Film cameras
POLAROID 350 User manual
User manual for POLAROID 350. 53 pages in English. Read the original PDF, download or print a copy without registration.
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- Polaroid
- Model / document
- POLAROID 350
- Document type
- User manual
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- English
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- 53
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- 5.7 MB
- Category
- Film cameras
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www.orphancameras.com YOURFIRSTPICTURE! To be surethat it's a success,we suggestthat you makeit indoors withflash,exactlyas describedon page20. BUT, beforey.oustart,pleasereadthis bookcarefullyso youwill knowhow to usethe cameraandwhereto lookfor anyjnformation.lf you do notfollowthe instructions,youwill notgetgoodpictures.View original page 3
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CONTENTS
GettingAcquainted
Knowyour camera.. . . 2 C a r eo f t h e p r i n t . r . . . . 29
Howto make a picture: a quick look.. 4 How to use the Cold-Clipwith colorfilm. . . . 30
How to open and closethe camera.. . . . 6 You must take care of your camera 32
How to hold the camera 7 H o w t o u s e 3 0 0 0 s p e e df i l m i n d i m l i g h t w i t h o u t f l a s h . . 34
How to aim and focus the camera. . . . . 8 Whento use the enteHT suN oNLYsetting.... 36
The controls. . . and what theY do 1 0
How the L/D controlmakesprints lighteror darker..... 1 L
What you should know about your film L 2 Miscellaneous
Some helpful accessories.. . . 37
Operation Close-upsand portraitsare easy with these devices.... 3B
How to load a film pack 13 A filter can pep up blackand white scenicpictures...... 39
How to set the camerafor daylightand flash pictures... 1 6 Copiesand en largements 40
How to attachthe flashgun... 18 Picturetroubles,their causeand cure. 4 L
Howto make f lash pictures.. . 20 Protectfilm and camerafrom heat 46
How to make daylightpictures ... .. i 22 Whereto write for information. 46
How to developthe picture 24 Warranty. 46
Checkthe temperature 27 Polaroidrepairstationsand offices... .. 47
lf no yellowtab appearswhen you pull the white tab.... 28 CAUTIONnotice 48
350View original page 4Page 11 · Read text
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HOW TO AIM AND FOCUSTHE CAMERA
I t ' s e a s y t o g e t s h a r p , w e l l f r a m e d p i c t u r e s w i t h t l t e M o d e l
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s p e c i a l l yf o r i t b y t h e f a m o u s G e r m a n f i r m Z e i s s l k o n .
A s y o u l o o k t h r o u g h t h e w i n d o w ( A ) y o u ' l l s e e t w o t h i n g s :
F i r s t , t h e v i e w fi n d e r - a w h i t e f r a m e l i n e t h a t s h o w s h o w
m u c h o f t h e s c e n e w i l l b e i n t h e p i c t u r e . S e c o n d ,t h e r a n g e -
f i n d e r a b r i g h t s p o t i n t h e c e n t e r .
H o l d t h e c a m e r a h o r i z o n t a l a s s h o w n . P l a c e y o u r f o r e -
f i n g e r s o n b o t h N o . 1 b u t t o n s a n d m o v e t h e m a l l t h e w a y t o
y o u r l e f t . L o o k t h r o u g h t h e f i n d e r w i n d o w a n d a i m t h e b r i g h t Lookthroughhere. Aim brightspotat subject.
s p o t i n t h e c e n t e r a t a s u b j e c t a b o u t 4 f t . a w a y .
Y o u s h o u l d s e e t w o i m a g e s o f y o u r t a r g e t i n t h e b r i g h t s p o t .
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y o u m a d e a p i c t u r e n o w i t w o u l d b e o u t o f f o c u s a n d f u z z y .
P u s h t h e N o . 1 b u t t o n s b a c k a n d f o r t h u n t i l t h e t w o i m a g e s
i n t h e b r i g h t s p o t b e c o m e o n e s h a r p a n d c l e a r . N o w t h e
c a m e r a i s f o c u s e d . T h e t r a m e a u t o m a t i c a l l ya d j u s t s t o s h o w
w h a t w i l l b e i n t h e p i c t u r e . C e n t e r y o u r s u b j e c t . S h o o t .
