Film cameras
Polaroid 240 User manual
User manual for Polaroid 240. 27 pages in English. Read the original PDF, download or print a copy without registration.
27 pagesEnglish2.2 MB PDF

Loading your manual…Open PDF directly
Document details
- Brand
- Polaroid
- Model / document
- Polaroid 240
- Document type
- User manual
- Language
- English
- Pages
- 27
- File size
- 2.2 MB
- Category
- Film cameras
- Document date
- Not specified in catalog
Search available document text
Find a term, then jump to its page in the original PDF. Image-only pages may not be searchable; check the PDF for exact wording and diagrams.
Page 4 · Read text
CONTENTS
GettingAcquainted
Page
I ntroduction 4 Check the temperaturel lt's important 27
How to ooen the camera 5 How to make prints lighteror darker . 28
How to close and cover the camera 6 Care of the print . 29
Howto hold the camera How to use the Cold-Cliowith color film J U
Howto use the viewfinder 8 Troublesomelightingsituationsto avoid 32
How to focus the camera 9 Fast focusingfor pictures made with 3000 speed film ? ?
What you should know about your film 1 0 How to use 3000 speed film in dim light without flash 34
What the Film Speed Dial does . l 1 Flashpictures 35
What the LightingSelectordoes L2
Practicethe 1, 2, 3 system 14 Miscellaneous
You must take care of your camera 36
Operation : Some helpful accessories 5u
How to load a film pack 15 A filter can pep up black and white scenics 39
How to set the camerafor 3000 speed film 18 Close-upsand portraitsare easywith these devices 40
Tips for good natural light black and white pictures 19 Copiesand enlargements 4T
How to set the ca.merafor 75 speed color film 20 Picturetro0bles,their cause and cure 42
Tips for good daylightcolor pictures 2l Protectfilrn and camera from heat 47
How to take a picture 22 Where to write for information 47
How to developthe print 24 Warranty 47
lf no yellowtab appears 26 List of repair stations 48
240 Donated to www.orphancameras.comView original page 4Page 8 · Read text
HOWTO OPENTHE CAMERA GETTINGACQUAINTED
u. O L F . , F I O I D
*i-
l .
l. Magnetholdscoverdown.Lift backeoge. 2. Youcanlet coverhangdownor. . . 3. . . . to removeit, pushspring(A) andlift.
4. Lilt finderfp andback;magnetwill gripit. 5.5. RaiseRaisebuttonbuttonNo.No.1;thisl; thisunlocksunlockscameracamerafront.tront 6.6. PullPullcameracamerafrontfrontoutout asasfarfar asas itit willwill go.so.
PHOTO5, IMPORTANT: Be sure to pull the camera fiont into place. lf the front isn't fully out and locked, your
out until there is a definite click and the locking bar (A) snaps prints will come out all biack, or badly b turred,
This booklet is designed to fit neatly inside the camera cover, under a spring ctip (photo 2).
240 Donated to www.orphancameras.comView original page 8Page 9 · Read text
HOW TO CLOSEAND COVERTHE CAMERA
I
Pressdown on the locking bar. This A magnet holds the finder up. Fold lf you have removedthe cover: to re-
releasesthe f ront of the camera. Push the finder down gently. Try not to bang place it slide the hinge down over the
the front in all the way until it locks. it on the camera. lock spring until it snaps into place
(top). Swingthe cover up and over; the
magneton top of the camerawill hold it.
