front lens
cell so that you can control the focussing
and see the finder picture at the same
time (fig.3). In this way time is saved
and mistakes are prevented. By tur-
ning the lens cell the required distance
is easily brought under the index on
the pointer 16 (fig.5). You can of
course also set the focus between the
distances if necessary.
:l*tuuudView original page 10Page 11 · Read text
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lris diophrogm q nd,,Depth of Focus,,
The SkoparFl4'5lens at full aperture
projects a picture of the fobussing
plane absolutely sharp right up to th6 corners. If, horvever, it is wished to
r_eproduce close and distant objects *Deptl at the same time, of tharply Focus" is necessary; this can only be achieved by 'stopping down'
optical law applying to all makes of
lenses.
diaphragm . For this purpose the Iris is provided; it is controlled by tne
lever 19 (fig.5) which moves over the
aperture scale 18 on the bottom of the
Compur Shutter. The smaller the
aperture number, the larg'er is the
opening. The aperture values are so
chosen that the next smaller opening
always needs double the expos-ure oT
that immediately preceding it. Whilst
increasing the "depth of focus" by
stopping down you also increase the
exposure necessary so you should al-
wgys work with the largest possible stop.
The table on the back of tne finder
hood gives some idea of the distribution
of the depth of focus at the different
focussing points with the various dia-
1rView original page 11Page 12 · Read text
phragm openings. If you look along
the horizontal column opposite the
focussing point in question until you
come to the vertical column beneath
the diaphr:agm nurnber, you rvill find
the depth of focus in feet that this
particular setting represents.
Focor-lens"Close-vps" with o
At your photo-dealers you can get a
Portrait Focar-lens No. 64 rvhich rvill
enable you to get a large scale picture
with your Brilliant Camera. If the
Focar lens is placed in position over
the lens cell the focussing is altered to
the follorving: www.butkus.us
With pointer Sharp
40 inches
zn?et 35
13 ,,, 31 t',,,
7)) 27
5), 24 ',t'
3r, 19
In close-ups there is a slight displace-
ment of the finder picture owing to
the unalterable differenee in position
12View original page 12Page 13 · Read text
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of the taking and finder lenses: it
amounts to 1is ttr fe 170 inch. at the front e{qe of the finder. This discrepancy
rvhich is knorvn as *parallax" is mucft
less noticeable in the Brilliant th;; with most finders, so that it can easilvr be allorved for with a litile care.
Portraits are best taken lr,,hen the
head is slighily turned to one side.
Should the Focar lens not fit easiiy, the mount can be pressed in or o"i u little..
Holding fhe Comers
Nlost pictures come out best if you
exp-ose without r,vasting too much 9.an time. The Briltiant Cameri has been
gpe.cia_lly built for this type of picture. It is however a good i<iea to practice
the few movements necessary with the
camera unloaded until eveiything is quite instinctive.
The lanyard fixed to the knob B
(fig. 1) on the side of the camera is put
round the neck. It is so long that the finder comes right d.ista"nce away llru. from the eye, if necessary you can cut
a little off. _ Whilst you aie setting the
shutter and focus and openingi the
13View original page 13Page 14 · Read text
finder hood you should take up a firrn
position as the slightest shake of the
camera during the exposure will result
in double outlines in your pictures.
With the left hand you can hold the
lanyard tight at the same time pressing
Fig. 6. Ilold.ing the camera
the carnera against the chest (fig.6). In
doing this however you must make
sure that the camera is held quite ver-
tical and horizontal as otherrvise the
lines in your picture will all be
crooked. It is quite easy to see whether
14View original page 14Page 15 · Read text
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the camera is held correctly by the four
arrows at the edges of the finder.
Further, when taking pictures of archi-
tecture or such subjects the camera
must on no account be tilted upwards
or downrvards, as this would result in *drunkenso called lines".
The large hooded brilliant finder has
the great advantage that you can watch
the picture not only before but also
during the exposure.