F o r v e r t i c a l p i c t u r e s , y o u c a n f o c u s w i t h t h e c a m e r a h o r i - t'**
z o n t a l ; t u r n i t t o v e r t i c a l p o s i t i o nt o a i m a n d s h o o t .
T h e c l o s e s tf o c u s i n gd i s t a n c ew i t h t h e r a n g e f i n d e ri s a b o u t PushNo.I buttonsbackandforth;watchthe brightspot.
3 r / zf t l f y o u w a n t t o c o m e c l o s e r t h a n 3 r / z f t , y o u m u s t u s e
e i t h e r t h e p o r t r a i to r c l o s e - u pk i t d e s c r i b e do n p a g e 3 8 .
3 s 0View original page 11Page 15 · Read text
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WHATYOUSHOULDKNOWABOUTYOURFILM
T h i s c a m e r a u s e s P o l a r o i d L a n d p a c k t h e c h e m i c a l s b e t w e e n t h e n e g a t i v e
f i l m s . A f i l m p a c k c o n t a i n s a l l t h e a n d p r i n t p a p e r t o f o r m a p i c t u r e
m a t e r i a l st o m a k e e i g h t p i c t u r e s . F o r " s a n d w i c h " .
e a c h p i c t u r e t h e r e i s a p i e c e o f n e g a t i v e T h e p i c t u r e d e v e l o p s o u t s i d e t h e
f i l m , ? S h e e t o f p r i n t p a p e r , a n d a t h i n c a m e r a . A f t e r t h e r e c o m m e n d e d d e -
f o i l c o n t a i n e r ( t h e p o d ) f i l l e d w i t h t h e v e l o p m e n t t i m e y o u s e p a r a t et h e s a n d -
j e l l y - l i k ec h e m i c a l s n e e d e d t o d e v e l o p w i c h a n d t h e r e i s y o u r f i n i s h e d p i c t u r e .
t h e p i c t u r e . A t p r e s e n t t h e r e a r e t w o p o l a r o i d
A f t e r s n a p p i n g t h e p i c t u r e , y o u s t a r t p a c k f i l m s a v a i l a b l e :3 O 0 Os p e e d b l a c k
d e v e l o p m e n t b y p u l l i n g a p i e c e o f a n d w h i t e , T y p e I O 7 , ? n d 7 5 s p e e d
p a p e r o u t o f t h e c a m e r a . T h i s d r a g s c o l o r , T y p e 1 0 8 . T h e r e m a y b e a d d i -
t h e e x p o s e d n e g a t i v e , a s h e e t o f p r i n t t i o n a l t y p e s o f f i l m i n t h e f u t u r e .
p a p e r , a n d a p o d o f c h e m i c a l s b e t w e e n Y o u m u s t k n o w t h e f i l m s p e e d n u m -
t w o s t e e l r o l l e r s . T h e p r e s s u r e o f t h e b e r , 3 0 0 0 o r 7 5 , t o s e t t h e c a m e r a
r o l l e r s s q u a s h e s t h e p o d , s p r e a d i n g c o n t r o l s c o r r e c i l y .
A n i m p o r t a n t l a b e l : O n s o m e c o l o r f i l m
p a c k s y o u m a y s e e a l a b e l ( A ) a d v i s i n g
y o u t o t u r n t h e L i g h t e n l D a r k e n c o n t r o l
t o a s p e c i a i s e t t i n g f o r a l l p i c t u r e s
C A U T I O N : P l e a s e b e s u r e t o r e a d t h e m a d e w i t h t h a t p a c k . P l e a s e d o s o , o r
im portant notice on page 48. y o u r p i c t u r e s m a y b e t o o d a r k .
L2 3s0View original page 15Page 16 · Read text
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HOW TO LOAD A FILM PACK
A s s o o n a s y o u o p e n t h e f i l m p a c k y o u w i l l b e g i n t o a c c u m u -
late waste paper. There will be more when you develop the
pictures. We hope that it won't become litter in the streets
or be scattered around the landscape.