Donated to www.orphancameras.com 240View original page 9Page 10 · Read text
TO HOLDTHECAMERA GETTINGACQUAINTED HORIZONTAL:Grip the two ends. Placeyour forefingers VERTICAL:Grip the camera as you would for a horizontal on the No. 1 buttons;youcan easilyshift the right forefinger picture,turn it so your right hand is below. Bracethe camera to the No. 2 button. To steady the camera, press your againstyour foreheadand face. elbowsinto your ribs; rest the cameraagainstyour nose. 240 Donated to www.orphancameras.comView original page 10
Page 11 · Read text
HOWTO USE THE VIEWFINDER Looking through the viewfinder window (A) you'll see a subject is very close (3Y2tt.,for example),allow a little extra bright, white broken line. Frame the scene with this line. space betweenyour subject and the top frame line (above). Always try to look through the center of the window and lf not, you may accidentallycut off the top of someone's concentrateon your subject, not on the white line. lf your head in your picture. 8 Donated to www.orphancameras.com 240View original page 11
Page 12 · Read text
HOWTO FOCUSTHE CAMERA GETTINGACQUAINTED '1: \ ::. Lookthroughhereat thebrightspot.r, v PushNo.I buttons. Holding the camera horizontal,place your forefingerson the bright spot; this means that the camera is not focused both No. 1 buttons as shown and push them all the way to for that distance. Pushthe No. 1 buttonsback and forth until your left. Lookthrough the Focuswindowand aim the bright the two images become one - sharp and clear. Now the spot in the center at a nearby subject (about 5 ft. away, camera is focused. For vertical pictures, focus with the for example). You should see two images of your target in camerahorizontal:turn it to aim and shoot. 240 Donated to www.orphancameras.comView original page 12
Page 13 · Read text
WHAT YOU SHOULDKNOWABOUTYOURFILM This camera uses PolaroidLand pack t h e m a t e r i a l s t o m a k e e i g h t p i c t u r e s . films. At presentthere are two: 3000 For each picture there is a piece of speed black and white, Type 107, and n e g a t i v e f i l m , a s h e e t o f p r i n t p a p e r , 75 speed color, Type 108. There may a n d a t h i n f o i l c o n t a i n e r ( t h e p o d ) be additionaltypesof film in the f uture. f i l l e d w i t h t h e j e l l y - l i k e c h e m i c a l s You must know the film speed num- n e e d e d t o d e v e l o p t h e p i c t u r e . ber, 30OO or 75, to set the camera After snapping the picture, you start controlscorrectly(see opposite page). d e v e l o p m e n t b y t h e s i m p l e a c t o f p u l l - However,if you forget the number,just i n g a p i e c e o f p a p e r o u t o f t h e c a m e r a . 3C00speedblackandwhitefilm.Setthecamera's look at the film instructionsheet. This drags the exposed negative, a filmspeeddialto 3000. The film speed number describes sheet of print paper, and a pod of how "fast" (light sensitive)the f ilm is. chemicals between two steel rollers. For example, 75 speed film is tairly T h e p r e s s u r e o f t h e r o l l e r s s q u a s h e s "fast" but should be used in bright t h e p o d , s p r e a d i n g t h e c h e m i c a l s daylight or with flash for good results. between the negative and print paper However, 3000 speed black and t o f o r m a p i c t u r e " s a n d w i c h " . white is 40X as "fast" as 75 speed T h e p i c t u r e d e v e l o p s o u t s i d e t h e color film, so you can make pictures c a m e r a . A f t e r t h e r e c o m m e n d e d d e v e l - with it where there isn't enough light o p m e n t t i m e y o u s e p a r a t et h e s a n d w i c h to use 75 speed film. Of course,you a n d t h e r e i s y o u r f i n i s h e d p i c t u r e . 75soeedcolorfilm. Setthefilmsoeeddialto 75. can use 3000 speed film in daylight or with flash, too. The Polaroidfilm pack containsall 10 Donated to www.orphancameras.com 240View original page 13
Page 14 · Read text
WHATTHE FILM SPEEDDIAL DOES GETTINGACQUAINTED
FILM S PEED
For3000speedblackandwhitefilm.e v For75speedcolorfilm.
P o
FILM SPEED
The Film Speed Dial (A) sets the camera for the kind of sure. To prevent accidentalturning, this dial has a strong
film you are using. For 3000 speed black and white film spring. lt must be turned a rather long way to make it snap
turn the dial to 3000;for T5speedcolorfilm turn to 75. lf you to its next position. The other numbers on the dial (besides
don't do this, the electriceye (B) can't make a correct expo- 75 and 3000) are for films that may be sold in the future.
240 Donated to www.orphancameras.com l 1View original page 14Page 15 · Read text
WHAT THE LIGHTINGSELECTORDOES i.
I
You must set the yellow square in the Lighting Selector
(shown at right) for the kind of light with which the picture Itwill be taken. For example, sunlight outdoors, or flash
indoors,or just room light. I The yellow squares in the Lighting Selector move back
and forth when you push the LightingSelectorKnob (below) With3000speedfilm,usethissideof the LightingSelector.from side to side. Try it a few times. The knob is on the front
of the camera,belowthe lens.