The shutter is most comfortably re-
Ieased with the thumb on the lever
(fig.6) you must however as rvith - anda rifle find the release positionthen press- smoothly without a jerk. If
you find that you are moving the
camera when releasing with this lever,
you had better use the wire release
which should be held in a gentle curve
so that the movement of the hand is
not transferred to the camera.
Exposures of r7* tt' sec. and shorter
can be quite easily made out of the
hand. If you have to expose longer,
the camera must stand still so that you
will place the camera on a table or
other flat surface or the camera should
be screwed on a tripod. For the latter
15View original page 15Page 16 · Read text
eventuality, a tripod bush is incorpo-
rated in the base of the camera. Should
the screw on the tripod be too long,
it must be shortened or a washer must
be placed undemeath the camera as it is
otherwise possible to damage the thread.
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tr'ig. 7. Opeuing the base
Looding the Gomero
On a rollfilm 2r I a X 3r I ,, (B 2) you
can make 12 pictures 2r1,," square with
the Brilliant Camera.
The loading of the camera with roll-
film can take place in daylight as the
actual film is protected by many layers
of light tight paper. You rn'ill of course
16View original page 16Page 17 · Read text
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not load the camera in brilliant sun-
shine but at least in the shadorv of
your own body. To open the film
chamber, lift the clip 20 (fig.7) 'with
the thumb rvhen the base, and after-
rvards the back, (fig.8) can be easily
f ig. 8. Opening the back
opened. By the hinge of the baek is
the film chamber for the empty spool
rvith the film turning knob 1 (fig. 1)
and by the hinge of the base is the film
chamber for the full spool.
First you must put in the empty
spool, to do this pull out the nickelled
17View original page 17Page 18 · Read text
linob 22 (tig. B) on the opposite side of
the film turning knob so that the pindisappears from the inside of the
camera. This knob 22 can be kePt in
this position by turning it slightly to
Fig. 9. Iuserting the empty spool
the right or left. On the inside of the
film turning knob there is a key 2I
(fig.8) which conveys the movement of
the knob to the spool. If you pull out
the polished knob 2 (fig.9) on the film
turning knob the key 2I disappears
from the spool chamber and the empty
spool can be easily inserted (fig.9).
18View original page 18Page 19 · Read text
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You must take care that the slotted end
th" spoo| faces the film turning knob. 9l If the knobs 2 and 22 are alloived to
snap back into place and the film
turning knob is turned a few times to
Fig. 10. Iuserting the full spool
the right the key rvill automatically find
the slot in the spool.
The lower spool chamber by the
hinge of the base has two knobs 6 and
10 (fig. 1) which can be pulled out and
held by turning. This is where you put
the full film spool (fig. 10). Here you
must insert the new film spool so that
19View original page 19Page 20 · Read text
it lies rvith the point of the safety paper
appearing on the hinge side of the
chamber so that the bottom spool turns
emPtYin the same direction as the
spool. As you press the spool tightly
Fig. 11. Attention ! Thread safety paper like thie
against the spring in the film chamber
you can release the knobs and the pins
rvill hold the spool firmlY.
Now remove the seal of the new sPool
with your finger nail, drarv the safetypaper about (' out and take thg Point
underneath the plush light trap (fig.11),
so as to run smoothly over the gliding-
20View original page 20Page 21 · Read text
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rolls provided for this purpose. It is
wrong to d.raw the safety-paper over
the light-trap or to thread it und.er
the glitling-roll as otherrvise the film
u'ould be scratched and the camera
Fig. r2. f ixing the safety paper
thereby damaged. Finally insert the
p-oint of the safety paper in the long
iJ-ot of the empty spool in the upper
{ifm chamber (fig. 12). By turning ihefilm turning knob, the safety paper -should be rolled on one or two fufns.
so that it is lying tightly in the picture
opening of the camera. At the same
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