W h a t t o d o w i t h t h e w a s t e p a p e r ? U s u a l l y , i t w i l l f i t i n t o
a n e m p t y f o i l b a g o r f i l m b o x . O r , i f y o u ' r e p l a n n i n g t o t a k e
f ots of outdoor pictures, bring along a paper bag or other
c o n t a i n e r f o r w a s t e . E v e r y o n e w i l t a p p r e c i a t e t h i s l i t t l e A#e extra effort on your Part.
frE:
O p e n t h e t o p o f t h e b o x . P u l l o u t t h e f i l m p a c k a g e . H a n d l e i t b y t h e e d g e s o n l y . W i t h c o l o r f i l n r t l r e r e ' s a s e t o f m o u n t s ;
t e n t l y , c a r e fu l l y . H o l d t h e p a c k a g e n e a r t h e e d g e s . D o n ' t w i t h b l a c k a n d w h i t e f i l m t h e r e ' s a c o a t e r . P l e a s e r e a d t h e
p r e s s h a r d o n t h e m i d d l e o f t h e p a c k a g e . S t a r t i n g a t t h e i n s t r u c t i o n s h e e t . S a v e t h e b o x t o c a r r y p r i n t s i n s a f e l y . l t
c o r n e r , t e a r o p e n t h e e n t i r e s i d e o f t h e f o i l b a g a l o n g t h e c a n a l s o b e v e r y u s e f u l w h e n c o a t i n g b l a c k a n d w h i t e p r i n t s .
d o t t e c ll i n e a n d r e m o ' r et h e f i l m p a c k . D i s c a r dt h e m o i s t u r e A l w a y s o p e n t h e p a c k a g e a n d l o a d f i l m i n t h e s h a d e , n o t
a b s o r b i n gc a r d s u p p l i e d w i t h c o l o r f i l m . H a n d l e t h e p a c k i n d i r e c t s u n l i g h t , t o a v o i d f o g g i n g t h e f i l m .
3 5 0 13View original page 16Page 17 · Read text
LOADING(Cont.) www.orphancameras.com
*V's
1 . P u s ht h ebackdoorlatch; thedoorwill popup. 2. }pen it all the way. Arethe rollers(A) clean? 3. Holdthe film pack by the edgesas shown,
lf not,cleanthemas describedon page32. and pushthe closedend of the packunderthe
doorhrngeagainstspringtension.
4 . P u s ht h e p a c kd o w ni n t o t h e c a m e r a y. o u ' l l 5. & 6. Checkto be surethatthewhitetabsarenotcaughtbetweenthefilmpackandthecamerabody.
feelit snapiirtoplace. Closethe backdoor. Pressbothsidesfirmlyto be surethatbothsideslatch.Theblacktabof thesafeiy
covermuststrckout of the smallslot. lf not,reopenthe back,leadthe tab out.
L4 3 5 0View original page 17Page 18 · Read text
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7 . G r i pt h e b l a c kt a b . Th is t h e e n d o f t h e 8. Pull the safetycovera l l t h e w a y o u t o f t h e 9. With the safetycoverout, a wltitetab (A)
safetycover. camerawithoutstopping.D o n ' rt i p i t . shouldstickout of the smallslot(No.4). Don't
pullthe tab. You'renowreadyfor pictureNo. 1.