A RWith 3000 speed film P o L
lf there's 3000 speed film in the camera, look at the 30OO
sPEED ol.tt-y side of the Lighting Selector and move the
yellow square next to the label that describesthe lighting
iconditions. Here it's shown set for ourDooRs oR FLASH,
'the right settingfor any picture made in daylightor with f lash.
For picturesby room light, just push the knob to placethe
yellow square next to tNDooRSwtrHouT FLASH.
Pushthe knobto setthe yellowsquare.
L2 Donated to www.orphancameras.com 240View original page 15Page 16 · Read text
GETTINGACQUAINTED
With 75 speed color and all other f ilms except 3000 speed
With any film other than 3OO0 speed film, look at the BRIGHTSUN ONLY
side of the Lighting Selectormarked 75, 150, 300 SPEED.
This side is mainly for use with 75 speed color film. The BRIGHTSUN OR DUIL DAY
other numbers are for films that may be manufacturedin A L S O F T A S H
the future. With75speedcolorfilm,usethissideof the LightingSelector.
Use the Lighting Selector Knob to set the yellow square
next to the label that describesthe lightingconditions.
Remember: You must set the Lighting Selector correctly
in order to get a well exposed picture.
Pushthe knobto settheyellowsquare.
Donated to www.orphancameras.com240 13View original page 16Page 17 · Read text
PRACTICETHE 1, 2, 3 SYSTEM ONE is for focusing. Look through TWOis for shooting.Practicepressing THREE is for resetting. Right after the Focuswindow and aim the bright the No. 2 buttonslowlyuntil the shutter snappinga picture, always push down spot at varioussubjects.Pushthe No. 1 c l i c k s .I n d i m l i g h th o l dN o . 2 d o w na n d No. 3 button firmly until it locks and buttons and practicebringingtogether stay very still until you hear the second staysdown. This resetsthe shutter for the two images of your subject in the click as the shutter closes. Then you the next picture. lf you don't reset No. bright spot to make one clear image. can move and let No. 2 up. 3 button,you won't be able to shoot. t4 Donated to www.orphancameras.com 240View original page 17
Page 19 · Read text
HOW TO LOADA FILM PACK (Cont.)
1. Pushthebackdoorlatch;thedoorwillpopup. 2. 0penit alltheway.Aretherollers(A) clean? 3. Holdthe film packby the edgesas shown,
lf not,cleanthemas describedin thesectionon andpushthe closedendof the packunderthe
careof yourcamera. doorhingeagainstspringtension.
4. Pushtt'e pacl Oo*nintothe camera.You'll b. A S. Checkto be surethatthe whitetabsarenotcaughtbetweenthefilm packandthecamera
feelit snapintoplace. body. Closethebackdoor. Pressbothsidesfirmlyto be surethatbothsideslatch. Theblacktab
of the safetycovermuststickoutof thesmallslot. lf not,reopenthe back,leadthetabout.
16 Donated to www.orphancameras.com 240View original page 19Page 20 · Read text
OPERATION
7. & 8. Pullthesafetycoverall thewayoutof thecamerawithoutstopping.Don'trip it. 9. Withthe safetycoverout, the white
tab(A) shouldstickoutof thesmallslot
(No.4). Don'tpullthewhitetab. You're
nowreadyfor thefirstpicture.
IF NO WHITE TAB APPEARS
1. lf there'sno whitetabin theNo.4 2. 0penthebackof thecamerapartwayand,without 3. Closethebackof thecamera,makingsurethatboth
slot,dothefollowingin theshadeor disturbingor movingthe film pack,pushthe white sidesarelockedsecurelyandthewhitetab is outside
indoors,notin brightsun. taboutintotheopen. in the No.4 slot.
240 Donated to www.orphancameras.com t7View original page 20Page 21 · Read text
HOWTO SET THE CAMERAFOR3OOOSPEEDFILM
Movetheknobto settheyellowsquarefor thelightingcon0ltions.
