Film cameras
Sinar F User manual
User manual for Sinar F. 18 pages in English. Read the original PDF, download or print a copy without registration.
18 pagesEnglish7.3 MB PDF

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Document details
- Brand
- Sinar
- Model / document
- Sinar F
- Document type
- User manual
- Language
- English
- Pages
- 18
- File size
- 7.3 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
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Page 6 · Read text
www.butkus.us
Setting up the camera Parallel displacements Swings and tilts for sharp- ness control in dePth
Set up the tripod firmly, with the third Parallel displacement of the lens and
leg to the front. First extend the tripod camera back is possible either by To simplify the control of sharpness
legs before extending the centre direct movement (a) or by indirect distribution in depth, the SINAR-f has
column; this provides greater stability. adjustment (b). The latter is parti- unique aids which are based on the
cularly suitable for long extensions, as proved SINAR two-point focusing
the base rail remains lined up with the principle with great effective base
shooting direction and the centre of length from one edge of the image to
H gravity of the camera is low. This the other. The horizontal tilt axes
arrangement permits also extreme dis- and H' as well as the vertical swing
placements without complication as axes V and V' are marked on the
the sINAR-f still swings without focusing screen.
yawing in this position.View original page 6Page 7 · Read text
For sharpness control in depth as shown, first focus sharply in the H axis, then in the The angle indicator is coupled with
H'axis (or along V and V'as appropriate). The fine locusing knob of the SINAR-f the fine focusing drive. The scales (a)
carries an angle indicator which shows the required tilt angle and direction from show the required degree of tilt. lf you
the difference between the two focus settings. have to turn the knob forward (in the
direction of the arrow pointing towards
the lens. reducing the camera exten-
sion) the black scale applies; where
refocusing involves turning the knob
backwards (in the direction of the
anow pointing towards the focusing
screen. increasing the camera ex-
tension) use the white scale.View original page 7Page 11 · Read text
ze(o.Procedure for sharpness 1. Focus the image as precisely as 2. Set the angle indicatot to
in depth by tilting possible on a point along the H (V) (Push the scale collar S slightlY
or swrngrng axis with the fine focusing drive. lf away from the focusing knob to
the main subject point to be focus- avoid changing the setting of the
Carry out the steps in the sequence ed is not exactly on the H or V axis, latter.)
indicated simply assume the second focusing
point H' (or V') as displaced by
Set all camera movements to zeto, the same amount. Deviations are
including the fine focusing adjustment. not too critical, and can where
Focus in the centre of the image with necessary be covered by a second
the coarse focusing adjustment, leav- readjustment and final compen-
ing the fine focusing drive at zero. sation.View original page 11Page 15 · Read text
6. Now reset the overall sharpness Simu ltaneous sharpness Sharpness control at close
by movement of the rear standard control in two directions range by tilting the lens
(image standard).
Final tilt or swing corrections are First adjust the sharpness distribution With close-ups even slight changes in
simplest to carry out on the rear between H and H'. Then adjust the the position of the lens standard affect
standard. A tilt correction of a few sharpness distribution between V and critical sharpness. In this case adjust
degrees is vital for optimum sharp- V'. As the standards of the SINAR-f the lens tilt first by visual sighting as
ness, but does not noticeably affect do not yaw during swinging even shown, so that the planes of the sub-
the image perspective unless ab- when the camera is inclined, two- ject, the lens standard and the image
solute parallelity of subject lines way sharpness control poses no plane meet in a common point.
is important. problems.View original page 15Page 16 · Read text
The depth of field scale www.butkus.us
By using the appropriate tilts and
swings according to the coincidence-
of-planes principle, you can sharply
focus on inclined subject planes even
at the full lens aperture.
Increased depth of field in front of
and behind such a plane depends,
however, on stopping down. To in-
dicate the extent of stopping down
required, the SINAR-f has two depth
of field scales lor 2tlt x 3'lr inch /
6 x 9cm and for 4x 5 inch / 9 x12cm
pictu re {ormats respectively.*
However, it is always best to aim at
optimum sharpness distribution in
depth first by using the swing and
tilts. The depth of field scale of the 1. First focus on the most important 2. Now focus with the fine focusing
signif icantSINAR-f is then used as follows - distant point (shortest extension) drive on the nearestprovided the lens was first focused of the subject to be sharp. Push the point required sharp (increased
preciseiy at the maximum aperture: scale ring S in the direction of the camera extension). Read off the
arrow and move the aDerture index working aperture to be used for the
f opposite the zero mark (engage- required depth of field and image
ment stop). size on the aperture scale oppo- ' The depth of field scales are based on the tollowing circles of confusion: site the zero index (l/22 in the
size 21lrx 31/r"/6x9 cm : 0,075 mm example; set-this on the lens).
size 4x5"/9x 12cm :0,10 mm 3. Finally turn the focusing knob back to the intermediate value of the
working aperture obtained for this is the optical centre for the depth of field
estabf ished. (ln our example: the working aperture was | /22 and the focus-
ing centre point is then at a position equal to half this value, i.e. f/1 1 ) .
Close-up depth of field The depth of field scales apply to normal focusing Scale of reproduction Correction to aperture
distances up to infinity. shown on scale ,!'t
For close-ups, however, the apenure for a given depth 'l:4 Open lens by ,/o stop
of field can be larger than shown on the scales. 1:2 Open lens by 1rl3 stops
This is useful in view of the greatly increased 1:1 Openlensby2stops
exposures reguired at greater camera extensions. 3:1 Open lens by 4 stopsView original page 16Page 17 · Read text
The operating controls 1. lmage or focusing screen stand- 1 5. Lens standard
aro i 5. L.ocking strips
2. Film holder and focusing screen 17. Tii'. scale (about horizontal axis)
f rame 18. Locking screw of vertical dis-
3. Focusing screen frame lock. To placement
release: depress and push up- 1 9. End screw cap of base rail
waros 20. Locking screlv of coarse dis-
4. Swing scale (about vertical axis) placement
5. Tilt clamping lever (horizontal 21. Attachment system for focusing
axis) screen accessories, e.g. the bin-
6. Fine focusing drive with depth ocular magnifier or binocular
of f ield scale and scale collar reflex magnifier
7. End screw cap of base rail 22. lmage plane index
8. Vertical displacement scale with 23. Lock for accessories like roll film
three engagement stops' holders, Polaroid sheet film hol-
Bottom stop: optical axis of ders, film pack adapters, etc. (after
SINAR-f removal of the focusing screen
Centre stop: optical axis when frame)
used with the SINAR-p and 24. Locking lever for swings (about
SINAR-c vertical axis) and lateral displace-
Top stop: optical axis of SINAR-p ment (slightly release lever for
and Sl NAR-cwiththeS x'l 0inch / swings, release more for lateral
18x24 cm back displacement)
q Base rail (can be extended) 25. Locking screw of vertical displace-
10. Accessory item: The SINAR ment
Auto-Aperture Shutter 26. Locking screw of coarse displace-
11. Swing scale (vertical axis) ment
12. See 8 27. Excentric locking lever for the
13. Rail clamp pan-and-tilt head movement
Locking knob to hold the camera
in the rail clampView original page 17From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.