1 . l f t h e r e ' ns o w h i t et a b i n t h e N o . 4 2 . C p e nt h e b a c ko f t h e c a m e r ap a r tw a y a n d , 3. Closethe backof the camera,makingsure
t h e f c l l o w r r ri gn t h e s h a d eor i ndoors, w i t h o udt i s t u r b i nogr m o v i n gt h ef i l m p a c k p, u s h thatbothsidesarelockedsecurelyandthe white
b r i g h st u n l i g h t t h e w h i t et a b o u t i n t ot h e o p e n t a b i s o u t s i d ien t i i eN o . 4s l o t
3 5 0 1 5View original page 18Page 19 · Read text
www.orphancameras.com HOW TO SET THE CAMERAFORDAYLIGHTAND FLASHPICTURES F O R 7 5 S P E E D C O L O R POLAR 7 5 - 1 5 0 . 3 0 0 S P E E D ; I F i l m S p e e d D i a l ( A ) : S e t i t t o 7 5 . L i g h t e n l D a r k e n c o n t r o l : S e t i t t o t h e N o r m a l p o s i t i o n ( s h o w n ) u n l e s s a l a b e l L i g h t i n g S e l e c t o r ; M o v e t h e k n o b t o s e t o n t h e b a c k o f t h e f i l m p a c k ( A ) s h o w s a s p e c i a i s e t t i n g . y o u c a n o p e n t h e b a c k t h e y e l l o w s q u a r e a s s h o w n f o r a l m o s t o f a l o a d e d c a m e r a t o s e e i f t h e r e i s s u c h a l a b e l . l f y o u d o t h i s c a r e f u l l y i n t h e a l l c o l o r p i c t u r e s . s h a d e o r i n d o o r s a n d d o n ' t m o v e t h e p a c k , t h e f i l m w i i t n o t b e d a m a s e d . B R I c H TS U N O N L y i s a s p e c i a l p u r p o s e s e t t i n g ; u s e i t a s d e s c r i b e d o n p . 3 6 . 15 350View original page 19
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HOW TO ATTACH THE FLASHGUN www.orphancameras.com ryffi
H o l d t h e g u n a s s h o w n a n d m o v e i t - . P r e s s t h e b a c k o f t h e g u n d o w n a n d P u s h t h e p l u g i n t o t h e o u t l e t ( A ) .
t o w a r d t h e c a m e r a s o t h e f r o n t h o o k m o v e t h e l e v e r a s s h o w n . W h e n t h e Remove the plug before making any
c a t c h e s t h e e d g e o f t h e c a m e r a f r a m e . g u n i s f l a t , r e l e a s e t h e l e v e r . A r e a r p i c t u r e s w i t h o u t f l a s h . l f y o u d o n ' t ,
h o o k o n t h e g u n w r l l c a t c l i . y o u r p i c t u r e s w i l l b e t o o d a r k .
18 3 5 0View original page 21Page 22 · Read text
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T h i s i s h o w t h e g u n l o o k s i n p l a c e . : - . T o p u t i n a f l a s h b u l b , o p e n t h e b l u e u . T o r e m o v e a u s e d b u l b , o u s h t h e
T o r e m o v e i t : p u l l o u t t h e p l u g , p u s h s h i e l d , p u s h t h e b u l b i n t o t h e s o c k e t r e d b u t t o n ( A ) . P u t u s e d b u l b s i n a
t h e l o c k i n g l e v e r t o d i s c o n n e c tt h e r e a r u n t i l i t c a t c h e s . C l o s e t h e b l u e s h i e l d w a s t e b a s k e t , a w a y f r o m c h i l d r e n ,
h o o k , l i f t t h e g u n f r o m t h e r e a r . b e f o r e s h o o t i n g y o u r p i c t u r e . a n i m a l s , a n d e v e r y b o d y ' sf e e t .
U s e o n l y M - 3 ( c l e a r , n o t b l u e ) f l a s h b u l b s .
3 5 0 19View original page 22Page 35 · Read text