RAo A RAo
OUTDOORSOR FLASHSETTING: Use this for all subjects DIM LIGHT SETTING: Use this for pictures without flash
in daylightoutdoors,in bright sun, in the shade,or on cloudy indoors,in dim daylight,and outdoorsat night.
days. lt's also for all flash pictures. Turn the Film SpeedDial to 3000. With light from windows
Turn the Film Speed Dial to 3000. Set the dot on the or fluorescents,set the dot on the Lighten/Darkencontrol (A)
Lighten/Darkencontrol (A) as shown. This is the Normal at Normal position,as shown. With ordinarytungsten bulbs,
positionfor the L/D control. set it two marks toward Lighten.
Donated to www.orphancameras.com 24018View original page 21Page 22 · Read text
TIPS FORGOODNATURALLIGHT BLACKAND WHITE PICTURES OPERATION
OUTDOORS Don't move; hold down No. 2: In dim light,exposuresmay
Use bright, even light, coming from behind you: Place be as long as severalseconds, Use a tripod or other support
yourself so the light on the subject is coming over your to steadythe camera. Hold No. 2 button down until you hear
shoulder. Don't have the subject betweenyou and the sun. the shutter click a secondtime as it closes,
For portraitsyou'll get best resultswhen a cloud blocksthe ALL PICTURESdirectsun, or on an overcastbut bright day, or in open shade.
For scenic pictures,avcid high overheadsun. Move in close: The biggeryour subject is in the print, the more details you'll be able to see. For scenic pictures,try Watch the background: The light on the background,
behind your subject,should be just about as bright as the to get somethingbig and solid looking into the foreground.
light on the subject. Don't photographsomeonein the shade Time development carefully: Followthe recommendations
if the backgroundis out in the open and brightly lit. Strong in the film instructionsheet. These may changefrom time
light behind the subjectwill "fool" the electriceye (page32). to time. With black and white film no harm is done if you
overdevelopfor a few extra seconds; in fact, it may improve
some pictures. However, if you develop for less than the
INDOORS(with 3000 speedfilm only) recommendedtime, your pictures will be of poor quality,
Have even light coming from behind you: Whether the with a gray, washed-outlook.
light is coming from a windowor from lamps it should come Keep an eye on the temperature: Cold weather can affect
from behindyou or from directlyoveryour head. The electric the q uafity of your pictures. Be sure to read carefully page27,
eye can set correctexposurein quite dim light, if the sceneis which explains how the temperature affects your pictures
evenlylit. But if part of the scene is brightly lit and the rest and what to do about it.
is in shadow you won't get good results. lf your picture is too dark or too light: Use the L/D control
Don't includewindowsor lamps: lf there'sa sunlit window as shown on page 28 to make the next one of the same sub-
or a strong lamp behind your subject or elsewherein the ject, in the same locationand lightingconditions,come out
scene,this light will "fool" the electriceye (page32). exactlyas you want it to.
Donated to www.orphancameras.com240 19View original page 22Page 23 · Read text
HOWTO SET THE CAMERAFOR75 SPEEDCOLORFILM r
&*1; t2'*#{t"*
Settheyellowsquareas shownfor mostcolorpictures. Thissettingis usedonlyfor specialsituations.
P o L A R o D P o L A R o D
ALI-PURPOSESETTING:Use it for practicallyallyour color EXTRA DEPTH SETTING: Use it only for subjects in
pictures- in bright sun, in the shade,or on a dull day. Also brightest sun, or when you want to add "depth" to your
for flash picturesindoorsor for long exposuresin dim light. picture by getting more near and far objects into focus at
At this settingthe lens is at its widest openingand you must the sametime. The lens openingis smallerand the shutter
focuscarefully. Checkthat the Film Speed Dial is set to 75. speed slowerthan at the All-Purposesetting. Checkthat the
Film Speed Dial is set to 75.
Set the L/D control as shown,Donatedunless instructionsto www.orphancameras.comprinted on the film pack show a different setting. 24020View original page 23Page 24 · Read text
TIPS FORGOODDAYLIGHTCOLORPICTURES OPERATION
Use bright sun, coming from behind you: You'll get strong- shirt, scarf, or jacket. Or, find a colorful background-
est colorsif your subjectis in bright sun (but you can alsoget anythingthat will fill at least one-thirdof the picture area 'pleasing results on an overcast but very bright day). Stand with strong, solid color.