YOU MUST TAKE CAREOF YOUR CAMERAwww.orphancameras.com K E E P T H E R O L L E R S C L E A N : S i g n s f r e c l u e n t l y : i f p o s s i b l e , d o i t b e f o r e y o u r f i n g e r n a i l . O p e n t h e t a b s l o t d o o r ; t l r a tt t r e yr r e e dc l e a n i n ga r e ( 1 ) a y e l l o w l o a c l i n ge a c h n e w f r l m p a c k . L i f t u p c l e a n o u t a n y d i r t a r o u n d t h e t a b s l o t t ; t [ ; c i c i e sn o t p o p o u t v y l r e na w h i t e t a b t h e r e c ll a t c t r( A ) . S w i n g o u t t l r e r o l l e r s ; ( B ) B l o w o u t l i r r t o r d u s t i n t h e t r a c k r s ; r u l l e r .c l( ? ) d e v e l o p e rc i r e n r i c a l sa r e t u r n a r r d i n s p e c t t h e m , e s p e c i a l l y a t o f t l - i e c a m e r a . P u s h t l r e r o l l e r a s - s n r c r a i ' e col n t h e b a c k o f a p i c t u r e : t h e e r r d s . ! V i p e t h e r o l l e r s c l e a n w i t h s e n r b l yb a c k i n t o p l a c e . ( 3 ) t l r e r e a t r e r e p e a t e c Js p o t s o n t l ' r e a c J a m pc l o t l r , c l r y t h e n r . N e v e r s c r a p e 1 , r C Cc t t t l r e t - ' r i r t t .l r t s p e c t t h e r o l l e r s t l r e n r w i t l r a n y t I i i n g m e t a i l i c , n o r i v i t l r 3 2 3 5 0View original page 35
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C L E A N T H E L E N S G E N T L Y : N e v e r u s e R E P L A C E B A T T E R I E S E V E R Y Y E A R : r e p l a c e t h e f l a s h g u n b a t t e r y , r e f i t o v e
s i l i c o n e c o a t e d e y e g l a s s t i s s u e o n i t . T h e r e a r e t w o b a t t e r i e s i n t h e c a m e r a t h e s c r e w s ( C ) a n d b o t t o m p l a t e . l n -
B l o w d u s t o f f c r b r u s h i t o f f l i g h t l y . b a c k . O n e ( A ) p o w e r s t h e e l e c t r i c e y e s t a l l n e w b a t t e r i e so f t h e s a m e o r e q u i v -
B r e a t h e g e n t l y o n t h e l e n s t o m o i s t e n a n d s h u t t e r c o n t r o l s . l f i t ' s w e a k , y o u ' l l a l e n t t y p e i n t h e s a m e p o s i t i o n a s t h e
i t , w i p e l i g f r t l yw i t h c l e a n , c l r y ,a b s o r b - g e t a l l l l l a c k p r i n t s . T h e o t l r e r ( B ) i s f o r o l d o n e s . S e e y o u r P o l a r o i d L a n d
c n t c o t t o r i . A l s o c l e a n t h e l e n s o v e r t h e e l e c t r o n i c t i m e r . T o g e t a t t t r e r n , c a m e r a d e a l e r f o r b a t t e r i e s .
t i r e e l e c t r i c e y e p r V o p e n t h e c o m p a r t m e n t d o o r . T o
3 5 0 3 3View original page 36Page 39 · Read text
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HOW TO USE 3OOOSPEEDFILM IN DIM LIGHT WITHOUTFLASH
l f t h e r e ' s e n o L r g hl i g h t t o r e a c lc o m f o r t -
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m a [ < e g o o d b l a c k a n d w h i t e p i c t u r e s
i n d c o r s ( o r o u t d o o r s i n d i m i i g h t ) v r i t h -
o r , t f l a s h . S e t t h e c a m e r a a s s h o w n o n
t h e o p p o s i t e p a g e .
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y o u r p i c t u r e s w i l l b e b l u r r e d . T r y t o
p l a c e y o u r s u b j e c t s s o t h e l i g h t o n
t h e n r i s e v e n .
i n v e r y d i n r l i g h t t h e e l e c t r i c e y e
w i l l m a k e a t i m e e x p o s u r e ,w h i c h m a y
b e a s l o n g a s s e v e r a l s e c o n d s . H o l d L i g h t i n g t o a v o i d : B r i g h t l i g h t i n t h e H o w t o h o l d s t e a d y : R e s t y o u r e l b o w s
t ' . 1 o2 . b u t t o n d o w n a n d d o n ' t m o v e u n t i l s c e n e w i l l " f o o l " t h e e l e c t r i c e y e a n d o n a f i r m s u p p o r t , u s e a t r i p o d , o r
y o u l r e a r t h e s e c o n d c l i c k a s t h e m a k e y o u r s u b j e c t t o o d a r k . p l a c e t h e c a m e r a o n a t a b l e , e t c .
s h u t t e r c l o s e s . - l - h i s
k i n c l o f l i g h t i n g i s n o t r e c o m -
m e n d e d f o r c o l o r p i c t u r e s u n l e s s y o u
a r e t r y i n g f o r s p e c i a l e f f e c t s ; f o r s u c h
p r i c t lri e s , s e t t h e c a m e r a a s s h o w n o n
p a s e 1 e , .
3 4 35 0View original page 39Page 45 · Read text
COPIESAND ENLARGEMENTS www.orphancameras.com I t ' s e a s y t o g e t c o p i e s a n d e n l a r g e m e n t s , b o t l r i n c o l o r a n d b l a c k a n d w h i t e ; 3 5 m m s l i d e s c a n a l s o b e m a d e f r o m y o u r f a v o r i t e P o l a c o l o r p i c t u r e s . J u s t u s e t h e f o r m p a c k e d w i t h y o u r f i l m o r c a m e r a t o o r d e r t h e m f r o m P o l a r o i dC o p y S e r v i c e . T h e r e p r o d u c t i o n sa r e s h a r p ,c l e a r , a n d r e m a r k a b l y f a i t h f u l t o y o u r o r i g i n a l P o l a r o i d p i c t u r e . C o p i e s a r e a v a i l a b l e i n e i t h e r t h e p o p u l a r 3 1 / ax 4 r , / ai n . s i z e o r t h e 2 ! / z x 3 1 , 6i n . w a l l e t s i z e . B e a u t i f u l m o u n t e d e n l a r g e m e n t s c a n b e m a d e i n 5 x 7 i n . o r B x 1 0 i n . s i z e s . T h e y m a k e h a n d s o m e g i f t s f o r b i r t h d a y s o r a n n i v e r s a r i e s . Y o u c a n a l s o o r d e r h o l i da y g r e e t - i n g c a r d s f e a t u r i n g y o u r f a v o r i t e P o l a r o i d L a n d p i c t u r e . S e r v i c ei s p r o m p t a n d a s c o n v e n i e n ta s y o u r m a i l b o x . 40 3 5 0View original page 45
Page 48 · Read text
www.orphancameras.com
M A N Y W H I T E S P E C K S M U D D Y L O O K I N G P R I N T S U B J E C T F U Z Z Y , R E S T S H A R P
T h e y a r e a s i g n t h a t y o u p u l l e d t h e I t w a s n ' t d e v e l o p e d l o r r g e n o u g h . D e - l f t h e s u b j e c t d i d n ' t m o v e b u t i s u n -
y e l l o w t a b t o o s w i f t l y ; s l o w d o w n a b i t . v e l o p b o t h b l a c k a n d w h i t e a n d c o l o r s h a r p y o u d i d n ' t f o c u s c a r e t u l l y . C h e c k
S o m e t i m e s ,w h i t e s p e c k s m a Y a P P e a r p r i n t s f o r t h e f u l l t i m e r e c o m m e n d e d p a g e s B a n d 9 t o b e s u r e t h a t Y o u a r e
o n l y a t o n e s i d e o f t h e p i c t u r e . T h e i n t h e f i l m i n s t r u c t i o n s h e e t . T h i s i s f o c u s i n g i r r t h e p r o p e r m a n n e r .
c a u s e i s t h e s a m e . m o s t i m p o r t a n t i n c o o l o r c o l d w e a t h e r .
S e e p a g e 3 0 f o r d e t a i l s o f h o w t o u s e
t h e C o l d - C l i pw i t h c o l o ( p r i n t s . l f y o u
d o n ' t d e v e l o p l o n g e n o u g h ,c o l o r p r i n t s
w i l l b e b r o w n i s l t p i n k o v e r - a l l ; b l a c k
a n d w h i t e s w i l l b e n r u d d y g r a y .
35 0 43View original page 48Page 49 · Read text
PICTURE TROUBLES (Cont.) www.orphancameras.com
ffiU N D E V E L O P E DE D G E S O R C O R NE R S O R A N G E - R E DM A R K S A L O N G E D G E O B L O N G I N P R I N T
U s u a l l y c a u s e d b y p u l l i n g t h e y e l l o w R e d d i s h - o r a n g em a r k s l i k e t h e s e ( A ) T h e o b l o n g i s p i n k o r r e d i n a c o l o r
t a b o u t a t a n a n g l e . W h e n t h i s h a p p e n s a l o n g t h e e d g e a n dl o r i n t h e c o r n e r s p i c t u r e . Y o u d i d n ' t p u l l t h e w h i t e t a b
t h e d e v e l o p e r i s n o t s p r e a d e v e nl y o f t h e p r i n t g e n e r a l l y i n d i c a t e t h a t t h e a | | t h e w a y o u t o f t h e c a m e r a . A s a
o v e r t h e p i c t ur e a n d e d g e s a n d c o r n e r s y e l l o wt a b w a s p u l l e d o u t o f t h e c a m e r a r e s u l t ,w h e n y o u p u l l e d t h e y e l l o w t a b ,
m a y n o t d e v e l o p . P u l l t h e y e l l o w t a b a t a n a n g l e . P u l l t h e y e l l o w t a b o u t t h e w h i t e t a b w a s d r a g g e d b a c k i n t o
o u t s t r a i g h ta n d a t m e d i u m s p e e d ,a l l s t r a i g h t a n d a t m e d i u m s p e e d , a l l t h e t h e c a m e r a a n d s p o i l e d t h e p i c t u r e .