so the light on the subject is coming over your shoulder. Time developmentcarefully: Followthe recommendations
Don't havethe subjectbetweenyou and the sun. in the film instructionsheet. These may change from time
Avoiddim light: The shutter movesslowlyand your picture to time. Use an accuratetimepiece. lf you have a polaroid
may be blurred. DevelopmentTimer, check it occasionallyagainst a watch
Move in close: The biggeryour subject is in the print,the with a second hand; if it's fast or slow, allow for this when
more color and detail you'll see. For scenic pictures,try developing your pictures. A few seconds overdevelopment
to havesomethingbig and colorful in the foreground. is not harmful, but prints that are much overdevelopedmay
look too bluish; those that aren't developed long enough Focuscarefully on the main subject: lt will be sharp, but will have a pinkish cast and the colorswill be weak, hIobjectsmuch farther or nearer may betuzzy.
Watchthe background:The lighton the backgroundshould Keep an eye on the temperature: Cold weather or excessive
be just about as bright as the light on the subject. Don't heat can affect the quality of your pictures. Be sure to read
photographsomeonein the shade if the backgroundis out page 27, which explains how the temperature affects your
in the open and brightly lit. The strong light behind the picturesand what to do abor"rtit.
subjectwill "fool" the electriceye (page32). lf your picture is too dark or too light: Use the L/D control
Have plenty of color: Look for sublects and backgrounds as shown on page 28 to make the next one of the same sub-
with strong, bright colors in big, solid chunks. lf your sub- ject, in the same locationand iightingconditions,come out
ject isn't wearing colorful clothes, add color with a bright exactly as you want it to.
Never try to use flash with daylight color pictures.
240 Donated to www.orphancameras.com 2 lView original page 24Page 26 · Read text
OPERATION
Efr
S H O O T : F i r m l y b u t s m o o t h l y p r e s s b u t t o n l \ o . 2 , t h e RESET:lmmediatelyafter snappinga picture,press t ?
e s h u t t e r r e l e a s e , u n t i l y o u h e a r a l o u d c l i , : k . D o n ' t t No.3 buttondownfirrnlyurrtilit locksand staysdown.
j a b a t N o . 2 - y o u m a y s h a k e t h e c a m e r a . W h e i r s h o o i i n g This r,:setsthe shutterso yor'll be readyfor the next picture.
c o l o r i n t h e s h a d e o r b l a c k a n d w h i t e i n d i m l i g h t h o l d N o . 2 Alwaysreset No. 3 right away.
d o w n a n d d o n ' t m o v e u n t i l y o u h e a r a s e c o n d ' : l i c k a s t h e
s h u t t e r c l o s e s . T h e n l e t N o . 2 b u t t o n c o m e u p .
240 Donated to www.orphancameras.com 23View original page 26Page 27 · Read text
HOWTO DEVELOPTHE PRINT
f,{- 1
r:.!
I-'1 First,thesmallwhitetab. Pullit all thewayoutof thecamera.Don'tblockthedocr(A). Next,the largevellowtab. I
'?A PULLTHE TABS: Hold the camerain your left hand, When you pull the yellow tab, hold the camera so the lens as shown. (Don't hold it any other way!) Graspthe faces straight ahead of you, not pointing down. This, plus
srrrallwhite tab betweenthe thumb and forefingerand pull grippingthe centerof the tab, helpsyou to pull it out straight.
it straight out of the camera, all the way, without stopping. Pull the yellow tab straight out of the camera all the way, When you pull the white tab out, a concealed door (A) swiftly,without hesitating. This starts developmentof your opensand a yellowtab popsout. Don'tblockthis door in any picture,so begin timing as soon as you get the tab out. How way while pullingthe tabs. fast is a swift pull? lt shouldtake about as long as it takes Pulling the small white tab does not start development. you to say "PULL lT" briskly,each time you pull the tab. lf It only preparesthe filmlor the next step, which is pulling your pictureis f ull of white specks,pull a bit slower. the yellowtab. Grip the yellow tab in the center so it will
come out straight when you pull it out of the camera. lf you The picture develops outside the camera. While it's de-
pull the yellow tab dut at an angle,one edge of your picture veloping, l';oldthe tab by the yellow tip, or lay the picture
may not developproperly. , assemblyuown f lat. Don'ttouch or bend the white paperor
Donated to www.orphancameras.com 240View original page 27From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.