t h e w a y ( p a g e s 2 4 , 2 5 ) . way (page s 24, 25). A l w a y s p u l l t h e w h i t e t a b r i g h t o u t o f
tlre camera (page 24).
44 3 5 0View original page 49Page 51 · Read text
PROTECTFILM AND CAMERAFROMHEATwww.orphancameras.comrepair station listed on the next page, or to the nearest
Extreme heat and high humidity can damage your films, authorizedrepair station. This warrantycoversthe camera
especiallyafter the film pack has been placedin the camera. for one year from date of original purchase.
Don't leave a loaded camera or packagesof film lying in The warrantydoes not cover (and chargeswill be made for)
direct sun. Rememberthat the glove or luggagecompart- batteriesor repairs requiredto correct damagefrom battery
ment of a car can get as hot as an oven. lf you slore film or leakage,accident,dropping,mishandling,wear and tear, or
a loadedcamera in a closet, keep it near the bottom where rough or heavy use. Only authorized repair stations have
the air is cooler. Don't removea film pack from its sealedfoil the properly trained staff, and the approved tools, testing
inner wrappinguntil you are readyto use it. equipmentand parts to repairthese cameras. No reimburse-
ment can be made for repairchargesmade by non-authorized
FORMOREINFORMATION repair stations. Tamperingwith the camera, or having it
lf you haveany problemswith the cameraor film that are not repairedby a non-authorizedrepair shop, voids the warranty
explained here, write to CUSTOMERSERVtCE,pOLAROID and chargeswill be made for any subsequentwork that may
CORPORATION,CAMBRIDGE,MASS.02139 or, if you are be required.
overseas' to the nearest Polaroid office (see next page for No liabilityis assumedfor film or flashbulbswhich may
addresses). Send sample pictures with full inforriation be spoiled by a camera failure. Any operating difficulty
and, most important, state what modet camera you have. should be reportedat once to preventneedlessfilm waste.
Please be sure to include a clearly printed or typewritten lf it becomes necessaryto return your camera for repair,
return address. your dealer can do so for you, or you may ship it direct to the
WARRANTY stationits originallocatedprotectivenearestboxto you.for safePacktravel,the cameraand mailcarefit byullypre-in
lf, through any human or machine error at time of manu- paid INSUREDparcel post. Enclosea note describingthe
facture, any part or workmanship in this camera proves reasonforthe return and/or picturesillustratingtheproblem.
defective,we will repair it at no charge providingthe camera lf the problem concernsflash pictures, be sure to return
is shipped by prepaidtransportationto the neaiest polaroid the flashgun with the camera and in the same package.
46 350View original page 51Page 52 · Read text
www.orphancameras.com
CAUTIONIThe Polaroid Land process
uses a caustic jelly which is safely
packedinside sealedcontainerswithin
the metal-plasticpack. lf accidentally
you should get some of this jelly on
your skin, wipe it off immediately. To
avoidan alkaliburn,washthe areawith
plenty of water as soon as possible. lt
is particularly important to keep the
jelly away from eyes and mouth. Keep
discarded materials out of reach of
children and animals,and out of con-
tact with clothingand f urniture,as dis-
cardedmaterialssti ll containsomejel ly.
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From the M. Butkus archive. Original publisher and archive notices are retained.
Check the model and edition against your equipment.
PDF verified 2026-10-10.